Roger O Green

Mary Tyler Moore: “girl with the three names”

Danny Thomas thought Mary Tyler Moore had too small a nose to play HIS daughter on his sitcom

When I went to see the movie Ordinary People in 1980, I knew that, like the character Beth, Mary Tyler Moore, who died this week, had a son die tragically, and during the filming period. It’s impossible to ascertain how that event affected her acting. But it was a ferocious performance; one of my friends said, painfully, it reminded him of his growing up.

Mary was deservedly nominated for an Academy Award for Best Actress, though she lost to Sissy Spacek in Coal Miner’s Daughter. But it was clear, Beth was NOT “Our Mare!” that we knew from the show named after her, one of the most popular TV shows ever, which “helped define a new vision of womanhood.” Mary Richards is the cultural ancestor of Murphy Brown, Liz Lemon, Carrie Bradshaw, and so many others. There was initial talk of having Mary Richards be divorced, but that was nixed.

That theme, written and sung by Sonny Curtis, who wrote “I Fought the Law”, was changed after season 1. The iconic first line, “Who could turn the world on with her smile?” started in the second season after she actually moved, got her job, and made new friends after a romantic breakup. The theme song’s original first line was “How will you make it on your own?” The last line was also changed from “You just might make it after all,” to “You’re gonna make it after all.”

It’s well-repeated that shows such as The Mary Tyler Moore Show, produced by MTM Enterprises, Mary’s company with second husband Grant Tinker, had people staying home on Saturday nights, and it was true. Here’s the fall CBS Saturday night schedule, with # indicating an MTM show:
1970: Mission: impossible (hr), My Three Sons, Arnie [no, I don’t remember it either], MTM#, Mannix (hr0 -[Mike Connors just died, too – watched that show regularly as well]
1971: All in the Family, Funny Face, New Dick Van Dyke Show, MTM#, M:I (hr)
1972: AITF, Bridget Loves Bernie, MTM#, Bob Newhart Show#, M:I (hr)
1973: AITF, MAS*H, MTM#, Bob Newhart#, Carol Burnett Show (hr) – THE classic lineup
1974: AITF, Paul Sand in Friends and Lovers#, MTM#, Bob Newhart#, Burnett (hr)
1975 and 1976: The Jeffersons, Doc#, MTM#, Bob Newhart#, Burnett (hr)

Watch
alt MTM opening
Love Is All Around – Joan Jett
Chuckles the Clown’s funeral

Read
John Amos on being on the MTM show

I watched all the spinoffs, Rhoda, Phyllis, and especially the hour-long drama Lou Grant. And those other MTM Enterprises shows were among my favorites: The Tony Randall Show (1976-1978), The White Shadow (1978-1981), WKRP in Cincinnati (1978-1982), Paris (1979-1980), Hill Street Blues (1981-1987), St. Elsewhere (1982-1988), and Newhart (1982-1990)

But it’s the original Dick Van Dyke Show where I learned about Mary Tyler Moore, the “girl with three names” who Danny Thomas thought had too small a nose to play HIS daughter on his sitcom, but who he recommended to play Laura Petrie to Dick’s Rob. And when I was eight and a half when the show started, I noted that she was pretty.

But there was something about the episode It May Look Like a Walnut, featuring Danny Thomas, a month shy of my 10th birthday. I couldn’t have identified it at the moment, but I later realized that Laura Petrie rolling out of a closet on a wave of walnuts was sexy as all get out.

Watch
DVD show opening
DVD/MTM song and dance
another DVD song and dance
I Am a Fine Musician
It May Look Like a Walnut – 5 minutes

Read
Growing Up with Mary Tyler Moore: The Dick Van Dyke Show’s Larry Mathews Shares Memories of His TV Mom
Mary Tyler Moore’s Greatest Quotes

I’ve watched Mary Tyler Moore in all sorts of projects, from Dick Van Dyke and the Other Woman Special, to at least four other series she starred in, to that not very good Mary Richards/Rhoda Morganstern reunion in 2000, to a 2013 appearance in Hot in Cleveland with Betty White and Georgia Engel. Before the Dick Van Dyke Show, I probably saw her in a bunch of shows, but I never watched a show hosted by Boris Karloff called Thriller

The Fatal Impulse (1960) – small role for MTM
Man of Mystery (1962) – a substantial role for MTM, though she doesn’t appear until 10 minutes in

Writing from marginalized people’s POV

I get nervous about the notion of writing “from the viewpoint of marginalized people.”

