This week, I saw on Steve Bissette’s Facebook feed a story about a Black wheelchair-bound veteran shot in broad daylight on Seattle, WA’s waterfront on July 31. Harold Powell, Sr., was shot in the chest in front of dozens of witnesses. Gregory Timm, 32, is a white man who accused Powell, a 14-year Navy vet, of “stolen valour” and demanded the veteran “show his ID” to prove his veteran status. (The Sun City song, Let Me See Your I.D., about apartheid South Africa, immediately came to mind.)
Powell is recovering, and his family has started a GoFundMe campaign. It notes: “His injuries are serious, and the cost of emergency care, surgery, physical therapy, and long-term recovery is overwhelming.”
It would be easy to dismiss this as an act of one knucklehead. But my brain goes back to history.
The first thing to pop up was the Red Summer of 1919. Black people, especially the black veterans who were proud to wear the uniform when they got back to the States, were targeted for assault and murder. Going back to the Revolutionary War, Black people in the US were eager to prove themselves ‘worthy” of full citizenship by going to battle.
Other black veterans have been killed, not in battle, but in the fight for democracy and human rights.
Ignorance is NOT bliss.
So, I’ve been distressed by the federal so-called DEI cuts, which are based on the theory that the institutions targeted are too “woke.” Under the microscope, per Executive Order 14253, Restoring Truth and Sanity to American History, is the Smithsonian, including the National Museum of African American History and Culture.
The museums are now to “celebrate American exceptionalism, remove divisive or partisan narratives, and restore confidence in our shared cultural institutions.” Just this week, FOTUS groused, “The Smithsonian is OUT OF CONTROL, where everything discussed is how horrible our Country is, how bad Slavery was, and how unaccomplished the downtrodden have been — Nothing about Success, nothing about Brightness, nothing about the Future.”
I should note that I was a charter member of the African American History and Culture Museum and contributed monetarily to it before it was even built, though I did not get there until August 2024, when I spent two days there. The FOTUS assessment is incorrect. There is plenty about success and joy, but he misses the facility’s point. History should be an honest, warts-and-all portrayal.
As a librarian, I was upset by the firing of Carla Hayden, the Librarian of Congress. The rationale was BS. White House spokesperson Karoline Leavitt said, “There were quite concerning things that she had done at the Library of Congress in the pursuit of DEI and putting inappropriate books in the library for children.” Except that the Library of Congress is a research library, and books are used only on the premises by members of the public. Anyone age 16 and older may use the collections. She was fired for being a black woman, just as General Charles Q. Brown, Jr., Chair of the Joint Chiefs of Staff, was canned for being a black guy.
Add to this the attacks on universities, media outlets, etc., not to mention the seemingly random and cruel ICE raids, and I become increasingly distressed. Let’s not Make America More Stupid Again (MEMSA).
Catbird: “When I viewed it again, it looked like a heart that had been run over by a tire, which reflected my yet-unrealized reaction to what DOGE had just started. My conscious mind didn’t know yet, but my hand did. What a revelation!”
Patriotic Millionaires challenge oligarch power with sweeping economic plan: How to Beat the Broligarchs
EFF’s lawsuit against DOGE will go forward. ”Sweeping and uncontrolled access by DOGE agents who were not properly vetted or trained.”
Did you hear Canadians are wearing MAGA hats? There, they mean Make America Go Away
Working to Preserve .Gov Websites. “Web archiving is more than just preserving history—it’s about ensuring access to information for future generations. “
Tuberculosis Is Back in the Spotlight. Does the U.S. Even Care?
Buster Keaton made a silent film AND a talkie … in 1965
Lucille Ball – ‘America Alive!’ 1978 [Interview]. from that, a viral clip: When Lucy said, “Take your hands off her, David.”
Val Kilmer, An Unclassifiable Heartthrob Who Always Had an Edge
Jay North, Child Star of ‘Dennis the Menace,’ Dies at 73. He was best known for playing the towheaded Dennis Mitchell on a sitcom that ran on CBS from 1959 to 1963, which I watched.
Goodbye Park City: Sundance Film Festival Heading to Colorado
Appeals Court Orders Thousands of Voters to Verify Information in Contested N.C. Election. The ruling was a win for the Republican who narrowly lost a State Supreme Court race in November. The case has tested the boundaries of post-election litigation.
His order on voter policy could disenfranchise millions, but multiple lawsuits have already sprung up to challenge it.
Judd Legum on Popular Information: “Musk has set a goal to cut $1 trillion annually from federal spending through DOGE. But his efforts have largely ignored the DoD, according to data compiled by the Musk Watch DOGE Tracker.”
