Keeping those white Jesus statues

Images besides Warner Sallman’s

head of christMy utter fascination with the physical portrayal of Jesus of Nazareth is well established. For instance, was Jesus homely?

In a recent discussion, someone noted that the conversation about Jesus’ skin tone was not important. I would argue that while it may be a prosaic issue, it is also significant. Otherwise, why was FOX News’ Megyn Kelly so insistent, back in 2013, that Jesus, and Santa, were white?

I rather like James Martin, S.J. in America: the Jesuit Review. “Jesus was not white. Here’s why we should stop pretending he was.” As in that very famous image by Warner Sallman that existed in my grandmother’s house.

Martin says: “Images of White Jesus have obviously been used to promote the idea that white is best… And that has the most terrible effects on people who do not look like that. I’m reminded of Toni Morrison’s magnificent novel ‘The Bluest Eye,’ where the young girl believes that whiteness is beautiful. If Jesus is white and you’re not, what does that say about your relationship with him? What does it mean that Christ came for ‘all,’ if you feel left out?”

What color is your Jesus?

Emily McFarlan Miller describes How Jesus became white, which I think it’s important to understand. But the title continues, “and why it’s time to cancel that.” (My comfort toward even the term cancel culture is fairly tenuous.)

She quotes Edward J. Blum, who co-authored the 2014 book The Color of Christ: The Son of God and the Saga of Race in America. He said “many Christians remain hesitant to give up the image of white Jesus. He believes the continued popularity of white depictions of Jesus is ‘an example of how far in some respects the United States has not moved. If white Jesus can’t be put to death, how could it possibly be the case that systemic racism is done? Because this is one that just seems obvious. This one seems easy to give up.'”

I need to unpack that. Unlike say, the Confederate stats and bars, I had not experienced a clear historic movement that to rid ourselves of the white Jesus. And I think the notion of “giving Him up” is not obvious and very much not easy. There have been hundreds of years of paintings, stained glass, and figurines. When activist Shaun King said that ‘White Jesus’ statues should come down, I was not on board. King, who I learned about from my daughter, is a pretty savvy guy, but I disagree with him here.

Conversely, I AM fond of the notion of more and different portrayals of Jesus. Jemar Tisby, author of the 2019 best-seller “The Color of Compromise: The Truth About the American Church’s Complicity in Racism” believes there’s no “one depiction that is coming to the fore… I think [that] is illustrative that people are resisting a monolithic vision of Jesus’ embodied self and, and understanding that his very incarnation — the fact that God became a human being in itself — is a way of identifying with all peoples everywhere.”

Nina Simone, other singers of justice

It takes the wisdom of the elders and young people’s energy

The official site for Nina Simone (1933-2003) refers to her as The High Priestess of Soul. As a 2014 New Yorker article noted, she “turned the movement into music.”
To Be Young, Gifted, and Black
I Wish I Knew How It Would Feel To Be Free
Mississippi Goddam

The “Godfather of Soul,” released the iconic song… in August 1968, just four months after the assassination of Martin Luther King Jr. “Randall Kennedy, a Harvard law professor, said he remembers when he first heard the song. The funk- and soul-inspired hit was like nothing he had heard before — especially at a time in which Kennedy said overt ‘colorism,’ or the preference for lighter skin color, was prevalent in the black community.

“Kennedy writes for The New York Times that “it was precisely because of widespread colorism that James Brown’s anthem posed a challenge, felt so exhilarating, and resonated so powerfully.” Some stations would not play this song. The apocryphal punch line is that JB bought some radio stations in response.
Say It Loud, I’m Black and I’m ProudJames Brown (1933-2006)

“The Impressions formed from the union of two friends, Jerry Butler and Curtis Mayfield of Chicago, Illinois. The two had sung together in church as adolescents, and had traveled with the Northern Jubilee Gospel Singers and the Traveling Souls Spiritual Church.” Curtis Mayfield (1942-1999) got into the Rock and Roll Hall of Fame twice, once with the group, once as a solo artist.
Keep On Pushing – the Impressions.

From the legendary What’s Goin’ On album that Berry Gordy was reluctant to put out. I’ve said the subtitle a LOT.
Inner City Blues (Make Me Wanna Holler)Marvin Gaye (1939-1984).

Saw the face of Jim Crow under a bald eagle

“PE redefined not just what a rap group could accomplish, but also the very role pop musicians could play in contemporary culture. Lyrically, sonically, politically, onstage, on the news – never before had musicians been considered ‘radical’ across so many different platforms.”
Fight the PowerPublic Enemy.

From the movie Selma. It won the 2014 Oscar for Best Song.
One day when the glory comes
It will be ours, it will be ours
Oh one day when the war is won
We will be sure, we will be sure
Glory – Common, John Legend (Alternative version here).

