I love good cover versions of songs. Came across a rather fine list from Popdose. And I so agree with the opening statement: “It’s generally agreed upon that if you don’t have any new flavor to add to the original, you shouldn’t bother doing a cover.”
Certainly can’t argue with the top two, “Respect” by Aretha Franklin, originally performed by Otis Redding; and “All Along the Watchtower” by Jimi Hendrix, originally done by Bob Dylan. Both of the original artists have acknowledged the transformative nature of these covers. A previous list I saw contained songs that I had never heard of in the Top 10, which I discovered were less than six years old; seems to me these songs need to stand the test of time
But I have one nit to pick over this list, and it’s around the song “I Heard It Through the Grapevine.” As noted here and elsewhere, the song by Motown staff writers Norman Whitfield and Barrett Strong was first recorded by Smokey Robinson and the Miracles on August 6, 1966. And Marvin Gaye recorded his version on April 10, 1967. But Berry Gordy, the head of Motown, hated the song & vetoed the releases by both artists.
Gladys Knight and the Pips’ version* was recorded next, and was very reluctantly released by Gordy. It went to #1 on the R&B charts for six weeks, and to #2 on the pop charts for three weeks in the fall of 1967.
It was only after this point that the other two versions were released. The Miracles’ was just an album cut, but Marvin Gaye’s single was #1 for seven weeks on both the R&B and pop charts in the late fall of 1968, a Grammy Hall of Fame winner in 2001. “Gaye’s version has since become a landmark in pop music. In 2004, it ranked No.80 on Rolling Stone’s list of The 500 Greatest Songs of All Time. On the commemorative 50th Anniversary of the Billboard Hot 100 issue of Billboard magazine in June 2008, Gaye’s version was ranked as the 65th biggest song on the chart.”
So two questions exist for me: first, which iteration should be considered the original? Surely, one could make a case for the Miracles’ version. But many experts, such as Brian Ibbott of Coverville, would pick the version first released, and that would be the Pips’.
Also, how could the panel pick the perfectly fine version of this song by Creedence Clearwater Revival* over the Marvin Gaye classic, even if the latter did get overplayed in the 1980s, around the time of the movie the Big Chill? Not so incidentally, I don’t own the Miracles’ version, but I do have CCR, Gaye, and the Pips, which is actually my favorite take.
*Link to the music