Summertime Blues

I seriously thought Paul Giamatti was going to be nominated for an Oscar for American Splendor.

It’s very warm on the second floor of my house. It was hot for several days last week, then it cooled off somewhat, only to have the heat return. The only place it isn’t hot is in the daughter’s room; she has a room air conditioner. The bedrooms have ceiling fans, which circulate but do not cool, the warm air.

The attic is comparable to doing the Bataan death march, after about 10 a.m.

The very good news, so far, is that we have not seen a bat in the living quarters. They seem to usually come in on the second or third day of a run of hot weather. Given the fact that we’ve had bats in 2002-2007 and 2009, I’m guessing that the insulation of the attic had an added effect.

Mowed the lawn Friday night with the reel mower, because weeds that look like miniature pine trees – what ARE those, anyway? – grow faster than the grass. BIG mistake. Even at 7:30 p.m., it was extremely humid. I did not have to worry too much about getting sunburn, but it was still so muggy, I needed to take a shower afterward.

A relative sent me one of those forwarded Very Important!!!! notices:
My car book says to roll down the windows to let out all the hot air before turning on A/C. WHY ???????????
Please do NOT turn on A/C as soon as you enter the car.
Open the windows after you enter your car and then turn ON the AC after a couple of minutes.
It goes on to talk about cancer-causing benzene, in great detail. The Snopes report does not entirely negate the e-mail, though it does challenge some of the specific cause-and-effect mentioned in the e-mail. We’ve been rolling down our windows for years before turning on the a/c, mostly to try to dissipate that OMG hot air.

Speaking of air conditioners, Parade magazine’s Ask Marilyn says running the ceiling fans 24 hours a day will NOT help the air conditioning so that the electric bills will not go down.

I was watching the Yankees’ tribute to Bob Sheppard and George Steinbrenner Friday night and was moved. Sheppard, the voice of the Yankees, who Reggie Jackson dubbed “The voice of God” has been so distinctive in the period he announced for the Yankees (1951-2007), plus the New York Giants for a couple of decades, that Yankee captain Derek Jeter had requested Sheppard’s voice be used to introduce him when he comes to bat. Lots of nice articles on ESPN, including this one. The Friday night game had no announcer in his honor.

George Steinbrenner, the man who purchased the Yankees in 1973, in the midst of a fallow period for the team – hadn’t won the World Series since 1962, hadn’t even gotten to the Series since 1964 – was a polarizing character who, I thought, contributed to the zooiness of the Bronx Zoo. Without looking it up, I recall him hiring and firing Billy Martin five different times, and firing Bob Lemon, not for the first time after his team had won 103 regular-season games. He was suspended by baseball twice. I was no fan of George’s, yet felt badly at the passing of such a distinctive character. The Yankees’ 5-4 comeback win over Tampa Bay Friday night seemed somehow appropriate.

Harvey Pekar’s death at the age of 70 did make me sad. The comic book writer who wrote a lot about Harvey Pekar could be self-involved and acerbic, but from the first time I read his material back in the 1980s, I related to his honesty and his struggle to try to figure it all out. I loved the movie American Splendor, and I seriously thought Paul Giamatti – son of the late baseball commissioner Bart Giamatti, BTW – was going to be nominated for an Oscar for playing Harvey. I did NOT enjoy seeing Harvey the one time I saw him on Letterman; seems that Dave treated him like a caricature for its entertainment value. Here’s an appreciation from the LA Times.

The only Jay Leno joke I’ve ever remembered: “It’s so hot [how hot is it?] that even in Cleveland, they can feel the Miami Heat.” I watched The Decision (11.2 million viewers, more than some NBC shows, and came to pretty much agree with what Jaquandor said on the LeBron James issue, though I’d argue that the Cavaliers weren’t going to win an NBA championship any time soon, even if James had stayed. The problem with The Decision – an issue even my wife, who cares nothing about basketball or most sports, tired of the spectacle – is that LJ apparently grossly misunderstood his own press clippings. The only way he could have gotten away with that staged event is if he had stayed in Cleveland.

Wow, this blogpost has a Cleveland feel: LeBron, Pekar, city native Steinbrenner. Makes me want to listen to music from The Band.

Finally, Summer Breeze by the Isley Brothers, a cover of the Seals & Crofts hit.

June Ramblin’

From the Monty Python movie “Life of Brian”, What have the Romans ever done for us?

Just a reminder that you have only three more full days to enter my giveaway. Rules are on the sidebar, but basically, from now through July 3 at 11:59 EDT, every time you comment to a post, assuming you haven’t commented already to that specific piece, gives you a chance at some prizes, including a complete DVD box set of The Dick Van Dyke Show and a Michael Jackson greatest hits CD.


Speaking of Michael Jackson: in honor of the anniversary of his death this past week, the full-length video of Thriller, performed with Legos.


I KNEW there was a way to post something on Twitter and have it show up on Facebook, but couldn’t suss out the instructions. This really helped me. And, in fact, it was one of my Facebook friends who provided the link.