The Godmother Of Rock ‘N’ Roll has, “in recent years, been rightfully celebrated as a woman who broke every norm.”
This TrainSister Rosetta Tharp (1915-1973).

The Queen of Gospel is revered as one of the greatest musical figures in U.S. history.
We Shall OvercomeMahalia Jackson (1911–1972).

All of the artists here, save for Common and John Legend, are in the Rock and Roll Hall of Fame.

PANDEMIX: Cartoonists respond to Covid-19

A benefit for The Hero Initiative

PandemixAs the press release says, “At a time when many in the comics industry were told to put their pencils down, a group of diverse cartoonists have raised theirs to tell timely, personal stories in a new benefit anthology, PANDEMIX: Quarantine Comics in the Age of ‘Rona. The 56-page full-color digital anthology will become available July 21 at patreon.com/pandemix for $5. All proceeds go to The Hero Initiative, which aids comics creators in need.”

As one would expect, it’s an eclectic mix of styles and foci by a group of creators, most of whom live in New York. The first story is particularly compelling if you watched the news about New York City in April, or some southern cities right now. Josh Newfield tells about a hospital worker trying to find Personal Protective Equipment for hospital staff and to figure out what to do about the dead. The protagonist, who is Josh’s brother Jake, eschews the label of “Supply Chain Superhero.”

Marguerite Dabaie decides that “It’ll Be Alright” during her lockdown in Brooklyn, even in those moments when it’s not. Peter Rostovsky’s “The Storm” suggests we’ve seen this movie before, and we’ll get through this film as well. Joan Reilly appreciates her “New Normal.” N. Steven Harris’ “‘Rona Routine” is among the most visually pleasing and namechecks the George Floyd protesters.

“Skin Hunger” by Kristen Radtke had been in the New York Times back in March. I surely relate to missing touch. Whitney Matheson spends a page celebrating “My Pandemic Boyfriends”, such as Stuart the Soap. Morgan Pielli’s “Protection” is an effective, wordless paean to the possibility of love.

Curated by Dean Haspiel

Dave Proch’s “Plague Fashion” page segues into “Plague Journal”, six days in April and May that Jen Ferguson creates in somewhat different styles; I found it compelling. Yes, J.J. Colagrande and George O’Connor, it is “Why We Are All Doomed.”

Ellen Lindner had me wondering if I ought to take things “One (COVID) Day at a Time,” as they (sort of) say in Alcoholics Anonymous. I’d hate to think that “Iterations of the Apocalypse” by Jeffrey Burandt and C. Cassano is all there is.

“Currency of the Community” by Dean Haspiel I was genuinely touched by, probably more than any other story aside from the first one. Incidentally, Haspiel, an Emmy- and Ringo Award-winning cartoonist, edited the collection with Whitney Matheson. Finally, Owen Brozman has a wordless “Quarantine Age Dream” we can hope for. The anthology features cover art by Peter Rostovsky and a Star Wars-inspired back cover by Mike Cavallaro.

As noted, all proceeds from PANDEMIX – five bucks! or more if you’d like – go to The Hero Initiative, a not-for-profit organization that helps comic book creators with emergency medical aid and/or essential financial support. “PANDEMIX will be promoted via Twitter (@pandemixcomix), Instagram (@pandemixcomix), and The Hero Initiative.”

July rambling: Phonus-Balonus!

VeggieTales’ creator Phil Vischer’s viral video on race in America

Trevor Noah: Maybe not a great idea to take a victory lap in the middle of a pandemic.

60 Minutes Australia: Inside the wicked saga of Jeffrey Epstein: the arrest of Ghislaine Maxwell.

Defund the Poice: What’s in a slogan?

Why a Struggling Rust Belt City Pinned Its Revival on a Self-Chilling Beverage Can.

ADD has updated the Comic Book Galaxy blog for the first time in five years.

Stop microwaving books: Michigan library frustrated by damaged books.

Appreciating Letty Owings; the Reason I’m Here, By Greg Hatcher.

Meet 8-time JEOPARDY champion, Jennifer Quail Part 1 and Part 2.

Local galleries are reopening! Part 1 and Part 2.

Phonus-Balonus: 1920s Slang We Need to Bring Back.

A Brief History of the Lawn Chair”.

Riddle of the Week: The Gold Chain Math Problem and The Hen and the Egg.

Stop Doomscrolling. Ah, too late.

Now I Know

The Job That’s a Riot and The One Thing You Can’t Do in IKEA and When It’s OK to Lose Your Head and The Sweet Mistake and The Robutts That Protect Your Phone.

Race in America

VeggieTales’ creator Phil Vischer releases viral video on race in America (17 minutes, and very good).

