“I’ve lived long enough to see the triumph of zealots and absolutists, to watch money swallow politics, to witness the rise of the corporate state. See the party of working and poor people become a sycophant of crony capitalism.
Watch the union of church and state become fashionable again. Witness the coupling of news and entertainment. See everyday people cast overboard as the pirates and predators of Wall Street seized the ship of state. I didn’t drift; I moved left just by standing still.”
Bill Moyers, from an interview at The Progressive in 2014.
Here’s the thing, though: it doesn’t matter. Whatever the artist’s vision of the work, how the audience perceives it will usually carry the day.
So I found the whole rather vigorous discussion of whether Bert and Ernie of Sesame Street were gay – it made several mainstream news stories – as rather beside the point. As Muppeteers Frank Oz and the late Jim Henson came up with them, the characters reflected their friendship.
When Sesame Street scriptwriter Mark Saltzman noted in an interview that he wrote Bert and Ernie with his longterm relationship with film editor Arnold Glassman, that was his process. He clarified to the New York Times, “As a writer, you just bring what you know into your work. Somehow, in the uproar, that turned into Bert and Ernie being gay. There is a difference.”