Book review: We Return Fighting

Shaping African American identity.

We Return FightingWe Return Fighting: World War I and the Shaping of Modern Black Identity is a physically beautiful book. It was published by The Smithsonian National Museum of African American History in 2019. It was a century after black soldiers returned from the war overseas only to fight a different type of battle at home.

One of the ongoing themes in the tome is the fact that black soldiers served the United States, in part, to try to prove yet again their worthiness as citizens. As in most previous conflicts, black soldiers were assigned to segregated units. They were often relegated to support duties rather than direct combat, at least at first. Given the opportunity, though, they often shone as warriors, even underequipped.

Specifically, in WWI, blacks in the military received the respect they deserved from French allies but not their US comrades. This disconnect incentivized them to return to the states and continue the fight for their rights. Black soldiers and black citizens on the home worked to lay the framework for advances in the civil rights movement.

There are scads of photos and illustrations of significant people and artifacts. In other words, it is the history of the black soldier from the Civil War forward. We read also about the horrific Red Summer of 1919 when black veterans were particularly targeted by the Ku Klux Klan and other racist entities. The war and its aftermath shaped African American identity.

Over There

An interesting paradox for me: the book discussed World War I broadly far more than I expected or was especially interested in. Yet I learned a great deal about the great world war. Notably, it was the event that first made the United States a world power.

The book appears to be an outgrowth of the We Return Fighting exhibit at the NMAAH that closed on September 6, 2020. But you can still see elements of that show. I am a founding contributor to this museum, and I hope to visit it someday. My daughter, BTW, has been there twice.

Incidentally, there was a 2002 book called We Return Fighting: The Civil Rights Movement in the Jazz Age by Mark Robert Schneider. I have not seen it.


Lonnie Bunch III: A Fool’s Errand

Creating the National Museum of African American History and Culture

A Fool's ErrandI got an email notice in mid-August. Gayle King, from CBS News, and Lonnie Bunch III were going to discuss Bunch’s new book, A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump.
It would be at the legendary Apollo Theater in New York City, a legendary venue I had never been to. And it was free. On October 1, I took the 12:10 Amtrak train from Albany/Rensselaer down to Penn Station on 34th Street. The #2 subway to me to 96th Street, with the hotel I stayed at less than a block away.

Around 5:30, I decided I’d better leave for the 7:30 gig. I took the subway to 125th Street and walked the block and a half to the Apollo. After purchasing and eating a sausage sandwich from a street vendor, I went to the theater. There was already a line, though it was only 6 pm.

Hey, I have a ticket, so I’ve got time. I wandered around the neighborhood. The percussionists were playing in front of the Adam Clayton Powell Jr. governmental building. 45 minutes later, the line had only grown by about a dozen people.

I got a decent seat on the aisle at about 7. But the show didn’t start until about 7:45 when Gayle King came out on stage. She introduces a three-minute video about the African American museum. Then she introduces the man who, in June 2019, was named the head of ALL the Smithsonian museums, libraries, the National Zoo and more.

Lonnie Bunch III

Lonnie Bunch was born to the Smithsonian. New Jersey-born, his family traveled down to North Carolina to see family. Lonnie’s father made excuses for why they couldn’t stop at some of those Virginia museums. But they stopped in the various Smithsonian museums because they were safe and welcoming places for everyone.

Creating the new museum was a tremendous amount of work for over a decade. It was important to him and others that it be located on the national mall, not plopped in some out-of-the-way geography. He received contradictory advice, that the museum should highlight the holocaust that was slavery, and that he should not mention black bondage in America at all. He opted for inclusion.

Bunch endured a lot of work, not always fruitful. One major company asked for a meeting with him, made him wait for a couple of hours. Then the corporate representative acknowledged that they weren’t REALLY interested in contributing anything. Bunch decided to avoid the newspaper headline, “Smithsonian director punches out executive.”

Even when successful, it was a tough process. To bring in a Jim Crow railroad car was a logistical nightmare; one did not want to blow up DC.

The museum was interested in getting Chuck Berry’s guitar. He was willing to throw in his car too, which Lonnie didn’t get, but his staff did. Berry wanted to renege on the deal when he discovered Bunch worked for the federal government, which he doesn’t trust. But Bunch’s aide sealed the deal when, at Berry’s insistence, he ate 13 ice cream sandwiches.

