Melancholy Quintet of Songs

All you people who complain about all those sappy, romantic songs, these are for you

On Valentine’s Day, people are always playing these lovey-dovey songs. It being roughly six months from that holiday, I thought I would link to some of those songs I used to play when I broke up with someone. Haven’t done that in well over a decade, fortunately, yet the songs themselves still make me melancholy. It’s strange how music still holds its sway.

The Supremes – Remove This Doubt. You may know this from the Elvis Costello cover, but the original is from one of my favorite Motown albums of the 1960s, The Supremes Sing Holland-Dozier-Holland. Funny thing that most of the time in their hit period, they WERE singing H-D-H.

Aretha Franklin – Sweet Bitter Love. From Aretha’s Columbia Records period. I also have the Roberta Flack version, but QoS’ version is better.

Jane Olivor–My first night alone without you. Also, have the Bonnie Raitt version. Got the Olivor version by accident, with someone giving me the “wrong” birthday present. But I never corrected it.

Roberta Flack – Gone Away. On my top 10 song list.

Lorraine Ellison – Stay with me. Among others, Bette Midler recorded this. The Ellison version I found on a Warner Brothers lost leader album, though memory suggests it was first recorded on Mercury Records.
Description; lyrics; recording.

So all you people who complain about all those sappy, romantic songs: these are for you. And here’s some advice on how not to get your heart broken.

Picture courtesy of The Bad Chemicals.

S is for Songs from the classics

This swing version of the Lizst rhapsody was a major influence on several aspiring arrangers, including Billy Strayhorn and Billy May.


When I was 11 or 12, I took piano lessons for a little over a year. I wasn’t very good, though I did practice. I will say that it was useful for singing. My piano teacher was Mrs. Hamlin, the organist at my church at the time, who was like family; her parents were my godparents, and her sister’s son was my parents’ godson.

One day, I was laboriously trying to play the Bach Minuet in G, which, incidentally, I had danced to in second grade. Mrs. Hamlin said, “It’s like A Lover’s Concerto by the Toys.” At that very moment, I had no idea what she was talking about, though, of course, now I do.

Actually, I first owned A Lover’s Concerto as a cover version by the Supremes on their I Hear A Symphony album, which also contained their version of Stranger in Paradise from the 1953 musical Kismet, which poached Alexander Borodin’s Polovtsian Dances from Prince Igor.

As it turns out, there are a LOT of pop songs that are based on classical music. Some are very obvious, such as Nut Rocker by B. Bumble and the Stingers, based on Tchaikovsky’s “March of the Wooden Soldiers” from The Nutcracker, or a couple songs from the Saturday Night Fever soundtrack, A Fifth of Beethoven by Walter Murphy, and Night on Disco Mountain by David Shire, the latter based on Mussorgsky.

Others may be more subtle. The J. S. Bach piece O Sacred Head, Now Wounded could be the musical inspiration for American Tune by Paul Simon.

Here’s a lengthy list of songs from the classics, which, of course, are in the public domain, and, as such, are not subject to copyright restrictions. This list is slightly shorter but is more in-depth. There are a half dozen songs here, but there are samples of each version.

The one example I found on no list was The Hungarian Rhapsody #2 by Liszt (heard here) which “was also the basis for a popular song, ‘Ebony Rhapsody’ by Sam Coslow and Arthur Johnston, introduced in the 1934 film Murder at the Vanities. In the film, it was played by Duke Ellington and his Orchestra, who also recorded it. This swing version of the rhapsody was a major influence on several aspiring arrangers, including Billy Strayhorn (who later became Duke Ellington’s composing partner) and Billy May (who later recorded ‘Ebony Rhapsody’ with Nat King Cole).

ABC Wednesday – Round 8

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