Watching that TV show again

There is even research to suggest that re-watching television shows is good for you.

good-wife-the-second-season-dvd-coverOne of the joyous experiences I have had recently is periodically watching episodes of the Dick Van Dyke Show (1961-1966) with The Daughter. I bought the complete five seasons a couple of years and we’re down to the last half dozen of 158 episodes. It’s interesting watching what she finds funny, or mystifying. I’m also fascinated by what programs I remember very well (the Christmas show early on, the ventriloquist Paul Winchell near the end), and others not so much. Mark Evanier has been revisiting the classic show too.

In some ways, I’m like this columnist who sometimes would rather re-watch a program she enjoyed, rather than venture out and try new stuff, even though there is a lot of quality stuff out there (The Wire, Mad Men, Breaking Bad) I’ve never seen. Especially, as she does (and I don’t) when she binge-watched it in the first place. Of The Good Wife, one of the few shows I now watch regularly, she notes:

I’d binged… on some excellent series… But by the time I was finished with “The Good Wife,” I was spent. No more new characters, please. No more new cliffhangers. I needed some consistency and predictability in my life.

A better person than I would have seen my exhaustion as a sign that it was time to finally read “Middlemarch.” Instead, I re-watched all of “The Good Wife” and made a discovery: It was better the second time around. No need to gobble up an episode just to get on to the next. One episode, maybe two, in an evening, and then sleep.

I already knew what Peter Florrick was up to, how things would play out with Alicia and Will. Free from the suspense, I could savor the subtleties of dialogue and acting, marvel at how much I’d missed in my initial mad dash from episode to episode.

In exchange for the adrenaline of the first watching, I got the comfort of the re-watching. It was like hanging out with old friends: predictable, but not without pleasure and surprise…

My survey of friends suggests that a lot more people are re-watching shows rather than hopping from series to series without a breather.

There is even research to suggest that re-watching shows is good for you. A couple of years ago, a researcher at the University at Buffalo’s Research Institute on Addictions published a paper claiming that watching a rerun of a favorite show – not just any show, but one you like – gives you a mental boost. Human beings seek novelty, but we also crave familiarity.

Yes, she points out something I feel may be true, but since I don’t do myself, I cannot verify: you miss out on the subtleties when you binge-watch.

This clip of the congregation in The Simpsons singing an I. Ron Butterfly hymn still makes me chuckle, more than 20 years later.

One of the shows I used to watch religiously was MASH. Indeed, I liked it so much, I’d often watch the summer reruns. But somewhere about season 8, I stopped watching the reruns. This article by Ken Levine, who wrote for the show in the later years, touches on why; they started, generally inadvertently, recycling plotlines. Why would I need to watch the rerun when the story itself was being replicated?

Also, the chronology of the stories was too incredible; Trapper in a story referencing 1952, a Winchester story mentioning Christmas 1951. I’ve long thought the show should have ended when Radar went home early in season 8, though there were some great episodes after that, such as Dreams.

So, I’ll catch an occasional random MASH episode, but there’s no compulsion on my part to watch it in order.
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Lost Cartoon Pilot: “Black, Kloke & Dagga” (1967) from Morey Amsterdam’s cartoon studio.

George Harrison Week

Dhani Harrison works on keeping his father’ George’s legacy.

george_harrisonIn late September, Conan O’Brien devoted a week to the music of George Harrison, in honor of some of his music being re-released. I’ve mentioned before that my realization of how much I experienced George’s loss was much more gradual than the shock of John Lennon’s murder.

LISTEN to:
Conan Kicks Off George Harrison Week

Beck – Wah-Wah.

Paul Simon – Here Comes the Sun, and talks about singing it with George on Saturday Night Live

Dhani Harrison & Friends featuring Big Bad Delta – Let It Down

WEB EXCLUSIVE: Dhani Harrison & Friends Featuring Big Black Delta -Ballad Of Sir Frankie Crisp (Let It Roll)

Dhani Harrison On Preserving His Father’s Legacy. I’m not a watcher of the show, but evidently, Dhani and Conan are old friends.

Dhani Harrison Presents The George Harrison Guitar App (February 2012)

Norah Jones -Behind That Locked Door.