Miles and miles

National Museum of African American History and Culture
Much of what was added to the collection came from items from people’s attics and basements. At someone’s suggestion, Bunch pitched the museum as a sort of African-American Antiques Roadshow, with the “appraised value” measured in historical, not monetary value.

One man in Philadelphia had 33 pieces, mostly previously unknown objects in the life of Harriet Tubman. The guy would punch Bunch every time he offered a piece. How much did the man want for the collection? “Shake my hand and it’s yours.”

The director learned to hate traveling. He made 497 trips in ten years, some for fundraising, others for adding to the collection. He got an eight-dollar shoe shine in Dallas once, and the proprietor said, “Give the money to the museum.” Lonnie objected, but the man said, “Don’t be a jerk.”

Bunch had wanted President Obama to do the ceremonial first shoveling. Obama’s staff insisted that the President “doesn’t do digging.” He actually would have. After that, Barack and Lonnie communicated directly. Obama supported the project, in part because of what it would mean to his two daughters. Lonnie wondered what A Fool’s Errand it would have been had the museum opened in 2017 rather than 2016.

At the dedication, musician George Clinton performed. He was, unsurprisingly, taking an illegal substance. There was a LOT of security around, Lonnie mentioned. But George can’t perform without it. The headline “Smithonian director arrested for drug possession” was somehow avoided.

Open for business

The National Museum of African American History and Culture has been very successful in its three years, with about 8000 people visiting each day, and more on weekends. Though the museum is free, it requires tickets so that people aren’t waiting in the hot sun all day.

The tickets can be hard to get. A woman claimed to be his girlfriend in the 7th grade. He remembers who he liked then – “Joanne!” But it was such a “good lie” that he got the woman tickets anyway.

People see attending as a pilgrimage. About a third of the attendees had never had been to another museum before. There are about 3500 items on display at any time, out of 40,000. Some artifacts go out on loan to other museums. The goal is to “help the country to find itself.”

A woman in the museum told her son about Medgar Evers, the slain civil rights leader. Another woman thanked the mom, who demurred that she was just telling the history. The other woman revealed that she was Medgar’s daughter.

Bunch became good friends with the mother of Emmett Till. After the museum, which holds his remains, she told Lonnie that he needed to carry on Emmett’s legacy; two days later, she died.

An American story

When the museum was completed, Lonnie Bunch III cried. He never wanted to quit, though. There’s a picture of a formerly-enslaved woman holding a hoe that he has in his office. He figures if she can persevere, so could he. As someone put it to him, the goal is to make his ancestors smile.

My goals are two: to buy and read the book A Fool’s Errand, and to visit the museum. For while I’ve been a charter member of the facility, I’ve never been there. My wife has never been there. My daughter has, and she’ll be returning next year; I’m a tad jealous.

J is for scientist Joseph Henry

Joseph Henry created a program to study weather patterns in North America, a project that eventually led to the creation of the National Weather Service.

Joseph Henry (December 17, 1797 – May 13, 1878) was born in Albany, New York, to William and Ann Henry, two immigrants from Scotland. “In 1819 he was persuaded by some influential friends to pursue a more academic career, he entered Albany Academy, where he was given free tuition. He was so poor, even with free tuition, Joseph Henry had to support himself with teaching and private tutoring positions.”

Henry excelled academically. He “discovered the electromagnetic phenomenon of self-inductance,” which I shan’t attempt to explain, but it’s a big deal.

“The SI [international standard] unit of inductance, the henry, is named in his honor. Henry’s work on the electromagnetic relay was the basis of the practical electrical telegraph.”

After teaching at the precursor of Princeton University, and excelling as a scientist, he became the first Secretary of the Smithsonian Institution, always working “tirelessly to support the field of American science.”

“Henry focused the Smithsonian on research, publications, and international exchanges. The system of international exchanges begins in 1849, with the Smithsonian providing a clearinghouse function for the exchange of literary and scientific works between societies and individuals in this country and abroad. Also by 1849, he created a program to study weather patterns in North America, a project that eventually led to the creation of the National Weather Service.”

The Albany (NY) School District science fair is named after Joseph Henry.

See the glass window? I view it almost every week, as it is a Tiffany creation, found in the Assembly Hall of First Presbyterian Church of Albany. Mr. Henry was baptized in the church, albeit in an earlier building.

Here is a memoir of Joseph Henry by Simon Newcomb, read in 1880, shortly after his death in his quarters in the Smithsonian Castle in Washington, DC.