HHS Job Cuts: Entire CDC Team Focused On Infertility And IVF Is ‘Gone’
Not to mention…
States Challenge Trump’s Effort to Dismantle Library Agency. In a lawsuit, 21 state attorneys general argued that the steep cuts to the Institute of Museum and Library Services violate the Constitution and other federal laws related to spending. Call on Congress to Protect Federal Library Funding
Smithsonian’s Chief in the Hot Seat. The executive order demanding change at the institution presents a perilous test for Lonnie G. Bunch III, its secretary, whom the White House calls a partisan Democrat.
‘It’s a shambles’: DOGE cuts bring chaos, long waits at Social Security for seniors. “Elderly and disabled people — and those who care for them — are encountering a knot of bureaucratic hurdles and service disruptions… ‘The system, it’s broken down,’ Veronica Sanchez, a 52-year-old medical practice manager in Canoga Park, said, after calling a Social Security hotline and waiting on hold for six hours.”
FOTUS Is Trying to Axe Collective Bargaining for 1 Million Federal Employees
LA Times: Regime “has issued an order demanding that all national parks remain open amid severe staffing shortages — an action that one conservation group called ‘reckless and out of touch’ as park personnel brace for millions of visitors this summer.
‘I was a British tourist trying to leave the US. Then I was detained, shackled and sent to an immigration detention centre’
Trans Athletes and Tasers & Excited Delirium: Last Week Tonight with John Oliver
Another rupture: Keystone pipeline shutdown threatens fuel prices and exposes pattern of failure
Critic’s Notebook: ‘The Handmaid’s Tale’ and Trump, Reunited
An Experiment in Recklessness: The global trading system is only one example of the administration tearing something apart, only to reveal that it has no plan for how to replace it.
Why Lutnick Displaced Musk As ‘Most Loathed’ Adviser. Lutnick: “The army of millions and millions of human beings screwing in little screws to make iPhones — that kind of thing is going to come to America.”
I don’t make jokes. I just watch the government and report the facts.– Will Rogers
Former President Harry S Truman appeared on Jack Benny’s television show in 1959, when the show was filmed from the Truman Presidential Library in Independence, MO.
Was Binghamton unavailable?
Rhode Island plays a starring role in the forthcoming Rod Serling documentary:
“The state’s Film & Television Office… touted how the Ocean State is playing a starring role in a forthcoming documentary on the life of Rod Serling, the legendary mastermind and iconic narrator behind the pioneering, 1950s and ‘60s science-fiction television series, ‘The Twilight Zone.’
“The film, authorized by Serling’s two daughters, Jodi Serling and Anne Serling, is being produced by Verdi Productions, an East Greenwich, R.I.-based production company. State officials announced… that Leonardo DiCaprio’s company, Appian Way Productions, has also joined the production…
“Although Serling, who died in 1975 at the age of 50, hailed from upstate New York, the documentarians used locations in East Greenwich, Providence, and Wakefield — the village in South Kingstown, R.I. — to help recreate moments in Serling’s life, ‘mirroring the same cinematic black and white style’ of his signature show, officials said.”
On Tuesday, August 5, we took the DC Metro from Alexandria, VA, to the primary goal of the trip, the National Museum of African American History and Culture. I had supported the museum financially since before it opened, but neither my wife nor I had been there. Conversely, our daughter had been there twice before. We ordered tickets online about a month earlier. They were free but scheduled for a specific time of entry.
I won’t describe the first display now because it requires a longer discussion. After I read a book I bought about it, maybe I’ll have a better handle on it.
I spent a lot of time looking at the sports section. It showed how complex the arena was. For instance, world heavyweight boxing champion Jack Johnson fought former champ James F. Jeffries, the “Great White Hope,” in 1910 in “The Fight Of The Century.” After Johnson won, several dozen black people in various communities were killed because white people were rioting in America.
Conversely, Joe Louis needed to give champ James Braddock ten percent of his earnings for a decade to fight Braddock for the championship in 1937, a fight which Louis won.
Reckoning: Protest. Defiance. Resilience. was very powerful. To no surprise, I was intrigued by Musical Crossroads.
How did this get built?
Other aspects of that museum were interesting, including the story of its very existence.
Not coincidentally, just before our trip to DC, a friend gave us a copy of A Fool’s Errand: Building the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump by Lonnie Bunch, the founding director of the facility and now the 14th Secretary of the Smithsonian. After visiting the place, she appreciated the detailed narrative in the book more.
I saw Lonnie Bunch interviewed by Gayle King at the Apollo Theater in NYC in 2019.
Day two
The daughter returned to Albany on Wednesday, but my wife returned to the museum and started literally at the bottom. It is a powerful and occasionally overwhelming history of African Americans in the United States. See how many people were enslaved by European countries.
The year 1808 was significant. ” “Act Prohibiting the Importation of Slaves” took effect in 1808. However, a domestic or ‘coastwise’ trade in slaves persisted between ports within the United States, as demonstrated by slave manifests and court records.” Breaking up families was even more likely.
