My wife, my daughter and I enjoy the musical Hamilton. But we can also appreciate a bit of a takedown of the phenomenon. Spamilton: An American Parody fits the bill. My family saw it on a Saturday night at Proctors Theatre in Schenectady. I was attending a library gala at the time, so I went on the previous Thursday.
The first song made it clear that it was Lin-Manuel Miranda who would be the target of many of the jokes. And, according to the program, a skewering was allowed by Manuel and his co-creators.
The bulk of the ninety minutes were played by five actors. Jared Alexander played Daveed Diggs, who played Lafayette and Jefferson in the original cast. Datus Puryear was Aaron Burr and the actor who played him, Leslie Odom, Jr. Rendell DeBose played various other characters, from Ben Franklin to Annie. Adrian Lopez is a ringer for a younger Lin-Manuel.
Paloma D’Auria played ALL of the leading ladies, sometimes with puppets. She also portrayed many of the divas of Broadway. Brandon Kinley only played King George III and one other role.
Not every setup worked. But the piece, created, written, and directed by Gerard Alessandrini, was so full of ideas that it barely mattered. The energy and talent of the five primary players were astonishing for ninety minutes, with no intermission.
The New York Times review calls Spamilton “convulsively funny”. The Huffington Post raves “you don’t have to see Hamilton to have side-splitting fun at Spamilton.” True, but it DOES help to be at least familiar with the Tony-winning musical. Here’s a preview clip. The show will be in Kansas City, MO, and Greenville, SC, in the coming weeks.
Incidentally, my wife and I also attended a lecture on September 29 at Siena College. Hamilton: How the Musical Remixes American History by Richard Bell, a history professor from Maryland was presented by the Albany Institute of History and Art.
Bell is a HUGE fan, yet he noted the shortcomings of Miranda’s work, notably the role that women played. She suggested that Hamilton failed the Bechdel Test in that the women in it who talk to each other, mostly talk about a man, the named character. It may be an overly simplistic metric, but it is a tool.