The Lydster at Carnegie Hall

As I noted, my sister was in a mass choir singing the Mozart requiem at Carnegie Hall on Monday, June 13, at 8 pm. To be honest, I was willing to let my daughter blow off school, go down to NYC with me on Sunday, then we’d come back on early Tuesday morning.

But then the school calendar changed. A sheet sent home to us and then subsequently mailed had stated that there was a mandatory senior meeting on Thursday, June 9. Caps, gowns, and honor cords were to be distributed. I was unaware of honor cords for the high school level. They are tokens “consisting of twisted cords with tassels on either end awarded to members of honor societies or for various academic and non-academic achievements, awards, or honors.” My daughter had ones for Honor Society and Art Honor Society.

An audible

But this meeting got moved to – you guessed it – Monday, June 13. So instead, my daughter came down to NYC after school that day, leaving at 3:30 pm to catch an Amtrak train scheduled to leave at 4:10. But the train was delayed and not expected to depart until 5:30, which would provide us zero time to get from Penn Station to Carnegie Hall.

Fortunately, my wife could switch our daughter to a 4:30 pm train, which arrived at 7. We took a taxi to the venue and got there by 7:30. Coincidentally, my sister Leslie was standing right where we got dropped off. My daughter and went to our VERY good seats, J1 and J3 just left of the center section.

The program

The concert had five ‘acts.” The first was the National Youth Festival Chorus, a mass choir comprised of seven choirs from seven states. The groups had been rehearsing individually but not together until two days earlier. They sang six songs, only one of which I knew, Children Will Listen by Sondheim. The c. 270 kids, roughly from 10 to 18, were very good, except for one kid near the end of a row who rocked back and forth with his thumbs in his pockets and distracted my daughter and me.

The Masterwork Festival Chorus included eight ensembles from six states, plus some stragglers, including my sister and five of her compatriots. The soloists were very good, especially the tenor (Anthony Webb) and the mezzo-soprano (Kathryn Leemhuis)/ They were accompanied by the New York City Chamber Orchestra. They too only sang together since Saturday. Following the Sunday rehearsal, they were given COVID tests. If they got called, they were positive and, therefore, out. At least seven folks couldn’t perform. My daughter recognized a couple of movements, notably Lacrymosa, probably from its use in TV and movies.

Wait, there’s more!

After the intermission, the Columbus International Children’s Choir performed. Their director, Tatiana Kats, must have perfect pitch, for she gave the notes without a pitch pipe or other instrument. They did four songs, including Ev’ry Time I Feel The Spirit, which I’ve sung since high school. It was the William Dawson arrangement but slightly altered. Why We Sing by Greg Gilpin had hand gestures that were quite touching.

The Trinity University Chamber Singers did three pieces, including If Ye Love Me by Tallis. A very good group. Both the Columbus and Trinity groups were part of the Mozart Requiem.

The final act was the Tara Winds Clarinet Choir, the first clarinet ensemble to play at this festival since 1935. I liked Two Songs without Words by Holst. I LOVED the Marcel Dupré: Variations sur un Noel.

Then my sister told us to go to the gift shop, so my daughter could pick out a souvenir, but the building closed at 11 pm. From there, across the street to Trattoria Dell’Arte, which was fabulous. Lots of hours oeuvres, enough to fill one up, and wonderful service.

We took a cab back to the apartment, where my sister gave my daughter some presents. They all went to sleep at some point, but I didn’t because my daughter and I needed to take a 7:15 train back to ALB, and I got anxious. We took an Uber to Penn Station, got food, and took the train home. I’m told I fell asleep for a time.

My wife picked us up and took my daughter to school for her last day, then took me home, where I slept for four hours.

Still COVID-free, knock wood

reinfections

Several people I know IRL have gotten COVID in recent weeks. They are mostly the cautious, mask-wearing, vaccine-taking types. Also, Biden, Harris, and Fauci got it.

I’m still COVID-free, knock wood.

We have been going to the theater. All venues still require masks, and some, vax cards, and I am pleased. CDTA buses still require masks and have dispensers for those without, but about 30% of the riders are either maskless or wearing them on their chins. Frankly, I have run out of mojo to give them the evil eye.

A headline in the Los Angeles Times last week read: “‘I’m over it.’ Many in L.A. shrug off COVID-19 wave despite super-infectious subvariants.” I’m not sure I’d go anywhere in California. Look at the map from last week.

