Friday Funnies: The Black Comic Book, Pt. 2

Clearly, the issue of racial intermixing has been highly charged in this country for generations.

More on The Colored Negro Black Comic Book by Sid Jacobson and Ernie Colon.

Note: in the comic strip tradition all the words in the strip are in capitals, but for readability, I’ve deigned to write in standard English. Also, the words that are in bold in the strip are in red in this text.

“Tarskin”, a 4-page response to “Tarzan”

Page 1- Tarskin saves guy with diamond from a roaarr!ing lion

Page 2:

 

Page 3, Panel 1:
Diamond guy: Amazing! That this great black man should help and befriend a white man!
Tarskin: ?
Page 3, Panel 2:
Tarskin: You- mean – you not black?
Diamond guy: Of course not! Don’t tell me you took my sunburn-…

Page 4:
Diamond guy’s hat on ground in foreground, lion chewing on a bone, going mmrraaarrmm– and Tarskin walking away with the diamond, passing a Pogo-like character.
The chimpanzee Cheetah (looks at lion) Ooh.
Daddy Warbucks (?!) (peeks from around tree): Ooh.

While I do appreciate the fact that the man was trying to rip off our hero, I don’t know how allowing the man to be fed to the animals was supposed to promote racial understanding. Even if he IS “The Man”.

***

“Laughin’ Black” a 4-page parody of “Smilin’ Jack”, a strip that ran from 1933 to 1973, and which ran in my local papers when I was growing up, as did most of the strips represented.

Page 1: (Three airmen in background, head officer shaking Laughin’ Black’s hand)
Officer: Welcome to our squadron, Laughin’ Black!
Laughin’: Thank you, sir!

Page 2:

Page 3, Panel 1:
Officer (next to Laughin’): We all fight for the same country, wear the same uniforms, and each of us has his very own plane
Page 3, Panel 2: Other pilots running to their planes)
Loudspeaker: Pilots! Man your planes!

Panel 4:
While jets are in the air, Laughin’ is shocked when he comes to his plane (Sign: L. Black), which is a rickety old biplane.
Laughin’: !

In the panel shown, the officer practically says the old cliche, “A credit to his race.” This story did portray some truths about separate but unequal treatment.

I’m reminded how the valor of the Tuskegee Airmen during World War II helped finally integrate the armed services.

***

“Little Ofay Nannie”, a 4-page take on “Little Orphan Annie
The convention in this strip is to underline certain words, rather than making them bold. Since I’m loath to underline – it means hyperlink to me – I will italicize the underlined text.

Page 1:
Nannie (smiling): Oh, Dandy – isn’t it fantabulous that Daddy is coming home for my 65th birthday party?
Dandy (smiling): Arf

Page 2, Panel 1:
Nannie: He’s been on a business trip to wonderful places like South VietNam, the Union of South Africa and Rhodesia!
Dandy: Arf
Page 2, Panel 2:
Nannie (in a classic arm-up “Annie” pose”): It’ll be such fun to see him again!
Dandy: Arf

Page 3

Page 4:
Nannie (angry, pointing finger at Daddy): Turn blue, you @*O!![dagger]@ honky!!!
Dandy (growling at Daddy): Grr!
Daddy (shocked): !

While her anger was, and is, understandable, this rant left me cold, because it seemed to come out of the blue. It’s interesting how the panel before the flaming is the only panel where she does not have those hollow eyes.

I was interested in the citation of South Viet Nam as one of the places Daddy was off exploiting. The African countries’ white-ruled governments were obvious targets. (Rhodesia is now Zimbabwe.) I wonder if South Viet Nam was picked because a disproportionate number of black soldiers were killed in the war? Or maybe it’s that, as Martin Luther King, Jr. suggested, too many people of color, including innocent Vietnamese were dying there.

***

“Raisins”, a 4-page takeoff on “Peanuts”

Page l:
(A kid who looks like Charlie Brown makes one-handed catch off batter. Another kid and Snoopy in background. Ball hits glove: Boff!

Page 2, Panel 1:
(Kid catches sinking liner.) Ball hits glove: Biff!
Page 2, Panel 2:
(Kid leaves his feet to make another grab.) Ball hits glove: Waff!

Page 3, Panel 1:
Lucy in catcher’s gear walks to kid.
Kid: ?
Page 3, Panel 2:
Lucy (gear to the side) starts pulling off mask.
Kid: !

