Author: Roger

The first commentary was Jane Fonda talking about her father Henry, and how their relationship in On Golden Pond (a film I’ve never seen, though I’ve watched stage productions of it) between their characters paralleled their real-life relationship, how he got his only Oscar for that role, how he was unable to receive it himself, so she had to receive it in his stead, how she was so pleased to present the award to him personally, and how he died five months later. I knew these facts before, yet I found it surprisingly poignant in the retelling.

The second commentary was Sidney Poitier talking about Guess Who’s Coming to Dinner, and how he became cognizant of channeling the relationship with his real father in playing against the man who played his cinematic dad. Talking about this made him a bit emotional.

I’ve long been a sucker for the scene in Field of Dreams when the Kevin Costner figure asks his dad to play catch. But I was surprised how moved I was of the scene in To Kill a Mockingbird when the black folks in the balcony direct Scout to stand up: “Your father’s passing.”

I think we all have felt the seismic cultural shift has occurred with online dating that has created a lot of over 40 singles who have never married and many who say, “That didn’t work. Oh well. Next!” We all have noticed the phenomenal shift in how men and women treat each other . What do you think? What is happening? Why is there such an increase in never-married single people? Because they think another someone is just a click away? Is it because we all think we can live to 100 so there is no hurry to settle down? Or is it because there’s just so much fun to be had with so many? What needs to change?

My most recent cellphone gripe was somebody being way too loud in the cafeteria, not about their personal stuff, which is annoying enough, but about someone else’s personnel issues. “Please make them stop,” he said to no one in particular.

“Yesterday at the annual SpeechTEK conference in New York, Paul English announced in his keynote address the creation of a new “GetHuman Standard” for customer service phone systems. Microsoft and Nuance are working with Paul, and other companies are expected to join. Learn more about the Gethuman Earcon.“

Here’s hoping the loser of the Democratic primary for the US Senate race in Connecticut supports the winner. The Democrats’ chance of being the national party in 2008 will not be helped by a third party run in 2006.

I got in the mail yesterday the Billboard Albums, which includes every album that made the Billboard charts through 2005. This makes my Top Pop Album book of a decade ago pretty redundant. I also have that Complete Directory to Prime Time Network Shows 1947-1992 by Brooks & Marsh gathering dust since I posted that list of shows on more than one network. So I will send these two older, but still useful, reference books to the first person who can e-mail me the correct answer to these two questions:
1. Angelina Jolie’s uncle wrote a #1 hit that came out in 1966. What was it? And who performed it?
2. Based on the number of seasons it was broadcast and its audience size, 60 Minutes is the #1-rated program of all time, according to Brooks and Marsh. What’s #2?

From Jaquandor, via Tosy

Five things . . .

…in my refrigerator (without looking).
1. Lots of milk 2% organic for Lydia, 1% non-organic for Carol and me, but that may change.
2. Lots of yogurt,some for Lydia in the large (cottage cheese sized) containers, and some (single serving types) for me. (Carol steals Lydia’s)
3. A can of cola I got, left over from a party.
4. Bread, because it’d get moldy on the counter.
5. Several types of pickles.

. . . in my closet.
I don’t have a closet. I have an armoire, imposed upon me by my wife when the child came around and stole my closet. My sister came and reorganized it so I can’t find anything.

….in my bag (this would be my backpack)
1. Music taken to or from work Currently- Tony Bennett, who turned 80 last week, Buddy Guy, who turned 70 last week, Complete Stax/Volt, Alison Krauss, the Band).
2. Underwear taken to the Y, or dirty clothes taken from the Y.
3. Loose change, because it otherwise makes so much noise in my pocket.
4. Some recent, but not current, periodical. Parts of Saturday’s newspaper.
5. My spare glasses (my sunglasses when it’s cloudy.

….in my vehicle.
My vehicle’s my bike. There is nothing in it, and the only things on it when it’s put away is the bike lock and the helmet.

…on my desk (at work).
1. Way too many loose papers.
2. Some newspapers from last week.
3. A picture of Carol, and trimmed photo of Lydia inserted therein.
4. A reference question I’m working on.
5. At least two pens, probably with no caps.

…on my walls (at work).
1. A picture of John Lennon.
2. A map of the United States.
That’s about it. It’s a small space.

….on my bookshelves (other than books).
1. A spindle of CD-Rs.
2. Census CDs.
3. A few comic books people have given me.
4. A few music CDs.
5. A stack of unsorted papers.

. . . I want to do in the next few years.
1. Read more books not geared toward children.
2. See more plays.
3. See more movies, if even at home.
4. See a Broadway play or two.
5. See more live baseball.

. . . On my nightstand.
1. A battery-powered push light in case the power goes out, so I can see.
2. A telephone receiver. Lydia has knocked the rest of it on the floor so repeatedly that we’ve unplugged it, but easily reinstall.
3. A clock/radio.
4. An old lamp.
5. A cup holding pencils and pens.

Actually, he didn’t exactly call ME specifically a geezer. But in his weekly Metroland column Rapp on This, in his guise as mild-mannered intellectual property attorney Paul Rapp – which you should read every week if you care about music and the changing technology, Paul wrote:
You don’t need 75 minutes of music from every artist you take a fancy to. You probably don’t need more than a song or two. And you certainly don’t need the idiotic “jewel case” or a shiny plastic disc or a glossy little book you’ll maybe look at once, if you can get it out of the idiotic jewel case without trashing it. All you need is a digital file, that you can put on a hard drive somewhere, stick on a gizmo that you can put in your pocket, and maybe burn onto a CD with 15 or 20 of your other favorite songs by different artists.

If this all sounds foreign or scary to you, it’s time to wake up. This has been the future for a long time.

But, gee, I LIKE that little book, and I look at it almost every time. Who wrote that song? Who are the backup vocalists, the producer, the guest musicians? Maybe it’s just me, the librarian who has a NEED TO KNOW, and will regret the loss of that information.

My band, Blotto, had its first CD go out of print recently. We’re selling nicely on iTunes and about 20 other (and lesser) online music sites. I seriously considered just not reprinting any more CDs – why deal with the expense, the hassle, the shipping, the shelf-space and the goddamned jewel-boxes? But I realized that, well, we’re talking about a collection of 25-year-old music here, with prospective purchasers who – how can I say this delicately? – tend to trend to an older demographic? Many Blottophiles, I suspect, aren’t yet completely hep to that crazy digital scene, daddy-o. So, it’s probably a good idea for us keep the CDs available, at least for now, and we will.

But if we had a geezer-free fan base, I don’t think we’d bother. Kids don’t care about CDs anymore. Why should they?

Having had to TRACK down the Blotto CD only a couple years ago (I had all the music except for the live and karaoke versions of “I Wanna Be a Lifeguard” on vinyl already), I appreciate his point. The tunes will be available, but will one know the names of the members of the band? Or does that no longer matter? It’s not my geezerosity that’s kicking in, it’s my librarianship.