For instance, I’d be terrified to go to ComicCon in San Diego, even though participants are getting their vax status confirmed. Mark Evanier went to the first 50 of these notes and says he “can’t explain my assorted feelings about going this time. I know I’m happy that Comic-Con exists again as I’ve always had a good time at them. I’m just hoping everyone rises to the occasion and respects everyone else’s concerns about too much close contact. Comic-Con has never been the place you go to get away from crowds. Quite the opposite.”

Reversal

Something that fillyjonk said I totally understand. “One thing I think the pandemic has done to my mental health that’s a bad thing is, I’ve gotten in this mindset where ‘what is now, will be forever.’ So if things are bad, if I’m anxious, if I hurt – that’s forever now.  ‘This is where I live now, I guess.'” I guess I was hoping for “THAT’S IT; COVID is gone.”

An article in the Boston Globe was scary. ‘Oh my god, not again’: COVID variant making reinfections more common. “Officials reassured people that if they get a booster now, they will still be able to get the updated booster that’s expected to be available in the fall.” But I got my second booster in April, so now what?

The CDC says “potentially more infections to come before that fall booster is available, which is why we really want to make sure people have as much protection as they can right now.”

I AM comforted somewhat by the fact that most of upstate New York is green or yellow, even as NYC, the three counties to its north, and Long Island are red. This is a reversal from three months ago when upstate was redder, and downstate was greener.

Still, I’ll be happy when I get my BA.4/BA.5 specific shot.

Hodgepodge is named for me?

molasses

Fellini SatyriconThere’s a hodgepodge for Sunday Stealing. But first, what is hodgepodge? As far as I can tell, hochepot came from Anglo-Norman French and Old French. So hocher is ‘to shake’ (probably of Low German origin) + pot ‘pot.’

This became hotchpotch in late Middle English, which, besides being an assortment, also means a mutton stew with mixed vegetables. The late Middle English: alteration of hotchpotch is hodgepodge “by association with Hodge (a nickname for the given name Roger ), an archaic British term used as a name for a typical agricultural worker.” Huh! For the record, I’ve never worked in agriculture or in food services.

1. What’s something you’ve recently accomplished solo.

Moving that broken branch.

2. What’s one product you use that never ever fails?

Golden Oreo Cookies never fail to put a smile on a friend of mine.

3. Have you found your place in the world? Where is it?

I think you have to keep reevaluating this, lest you become complacent.

Hated it

4. Worst movie you ever saw?

I’ll go with Fellini Satyricon (1969), which I saw in college. An IMDB review notes.  “Then comes along a movie, teetering on the thin line of questionable success where one can not tell whether there is a plot or not. If, while watching Satyricon, you find yourself wondering whether it is going to wrap up finally into an understandable conclusion, after which you can satisfactorily murmur, “Aahh yes, now I got it’. Well, in the end, there is no such luck.”

Rotten Tomatoes gives it 79% positive reviews from critics and 75% from audiences. But Penelope Houston from the Spectator writes: “Satyricon achieves a curious dual effect. It walks all over the audience with its gross, greasy detail, and at the same time, it is deliberately uninvolved and uninvolving.”

T-bird

5. What’s the last fun thing you did?

Went to see the play ABCD at the Barrington Stage in Pittsfield, MA, this past week. Here’s a review.

6. What’s your favorite Italian dish?

Eggplant parmigiana. In fact, if I want to compare Italian restaurants, it’s my go-to.

7. Have you ever been to France? Any desire to visit there, and if so, what site or city would you most want to see?

No, yes, and Auray, because I have a friend I have known since 1977 who lives there.

8. Have you ever been to Disney or any of the parks at all? Are you a Disney superfan or something less than that? They’re open right now, so tell us, would you go if you had the time/money/a free trip?

Never been to any Disney park. My feeling about Disney is complicated. I do like a lot of their cartoons, especially the Pixar films. But the company is too big, owning Star Wars, Marvel, ESPN, and ABC-TV. Still, I’d take a FREE trip.

Rodentia

9. Your favorite place to go when you want to be quiet as a church mouse? Would those who know you well describe you as more church mouse or perhaps more like Mighty Mouse?

I can be quiet in my living room, taking my blood pressure daily. People who see me in venues where I’m comfortable (church, e.g.) see me as more gregarious than I see myself.

10. Do you bake your own bread? Last time you had hot-out-of-the-oven homemade bread? What’s your favorite kind of bread?

I don’t bake bread, but my wife does, and she made several loaves this past winter using the breadmaker. My favorite was oatmeal bread; she used molasses.

11. What’s something you might say is ‘the greatest thing since sliced bread’?

The computer.

12. Share with us five little things you’re grateful for today. Small blessings. One catch-they all must start with the letter T.

