television Archives - Page 14 of 44

WNBF-TV: one channel, four networks

I seem to recall the ABC show Lawrence Welk on Saturday night at 6 or 6:30; it nationally aired at 9 pm that night.

When I went to college in New Paltz in 1971, most of my classmates were from New York City or Long Island. They were shocked that we in upstate Binghamton did not have the array of television stations they had.

In fact, when WNBF-TV, channel 12, signed-on December 1, 1949 it “carried programs from all four American television networks at the time -CBS, DuMont, NBC, and ABC.

DuMont collapsed in 1956. The first new UHF station arrived in Binghamton on November 1, 1957 with WINR-TV, channel 40, an NBC affiliate. So when I was a kid, Channel 12 had both CBS and ABC shows.

Here are TV listings from Wednesday, Nov. 11, 1959. Left-hand column is WNBF-TV 12, right-hand is WINR-TV 40. The listings start at 6:00 pm and every line usually represents 15 minutes.

Bourbon Street Beat was an ABC show, airing most places on Monday, 8:30-9:30. GE Theater was a CBS show, airing in NYC Sunday a 9 pm. Tightrope was pegged by CBS for Tuesday at 9 pm. At least I’ve Got a Secret was a CBS show on at the right time.

Similar listings of the next day, Thursday, Nov. 12, 1959. (Ch. 12 on left, Ch. 40 on right).

The Donna Reed Show, The Real McCoys, and Pat Boone were Thursday night ABC shows in 1959 at the same time slots as indicated; the Real McCoys became a CBS show near the end of its run. I wonder if The Betty Hutton Show, Johnny Ringo, and Dick Powell’s Zane Grey Theater showed up in another time slot.

While the Wikipedia said Channel 40 also carried ABC shows, these listings were consistent with the national NBC lineup. Except one: The Lawless Years was bumped for a syndicated show called Colonel Flack.

I seem to recall the ABC show Lawrence Welk on Saturday night at 6 or 6:30; it nationally aired at 9 pm that night. Did Channel 12 record to broadcast a week later? How did this work?

I remember that other ABC shows, Maverick, The Rifleman, Ozzie and Harriet, and 77 Sunset Strip were on when I was a kid. Did they preempt the CBS shows? Were they on in time slots before prime time, or on Saturday or Sunday afternoons? Sports didn’t dominate the schedule then. Or maybe even at 11:30 pm.

Here’s a video of the Thursday night lineup in the fall of 1959.

I realize this sounds pretty obsessive, and it is. Next time I’m in Binghamton, I want to look at some microfilm showing the rosters of shows on Channel 12 in September 1962, then in November 1962, when WBJA, Channel 34, became the official ABC affiliate. Not incidentally, all of the call letters have changed, some more than once.

I’d be just as curious about the same phenomenon in Albany/Schenectady if I had grown up there. In fact, one of the very first blog posts I wrote was about the Plattsburgh, NY/Burlington, VT television market in 2005.

I used for the season’s daily charts The Complete Directory to Prime Time Network and Cable TV Shows by Tim Brooks and Earle Marsh (2007).

Thanks to folks on a couple Facebook lists, especially Keith Nelson, who provided the graphics. I also greatly appreciated the kind words people said about McKinley Green, my grandfather, who was a custodian at WNBF for many years.

Pop hits of Doris Day and… Peggy Lipton?

The Doris Day Show , The Mod Squad both on 1968-1973

Every obituary I saw and read mentioned the singing career of Doris Day. At least one noted that of Peggy Lipton, who died in the same three-day span in May 2018.

Doris Day had numerous top 40 hits between 1947 and 1958. Growing up, I knew her better for her 1968-1973 sitcom on CBS.

Peggy Lipton, of course, was on ABC’s The Mod Squad, which I watched religiously at least in the first three seasons, during that very same time period. Her music career was somewhat less successful.

