I was old enough to remember when it was “shocking” news that the singing Monkees were not really playing their instruments on those first couple albums, and in fact weren’t even allowed to. The music was provided by a fairly regular crew of session musicians. They may have been known as The Wrecking Crew, though some dispute the label. It was said the mostly men who had played on sessions in earlier times wore suits and ties, and it was feared that these more casually dressed crew was going to wreck the industry.
In fact, in many ways, they enhanced it. Bassist Carol Kaye sees the written bass line from Sonny and Cher’s And The Beat Goes On and changed it to what we heard on the record. They WERE Herb Alpert’s Tijuana Brass and Phil Spector’s Wall of Sound. They interpreted Brian Wilson’s thoughts, not just on Pet Sounds but on a few earlier albums.
The movie The Wrecking Crew was a labor of love for director Denny Tedesco, whose dad, Tommy, was one of the great Crew guitarists. The first day of shooting brought drummer Hal Blaine (member of the Rock and Roll Hall of Fame), bassist Carol Kaye, saxophonist Plas Johnson and Tommy Tedesco (all of whom should be) together.
Whatever the movie’s value for 90 minutes, and it is considerable, the EXTRAS on the Wrecking Crew DVD, which run over five hours, was often more useful. Continue reading “VIDEO REVIEW: The Wrecking Crew”