Interesting that everyone, except Simon, picked something from that classic album All Things Must Pass.

Slightly off-topic:

Prince, Tom Petty, Steve Winwood, Jeff Lynne, Dhani Harrison, and others – While My Guitar Gently Weeps

Listen to The Beatles’ isolated vocal tracks for Abbey Road medley

I’ve become newly interested in the Beatles song Piggies since its inclusion in a musical review at church. Here’s the Anthology 3 version. “Harrison’s mother provided the line ‘What they need’s a damn good whacking’, and [John] Lennon contributed the line ‘clutching forks and knives to eat their bacon,” instead of the original lyrics “to cut their pork chops.” Here’s Piggies from the white album.

The Quarrymen – That’ll Be The Day and In Spite of All The Danger (1958)

How to make Beatles pancakes

‘4: John Paul George Ringo’: Beatles release free iTunes EP of solo music.

A signed copy of Beatles’ Please Please Me sells for $36,655.

M is for Michael Douglas is 70 (tomorrow)

I managed to miss some of Michael Douglas’ iconic roles,

Michael_DouglasIn the 1960s and 1970s, I used to watch The Fugitive and Cannon and Barnaby Jones, virtually all the Quinn Martin productions, including the cop show The Streets of San Francisco. It starred Karl Malden as the wise senior partner, and Michael Douglas as the impetuous junior partner.

I didn’t really know who Michael Douglas was, except that he was the son of Kirk Douglas, the guy whose jaw was so square that the mimics on the Ed Sullivan Show just had to grit their teeth to “do” him. Continue reading “M is for Michael Douglas is 70 (tomorrow)”

Closing TV themes that are DIFFERENT than the opening theme

The show Tayo The Little Bus has a different opening and closing theme.

Frasier_LogoMy daughter wanted breakfast one morning recently. I thought to give her the tossed salad I had made the night before, which she merely nibbled at. Instead, I went with her request of scrambled eggs; the egg carton was under the salad bowl.

That made me think, naturally, of Tossed Salad and Scrambled Eggs, the end theme for the TV show Frasier [LISTEN to the extended version] . But what was the opening theme of that show? Seems that it varies a bit; LISTEN to this compilation.

What other shows have distinctive different opening and closing themes? By “distinctive”, I mean a totally different song. This eliminates tunes that are continuations of the opening (The Flintstones, The Beverly Hillbillies, Gilligan’s Island), or slower versions (The Jeffersons) or weirder versions (Addams Family).

I’ve been told that some cable shows, such as Game of Thrones, Boardwalk Empire, and Girls end with different songs for each episode; not what I’m looking for.

The first show I thought of was All in the Family, which opens with Those Were The Days, sung by “Archie and “Edith”, [LISTEN to an extended version] and ends with the instrumental Remembering You [LISTEN].

The other that came to mind was WKRP in Cincinnati, with a sad, mellow song as the intro [LISTEN to an extended version] and that intentionally incomprehensible rocker at the end [LISTEN].

A colleague reminded me of The Monkees program, which, of course, starts with The Monkees Theme. It ends with some song, I must say I didn’t know – I remember the “I wanna be free” part – but it’s For Pete’s Sake [LISTEN] from the Headquarters album. But Headquarters was their third album. In the first season of the show, did it start and end with the same song, as this clip [LISTEN] suggests? And did the ending get changed for syndication?

Another colleague mentioned Tayo The Little Bus, a program I had never heard of. But yes, here’s the opening theme [LISTEN] and the closer [LISTEN].

I found online a reference to Land of the Lost [LISTEN to opening and closing]. Wasn’t a show I watched.

Nor was I familiar with one found by fellow blogger Chuck Miller:

The original broadcast of the Vietnam drama Tour of Duty (CBS, 1988-91) had a generic drum and flute music at the end, but the opening credits were the Rolling Stones’ “Paint It, Black.” That music was removed from the syndicated and DVD episodes, but there’s still a reference to the opening credits as written by Mick Jagger and Keith Richards.