Doris Day –

Love Somebody (with Buddy Clark), #1 for five weeks in 1948

It’s Magic, #2 in 1948, from the film Romance on the High Seas

My Darling, My Darling (with Buddy Clark) – #7 in 1948, from the Broadway musical Where’s Charlie

Again, #2 for two weeks in 1949, from the movie Roadhouse

Shanghai, #7 in 1951

A Guy is a Guy, #1 in 1952 – originated as a British song, “I Went to the Alehouse (A Knave Is a Knave),” dating from 1719. During World War II, soldiers sang a bawdy song based on “A Knave…” entitled “A Gob Is a Slob.” Oscar Brand cleaned up the lyrics, and wrote this song based on it. Accompanied by Paul Weston’s orchestra

Sugarbush (with Frankie Laine), #7 in 1952. Featuring the Norman Luboff Choir and Carl Fischer’s orchestra

Secret Love, #1 for four weeks in 1954, from the film Calamity Jane

If I Give My Heart To You (with the Mellomen), #3 in 1954

Peggy Lipton –

Stoney End, #121 in 1968

Lu, #102 in 1970

Wear Your Love Like Heaven, #108 in 1970

But I discovered that Peggy Lipton had a role in a significant recording. On the commentary track for Michael Jackson’s Thriller, the late Rod Templeton noted that he had written the “rap” for the title song.

He was trying to get a “name” artist such as Vincent Price to do the bit on the song. Quincy Jones told him that Q’s then-wife, Peggy Lipton was actually friends with Price. So the collaboration came to pass.

Book review: Love, Lucy by Lucille Ball

Ginger Rogers’ mother Lela became a stage mom to Lucy and many other aspiring actresses.

The book Love, Lucy by Lucille Ball I actually read last summer, on a transcontinental flight from Newark to San Diego. I meant to write about it then, but forgot. Now it’s nearly thirty years since Lucy died, so I guess it’s time.

If you don’t know, Lucy was the star of the most popular situation comedy in the US in the 1950s, I Love Lucy. She had successful programs in the 1960s as well, The Lucy Show/Here’s Lucy.

The existence of the book is a tale of its own. After Lucy died on April 26, 1989, her children, Lucie Arnaz and Desi Arnaz, Jr., were tasked with wading through artifacts. Lucie came across a 300-page manuscript written by her mother c. 1964.

Most people, including Lucy’s closest friends, didn’t know about the existence of this work at all. Perhaps she didn’t want to share it because her portrayals would hurt her then-ex-husband Desi Arnaz. But he had died in 1986, so the book was published in 1996 and became a best-seller.

The details were astonishingly precise, starting with her birth on August 6, 1911, in her grandparents’ apartment in Jamestown, NY, in the southwest corner of the state. She had many challenges growing up, including her father dying at age 28 when she was not quite four.

She was raised by an extended family, including her beloved grandfather, who everyone called Daddy. Later, there was an what she thought was a legal injustice borne by Daddy which affected Lucy’s viewpoint throughout his life.

Lucy took almost any job in New York City: showgirl, extra in Broadway and road shows, modeling coats and dresses, posing for illustrators. It was as a “Chesterfield (cigarette) girl” that first got her to Hollywood.

Ginger Rogers’ mother Lela became a stage mom to Lucy and many other aspiring actresses. “Lela was the first person to see me as a clown with glamour.”

Many more tales were shared before she met this Cuban musician and band leader named Desi. They fell hard for each other, and married rather quickly after they met.

Keeping their marriage together, though, was challenging, as they were both on the road separately a lot. I Love Lucy, in part, was born from addressing that need.

If Lucille Ball, or her TV roles are interesting to you, or if you’re just trying how one young woman worked hard to make it in show biz, I highly recommend Love, Lucy.

Ken Levine: The History of Sitcoms podcast.

What’s My Line? game show (1954), Lucille Ball as mystery guest.

Favorite stars in television and movies

Who is your favorite friend that you met in 1977 at a Halloween party in New Paltz?

Cate Blanchett The evil Tom the Mayor, who I know from FantaCo wants to know: Who is your all-time favorite Movie Star, Male and Female, one only apiece? Also Favorite TV Stars, same rule, one apiece.

First off, the line between television and film has blurred tremendously. You find performers easily bouncing between the two media. But OK.

