Deadly

Weird. There have been lots of famous or semi-famous people who’ve died recently that have been in some way significant to me. In addition to the ones I’ve mentioned, there was Dick Martin, who not only hosted Laugh In but directed a number of fine shows, notahbly the Bob Newhart Show. then there was the guy who wrote the Star Trk theme, Alexander Courage.

Then yesterday, Bo Diddley with that rectangular guitar;

Even if you didn’t know the musician, maybe you remember this commercial:

Also dying yesterday, Yves St. Laurent, who was paired in an ABC News story yesterday. Fashion just isn’t my thing, but even I surely knew the name.

But the recent death that touched me most was not famous at all. it was the death
of Kathina Thomas
, a 10-year-old girl killed by a stray bullet not two miles from my house. It made me sad and angry and a tad bit nervous. My condolences to the family.

ROG

Take a stroll through my mind

From time to time I read these blog improvement posts such as the best time of the year to post to your blog and This is the MOST IMPORTANT BLOG POST of 2008, so READ IT!
This is the easiest thing you can do to attract clients on the web, and it’s free, and fast.
I think these have value, and sometimes I even do them, though not always.

The harder thing is to find the balance. Mr. Dymowski wrote about some of this in his 10 things he’s learned about blogging, such as the balance between doing the blog and networking, or avoiding the blank page. Well, sometime during the month, I got unbalanced, maybe literally. I was away for three days at a work conference and I decided to write nothing. The upside is that I didn’t have to haul the laptop – which is REALLY slow – or go bother people to borrow their computers. And since I had content written for the days I was away, it didn’t have an immediate effect on the output.

So much of the time when I’m blogging, I write about what strikes the muse. So I might write a post about Flag Day – indeed, I already have, and you won’t see it until June 14. I’ve also finished my post for June 20 and August 10. Really. But without writing regularly, I found writing to suddenly become onerous.

Think about an exercise routine. You do it every day, or three times a week, and you take off a few days. If you’re like some people, it’s hard to get back into the groove. In fact, because I’ve missed riding my bike when I was away in April and again in May for the conference, and I didn’t feel well a couple of days, and it was cold and/or rainy a couple days, and Lydia was running late a couple days, I’ve ridden my bicycle far less at this point in the year than I have in previous years. Once I get derailed, it can be very difficult to get back on track.

Well, the same thing was true for blogging. I’m usually working at least a little bit ahead – I’m writing this on Friday morning before Lydia wakes up – but for the three days of the Memorial Day weekend, I had to get up and write something for the blog. What I realized: I HATE GETTING UP AND WRITING FOR THE BLOG. And, stupidly – you might think – I was writing at least some of those nights before, for a future post, because that’s where the muse took me.

Now, you might say, “Well, just pass on that day.” The trouble is that, to quote Billy Joel, “I go to extremes”. It was more like, “I think I’ll just quit blogging. Forever. Period.”

But that didn’t work, either. How do I explain this? All the things I used to sit around thinking about writing about, before I started blogging, would float in and out of my head, with no place to go. It was cacophonous, all the storylines in my brain. The GREAT thing about the blog is that it severely lessens the noise in my head. So, even if I don’t post it – and there are failed posts, posts I’ve written, but for whatever reason I never published – I still need to WRITE about. The blog is the methodology of publishing it, as it were, but the actual writing, removing certain stories from my mind into the keyboard, is a grand psychological release.

I saw Iron Man last weekend. My brain has composed what I THINK is a different POV on the movie. But until I actually write it down, and a musical I saw, and something that happened at the Greek festival, and some amazingly stupid and costly thing I did, it remains as an out-of-tune symphony in my head.

Specific to Memorial Day weekend, while I could have blown off two of the days, I could not have blown off the third. For that was the 26th of the month, and I seem to have a “contact with God” to write about Lydia on that date. (Which reminds me, I have this Will Eisner thing to write about.)

So I hope this view of my pathology makes sense. I believe it was inspired, at least a little bit, by this post from Mr. Velez. Thank you, Anthony.

ROG

Inspired by Originalville #2

I had so many songs that I could have used but didn’t, such as the original version of Handy Man, done originally by Jimmy Jones, with James Taylor having the big hit. But I did have enough I decided to do a second disc of originals that became bigger hits later.

