November 1971: the record producer

Ken Scott went from tea boy to engineer with the Beatles, Jeff Beck, Pink Floyd and Elton John.

Long before reading Never A Dull Moment: 1971, the Year Rock Exploded by David Hepworth, I knew the role of the producer of popular music was changing during the late 1960s. Famously, “George Martin left EMI’s studios in Abbey Road to start his own studios… in order to command” a more lucrative salary.

Before being the collaborator, Martin had been the “company man,” trying to get the artist to record the type of music the label had sold most recently. At his insistence, the Beatles reluctantly recorded “How Do You Do It,” but it was shelved in favor of Lennon-McCartney music. (The song shows up on The Beatles Anthology 1.)

When record labels were not involved in the creation of albums, sometimes this allowed for great creativity. But it could also lead to expensive experimentation, such as on Pink Floyd’s Meddle, when the musicians often couldn’t hear each other, “capturing the sounds made by household items.”

Brooklyn-born Richard Perry produced albums for people as varied as Tiny Tim, Harry Nilsson and Barbra Streisand. “He knew you had to capture the performance before the artist thought it was perfect, at which point it was actually stale. (See Hank Green’s vlog post, The Secret to my Productivity; it’s related.)

Ken Scott went from tea boy to engineer with the Beatles, Jeff Beck, Pink Floyd and Elton John, among others. While His session with David Bowie was very quick, with the vocals usually done on the first take, and no drugs or alcohol required by the artist.

“The producer that the bands asked for by name in 1971 was Glyn Johns.” He nearly passed on one group, who thought they were rockers, but when he heard their harmonies, he produced the first two albums by the Eagles.

Although Johns is listed only as ‘associate producer,’ he was the one we have to thank for what may be the best albums of 1971.” He honed downed Pete Townsend’s Lifehouse project, was eager to figure out what would work – a Lowery organ fed through a synthesizer – and created the distinctive sound of Baba O’Riley, the opening cut of Who’s Next.

Listen to the full album:

Meddle – Pink Floyd

Nilsson Schmilsson – Harry Nilsson (Japanese import)

Hunky Dory – David Bowie

Who’s Next – The Who

Author: Roger

I'm a librarian. i hear music, even when it's not being played. I used to work at a comic book store, and it still informs my life. I won once on JEOPARDY! - ditto.

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