Jaquandor informed me:

There’s a lot of discussion in the writing world about the extent to which white people should attempt to write from the viewpoints of marginalized people. Do you have a view on this? Should a white person write, say, a fictional memoir of a slave in Mississippi?

I was unaware of the debate, and I’m rather pleased by it, though diversity should be more than a marketing trend, but a way to get more voices in the marketplace.

This answered is colored (pun intended) by the fact that I lost a friend in 2016 because, in discussions on Facebook and elsewhere, I thought I had understood the specific isolation that someone of a different culture – not white – was experiencing. I was severely upbraided for assuming facts apparently not in evidence. That I was not the only one so rejected was small comfort.

To your question, you COULD write a story about a poor, gay youth in Florida. But it seems to me that someone who had actual knowledge and interest in the topic would be better served to put out something like that.

I do admire the notion that white people recognize sharing the stories that do not get told, such as Rebecca Skloot writing about Henrietta Lacks, is important. Waking Up White, and Finding Myself in the Story of Race by Debby Irving is HER perspective on race in America, not an assumption of someone else’s experience.

But I get nervous about the notion of writing “from the viewpoint of marginalized people.” This is because I think it is difficult to “get inside in the skin” of another. It’s not that I think it’s a bad idea to write about another culture, in the abstract; it’s that I’m afraid it would not have a good outcome. It could be seen as elitist by minorities, and if it were a hit, it would likely be seen as successful BECAUSE of the white face involved. If it were lousy, it would be considered insulting.

In Mary C. Moore’s blog, she writes Diversity vs Marginalized: Writing In Tune With Current Voices:

Part of what makes a great writer, whatever background they have and whatever genre they are writing in, is the ability to capture and reflect on truths in society. To dive beneath the surface of the collective and draw it out in your story. These are the stories that resonate and connect with readers… But an unfortunate result is that “diverse books” is becoming something of a catch phrase. And when something becomes a catch phrase, it loses some of its meaning and the truth we are seeking becomes muddled…

Non-marginalized writers may have the urge to say, “but I want to be a part of this, I want to support and represent diversity.” That is a great attitude to have, but do so with awareness and modesty, not because you are seeking pats-on-the-back. The first step? Know the difference between writing diversity and writing from a marginalized point of view.

For that fictional memoir of a slave in Mississippi, is the writer going to use patois? THAT could be interesting for a white writer using “dese” and “dem” from the mouths of others.

I thought the maxim was to write about what you know. Not that canvas can’t get wider. I could write, not just as a black man, but as a father after 50, or someone with vitiligo, a male librarian in what had been a traditionally female profession, or a reformed comic book reader, or a daily blogger, or progressive Christian, or whatever. One can find diversity in many ways.

You couldn’t relate to the Beatles 10 years ago, but you could now write about being a relative novice in Beatlemania. Or any of the adventures/struggles that are specific to your experience, yet universal in our understanding.

The Lydster: meeting at Mickey D’s

The Daughter was going to go on a school field trip to the state capital building and the state museum for the bulk of a school day in the middle of December. The opportunity was available only to the students who were doing well in their classes.

When I used to work downtown, I used to donate blood at the Empire State Plaza, fairly religiously, every eight or nine weeks. Though I’d been back working downtown for over a year now, I had fallen out of the habit until mid-December.

After I had donated for the 159th time, by their records, I stopped at McDonald’s. The odd ritual I used to have was going to Mickey D’s every time I gave blood, and there’s one in the ESP concourse, not too far away.

I’d ordered my food, but I hadn’t received it yet when this horde of kids show up. It’s my daughter and her classmates! The line is so long that I figure I’ll be done eating by the time they get their food. I DO bring her some French fries and ketchup while she was in line, which she appreciated, though her classmates, I’m told, ate most of them.

However, a lot of her classmates weren’t ordering food, just standing in line with their friends. So the Daughter and two of her friends sit down and ate with me. But what happened to the turkey and cheese sandwich The Wife had packed for the Daughter? The girl hands it to her father to schlep home, naturally.

I finish eating and kiss the Daughter goodbye on her forehead, as one of her friends rolls her eyes. I walk away, but double back behind that friend, who I know better than any of my child’s buds, and make a sound right behind her approximating a belch. The Daughter and her other friend laughed hysterically.

What a rare, and serendipitous, midday meeting with my girl.

Movie review: Fences, based on August Wilson’s play

Denzel Washington and Viola Davis were Tony winners in the 2010 Broadway version of Fences.

The movie Fences is quite extraordinary. Some critics said it may be the best self-directed film ever, with Denzel Washington as not only star and director, but producer as well.

