Christopher Guest, 5th Baron Haden-Guest, turns 70

Since April 8, 1996, Christopher Guest has been The Right Honourable The Lord Haden-Guest

When the NBC series Saturday Night Live decided to go with more experienced talent in the 1984-85 season, I realized that Christopher Guest was one of the most anonymous-looking actors in show business. Unlike someone with a strong persona, such as Martin Short or Billy Crystal that season, Guest tended to blend in, which can be an asset in an ensemble cast.

I also remember him as the writer (with Eugene Levy)/director/actor in three films I saw in the cinema at the time: Waiting for Guffman (1996) -“an aspiring director and the marginally talented amateur cast of a hokey small-town Missouri musical production go overboard when they learn that someone from Broadway will be in attendance”; Best in Show (2000), about the human personas at a national dog show; and A Mighty Wind (2003), about the reunion of a 1960s folk trio.

These films had largely the same troupe of performers, including Fred Willard, Catherine O’Hara, and Bob Babalan. There was something about the off-kilter sensibilities of these characters that I found, in their mundane absurdity, quite believable. I’ll have to seek out 2006’s For Your Consideration, which I somehow missed.

You might be familiar with Christopher Guest as Nigel Tufnel – up to 11! – the lead guitarist of the rock band Spinal Tap, in the 1984 mockumentary This is Spinal Tap, directed by Rob Reiner. The film was written by Reiner, Guest and the other members of the “band”, Michael McKean (vocalist/guitarist David St. Hubbins), and Harry Shearer (bassist Derek Smalls).

This “fake” band has put out two albums that charted, one the title of the film back in ’84 (#121 on the Billboard charts), and Break Like the Wind, which I will admit to owning, that got up to #61 in 1992, when the movie sequel, which I did not see, came out.

But you probably know him best as the villainous Count Tyrone Rugen, The Man with Six Finger, from the movie The Princess Bride, which the family has seen together at the now sadly closed Madison Theater nearby.

Some biographical info I did not know: “Guest holds a hereditary British peerage as the 5th Baron Haden-Guest.” He has dual British and American citizenship. I did know that he has been married to Jamie Lee Curtis since 1984, but not that they have two adopted children.

December rambling #1: Sheila E. turns big 6-0

Rebecca Jade [the niece], Ashling Cole, Sheila E., Lynn Mabry before taking the stage at the Paramount Theatre of the Arts in Oakland, CA during 60th birthday month of Sheila E., Dec 2017
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What was your favorite episode?

The fantasy of every child — to have unlimited power against grown-ups — is made horrifyingly real.

clete robertsThe evil Tom the Mayor, who I used to like before I realized he was evil, asked:

What was your Favorite episode of MASH? Or Twilight Zone? Or Saturday Night Live? And what was your number one, favorite Movie of all Time? No lists pick one!

Evil, I tell you. But I’ll play along.

MASH: It has to be from the first eight seasons because the last three were retreads.

The Interview (season four, episode 24):

“Larry Gelbart left MAS*H at the end of the fourth season, having helped the show transition from smart-ass tomfoolery to something more frequently somber and daring. Gelbart went out on a series high: “The Interview,” in which real-life reporter Clete Roberts asks scripted questions about life in the Korean War and the cast (mostly) ad-libs responses, in character. Shot in black-and-white, with long takes for the more serious monologues and quick cuts for the jokes, “The Interview” is both unusual and exceptional.”

It was the first of the really oddball episodes used on the show.

Here it is on Vimeo
***
Twilight Zone: one of the two series I own on DVD

Oh, Amy the Sharp Little Pencil, interjected:

Yes, Twilight Zone! Is it the Helen Foley episode, because you went to Binghamton?

No, it’s not Nightmare as a Child from season 1. It’s It’s a Good Life (season four, episode 8):

“The fantasy of every child — to have unlimited power against grown-ups — is made horrifyingly real in 1961’s “It’s a Good Life.” Bill Mumy plays six-year-old Anthony Freemont, a boy with incredible psychic powers who holds everyone around him hostage. It’s sort of like Game of Thrones if little King Joffrey could simply think you out of existence for displeasing him. The adults tiptoe around the kid, but it never really matters, because he’s six, and six-year-olds aren’t particularly rational in the first place. That ever-present sense of menace exuded from the adorable face of Mumy is what makes things work.”

I think I related to this strongly because I was only eight years old at the time. When I watched Billy Mumy in Lost in Space four years later, I still found him a tad scary.

That episode is available on Hulu
***
Saturday Night Live: I watched it nearly religiously for 24 years, much more sporadically subsequently.

William Shatner (season 12, episode eight)

“The late ’80s represent a peak of professionalism; with solid pros like Phil Hartman, Jan Hooks, Dana Carvey, and Jon Lovitz in place and more or less sober, things were running as smoothly as they could be without the show becoming less-than-half live, the way it sometimes seemed to be under Dick Ebersol. These conditions must have been highly amenable to the guest performers, and Shatner used his hosting gig to launch a second (or third, fourth, somewhere in there) phase of his career by publicly announcing that he was in on the joke. He was greatly assisted by the Star Trek convention sketch (‘Get a life!’) contributed by a writer who established himself as one of the most distinctive behind-the-scenes comic sensibilities connected to the show since Michael O’Donoghue: Robert Smigel, whose “TV Funhouse” cartoons were often all that the show had to hang its hat on in the ’90s.”