Author Rebecca Skloot has interesting info about her best-selling book The Immortal Life of Henrietta Lacks on her website, including audio, video, and an excerpt.

Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells—taken without her knowledge—became one of the most important tools in medicine. The first “immortal” human cells grown in culture, they are still alive today, though she has been dead for more than sixty years.

Here’s a link about the book being discussed on PBS Religion & Ethics Newsweekly

Nice tribute to 7’7″ Manute Bol, noted as a basketball player, but noteworthy because of his humanitarian causes, who died last week at 47.

I’ve always liked U.S. Senator Robert Byrd (D-WV), who died this week at the age of 92. Even as his politics evolved, from his brief flirtation with the KKK to civil rights supporter, from Vietnam hawk to Iraq dove, his love of the U.S. constution remained steadfast. He died at 92 this week, and here is an appreciation.

This may make sense only if you know football; I mean, American football: Unsportsmanlike Conduct Jesus.

A singalong version of Always Look on the Bright Side of Life, a song originally from the Monty Python movie “Life of Brian.” That always reminds me of my favorite segment of the film, What have the Romans ever done for us?

Neil Gaiman defends libraries.

visit4info – The Place for TV Adverts and Funny Video Clips from the UK

Macca Is 68

Paul McCartney hadn’t been that controversial since he recorded Give Ireland Back to the Irish back in 1972.


I figure that I should mention Paul McCartney on his birthday every year, as long as he’s still around. Fortunately, this year, there’s the big news to talk about.

That, of course, would be him being named the third Library of Congress Gershwin Prize winner, after Paul Simon and Stevie Wonder. At an event with President Obama, McCartney created a bit of bluster with the right-wing bloggers when he made a joke at the expense of Obama’s precessor, GW Bush. Horrors! Paul hadn’t been that controversial since he recorded Give Ireland Back to the Irish back in 1972.

The event will be televised on PBS on July 28.

Here’s a live recording of Cosmically Conscious, written back when Paul was in India in 1968. A snippet of this song appeared at the end of his 1993 Off the Ground album

Check the June 17, 2010 episode of Coverville, #683; Brian Ibbott has promised a McCartney cover story.
***
It’s also Roger Ebert’s 68th birthday. He just won a Webby award, indeed was named person of the year; he needed just three words in a dead language to express his appreciation of the honor. While he’s still writing his fine movie reviews, it is his journal about American flag T-shirts, racism, alcoholism, death, and how Twitter has empowered him now that he cannot speak that has been the truly amazing part of his narrative.

From TV Show to Movie

This is just not a subgenre I inherently trust. These films get made because of their familiarity…

The A-Team picture is opening this weekend. I hardly ever watched the TV show, so the only reason that I’d even consider seeing the film is that it features Liam Neeson in the George Peppard role. On the other hand, it was not made available to critics, which is usually a sign that it will suck, though the early Rotten Tomatoes score was 53, not great, but not awful. The “Consensus: For better and for worse, Joe Carnahan’s big-screen version of The A-Team captures the superficial, noisy spirit of the TV series.”

It got me to wondering: how have movies made from TV shows fared? I’m not thinking of movies such as the X-Files or Sex in the City, which are essentially continuations of the TV series, generally with the same actors. I was thinking more of the reimaginings, with new actors and directors. I limited the list to the 21st Century, because, my goodness, there are a LOT of them! BTW, I ignored animation to live action (George of the Jungle) or things that went back and forth from movies to TV to movies (Robin Hood) or anything I never heard of, but if you think I’ve missed something, by all means, let me know.

Bewitched (2005)
RT score-24
Production Budget: $85 million
Total Lifetime Grosses
Domestic: $63,313,159 48.2%
+ Foreign: $68,113,010 51.8%
= Worldwide: $131,426,169
The foreign box office salvaged this one. Will Ferrell starred in this; he had a cameo in Starsky & Hutch. Steve Carrell, star of Get Smart, has a cameo here.

Charlie’s Angels: Full Throttle (2003)
RT score-43
Production Budget: $120 million
Total Lifetime Grosses
Domestic: $100,830,111 38.9%
+ Foreign: $158,345,677 61.1%
= Worldwide: $259,175,788
the huge foreign b.o made this sequel successful. The initial 2000 film cost less, made more money and reviewed better (RT-67)

The Dukes of Hazzard (2005)
RT score-14
Production Budget: $50 million
Total Lifetime Grosses
Domestic: $80,270,227 72.3%
+ Foreign: $30,799,288 27.7%
= Worldwide: $111,069,515
Despite scathing reviews, made money. I have to think it was, in large part, because of Jessica Simpson as Daisy Duke.

Get Smart (2008)
RT score-52
Production Budget: $80 million
Total Lifetime Grosses
Domestic: $130,319,208 56.5%
+ Foreign: $100,366,245 43.5%
= Worldwide: $230,685,453
I should see this.