We ate at the museum both days. Much of the food is quite good, though a bit pricey. To avoid the lines, get there as close as possible to the 11:30 dining opening.
The one minor disappointment was that the signs suggested a centennial celebration of James Baldwin, though the author was well-represented in this and other Smithsonian facilities.
About a week after my wife and I returned from Chautauqua in early August, we, plus our daughter, took the trains down to Washington, DC, to visit museums and do the tourist thing.
The trains went from Albany/Rensselaer to NYC/Penn Station and then from Penn to Alexandria, VA. Alexandria is only one stop from DC’s Union Station, and there’s a layover there, so it was a toss-up whether we should have stopped in DC and then caught the DC Metro. But that would have necessitated schlepping our luggage. We arrived on a Sunday.
We stayed at my MIL’s timeshare, a Wyndham property in Old Town Alexandria. It was pretty decent, and it was convenient to catch both the Amtrak and the DC metro to Washington, specifically the Smithsonian stop on the Blue Line.
We took the Metro to the Smithsonian’s National Museum of African Art on Monday, August 5. Our daughter wanted to go there, but I knew almost nothing about it. It was a very interesting place. The recently installed Benin Bronzes have an exciting history. I particularly liked Before Nollywood… The Ideal Photo Studio. It is about photography in Nigeria before the movie boom of the 1990s.
Above is a picture I took in the elevator of some of the things shown at the museum. Below is a piece called Dwellers in the Space of the Unknown, which intrigued me.
I heard music in the gift shop, which I liked. It was Kids African Party. I find most music for children insipid and boring, but this was entertaining enough for me to purchase.
Museum #2
After a meal at a nearby restaurant, we went to the Hirschhorn Museum. A couple of pieces struck my fancy: a comparison between a 19th-century white artist and a more contemporary black artist.
In this case, it’s two oil on canvas pieces. Mrs. Kate A. Moore (1884), painted by John Singer Sargent (1856-1925), is hung next to Cobalt Blue Dress (2020) by Ghanaian artist Amoako Boafo (b. 1984).
I conversed with one of the young staff members about why one would redo an existing painting. We talked about contextualization. I might compare it with the idea of watching Hamilton and revisiting American history.
I also saw this particular egg tempera on fiberboard item, a piece I did not know. But it reminded me so much of the musical/movie Cabaret that I assumed it was created in the 1930s. It is George C. Tilyou’s Steeplechase Park (1936) by Reginald Marsh (1898-1954).
The most fascinating room is Four Talks, designed by musician and artist Laurie Anderson. I don’t recall the raven, parrot, or canoe, but the room is still oddly disorienting but fascinating.
Greenery
Then we walked on a hot day in DC, probably in the 90s (32+C). We went past the Dwight D. Eisenhower Memorial to the United States Botanic Garden. Two things: I had gone there in 1998 when I tried out for Jeopardy in DC, and I always thought it was the Botanical Garden.
Across the street from each other are two different gardens and a building with various kinds of plants, some climate-controlled. The place had a powerful environmental message; it was where I dropped off my recyclable but not returnable water bottle.
At one display, patrons were asked about food, specifically what food reminded them of home. Mine were pork chops, mashed potatoes, and peas from growing up.
We Return Fighting: World War I and the Shaping of Modern Black Identity is a physically beautiful book. It was published by The Smithsonian National Museum of African American History in 2019. It was a century after black soldiers returned from the war overseas only to fight a different type of battle at home.
One of the ongoing themes in the tome is the fact that black soldiers served the United States, in part, to try to prove yet again their worthiness as citizens. As in most previous conflicts, black soldiers were assigned to segregated units. They were often relegated to support duties rather than direct combat, at least at first. Given the opportunity, though, they often shone as warriors, even underequipped.
Specifically, in WWI, blacks in the military received the respect they deserved from French allies but not their US comrades. This disconnect incentivized them to return to the states and continue the fight for their rights. Black soldiers and black citizens on the home worked to lay the framework for advances in the civil rights movement.
There are scads of photos and illustrations of significant people and artifacts. In other words, it is the history of the black soldier from the Civil War forward. We read also about the horrific Red Summer of 1919 when black veterans were particularly targeted by the Ku Klux Klan and other racist entities. The war and its aftermath shaped African American identity.
Over There
An interesting paradox for me: the book discussed World War I broadly far more than I expected or was especially interested in. Yet I learned a great deal about the great world war. Notably, it was the event that first made the United States a world power.
The book appears to be an outgrowth of the We Return Fighting exhibit at the NMAAH that closed on September 6, 2020. But you can still see elements of that show. I am a founding contributor to this museum, and I hope to visit it someday. My daughter, BTW, has been there twice.
Incidentally, there was a 2002 book called We Return Fighting: The Civil Rights Movement in the Jazz Age by Mark Robert Schneider. I have not seen it.