Solstice Strikes Again: Ask Roger Anything


As I plan my next staycation, it’s time for that game we call ASK ROGER ANYTHING, in which said Roger is COMPELLED to actually answer the question. There hasn’t been a query yet I haven’t answered in some form.

Here are some examples:
What was the #1 song on
– the day I were born?
– the day I graduated from high school?
– the day I were married?
– the day my child was born?
– the approximate date I was conceived?

Respectively,
“Till I Waltz Again with You” by Teresa Brewer
“Knock Three Times” by Dawn
“Livin’ La Vida Loca” by Ricky Martin
“Yeah!” by Usher featuring Ludacris & Lil Jon
“Blue Tango” by Leroy Anderson

Here’s a peculiar thing: most people that I know who were born in 1966 or 1976 know the music of the year they were born far better than I know the music of 1953. Why IS that?

Don’t know that one, but here’s why I always vote Republican and oppose gay marriage. OK, that’s not true.

“Hey, Roger, what are you doing today?”
This.

Ask away.

And speaking of asking, I still have copies of this book on racism which I’m willing to send to you. Also, I have some mixed CDs I put together, some going back to before I blogged, mostly unlabeled, that I’d send to anyone who wants; can’t guarantee the quality, but as Elwood Blues once said, “What do you want for nothin’? R-r-r-rubber bis-CUITS?”
ROG

Brian Wilson’s Route 66

Brian Wilson is 66 today.

Here’s a link to the Coverville tribute to Pet Sounds.

A link to a guy who has put a bunch of a cappella takes of the Beach Boys’ versions of the songs from Pet Sounds on YouTube.

My second favorite song from Pet Sounds:

Brian from SMiLE:

Brian from a 1967 performance of a song from what would have been SMiLE:

A Neil Young song that namechecks the Beach Boys and a song from Pet Sounds. The studio version (which I can’t find) is even more evocative.

A John Hiatt song which has what I think are lovely harmonies – inspired by the Beach Boys?

***
And on another matter, the New York Daily News cover from Wednesday, June 18:


ROG

MOVIE REVIEW: Iron Man


I went to see Iron Man at the Madison Theater in Albany. There were 4 people in the theater – four – on a Sunday afternoon of Memorial Day weekend. This breaks the previous record for second smallest audience I’ve been in for a film. Worse than the six people with whom I saw both “Raising Arizona” and “Requiem for a Dream.” The only movie I ever attended with the worst audience numerically was when I sat alone for a matinee showing of “Spy Kids.”

Just before I saw the movie, I was playing an album by Pete Townsend called “Iron Man”, which was the basis for the animated film “The Iron Giant”, which I love. There’s a character in the “Iron Man” movie that looks not unlike a malevolent “Iron Giant.” But you’ll have to see that for yourself.

This movie theater showed six previews. One was for the new Indy Jones movie, which had opened nationally, but not yet at that location; maybe I’ll see it. The M. Night Shyamalan movie “The Happening”; the title reminds me of a dorky Supremes song that did better on the pop charts than it did the R&B charts; since I still have the Andromeda Strain to watch on the DVR, taped from A&E, I think I’ll pass. I’m mortified to note that I laughed, just a little, at the preview for that Adam Sandler Zotan film. There was the Incredible Hulk; I never saw the Ang Lee version from five years back, but this looks interesting. There was The Dark Knight, which seemed to feature the Joker more than Bruce Wayne and Batman combined; I might catch it. The sixth movie I forget; Prine Caspian? The Stranger? I don’t remember.

I should note that Iron Man was never my favorite Marvel character. I came to superhero comics in the early 1970s, but I went back to know well the origins of characters such as Spider-Man, the Fantastic Four, the X-Men and the Hulk. Yet I wasn’t that involved in Iron Man’s, save for its Viet Nam roots. Actually, I’ve just reread it, and it’s just not all that interesting. (What IS interesting is that it took Marvel to Volume 20 to put Shell-Head in a Marvel Masterworks, whereas characters such as Spidey and even the Silver Surfer had already warranted multiple volumes.) So, I always felt Iron Man was a minor player, even though he was an Avenger.

