Songs That Move Me, 100-91

100. As – Stevie Wonder.
This song is good until it gets to the “preach” segment; then it’s transcendent.
Feeling: as though I were at a revival meeting.

99. Nothing Compares 2 U – Sinead O’Connor.
Based pretty much on the strength of the vocal alone. That octave leap on “Nothing”, e.g.
Feeling: longing.

98. No More Tear-Stained Makeup – Martha and the Vandellas.
I wish I could find the lyrics to this Smokey Robinson-penned tune on the Internet, because there’s a lyric couplet in the second verse has a line that’s really a mouthful. On the Watchout LP.
No More Tear-Stained Makeup -Martha Reeves and the Vandellas
Feeling: Like singing along.

97. I Am A Man of Constant Sorrow – Foggy Mountain Boys.
The hit from O Brother Where Art Thou. It’s the quality of Dan Tyminski’s vocal, along with the harmony vocals and the instruments, that work for me.
Feeling: what a hoot!

96. Black Magic Woman/Gypsy Queen – Santana.
The first part wouldn’t have made the list, but that the second half seals the deal. I may have become aware of Santana from the Woodstock movie, which I sat through twice.
Feeling: transcendent.

95. Papa Was a Rolling Stone – the Temptations.
It is that lengthy, luscious introduction that Dennis Edwards acknowledges added a bit of an edge to his voice when he finally got to sing “It was the third of September.”
Feeling: that I can finally exhale when the vocal comes on.

94. Losing My Religion – R.E.M.
Such a musically delicate song for such moving lyrics.
Feeling: doubt.

93. Cannonball – the Breeders.
It was loud and infectious. But what made it is the modulation of key early on. On a 4-song CD.
Feeling: I’m alive.

92. Takin’ It To the Streets-the Doobie Brothers.
The first song I heard with the Michael McDonald vocal. It became a more predictable sound eventually, but when I first experienced it, it felt fresh. From the first greatest hits LP.
Feeling: as the title says.
Also, this version from No Nukes.

91. What’s That You’re Doin’- Paul McCartney with Stevie Wonder.
It came out at a point in the early ‘80s that Stevie started getting squishy (I Just Called to Say I Love You), so this was more to form. Much better than the OTHER Wonder/Macca song on the Tug of War album, Ebony and Ivory.
Feeling: Stevie’s back!