Book Review: The Orphaned Adult

One of the most interesting things about the book The Orphaned Adult is the very notion that adults, when they lose both of their parents, do fall into a largely unexamined class of people. After all, as the author, Alexander Levy noted, “Parental loss is not the province of an unfortunate few. It is the ultimate equal-opportunity experience, requiring nothing other than children not predeceasing their parents.” So the dearth of literature he found prior to writing this book, published in 1999, is not at all surprising.

The book is an amalgam of stores of Levy’s patients and his own loss of both parents, and how it changed all involved. I’ve written elsewhere about my favorite story in the book.

Early on, he challenges the notion of the Elisabeth Kübler-Ross tidy five stages of grief, while recognizing that the structure served a purpose at a time when many avoided the topic of death and grief altogether. As I’ve noticed myself, grief is nonlinear. And grief, Levy argues, is good; “by illuminating life’s impermanence, grief alerts us to pursue those important goals that we otherwise tend to postpone in the naive belief that our time is enduring.” In fact, he suggests that there are serious hazards in avoiding grief, and offers ways to express it.

The death of both parents changes the “I am” sentences of one’s life, from being your parents’ son or daughter to “I am an orphan.” Yet Levy talks about the ongoing relationships with parents after they die, and how one’s relationships with others can change as well.

Recommended for those who have lost both parents or who are involved with people who have. I have suggested the book to a guy at church who lost his second parent, his mother, about two months after I lost mine.

 

Spoilers QUESTION

read movie reviewers relish not knowing about the films they are going to critique; optimally, the movie trailer will not make actually seeing the film redundant.


There is a tradition among many not to reveal surprise endings of movies and even TV shows until enough people have had a chance to see them, which is quite honorable.

But what I’ve noticed lately is that the TV shows themselves are at least leaking possible story bits to the media. The very first Law & Order: LA this spring notes that someone will die. Other shows, such as those alphabet soup programs (CSI, NCIS) tease that “a hero will fall.” Is it that we should watch because someone will die? What happened to the element of surprise. See, e.g., the death of Colonel Blake at the end of the third season of the TV show MAS*H.

I contrast this with The Good Wife on CBS. A big reveal a few weeks ago was that the lead character’s husband had slept with her work friend. But ah, it was a couple of weeks later before the GW herself finds out the news, and it is devastating for her, and for the viewer. The surprise maximized the impact.

I read movie reviewers relish not knowing about the films they are going to critique; optimally, the movie trailer will not make actually seeing the film redundant.

So how do you like to see TV and movies? Does knowing too much wreck the experience?

 

April Rambling

Truth is that I purchased it mostly because I hate it when Mike Sterling cries.

As a friend noted, “If this occurred randomly and naturally, it’s amazing. If it was done with Photoshop, it was inspired.”

‘Cheap flights’ song (and dance)

Rivers of Babylon a capella by Amy Barlow, joined by Kathy Smith and Corrine Crook, at Amy’s gig in my hometown of Binghamton, NY, July 2009.

Star Wars, the complete musical?

Many people use the terms science fiction and fantasy as if they are interchangeable or identical when they are actually related, not the same. Author David Brin illuminates the differences.

Superman: citizen of the world

Re: World Intellectual Property Day and Jack Kirby

As a Presbyterian minister, I believed it was a sin. Then I met people who really understood the stakes: Gay men.

Susan Braig, a 61-year-old Altadena cancer survivor, takes old pharmaceutical pills and tablets and mounts them on costume jewelry to create colorful necklaces, pendants, earrings, and tiaras that she sells. It’s a way to help pay off her medical debt. By Bob Pool, Los Angeles Times, March 29 2011

Jaquandor does a weekly burst of weird and awesome, but this particular collection was more than usual.

I wasn’t a huge Doctor Who fan, but I was touched by the outpouring of emotion over the death from cancer of Elisabeth Sladen, among the most beloved of the Dr. Who companions and star of The Sarah Jane Adventures. A post by Chris Black.

SamuraiFrog on Weird Al and Lady Gaga.