Page 4:

I tried not to show the punch lines in these tales, but this one pretty much required it.

Of course, this tackles the old (but ongoing) conversation about the supposed superior talents of black athletes. I think it’s funny because of Charlie Brown’s reputation as a less than stellar player, thus the juxtaposition is even sharper.

***

“Black Jack”, a 4 page response to “Prince Valiant”

Page 1

Page 2, Panel 1
Scene: Busy- with people on horses, wounded on the ground.
Narrative: The crows watcheth in perspirement as the Black Jack destroyeth 7 of the greatest swordsmen, 125 of the greatest lancers and 4 of the greatest stick-ball players on the block.
Page 2, Panel 2
Scene: Men in shock, or stabbed, or clubbed. Sweetpea (from “Popeye”) looking on in disbelief.
Narrative: Like one, the women throw flowers, their veils and lo, their very selves at the feet of the conquering hero – one, in fact, throweth her husband.

Page 3:
Scene: Montage of folks. Below that, graffiti: BJ +KA (within a heart); EC SJ; Gawain wears panty-hose
Narrative: “Sh!: sayeth a mighty count – “‘Tis the Black Jack!” A gasp graspeth the crowd, the word hitteth them like a blackjack!

Page 4:
Scene: About a dozen attractive women, and a drooling Olive Oyl(?!) from “Popeye” surround the hero. In the left of the picture, a man in a turban, with an N on it.
Narrative: As the most noble and beauteous women in the land carry the Black Jack off on their shoulders, the men feel crushedeth by the utter humiliation – It taketh the wise and noble, Noble the Wise to sayeth: “At least he isn’t Jewith.”
Next week, =Sammy Davith – the one-eyed Jack!”

What can I say? Dopey schtick “comedy” that probably wasn’t funny then.

***

“Big Eboner”, a 4 page response to “Li’l Abner”

Page 1:
Enober runs past two dull-looking yokels, with Daisy in hot pursuit.
Daisy: Ya-hoo!!

Page 2:

Page 3:
(You see the feet of the yokels, obviously knocked over by Daisy)
Daisy: Out o’ mah way! Yo’ is mahn, mahn, mahn!

Page 4:
With Daisy and Eboner in silhoutte in the background, she’s chasing with hearts over her head; yokels are sitting in a creek.
One yokel: Yo’ notice how them black @O#!# run after the blondest, most-beautifullest, white-skinned female they can find!!

Clearly, the issue of racial intermixing has been highly charged in this country for generations. If it is modestly less charged in the past couple decades, it still is an issue for people, black and white, believe me.

 

The Small House of Uncle Thomas

Things on the cast album that seemed pedestrian suddenly made sense.

Many bloggers, including this one, will start a blog post and then move on to something else, leaving it in incomplete draft form.

Such was the case of this piece about the two musicals my wife, my daughter and I saw, both in June 2011, at the Mac-Hadyn Theater in Chatham, NY, about a 40-minute drive from our house in Albany.

The first show we viewed was Annie. I’d seen TV productions of it, I’m sure; certainly the one with Carol Burnett as Miss Hannigan. But the stage performance made it more real than I remembered.

So my wife asked if I wanted to go see The King and I. She could hear the ambivalence in my response.

You see, I thought I knew the story well enough that I didn’t need to. I remember seeing the movie, or at least segments of the movie. Moreover, I own the 1977 Broadway cast album, even though I had never seen the musical. And while the hits Hello, Young Lovers, and Getting to Know You and Shall We Dance? are strong, the totality of the listening experience of this Rodgers & Hammerstein piece was lacking; this was, to swipe a phrase, “a puzzlement.”

Yet seeing the performance in person brought this chestnut to life for me. Things on the cast album that seemed pedestrian suddenly made sense. In particular, the reprise of I Have Dreamed was a real revelation.

And there is this whole long section in the second act not even hinted at on the cast album: the narrated dance “The Small House of Uncle Thomas.” From Wikipedia: “Hammerstein found his ‘door in’ to the play in [author Margaret] Landon’s account of a slave in Siam writing about Abraham Lincoln.” At some level, that rewrite of Uncle Tom’s Cabin, with its revisionist happy ending, is the core value of the whole musical.

So maybe I only viewed scenes from the movie. Regardless, seeing this production was a revelation. Glad I saw it.

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