ABC Wednesday – Round 19

June rambling #1: love and math

Nation Wishes It Could Just Once Be Reminded Of Preciousness Of Life Without Mass Shooting.

Get Visual: On passing.

Everything Doesn’t Happen For A Reason.

NY Gov. Cuomo signs “unconstitutional, McCarthyite” pro-Israel exec. order punishing BDS boycott movement.

Chuck Miller: The Blackbird: 2006-2016.

John Oliver: Debt Buyers.

Dan Rather on a free press.

Dear Journalists: For the Love of God, Please Stop Calling Your Writing “Content”.

A Progressive Agenda to Cut Poverty and Expand Opportunity.

Meditations of an Anxious Baker.

Christine Baxter: We Are Singing For Our Lives. The sights of her experience at the United Methodist General Conference.

Love and math.

New Yorker: Frog and Toad: an amphibious celebration of same-sex love. “Arnold Lobel… was born in 1933 and raised in Schenectady, New York.”

A Long-Lost Manuscript Contains a Searing Eyewitness Account of the Tulsa Race Massacre of 1921, a topic I wrote about here.

Arctic greening not a good thing; low-income assistance doesn’t make people lazy. And Senator Tom Cotton (R-AR) is a schmuck.

Having It All Kinda Sucks. “Only women would sign up for this much crap.”

Jaquandor is dee-you-enn with the first draft of another book.

8 Important TV Shows That Were Lost Or Destroyed.

Bruce Dern, at 80, Reflects on His Career, Working With Clint Eastwood and Alfred Hitchcock.

Deconstructing Comics Podcast: #500 – Stephen Bissette: Comics, Movies, and Creator Credits.

Trouble with Comics #40: Party All the Time.

Bats In The Bedroom Can Spread Rabies Without An Obvious Bite, something I learned firsthand.

Your Ramadan beverage.

Period. Full Stop. Point. Whatever It’s Called, It’s Going Out of Style.

Now I Know: Watching What You Say and Decipher This and The Land Down Under in the Land Down Under and How to Take Turns, International Treaty Edition.

Peter Shaffer Dies at 90; Playwright Won Tonys for ‘Equus’ and ‘Amadeus’. Pronounced SHAFF-er. Amadeus: Peter Shaffer’s Enduring Portrait of Genius (and Mediocrity).

Gordie Howe, hockey legend, R.I.P. at 88. Howe played more than 1,700 games in the NHL and scored more than 800 goals. He was widely known as “Mr. Hockey.”

Irv Benson, R.I.P. at 102.

SamuraiFrog answered a bunch of questions from me, including about the Cincinnati Zoo.

Muhammad ALI

Pentagon learned from the epic mistake of making a martyr of the world’s most gifted and famous athlete.
Cassius Clay sings Stand By Me.

Remembering Cleveland’s Muhammad Ali Summit, 1967. Bill Russell, Jim Brown, Lew Alcindor and others.

World Heavyweight Champion of Peace, Justice and Humanity.

Ali Understood the Racist Roots of War and Militarism. And he called them out fearlessly.

The Political Poet.

How Muhammad Ali helped Tavis Smiley heal a father-son rift.

The champ on That’s Incredible.

Man and Superman.

Muhammad Ali’s other big fight.

The 1996 Olympics.

When Muhammad Ali fought at the Washington Avenue Armory.

‘Ali! Ali!’: The Greatest is laid to rest in his hometown.

Pieces by Dustbury and Ken Levine.

A bunch of articles from Slate, including Billy Crystal’s Homage at the Champ’s Memorial. Plus Billy Crystal’s Muhammad Ali tribute – 15 Rounds (1979).

Muhammad Ali documentary ‘When We Were Kings’ to screen at Madison Theatre in Albany 6/23.


Big Daddy’s new video is a mash-up of “New York, New York” with classic Doo-Wop styles of the 1950s…most notably “Blue Moon” by The Marcels.

Marcia Howard: A voice from the past brings the past to The Voice.

Carpool Karaoke with James Corden, Lin-Manuel Miranda, Audra McDonald, Jane Krakowski, and Jesse Tyler Ferguson.

Lin-Manuel Miranda Freestyles about RAMEN.

Classic guitar riffs.

Bobbie Gentry and other classic music photographs from the BBC archive.

Paul McCartney talks about the early days.

As Dustbury knows, this IS bad: Court Says Remastered Old Songs Get A Brand New Copyright.

Now I Know: Faking Fakin’ It.

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