A little kindness contextualized

Where did THAT come from?

Did you ever have a simple act of kindness give you a lesson?

I’m on a Capital District Transportation Authority local transit bus one evening, going part of the way home up the hill before riding my bike the rest of the way. I had used my Navigator card, which is actually half fare because I’m… older.

A young woman got on the bus, but her Navigator card had insufficient funds. (The voice on the machine sounds REALLY loud to me, possibly, I posit, for maximum embarrassment.)

I had, until that day, another, full-price, card which I kept in case my wife and/or daughter are riding on the bus with me. Unfortunately the Daughter misplaced her school ID during the last week of school, which she also used to pay the CDTA fare; talk about your short-timer’s syndrome.

Ruffling through my wallet, I found a THIRD card. Where did THAT come from? Maybe I got it for free at the 2017 Tulip Festival, when they were first promoting the service. I offered the card to the young woman, with a caveat that I didn’t know if it worked at all.

It did. Hey, I’ve been there, when I’m a little short on cash. A couple blocks later, she came up to me and offered me about 45 cents, as she noted, “This is what I found in my purse.”

Once upon a time, I might have waved off her offer. This time I took it, not because I needed the change, but because I wanted to honor her feelings. She wanted to do that small thing, and it would have been ungracious to reject it.

I think we do that a lot, keep people from maintaining their sense of dignity when they’re on the receiving end of a little kindness, a modicum of charity, under the thought, “They need it more than I.” But when they want to pay it back, or pay it forward, it’s important to let them.

Trust me on this; I’ve been there.

A is for Albany High School awards

Albany High School was up for six awards in an event fashioned after Broadway’s Tony Awards®

Hairspray Director Gregory Theodore Marsh, Annabelle Duffy , Theatre Ensemble Director Ward Dales
Back on Saturday, May 19, the family went to Proctors Theatre in Schenectady to attend the 2nd Annual High School Musical Theatre Awards for New York’s Capital Region in partnership with The Broadway League.

Albany High School was up for six awards in an event fashioned after Broadway’s Tony Awards®. The evening celebrated “the achievements of the region’s theatre students from 23 area high schools, highlighting the importance of arts and theatre education.”

The AHS March production of “Hairspray” won for best musical, best technical execution and best choreography execution. Moreover, “Albany High junior Annabelle Duffy won best actress for her portrayal of feisty Tracy Turnblad.”

She received an all expenses paid trip to New York City to receive training from working Broadway professionals. Annabelle and a young man from the area participated in the Jimmy Awards, the national stage in which high school performers across the nation acted and sang, on June 25.

At Proctors, our family applauded wildly for AHS and also my young niece’s high school; one of the supporting characters in their The Music Man was nominated, which somehow meant that the niece got to perform in the energetic opening and closing numbers.

Truth is that some of the Albany High School rooting was a bit of chip on the collective shoulders of the city dwellers. On the standardized tests, the urban schools don’t fare nearly as well as the ones in the suburban districts. But as someone wrote on a Facebook listserv:

“What I do know is my children will have experiences like many others won’t. They are exposed to the world thanks to classmates, teachers, and courses not available in many locations… Remember money talks and those districts with most living in poverty are underfunded and inundated with unfunded state mandates.”

Not incidentally:

Grammy-nominated jazz artist Stefon Harris (Albany High School ’91) was named a recipient of a 2018 Doris Duke Artist Award – “one of the most prestigious arts grants in the country – for his continuing contribution to jazz.

“Harris is one of seven performing artists that will receive $250,000 in flexible funding, along with up to an additional $25,000 to encourage contribution to his retirement account.”

For ABC Wednesday

Kindness, civility, conscience, injustice, protest

“Restaurant owners routinely deny service to obnoxious Yelpers, noisy children, and even critical restaurant reviewers—this is the norm. These are not protected classes.”

I’m still deciding what to think about the correct responses to injustice.