1. Hush by Billy Joe Royal.
A big hit (#4)for Deep Purple in 1968.
2. Wherever I Lay My Hat by Marvin Gaye.
I only knew the Paul Young (#70, 1983) version
3. I’m a Believer by Neil Diamond.
Neil provided lots of options: Solitary Man (Chris Isaac, Johnny Cash), Kentucky woman (Deep Purple), Red, Red wine (UB40). But I opted for the Monkees’ song (#1, 1966), who performed it first, before Neil (#51, 1971).
4. Mary Mary-the Monkees.
I recall the uproar in the musical purists who wondered why the pre-fab band band was doing a Butterfield Blues Band song. Then it was revealed that it was actually a Mike Nesmith song. The complaints went away.
5. Heaven Is In Your Mind by Traffic.
6. Eli’s Coming by Laura Nyro.
7. The Loner by Neil Young.
8. Lady Samantha by Elton John.
Now we’ve come to the Three Dog night portion of our disc. Brian Ibbott did a Three Dog Night Originalville back in February, but he didn’t use these songs, so I did. Laura Nyro wrote lots of songs you’ve heard of; unfortunately, she died at 49 of ovarian cancer. The 3DN version of Samantha was a friend’s favorite song; I’d never heard the EJ version until Mr. Hembeck turned me onto it.
9. You can Leave Your Hat On by Randy Newman.
I could have included a Randy Newman song, Mama Told Me Not To Come, as another 3DN tune, but since Brian had used it, I opted for the song that Joe Cocker covered.
10. War-The Temptations.
It was not unusual that multiple Motown artists would record the same song, but due to the nature of this song, this one was a bit complicated; see this Wikipedia link.
11. Strawberry Letter 23-Shuggie Otis.
When I came up with this concept, this was probably the first song that was definitely going to be included. Shuggie Otis is the son of Johnny Otis, who I wrote about earlier this year. Even Brian didn’t know about the original. The Brothers Johnson version went to #5 in 1977.
12, Giving Him Something He Can feel-Aretha Franklin.
The very last track on the QoS 4-CD box set, but, though it went to #28 in 1976, I was not familiar with it, and I didn’t really notice it until En Vogue had had a Top Six version in 1992.
13. Tell the Truth-Derek & the Dominoes.
This a total cheat. This is the original version done by the band, released as a single in 1970, but then withdrawn. The version that is on the Layla album is slower and bluesier; this version is more frenetic, and for me, favored.

I had stayed late at work last Friday night working on this on Roxio, but it practically made my computer explode. Seriously: Corrupted error report: Unfortunately, the error report you submitted is corrupted and cannot be analyzed. Corrupted error reports are rare. They can be caused by hardware or software problems, and they usually indicate a serious problem with your computer.

Then my old and good friend Uthaclena came up on Saturday, upgraded my computer, and installed Nero. Sunday, I was having the problem that the disc drive would hang up unless I closed in and out of Nero, which eventually corrected itself. Add to that the child thief. I mention all this as explanation/apology to those waiting. Since I finally got a groove going, I made 20 of each disc. Six are going to the other Mixed CD participants; seven are going to my work colleagues, some of which were helpful in creating the playlist; three to some helpful folks, such as Messrs. Hembeck and Uthaclena. One to my sister; oh, golly, one for ME. That leaves three for the first three people who ask.
ROG

Inspired by Originalville #1

As I’ve mentioned here before, I’m a big fan of the podcast Coverville, hosted by Brian Ibbott. It’s a show that generally features of cover songs of artists, sometimes as a theme and sometimes by listener request. (BTW, if you are curious what I sound like, go to this Bob Dylan edition, right before he plays the Joan Baez song.

Occasionally, Brian’ll play a song that’s the original of a song that people might think was done by a more popular artist. That is the inspiration of the mixed disc I did for Lefty Brown’s Mix Bag VI.