Elijah McClain played violin for lonely kittens. His last words to police are devastating.

Facial recognition: “Wrongfully Accused by an Algorithm”.

Racism, Disparities, and the Health of the Nation.

My denomination: PC(USA) General Assembly affirms that Black lives matter; pledges to work against systemic racism.

I thought I understood white privilege, then I married a Black man.

Man shares two lessons he learned from disrupting a racist joke in a group of white people.

Dr. Robin DiAngelo Wants White People to Stop Saying They’re Not Racist; she’s the author of White Fragility.

slave castles — and the weight of history.

Reparations.

Free online comic book – Henry Johnson: A Tale of Courage.

When The Klan Ruled In Freeport, Long Island.

This ‘Equity’ picture is actually White Supremacy at work.

Blackface: The Birth of An American Stereotype and Celebrities now apologizing for using the racist trope for laughs have no idea just how sorry they really are.

Frederick Douglass’ admonition on the moral rightness of liberty for all.

The rage and love of James Baldwin.

Diversity in business is about expanding networks

This Rocket Scientist Is Tracing Black Ingenuity Through Barbecue.

Blacklexa (at 1:28).

anti-racism

Full bibliography here.

IMPOTUS

In the Land of “No We Can’t”.

His ‘Roger Mudd’ moment augurs ill for his reelection. If he can’t explain why he wants another term, he shouldn’t expect voters to give him one.

Reverend reveals what evangelicals say privately about Trump.

Mary Trump: he is the product of a deeply dysfunctional family that makes him a uniquely destructive and unstable leader for the country; inside his psychopathology.

Family, Cronies Cleared For Millions In Bailout Funds, such as Elaine Chao’s family business.

A Shameful Moment: Formal Withdrawal From WHO as Covid-19 Cases Climb.

Lincoln Project: Benedict Donald and Comrade Trump and Whispers. More.

Randy Rainbow Devastates A “Poor Deplorable Troll”

Music

America by Rebecca Jade, Erik Canzona, and Alfred Howard. Rebecca Jade is the Artist of the Year at 2020 San Diego Music Awards.

Ennio Morricone, Prolific Italian Composer for the Movies, Dies at 91.

Coverville: 1314: Cover Stories for KT Tunstall and Steven Page of Barenaked Ladies and 1315: The Blondie Cover Story II and 1316: Ennio Morricone Tribute and Ringo Starr Cover Story.

Perdido, by trombonist Juan Tizol, performed by Wynton Marsalis.

Be Still – Beach Boys.

Ballade in A minor for orchestra by Samuel Coleridge-Taylor.

Adagio For Strings – Samuel Barber – conducted by Leonard Bernstein.

Fantasy on Themes from the Masque of the Red Death – David Baker.

Suzanne – Leonard Cohen.

Dancing in the Canebrakes by Florence Price.

K-Chuck Radio: Our Robot Overlords.

Music For The Movies: Bernard Herrmann (Documentary).

Keeping up with the news

“I read the news today. Oh, boy.”

CarolEarly in our marriage, I was mystified by how my wife didn’t know of events in recent history. And I don’t mean it happened the day before yesterday. It was a function of the fact that I read the newspaper regularly and watched at least one national news broadcast almost daily.

I won’t say it’s flipped entirely but it’s definitely changed. She gets up at 7 a.m. to get the news from overnight. I used to do that pretty much until the coronavirus struck. For me, I realized that there was a numbing sameness. The details would differ – 58,000 dead in the US, or 85,000, or 130,000. It’s surging in state X but declining in state Y.

It’s that I can no longer deal with what feels like ephemeral information. Is this part of the state in phase one or phase two? I know the “big-picture” stats, enough to know that just as Florida wanted to ban New Yorkers, now New York wants to keep Floridians out.

So when my wife asks me some drill-down questions, my standard response is “I can look it up.” Can we go inside this type of business? Since the rules will change in two weeks or two months, my brain says, “Don’t care!”

Part of the filtering involves listening to IMPOTUS, who will take both sides of many issues. Are we cutting back on testing? “Yes.” “No, I was kidding.” “I never joke about things like that.” There is no reason to pay attention when he constantly contradicts himself. My wife will ask what did he say about a particular issue. Heck, I don’t even know anymore.

Natal day

I prefer the more traditional ways my wife and I confound each other. It’s a matter of philosophy. She’ll ask me if I want to throw out the toothpaste squeezed to near empty. I’ll toss it AFTER I have replaced it. She’ll throw it out first. But her way, there’s no toothpaste until we get more. Now THAT’S an important issue!

Anyway, she’s having a birthday today. She very wisely is not on Facebook. So her friends contact me, and I convey messages to her because that’s what I do.

Ramblin' with Roger
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