The Rules: Part 3 (of 37): Playing Music

As you may know if you know me, or if you’re a regular reader of this blog, I am a compulsive about some things such as filing my recorded music. I’ve likely mentioned that I’m also obsessive about playing music I own. I figure that if I own it, I should play it. If I don’t play it, I should probably get rid of it.

To that end, I play music on a musician’s or classical composer’s birthday week. This week, in honor of their birthdays today, it’s Frank Sinatra and Dionne Warwick. This birthday thing also applies to compilers of compilations, so the guy with the Omnibus coming out is heard in January, while the Eddie-torial pledge dude gets played in November.

There used to be a time when I’d play a given artist two or three times during the course of a year, but with an increasing number of recordings, I’ve had to figure out how to parse some groups.

Simon & Garfunkel I play in November, Art’s birthday; I also play my one Garfunkel album. Simon solo I play in October.
I have so many Rolling Stones albums that I play the store-bought ones in July, Mick Jagger’s birthday, and the ones I’ve burned in December, Keith Richards’ birthday.
Led Zeppelin gets played in January, Jimmy Page’s birthday; solo Robert Plant in August.
I play Crosby and CPR in August, Stills in January and Young in November. CSN(&Y) I play in February, Nash’s birthday, since I have no Nash on CD.
The Police get played in July, Stuart Copeland’s birthday, while Sting gets played in October. (Why not Andy Sumner as the Police trigger? Because his birthday came later in the year, in December.)
Don Henley in July; the Eagles in November, Glenn Frey’s birthday.
With so many Beach Boys albums, most of them I play in June, Brian Wilson’s birthday, along with solo Brian Douglas Wilson. However, the box set and the greatest hits I play in December, the birthdays of Dennis Carl Wilson and Carl Dean Wilson. (I didn’t know until yesterday that Dennis’ middle name was Carl; how odd.)
The Beatles are the most convoluted. Solo artists in their respective months, of course. In October, for John, I play the canon, the British albums as they were originally produced, since he was the leader of the group; also the Past Masters, which represent, mostly, the singles. February I play the American albums, since George was the first Beatle to come to the U.S., visiting his sister Louise. June, Paul’s month, gets the other items: the Anthologies, the BBC, the remixes of Yellow Sub and Let It Be, and LOVE. As for July, Ringo gets all the many Beatle cover albums.

Speaking of which, I’m in the midst of moving my tribute albums from their own section to the end of the run of the given artist; there are now so many that I forget.

As for the rest of my music: February gets compilation love albums, compilation soul albums (except Motown, played in November for Berry Gordy’s birthday) and, if the Oscars are in February, soundtracks, which usually takes a couple months in any case. As for the rest of the albums, other compilations, artists with birthdays I don’t know, I play whenever I want. Well, except the Chieftains and Clannad, which I listen to in March, and Christmas albums, which I play between December 1 and Epiphany. Oh, and Halloween albums for guess when?

The requirement to play, say John Lennon in October, doesn’t preclude me from playing it again in March just because I feel like it.
ROG

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