Movie star (male): after considering Mark Ruffalo and George Clooney, I ended up with Denzel Washington. He’s the actor who I’ve seen both early on and relatively recently: Cry Freedom (1987), Glory (1989); Mississippi Masala (1991); Malcolm X (1992); Philadelphia (1993); The Pelican Brief (1993); Crimson Tide (1995).

Also, Devil in a Blue Dress (1995); The Preacher’s Wife (1995); The Hurricane (1999); Remember the Titans (2000); The Manchurian Candidate (2004); Unstoppable (2010); and Fences (2016). There were two or three others I might have caught if I had had the time.

Movie star (female): ignoring Streep, for cause: Cate Blanchett, who often disappears into her roles. I’ve seen her in Oscar and Lucinda (1997); Elizabeth (1998); The Talented Mr. Ripley (1999); The Lord of the Rings: The Fellowship of the Ring (2001); The Shipping News (2001); Notes on a Scandal (2006); Elizabeth: The Golden Age (2007); Blue Jasmine (2013); Cinderella (2015); Carol (2015); and Ocean’s Eight (2018).

TV star (male): the late James Garner, who played two iconic roles, Bret Maverick in the western Maverick, and private detective Jim Rockford in The Rockford Files. He also became the father figure in 8 Simple Rules after John Ritter died and lasted longer – a couple seasons – than any show losing its protagonist normally would.

TV star (female): excluding Betty White, I’ll go with the late Mary Tyler Moore, who was Laura Petrie in the Dick Van Dyke Show, a series I have on DVD. Then she was Mary Richards on her eponymously-named show.

Huh, I answered a similar question almost nine years ago.

Another question, this from Judy: Who is your favorite friend that you met in 1977 at a Halloween party in New Paltz?

That was a REALLY long time ago. You don’t expect me to remember that far back, do you?

Director/actor Penny Marshall, R.I.P.

Penny Marshall appeared in Paul Sand in Friends and Lovers (1974-1975), a TV show that only about 14 people, including me, even remember.

The first regular gig Penny Marshall got on television was as Myrna, the secretary of Oscar Madison (Jack Klugman) on The Odd Couple (1972-1974), a program I watched religiously. The late Garry K. Marshall, Penny’s brother, adapted the Neil Simon play for the small screen and cast Tony Randall as Felix Ungar.

I loved Myrna. Penny Marshall explains how she got the role and that distinctive laugh. Rob Reiner, her husband at the time, who played Mike “Meathead” Stivic on All in the Family, was a guest star in this 1974 episode (sound quality so-so).

Then she appeared in Paul Sand in Friends and Lovers (1974-1975), a TV show that only about 14 people, including me, even remember.

Penny shows up in a couple episodes (1975-1976) of the immensely popular Happy Days as Laverne DeFazio, a date for the Fonz. Garry created, produced, directed and scripted that show, and then Laverne and Shirley, a successful spinoff also starring Cindy Williams as Shirley. “During the late ’50s and early ’60s they worked as bottlecappers for Shotz Brewery in Milwaukee.” By the time their characters moved to Hollywood, I had stopped watching.

L and S was a family affair. Ronny Hallin, their sister, served as the show’s casting director, and Anthony Marshall, their father, produced as well. Penny Marshall directed four episodes of the series (1979-1981).

She went on to direct a string of movies. I’ve never seen Jumpin’ Jack Flash (1986) with Whoopi Goldberg. But I watched Big (1986) with Tom Hanks; Awakenings (1990) with Robert De Niro and Robin Williams; and A League of Their Own (1992) with Hanks, Geena Davis, and Madonna, all originally in the movie theater.

Two films, in particular, contain iconic scenes. Big features Hanks and the late Robert Loggia playing piano in FAO Schwarz. And A League of Their Own, which revealed to America a piece of its own hidden history, There’s No Crying in Baseball, with Hanks and Betty Schram.

I also watched 1996’s The Preacher’s Wife, with Whitney Houston, on TV at some point.

Schram said that Penny Marshall “broke barriers as one of the first great women directors/ She really had a knack for picking material, finding the right talent and making a hit. Her instincts were impeccable. She was a true pioneer for women.”