I took advantage of Ken Levine’s Friday Questions, one of which was about TV themes, to ask the question. Here are some of the responses:
Bosom Buddies (it’s “one show where the theme song (Billy Joel) had to be replaced because of Rights Issues”)
Happy Days’ first season
Gidget (“Ken’s favorite theme”)
The Monkees’ second season
Remington Steele after the first season
The Judy Garland Show
Captain and Tennille (“I’m pretty sure it was ‘Love will Keep Us Together’ at the opening and ‘A Song of Joy’ at the end.”)

What else, people? I’m probably talking about older shows, since, as Chuck correctly notes:

Unfortunately, today we don’t know a lot of the closing theme songs in that the last minutes of episodes are either showing previews for next week’s episode or promoting a different program; the closing credits zip by at lightning speed; about the only time we DO get a closing theme of any sort is if we watch the program via On Demand or in its DVD format.

 

Robin Williams has died. SHAZBOT!

It’s damn disconcerting that the comedic mask hid such despair.

public domain
public domain

I had heard that Robin Williams had passed away while I was hanging out with some Times Union bloggers Monday night, Chuck Miller and Don Rittner and David Kalish. My first thought that maybe it was a hoax, which says a lot about the news these days. But it wasn’t until I got home that I discovered that he had apparently committed suicide.

The FIRST person I thought of was Amy Biancolli, who I’ve met, whose husband – I have a signed copy of one of his books about faith – was a very public suicide. I wondered how she would react to the news. Unsurprisingly, she dropped her phone “onto the kitchen counter and wept. Really wept.” And at that moment reading that, so did I.

A friend of mine of 20 years wrote a lengthy piece that began: “My grandfather, aunt, and father committed suicide… Clearly, we must be more connected in a true, loving, helpful, connected way; we must reach to those who are struggling.” I had had no idea; I was slack-jawed.

SamuraiFrog was “rather surprised by the depth of the emotional reaction” he was having to the news. Me too, actually. (Here’s his follow-up.) It’s damn disconcerting that the comedic mask hid such despair.

I have few words. He was a comic genius, sometimes too “on”, as Evanier mentioned, but brilliant nonetheless. Dustbury noted that “seemingly everyone in my tweet stream posted a favorite comedy or dramatic bit — and in a full hour, there were no duplicates.” Here are a bunch of tributes. Even President Obama noted his passing. Got to read a story of his kindness.

I saw him in a LOT of things. His last TV show, The Crazy Ones, I caught only about 15 minutes of.
2008 Law and Order: Special Victims Unit (TV series – episode) Not a show I tend to watch, but he did well.

2006 Night at the Museum – as Teddy Roosevelt

2006 Happy Feet (voice)
2002 One Hour Photo – good in a serious role

1998 Patch Adams – cloying, but that seemed to be what was called for. CLIP.
1998 What Dreams May Come – for the life of me, I don’t remember how this ended.
1997 Good Will Hunting – liked him in this a lot. CLIP.
1997 Deconstructing Harry – a small role.
1996 The Birdcage – actually played the more straightlaced part against Nathan Lane; liked that.
1995 Jumanji – I bought into the schtick

1994 Homicide: Life on the Street (TV Series – episode) Here’s an interesting remembrance.
1993 Mrs. Doubtfire – I totally related to this, a desperate situation required desperate measures. CLIP.
1992 Aladdin – brilliantly wacky as the genie. CLIP. Plus the Williams-Disney fight.
1991 The Fisher King – plays a person trying to find his way back quite convincingly. CLIP.

1990 Awakenings – he plays a doctor convincingly. CLIP.
1989 Dead Poets Society – I liked him as the inspirational teacher. Hear some music from the film. PLUS this CLIP.
1987 Good Morning, Vietnam – he was great as the crazy DJ; I have the soundtrack on LP, I just recalled. CLIP.
1984 Moscow on the Hudson – a tad hokey, but I enjoyed it anyway.
1982 The World According to Garp – strange film, as I recall, but I liked him.

1978-1982 Mork & Mindy (TV Series) – was there ever a better season of comedy than the first season of Mork and Mindy? Got strange later, especially Jonathan Winters as their son, but before that, quite entertaining
1980 Popeye – don’t think it worked
1978-1979 Happy Days (TV Series, as Mork) – funny stuff

More CLIPS.

Read this 2010 interview.

A very serious piece from CRACKED: Robin Williams and Why Funny People Kill Themselves

 

Ramblin' with Roger
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