I seldom thought of SNL as whole shows. Like most people, I do remember specific sketches. “Get a life” was perfect for a guy who worked in a comic book store, and attended conventions; in fact, I would leave FantaCo within a year of this episode. Coincidence?
***
Movie

One can have the “separating the artist from his personal life” discussion ad naseum.

For me, it’s Annie Hall, for reasons explained HERE.
***
Amy also asked:

My question. Hmmmm… OK, which Republican candidate do you think will drop out next? Not the strongest question, but you know me, hee hee hee.

See, I have NO idea why Jim Gilmore or George Pataki even gotten in. I’d have to think Jindal or Santorum go. Walker leaving gives Kasich more reason to stay to get that “centralist” governor vote that won’t support another Bush, though maybe there isn’t an audience, given his sagging poll numbers in New Hampshire.

Lindsey Graham I think wants to stick around until the South Carolina primary. Christie thinks too highly of himself to quit. Paul is enough of an anti-surveillance guy to think he distinguishes himself. Cruz and Huckabee are ideologues who want to stick around if/when Trump folds. And Rubio can fly under the radar as everyone’s second or third pick, and, arguably, most electable.

 

Steve Martin is 70

For better or worse, Steve Martin helped to popularize the air quotes gesture.

Steve MartinYears back, I found it weird and strange that, in some circles, people decided that Steve Martin was not funny because he wasn’t angry enough, was inauthentic, too oblique, or whatever.

This bit from a February 18, 1982, Ben Fong-Torres Rolling Stone Interview, somewhat explains his humor:

“[College] changed what I believe and what I think about everything. I majored in philosophy. Something about non-sequiturs appealed to me. In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, ‘Hey, there is no cause and effect! There is no logic! There is no anything!’ Then it gets real easy to write this stuff because all you have to do is twist everything hard—you twist the punch line, you twist the non sequitur so hard away from the things that set it up.”

Martin further describes the development of his humor in this 2008 Smithsonian interview.

WATCH 1976 Standup Comedy.

Success came early for him, from working as a magician at Disneyland when he was 15 to getting an Emmy as a writer on The Smothers Brothers Comedy Hour when he was 23. He also wrote for the shows of Glen Campbell and Sonny & Cher.

On his TV appearances, on The Tonight Show with Johnny Carson, and, most notably, on Saturday Night Live, which he’s hosted 15 times, he created catchphrases such as “Excuuuuuse Me.” He was one of the wild and crazy guys with Dan Aykroyd, who played a “couple of bumbling Czechoslovak would-be playboys.” For better or worse, Martin helped to popularized the air quotes gesture.

WATCH Steve Martin Has to Leave – Johnny Carson, 1978.

On JEOPARDY! a couple of weeks ago, there was a clue about King Tut, and the contestant mimicked the hand gestures from the Steve Martin song that debuted on SNL, featuring the Nitty Gritty Dirt Band, which only went to #17 on the pop charts in 1978, but ultimately sold a million copies.

WATCH King Tut SNL, 1978 and Live, 1979.

But he really wanted to be in pictures, and I’ve seen him in several films.

1979 The Muppet Movie, as a waiter
1984 All of Me, with Lily Tomlin
1986 Little Shop of Horrors, as the dentist
1987 Roxanne, which he also wrote and executive produced; I was quite fond
1987 Planes, Trains, and Automobiles, by far my favorite John Hughes movie
1989 Parenthood

1991 L.A. Story, for which he was also a writer and executive producer.
1991 Grand Canyon, which has my favorite quote about cinema: “That’s part of your problem: you haven’t seen enough movies. All of life’s riddles are answered in the movies.”
1992 Housesitter
1992 Leap of Faith, as a faux faith healer
1995 Father of the Bride Part II – an awful film
1997 The Spanish Prisoner – a decent drama
1998 The Prince of Egypt (voice)
1999 Fantasia 2000 (introductory host)

2008 Baby Mama
2009 It’s Complicated
2011 The Big Year, about birdwatching

He’s also been writing plays, articles, screenplays, and a very well-received 2007 memoir, Born Standing Up.

More recently, I’ve seen him on TV playing his banjo. In the comedy years, he’d play it mostly as a diversion for the joke. But now he, primarily with the band the Steep Canyon Rangers, has been playing a number of banjo gigs.

WATCH Steve Martin and Kermit the Frog in “Dueling Banjos”, 2013.

He’s won several honors, including the Mark Twain Prize for American Humor, the Kennedy Center Honors, the International Bluegrass Music Association’s Entertainer of the Year, the AFI Life Achievement Award, and an Academy Honorary Award. He became a father for the first time at the age of 67.

WATCH an interview with David Letterman – May 1, 2015.

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