Dr. Susan Brooks Thistlethwaite, Professor of Theology and President (1998-2008) of the Chicago Theological Seminary wrote Do Not Tolerate the Intolerable: Public Shaming Can Be a Justice Action. “Jesus of Nazareth publicly shamed those leaders he saw were committing injustice in his time, calling them out (Matt. 23:13). Jesus didn’t hesitate to be confrontational. ‘You hypocrites!’ he cried out.”

She points to Professor Gene Sharp, “often called the ‘grandfather of nonviolent direct action,’ who compiled a list of 198 Tactics for The Politics of Nonviolent Action. “Both publicly ‘taunting’ officials and withholding services are on the list.”

I get that. Still, one has to be strategic in this manner. Some of the suggestions from the Sharp list, such as not voting, I’d oppose in the US in 2018, yet would have supported in Russia, when Putin eliminated any real opposition.

Some actor named Hugo noted, and I agree, that actor Robert DeNiro cursing out some guy during the Tonys was a bad strategy. “Sinking ships aren’t saved by succumbing to anger… Progressive change isn’t brought upon society through verbal abuse. Decency and maturity are more effective — a levelheaded, well planned and swift takedown of a demagogue…”

In that manner, I’ve come to understand the owner of the Red Hen restaurant: “Several… employees are gay, which is one of many groups of people targeted by the Trump administration. They were uncomfortable to see the president’s chief propagandist in their midst, so they called the owner, Stephanie Wilkinson, who drove in from home…

“They wanted Sanders to leave. Wilkinson did not attempt to publicly embarrass Sanders. She asked her to step out on the patio, where she explained why she wanted her to leave. The reason… why millions of Americans know about what happened… — is that Sanders used her government Twitter account, which has more than 3 million followers, to try to ruin The Red Hen, which seats 26 people.

Sarah Sanders is a bully. Any discussion about her that raises the issue of civility is nothing but an intellectual exercise by people who aren’t worried enough about the harm her boss, the bully in chief, is inflicting on this country. Trump attacked The Red Hen on Twitter, too. Of course he did.

“Civility requires mutual respect. The Red Hen employees apparently understood this. If someone spends her days making clear her disregard for you and her willingness to harm you by parroting her boss’s bigotry, no one should expect you to act as if it doesn’t matter when she’s not talking into a microphone.”

BTW, I had forgotten when a baker turned away Joe Biden and received praise from conservatives.

An article in GQ notes: “Restaurant owners routinely deny service to obnoxious Yelpers, noisy children, and even critical restaurant reviewers—this is the norm. These are not protected classes, which include race, religion, disability, and gender, under anti-discrimination laws. Just as posting a ‘no shirts, no shoes, no service’ sign is not equivalent to Jim Crow-era ‘white-only’ policies—there is a wide chasm between bad behavior and immutable characteristics.”
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Read this piece from Tucker Fitzgerald, a “straight, white, male. I have a Master of Divinity from a Christian seminary,” who “voted for W both times”. He addresses his own shift in Intolerant Liberals, which should explain to conservatives WHY we protest.

I suppose, at the end of the day, in responding to injustice, as our Congressman Paul Tonko said on July 4, we need to resist, to protest, to protect, and to heal. There will be differences of opinion about what that means. I’m still idealistic enough to hope that it’s done with love in our hearts.

Movie review: Won’t You Be My Neighbor?

That seems to be an effective representation of what ministry should be.

Just before my wife and I saw Won’t You Be My Neighbor? at the Spectrum Theatre in Albany, I read Ken Levine’s review.

It begins: “Full disclosure: I was not a fan of MR. ROGERS’ NEIGHBORHOOD when it aired. My kids watched it, but I found it oddly creepy.” Next paragraph: “I am now one of those people recommending WON’T YOU BE MY NEIGHBOR?”

That’s the point: you don’t have to be a fan of Fred Rogers’ long-running children’s program on PBS to appreciate the wonderful individual he was who did appeal to very many kids. Adults didn’t get him because he generally wasn’t talking to them.