I’m not a huge fan of Mike Peters’ comic strip Mother Goose and Grimm. But you should check out the episodes for April 12 through 16, when he deals with Sesame Street in the age of this Republican Congress. Also, see your favorite arachnid in the April 18 strip.

I bought a new book this month, Write More Good, by a consortium of folks known as The Bureau Chiefs, despite never having followed their meteoric success with their Fake AP Stylebook Twitter feed. I bought it primarily because I was familiar with a number of the Chiefs, even following the blogs of Mike Sterling’s Progressive Ruin and Dorian Wright’s Postmodern Barney. Truth is that I purchased it mostly because I hate it when Mike Sterling cries. I haven’t read it, but I’ve gotten more than a few laughs when I’ve skimmed it.

Google alert finds: Separating science from attitude By Roger Green. Re: an airplane parts firm: The company folded in 2007 and the Florida Department of Law Enforcement is now investigating company officers Roger Green and Victor Brown on a variety of potential charges, including grand theft and racketeering

Finally, from the royal wedding you weren’t invited to.

 

Movie Review: Made in Dagenham

Here, Sally Hawkins was matter-of-fact plunky without sinking to cliche. Indeed, once knows the basic outline, it is difficult to avoid a bit of predictability. Fortunately, the story, and performances were strong enough.


Late last year, my wife and I saw the trailer for the movie Made in Dagenham, and liked it well enough that we decided to go see the film itself. But for whatever reason, we didn’t make it.

Then we noticed that it was playing for three days at Proctors Theatre in Schenectady last week. So I took off early from work, went home, and we dropped off the daughter at the home of a teenaged daughter of a church member. We were running late for the 5:15 p.m. showing because of rush hour traffic, so Carol parked the car while I bought the tickets and popcorn. Walking from the ticket counter to the entrance, the door closed, and it was LOCKED!

So I walked back to the counter to comment on this. At that very moment, my wife showed up AND someone opened the door, we ran in and got led into the darkest theater I’ve ever gone into. Thank goodness for the guide’s flashlight.

We walked in during the opening credits, and I don’t know if there was anything before that; evidently, there were few or no coming attractions.

From the IMDB: In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there were also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O’Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men’s wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O’Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle…

Sally Hawkins, who played Rita, was someone I wanted to see in the well-regarded Happy-Go-Lucky (2008), but didn’t. Here, she was matter-of-fact plucky without sinking to cliche. Indeed, once one knows the basic outline, it is difficult to avoid a bit of predictability. Fortunately, the story, and performances by Hawkins, Geraldine James as Rita’s friend Connie (who had a more interesting story arc), Bob Hoskins as her ally Albert (whose character has his own motivation), Daniel Mays as Rita’s trying-to-be supportive husband Eddie, and in particular the amazing Miranda Richardson as Cabinet member Barbara Castle, a glass ceiling breaker in her own right, were compelling enough. Another strong performance was by Rosamund Pike, who, like Hawkins, had a smallish role in the movie An Education (2009), which we did see.

The one complaint is that especially early on, we both had real difficulty discerning what was being said because of their accents. At least one reviewer had the same issue. I don’t know if my ear acclimated or the dialogue became easier to understand, but it did get better.

The movie had period music as its soundtrack, most of which I recognized, and it neither enhanced nor detracted from the movie for me.

Definitely inspiring without being mawkish, and worth the trip.
***

The UK trailer, I believe.

 

White House Releases Long Form of President Obama’s Hawaii Birth Certificate

President Obama posted a copy of his “long form” birth certificate, hoping to finally end a long-simmering conspiracy theory among some conservatives that he was not born in the United States and was not a legitimate president.

From the New York Times:

President Obama posted a copy of his “long form” birth certificate, hoping to finally end a long-simmering conspiracy theory among some conservatives that he was not born in the United States and was not a legitimate president.

The birth certificate, which is posted online at the White House website [PDF], shows conclusively that Mr. Obama was born in Honolulu, Hawaii, and is signed by state officials and his mother.

Now may we PLEASE talk about something else?

Ramblin' with Roger
Social media & sharing icons powered by UltimatelySocial