That said, all the reviews I’ve seen talk about how great Robert Downey, Jr. is as the snarky Tony Stark, and I have to agree. As a long-time comic book reader, I thought the character was dull, and boring, and a tad bit fascistic. So to see Tony Stark evolve in the movie was a gratifying, rewarding evolution. The change from Southeast Asia to Afghanistan was well-conceived. Jeff Bridges, Gwynneth Paltrow, and Terence Howard were all very strong in their roles. One movie reviewer has suggested that there was more sexual tension between Downey’s Stark character and Paltrow’s Pepper Potts than you might find in your recent lame movie romances such as “27 Dresses” or “Made of Honor.” Not having seen either of those films, I can’t speak to the comparison, but there was definitely chemistry there.

Apparently my three compatriots in the theater hadn’t heard about the big reveal at the end of the movie credits, for a couple left as soon as the end credits began, while the other woman departed after the snazzy outro that utilized the music of Black Sabbath. If you somehow haven’t seen the movie yet, just wait for it.

ROG

Macca’s Route 66

I saw this PETA ad in some magazine recently.

Made me at least think about my carnivore ways.

I love this old piece on Paul McCartney and Jack Kirby.

Paul’s still out there playing. Recently he did a benefit concert in Ukraine. One of the songs he sang in Ukraine, of course, was Back in the USSR. Here’s an interesting cover:

One of my favorite Paul songs with his first group:

Paul turns 66 today. Happy birthday.

***
Willie Randolph was 86’d by the NY Mets. Yes, the team is better than the record, but I almost never favor in-season managerial replacements.
***
I was watching ABC News last night, and the segment they showed in observation of Cyd Charisse’s passing happened to be this first piece I found on YouTube searching by her name, from about 50 seconds in, and running just over a minute. It also features some other dancer of note:

I remember seeing her well past her prime, probably on some awards program, and she STILL had great legs.

ROG

Songs That Move Me, 80-71

80. The Ostrich – Steppenwolf.
I discussed this song here.
Feeling: ticked off.
It’s HERE.

79. (Sweet Sweet Baby) Since You’ve Been Gone – Aretha Franklin.
One of the things I hated about AM radio when I was growing up is the fact that disc jockeys would talk over the instrumental opening. I swear that this intro was designed specifically to avoid that. Highlight musically is the sweet crescendo of the horns.
Feeling: joyful.

78. 21st Century Schizoid Man – King Crimson.
An intriguing song. Starts of like a loud dirge, then breaks into an almost jazzy center. Quite odd.
Feeling: a little schizo.
OR HERE.

77. Face the Face – Pete Townsend.
Those big drums almost always surprise me, not in this live version, but in the video below.
Feeling: like dancing.

Miami Vice!

76. I’m So Glad – Cream.
It has to be the live version from the Goodbye Cream album; no other version excites me like that one. It’s the Jack Bruce vocals and especially the instrumental breaks.
Feeling: well, glad.

75. Fame – David Bowie.
Besides the hook, I most appreciate the descending line of the vocal near the end.
Feeling: like dancing.

74. King Harvest – The Band.
From “the brown album”, the second album, it’s the last song on the LP. It’s the vocals and the lyrics: “My horse Jethro, well he went mad.” A song of my high school days.
Feeling: like having a piece of grass between my teeth.

73. I’m Free – the Who.
The beginning of this song is out of sync with the rest. There’s a drum fill before the first time you hear “And freedom tastes of reality.” The live versions never compare to this because they’re usually played correctly. I like the descending line vocal at the end and the instrumentation in the middle. BTW, I have no idea what this video is.
Feeling: Tension until it gets back on track musically.

72. Celtic Rock – Donovan.
The druids are coming. Last song, first side of the Open Road LP.
Feeling: spooky.

71. Twist and Shout – the Beatles

It’s John shredding his voice and those ascending thirds.
Feeling: Joyous.

ROG

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