The Honeymooners (2005)
RT score-14
Production Budget: $25 million
Total Lifetime Grosses
Domestic: $12,843,849 97.4%
+ Foreign: $339,577 2.6%
= Worldwide: $13,183,426
On the title track of Quincy Jones’ eclectic 1989 album Back on the Block, there’s a couplet offered up by Big Daddy Kane:
We shoulda got our freedom much sooner
You never seen a blackman on The Honeymooners

I have no knowledge of this, but I have to wonder if that sentiment was the inspiration for this quite unsuccessful remake with a predominantly black cast.

I Spy (2002)
RT score-15
Production Budget: $70 million
Total Lifetime Grosses
Domestic: $33,561,137 66.2%
+ Foreign: $17,171,808 33.8%
= Worldwide: $50,732,945
This Eddie Murphy bomb also featured Owen Wilson, who would fare better a couple years later in Starky & Hutch.

Miami Vice (2006)
RT score-47
Production Budget: $135 million
Total Lifetime Grosses
Domestic: $63,450,470 38.7%
+ Foreign: $100,344,039 61.3%
= Worldwide: $163,794,509
Colin Ferrell was in this and the earlier, and equally middling cop-based film, S.W.A.T., though S.W.A.T. had the better domestic gross.

Mission: Impossible III (2006)
RT score 70 (1996-57,2000-57)
Production Budget: $150 million
Total Lifetime Grosses
Domestic: $134,029,801 33.7%
+ Foreign: $263,820,211 66.3%
= Worldwide: $397,850,012
Interesting that the third film rated better than the predecessors in 1996 and 2000 (both 57), but the original and the first sequel were more profitable. this begs the question about the potential success of the fourth film, scheduled for release in 2011.

Star Trek (2009)
RT score-94
Production Budget: $150 million
Total Lifetime Grosses
Domestic: $257,730,019 66.9%
+ Foreign: $127,764,536 33.1%
= Worldwide: $385,494,555
Don’t know if I should count this one, given all of its cinematic antecedents, but it seemed to meet the criteria. Definitely need to see this film.

Starsky & Hutch (2004)
RT score-63
Production Budget: $60 million
Total Lifetime Grosses
Domestic: $88,237,754 51.8%
+ Foreign: $82,030,996 48.2%
= Worldwide: $170,268,750
This Ben Stiller film did better than I recalled.

S.W.A.T. (2003)
RT score-48
Production Budget: $80 million
Total Lifetime Grosses
Domestic: $116,934,650 56.3%
+ Foreign: $90,790,989 43.7%
= Worldwide: $207,725,639

So this is just not a subgenre I inherently trust. These films get made because of their familiarity, but often, the film is schlock, the box office is disappointing, or both. This is not to say that these movies are always a bust – http://www.imdb.com/title/tt0106977/ The Fugitive (1994) was a big hit commercially and critically, though the TV show based on the movie, which had been based on the TV show, was not.

I’m also wary of TV-to-TV remakes. I have oddly fond memories of Hawaii 5-0, and the remake this fall doesn’t excite me, not because it will necessarily be bad, but because it won’t be what I want from that brand. Still, I’ll check out the new version – maybe.

30-Day Challenge: Day 7-Favorite TV Show

History is respected by noting in the almanac some interesting event that happened on that date. It notes the passing of significant people and institutions.

Ah, a single favorite. Well, I mentioned five possibilities here.

Early favorites included Captain Kangaroo – there was a character named Mister Green Jeans! – and most Hanna-Barbera cartoons (Yogi Bear, Huckelberry hound, Top Cat).

Later, the Fugitive, and pretty much any Quinn Martin production. Also, any show with a lawyer: Perry Mason, of course, but also The Defenders, starring E.G. Marshall and a pre-Brady Bunch Robert Reed as father-and-son attorneys.

Sitcoms from Norman Lear (All in the Family, Maude), pretty much anything from MTM (Bob Newhart Show, St. Elsewhere). Barney Miller. Taxi.

JEOPARDY!, of course. 60 Minutes.

But when I think of one show I’ve watched for years and would miss it if it were gone: CBS Sunday Morning. It’s a magazine on the air, covers a wide variety of topics, both hard news and entertainment features. History is respected by noting in the almanac some interesting event that happened on that date. It notes the passing of significant people and institutions. Commentary comes from a variety of POV, some of which I even agree with. The show explains trends that I need to know as a librarian in an entertaining way.

It’s been on for over 30 years, initially hosted by the late Charles Kuralt and, since 1994, by Charles Osgood. When it first started, I used to watch it leisurely in real time, while reading the paper. Later, I would record it on the VCR, or now, the DVR, for watching, sometimes only a section or two at a time, but it is structured so that one can do that too.

Now, if you forced me to pick a scripted show, it would have to be The Dick van Dyke Show, a program with the perfect mix of home and family life. It didn’t last too long or was canceled too early, though it almost was. Carl Reiner was smart enough NOT to cast himself as the lead. Richard Deacon (Mel Cooley) was from my hometown of Binghamton, NY. And Mary Tyler Moore wore those capri pants.

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