Six Songs of Me

I have been of the opinion that almost any song could be done in chicken.

Dustbury did NOT insist I do this, so naturally, I did:

What was the first song you ever bought?

As I’ve noted, I belonged to the Capitol Record Club in 1965, where I was buying albums, so I’m hard pressed to figure out the first single. It may have been Eleanor Rigby/Yellow Submarine; I was then depressed by the release of the Revolver album a short time later, yet puzzled by the variation between the single version and the album version of Yellow Sub, as I noted recently. But the more I think about it, my first single was probably Soul And Inspiration by the Righteous Brothers (listen), which came out a few months earlier in 1966, as I remember that blue Verve label.

What song always gets you dancing?

Cliche that it might be, but it’s Celebration by Kool and the Gang (listen). A short-lived romance got me dragged to a local disco a few times in the day. Recently bought a greatest hits album by that group.

What song takes you back to your childhood?

As Dustbury wrote, “There are those who would argue that I never left.” That said, I’ll pick another song from my father’s singles collection, Bird Dog by the Everly Brothers (listen), on Cadence Records. I discovered that women should be referred to as poultry (quail, chick) – something I fortunately unlearned quickly; and that men were canines – is that still true?

What is your perfect love song?

Forever I have been a sucker for I Only Have Eyes for You by the Flamingoes (listen). Always makes me a bit misty.

What song would you want at your funeral?

I have been, for a long time, of the opinion that almost any song could be done in chicken. Bold songs, such as the 1812 Overture or the Ode to Joy from Beethoven’s 9th Symphony are particularly great. But the first song I heard which stimulated this proposition was In the Mood by Henhouse Five Plus Two (listen), the “group” actually being singer Ray Stevens. I first heard it on one of those Warner Brothers Loss leaders of the 1970s.

Time for an encore. One last song that makes you, you.

At bare minimum, the chorus of Don’t let me be misunderstood by The Animals (listen). “I’m just a soul whose intentions are good.” I think many of us feel that others don’t “get” us, and I certainly am not immune.
Both Mark Evanier and Dustbury are supporting the Kickstarter effort for Big Daddy’s Smashing Songs of Stage and Screen. I third that emotion.

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