Here are the songs on Disc 1:
1. Who’s Sorry Now by the Rhythmakers.
Truth is that I don’t know if it IS the original. I do know it came out in the 1930s, long before the 1958 Connie Francis version, which went to #4 on the Billboard charts.
2. Walking Blues by Robert Johnson.
I’m pretty sure this IS the original. There were lots of songs to choose from (Sweet Home Chicago, Crossroads, e.g.) but I picked this tune because it was covered in the 1960s by the Butterfield Blues Band, who show up later in this story. It’s a blues standard.
3. Hey Bartender by Floyd Dixon.
4. I Don’t Know by Willie Mabon.
Brian did a Coverville involving the Blues Brothers recently; these are the originals of songs that Jake and Elwood performed on that first Blues brothers album.
5. Bring On Home by Sonny Boy Williamson.
6. Killing Floor by Howlin’ Wolf.
Two songs purloined by Led Zeppelin without attribution, the latter forming the basis of the Lemon Song.
7. Louie Louie by Richard Berry.
Before the Kingsmen or Paul Revere & the Raiders came this classic version. From the Hembeck collection.
8. Hello Mary Lou by Gene Pitney.
Is this really an Originalville? I believe Gene Pitneey recorded this AFTER Rick Nelson had a Top 10 hit in 1961.
9. Oh Lonesome Me by Don Gibson.
Actually a big hit for Gibson in 1958, but I know it better as the much slower song recorded by Neil Young for After the Gold Rush.
10. Blue Bayou by Roy Orbison.
Went to #29 for Orbison in 1963. Might not have even included it except for baseball announcer Tim McCarver. After Linda Rondstadt had a Top 3 hit in 1977, McCarver would refer to a fastball as a “Linda Ronstadt – you know, blew by you.” Feh. If he had called it a Roy Orbison, I wouldn’t have complained.
11. Money by Barrett Strong.
The first Motown hit. On Coverville, there was some confusion about whether the Beatles were the originators of this song. Actually, Strong wrote many Motown hits, although not Money.
12. Devil in His Heart by the Donays.
I had lots of songs that the Beatles covered to choose from, but I picked this one from the Hembeck collection as it was among the most obscure.
* Now here’s the point I would have added the Rolling Stones’ version of I Wanna Be Your Man, which they performed before the Beatles, had I owned it.

13. Stop Your Sobbing by the Kinks.
The Pretenders had a minor hit (#65) with this song. Oh, I suppose I should mention the later Ray Davies-Chrissie Hynde romance.
14. Go Now by Bessie Banks.
The last three songs are from the Hembeck collection. This one was Top 10 for the Moody Blues in 1965.
15. Good Lovin’ by the Olympics.
The Olympics actually went to #81 in 1965, but the Young Rascals hit #1 in 1966.
16. My Girl Sloopy by the Vibrations.
The Vibrations got to #26 in 1964, but the McCoys, with a title changed to Hang On Sloopy, went to the top of the charts in 1965, with the Ramsey Lewis Trio also having a hit (#11) in ’65.

Oh, and this is what Gordon said about his own disc, and what Tosy said about Lefty’s.
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Al Gore’s “Inconvenient Truth” becomes an opera.
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Harvey Korman interview: Part One; Part Two; Part Three. One of the funniest lines ever was delivered by Harvey to Carol Burnett at about 3:30 here: “Scarlett, that gown is GORGEOUS.” RIP, Harvey.
***
I’ve learned that not only did Earle Hagan write all those TV themes I mentioned yesterday, he also wrote the classic jazz tune “Harlem Nocturne” covered by the Viscounts, Brian Setzer and many others.

ROG

JFK Vs. PowerPoint

Last month, one of my colleagues at work did a post about bad PowerPoint presentations. In response, another blogger wrote in about a particularly (and intentionally) awful use of PowerPoint, featuring a famous speech by John F. Kennedy. I don’t know if you have to be old enough to fully appreciate the impact that the PP had on that important address, but since JFK’s birthday is May 29 – he would have been 91! – I thought I’d share it today.

And while I’m at it, the source material. The key phrase is about 4 minutes in.

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Earle Hagen died. Who was Earle Hagen? Why, the composer of themes for The Dick Van Dyke Show, The MOD Squad, The Danny Thomas Show, That Girl, and The Andy Griffith Show, among many others. In fact, he’s the whistler on the latter. And he composed for the big screen as well. Read more here. I need to go down to the Fishin’ Hole now.
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Rory Root was a comic book dealer I talked with a few times in my comic book days. He seemed like a great guy. He died last week, and this was my favorite tribute to him.
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Eddie notes the passing of Utah Phillips. I saw him a few times a number of years ago, when he was still U. Utah Phillips, probably when we was centered in Saratoga Springs, NY. A fine musician.
ROG

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