Troy Maxson (Washington), a garbage collector in 1950s Pittsburgh, who had dreams, and arguably the talent, to have been a major league baseball player, had integration in the sport come sooner. His wife Rose (the magnificent Viola Davis) tries to keep him and their working-class family ship afloat.

Fences is an adaptation of August Wilson’s Pulitzer-and-Tony-award-winning play. James Earl Jones and Mary Alice also won Tonys in the 1987-1998 Broadway production. Washington and Davis were Tony winners in the 2010 Broadway version which also won the award for best revival of a play.

Interesting video comparison between Jones’ and Washington’s performances here or here. Jones’ reading is sterner, while Denzel’s reading is garnering laughs.

I had seen a production of Fences at Capital Rep in Albany during the 1990-91 season with John Amos (Good Times, Roots) in the lead role, and that iteration, as I dimly recall, seemed less intense early on.

Denzel in the movie, though, is as ferocious as James Earl Jones was on the stage; that scene does not garner guffaws. Is it the different media, or six years that have passed that got him to revisit the character, or both, I can’t say. But what it does do is make the chinks in his armor even more profound.

The rest of the cast of Fences, the movie, is also strong. Stephen McKinley Henderson as Troy’s good friend Jim Bono, Jovan Adepo as Troy’s younger son Cory, Russell Hornsby as his grown son Lyons, and Mykelti Williamson as his brother Gabriel creates a fine ensemble.

I knew fellows like Troy Maxson and his friends growing up, mostly the men of the church where I grew up. It stirred some strong emotions throughout. There’s a bit of my father there, for sure.

The Wife and I saw Fences on Martin Luther King’s actual birthday, naturally at the Spectrum Theatre in Albany. The less you know going in, the better. Recommended.

C is for Constitution of the US

There are Constitutional scholars who believe that not only must Donald Trump take his salary, but that it is appropriate so that he knows he’s being paid by the people of the United States.

If you’re ever looking at the Constitution of the United States, make sure you look at one that is footnoted, such as this one. It gives the reader a better sense of the trial and error that is the American experience.

For instance, Article I, Section 2, paragraph 3: “Representatives and direct Taxes shall be apportioned among the several States which may be included within this Union, according to their respective Numbers, which shall be determined by adding to the whole Number of free Persons, including those bound to Service for a Term of Years, and excluding Indians not taxed, three-fifths of all other Persons.”

“All others” were slaves, who were three-fifths of a person. The matter was altered by Amendment 13.

Article II, Section 1, paragraph 3: “The Electors shall meet in their respective States, and vote by Ballot for two Persons. The Person having the greatest Number of Votes shall be the President, if such Number be a Majority of the whole Number of Electors appointed; and if there be more than one who have such Majority, and have an equal Number of Votes, then the House of Representatives shall immediately chuse by Ballot one of them for President.”

This became unworkable in the election of 1800 when Thomas Jefferson and Aaron Burr each received 73 electoral votes, and dealing made TJ the Prez and Burr the Veep. The process has been superseded by Amendment 12, with separate ballots for President and Vice-President. This was referred to in the musical Hamilton.

The first 10 amendments are called the Bill of Rights. Amendment 1 is probably best known: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

Some legal scholars feel Amendment 4 is particularly under attack: “The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.”

The post-Bill of Rights amendments often deal with expanding the vote. 15 – regardless of “race, color, or previous condition of servitude.” 19- regardless of “sex.” 24 – regardless of “failure to pay any poll tax or other tax.” 26- allows 18-year-olds to vote, when the age had been 21, generally. Amendment 17 allows for the direct election of US Senators, rather than them being selected by state legislatures.

Two Amendments canceled each other out. The 18th permitted prohibition of alcohol, but the 21st scrubbed the social experiment.

One section I had not noted until recently is Article II, Section 1, paragraph 7: “The President shall, at stated Times, receive for his Services, a Compensation, which shall neither be encreased nor diminished during the Period for which he shall have been elected, and he shall not receive within that Period any other Emolument from the United States, or any of them.”

This has been an issue for a few reasons. The new president, Donald J. Trump, has indicated that he would not take a salary for being President. There are Constitutional scholars who believe that not only must he take the payment, but that it is appropriate so that he knows he’s being paid by the people of the United States. George Washington tried to avoid being paid, but was talked out of it.

Also, the Trump organization owns buildings for which the US government is paying rent. This could be considered “other emolument,” and could cause a Constitutional crisis early in his administration.

Amending the Constitution of the United States is very difficult. There has been only one amendment passed since 1971, and that was in the hopper for more than two centuries.

ABC Wednesday – Round 20