Although he pretty much single-handedly secured funding for Public Broadcasting in 1970 through his direct plea to a Congressional committee chair.

The thing about his show was not designed to entertain the parents but to create that one-on-one relationship between the host and every child. It was because he understood child psychology and remembered some of the more painful aspects of his own childhood. Someone suggested that what Fred did was to take the formula of every other idea in children’s programming and do the opposite.

Fred was trained as a Presbyterian minister and was a lifelong Republican, back in the day when there were moderate Republicans such as Governor William Scranton in his native Pennsylvania. But he addressed big issues, such as race relations and violence, while not being preachy, just genuinely good and kind.

I really related to Mr. Rogers’ use of his puppets. I know that the use of inanimate objects can sometimes express ideas and feelings more easily than one can do directly.

The movie touched on some reportage that suggested that suggested that millennials are whiny because Fred Rogers told them they were special. I thought it was nonsense at the time, and the film only reinforced my view.

The Mr. Rogers message was/is that we ALL are special, worthy of being loved. In doing so, he taught them/us we need to be thoughtful and considerate to others. That seems to be an effective representation of what ministry should be.

My wife and I thought the same thing, separately: when African American performer Francois Clemons shared a wading pool with Fred Rogers for the second time in the film, it felt like the narrative of Jesus washing his disciples’ feet. I can’t explain why.

Whether or nor you liked MR. ROGERS NEIGHBORHOOD, or even heard of it, you should watch Won’t You Be My Neighbor, directed by Morgan Neville, who also also directed that great documentary about backup singers, 20 Feet from Stardom.

Music throwback: Beaucoups of Blues – Ringo

Of all the former Beatles’ 1970 solo releases, Geoffrey Cannon of The Guardian rated Beaucoups of Blues as his favourite

One of those albums I have only on vinyl is Beaucoups of Blues, Ringo Starr’s second solo album, which was recorded in Nashville in late June 1970, and released about three months later.

From the Wikipedia: “While playing on sessions for George Harrison’s All Things Must Pass, Starr – a long-time country and western fan – met Pete Drake in May 1970. Starr had to pick up Drake from the airport so that the pair could record with Harrison; Drake noticed the number of country albums Starr had in his vehicle… Starr asked him if they could collaborate on an album together. Drake told Starr his musician friends could compose more than an album’s worth of material in a week, which Starr thought was ‘impossible.'”

But they did, and some of Nashville’s finest performed on the album.

Ringo, of course, recorded some country-related songs with the Beatles: Act Naturally, by Buck Owens, on the UK Help! album; What Goes On, attributed to Lennon-McCartney-Starkey, on Rubber Soul in the UK; and Don’t Pass Me By, which he wrote, and which appears on the white album. The first two songs were both on the US Yesterday and Today LP.

I liked Beaucoups of Blues quite a bit, actually. John Lennon told Rolling Stone it was “a good record”, but “qualified that comment by saying he ‘didn’t feel as embarrassed as I did about [Starr’s] first record,'” the sappy Sentimental Journey, released in March of 1970. Reviewers at the time, and especially in retrospect, have said it was a solid effort, one of Ringo’s best.

“In his combined review of all the former Beatles’ 1970 solo releases, Geoffrey Cannon of The Guardian rated Beaucoups of Blues as his favourite.” That would be in comparison with Sentimental Journey; McCartney, Paul’s solo debut; John Lennon/Plastic Ono Band; and even the aforementioned All Things Must Pass.

Listen to:

title track, #87 pop on the Billboard charts
Love Don’t Last Long
Fastest Growing Heartache In The West
Without Her
Woman Of The Night
I’d Be Talking All The Time

$15 Draw
Wine, Women and Loud Happy Songs
I Wouldn’t Have You Any Other Way
Loser’s Lounge
Waiting
Silent Homecoming (my favorite)

Coochy Coochy, B-side of the title track single

Meet the Beatle: A Guide to Ringo Starr’s Solo Career in 20 Songs

Happy 78th birthday, Ringo!

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