When I first bought the 1998 Dixie Chicks album Wide Open Spaces, I knew the group had copped their name from the Little Feat song Dixie Chicken. What I did not realize is that the group had been around since 1989 as a bluegrass quartet, with the sisters Martie and Emily Erwin and two others. When those other two left – one quit, the other apparently forced out – Natalie Maines became the lead singer. The sisters expanded their instrumental repertoire, and their sound became more contemporary country.
The 1999 album Fly was even more successful. It “debuted at No. 1 on the Billboard 200 charts, selling over 10 million copies and making the Dixie Chicks the only country band and the only female band of any genre to hold the distinction of having two back-to-back RIAA certified diamond albums.” It was not without controversy, though. Continue reading “D is for the Dixie Chicks”