Tallness, Tylenol, television, telephone, telemedicine.

13. Tell us where you were and something about what life was like when you were 20- 21.

I was in college at New Paltz, NY. I have diaries of the time which I will have to read.

14. What’s on the menu at your house this week?

Spinach lasagna zucchini.

15. Something you recently purchased where a coupon was involved? Do you regularly shop with coupons?

I used to, but haven’t in decades.

Leslie: always drawn to performing

don’t know where, don’t know when

roger.leslieOne of the attributes my family always knew about my sister Leslie was that she was always drawn to performing.

She had the opportunity to sing at Carnegie Hall as part of the Manhattan Concerts Productions’ Song of Renewal on Monday, June 13. She and about 240 other people were to sing the Mozart Requiem. (I love the Mozart Requiem. In fact, I could have joined them, but I declined because of my chronic rhinitis and other factors.) And there would be other choirs as well.

Leslie ended up staying at a Club Wyndham on East 45th Street, starting on Friday so she could be at the rehearsals over the weekend. I came down on Sunday night via Amtrak and the subway. The best thing about the resort is the great view from the 33rd-floor deck. One could see the Chrysler Building and the United Nations building only a few blocks away.

We had a nice conversation with a couple from Vancouver, BC, Canada. They have a daughter graduating from high school and two younger sons. They had only recently recovered from COVID, but they had mild cases.

Wet cushions

The next morning, we were back on the 33rd floor. It had rained overnight, and I had quickly ascertained that the cushions outdoors were too wet to sit on. But my sister needed to check this out herself; ah, the cushions were tied down. (By 11 a.m.. they had dried out.)

While sitting in the lounge inside, I mentioned to the two women sitting across from me that my sister on the deck would be singing at Carnegie Hall that night.

I had recommended a video that Kelly had linked to, a clip from the Amadeus movie that was wonderfully enhanced. I showed it to Leslie later, and she loved it.

This led to a conversation about the white cliffs of Dover, which Leslie had recently seen in person on a Dave Koz cruise that Rebecca Jade, her daughter, had performed on. This led to conversations about Vera Lynn (who had sung the song) to Johnny Cash (who had sung the Vera Lynn standard We’ll Meet Again.)

Somehow, we talked about the Green Family Singers and especially the song Hole In The Bucket. By this point, the husband of one of the women had joined us, and he recorded us performing a snippet of it. (We hadn’t had a chance to warm up the vocal cords. Just sayin’.) One of the women was so enamored by my sister that she gave her a big hug.

This is how I spent part of my time seeing my sister Leslie for the first time since the aftermath of her bicycle accident in the summer of 2018. This was a much more pleasant occasion.

BTW, this is Leslie’s XXth birthday. More on this narrative in three days.

Pictures at an Exhibition

Modest Mussorgsky

The Final JEOPARDY on April 29, 2022, was in the category MUSICAL INSPIRATIONS. “‘Tuileries’ and ‘The Great Gate of Kiev’ were 2 of the artworks that inspired this classical work completed in 1874.” Only the defending champion got it correct. What is Pictures at an Exhibition? Yes, I knew that one.

I have at least two versions of this piece. One on the NAXOS label notes that the suite was “a tribute to the versatile Viktor Hartmann,” who was an architect, among other things. THAT I was not aware of. Modest Petrovich Mussorgsky (1839-1881) wrote the piece for piano in 1874. But it did not gain its prominence in the classical canon until Maurice Ravel’s 1922 adaptation for a full symphony.

As the Wikipedia page shows, it is a 10-movement piece, interrupted by various forms of a Promenade. The first Promenade is described from notes by Vladimir Stasov, an influential critic, who likely introduced Mussorgsky to Hartmann. “In this piece Mussorgsky depicts himself ‘roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.'”

LISTEN

Philadelphia Orchestra, conducted by Eugene Ormandy
Chicago Symphony Orchestra live, conducted by Georg Solti
Ukrainian Radio Symphony Orchestra with some vocals, though they are mixed down so low that they are nearly inaudible
Sergui Celibidache – this is a slower take than many

The NAXOS recording I have is from the National Symphony Orchestra of Ukraine. I could not find the entire piece online. But you can hear the stirring finale, The Great Gate of Kiev, which has always made me emotional.

The FIRST LP I owned of Pictures at an Exhibition, though, was by Emerson, Lake, and Palmer, described as incorporating “elements of progressive rock, jazz, and folk music (1971).” The lyrics were by Greg Lake.

Note: my spellcheck wants to spell Kiev as Kyiv. I’m guessing that was a recent adaptation.

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