A gay pride march

Back on March 9 of this year, there was this story in the Times Union by Jennifer Gish titled “Humanity in ‘Laramie’: High school actors project offers lesson on more than gay tolerance”. It was about Bill Ziskin, a teacher at Schenectady High, directing his young actors in Moises Kaufman’s “The Laramie Project.” Gish writes: The play is based on interviews conducted by New York theater students with the townspeople of Laramie, Wyo., after the 1998 ultimately fatal beating of gay college student Matthew Shepard. Because of its mature nature and strong language, Ziskin did
run the idea by school administrators before going ahead with it… Today, it’s hard for some of the kids to imagine that kind of brutality.
One of the actors was quoted as saying, “When they told us about it I thought it was something that happened a while ago, like the ’70s or the ’80s.”

Ah, the optimism of youth. Earlier this year, though the stories I read were about a month after the fact, a Gay California student’s slaying sparks outcry, and “Activists demand that middle schools do more to teach tolerance.” Lawrence King — Student Who Was Murdered For Being Gay — To Be Honored With National Day Of Silence. I heard there was a similar case in Florida recently like the California case cited.

As for that day of silence, in some places such Mount Si High School in Snoqualmie, WA, it was anything but, as I read this Seattle Times account Lynn Thompson. Unfortunately, I actually sort of know one of the people protesting against gay acceptance.

As New Yorkers almost surely know, the governor of the state has ordered government agencies to recognize gay marriages that were performed in states and countries where they are legal. While, for at least one of my gay blogging colleagues, marriage is not such an overriding issue, for others ,it is of paramount importance.

I note all of this as my church plans once again to participate in the gay pride parade next Sunday. that same gay blogger I know opined that the idea of a march might have been diluted by corporate interests. I think we agreed that MAYBE in locations with a large gay population, such as New York City and San Francisco, it has lost its urgency. I’m convinced, however, that it still has meaning and efficacy in places like Albany, NY.

ROG

The Sexiest Vegetarian

First, I MUST recommend Steve Bissette’s recollection of FantaCo’s horror publication Gore Shriek. Here’s Part 1 and Part 2, with more parts promised. I’m particularly interested in the future installments since they took place after I left FantaCo in November of 1988. Even if you’re not into horror, it is an interesting tale about artists, editors and publishing.
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Also, Librarian 2008 responds to my tag.
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I did not known until recently that June is Black Music History Month. Once upon a time, there were no black people on MTV videos. Hard to believe now, but the company thought their audience would shy away if certain performers showed up. After SONY forced MTV’s hand and got Michael Jackson on the network, one of the ubiquitous performers was Prince Nelson Rogers.

It’s peculiar that Prince is lashing out at YouTube, eBay and The Pirate Bay, as I think those videos are keeping him in the mindset of folks. Even funnier is this story where a Mother protects YouTube clip by suing Prince.

Prince turns 50 today. At least his name is pronounceable now. Who knows how long these clips will be available?

From my two favorite Prince albums:

Purple Rain

and Sign O’ the Times

I also own Dirty Mind, Controversy, 1999, Around the World in a Day. The Black Album, Batman, and a 2 CD greatest hits. I also have a 12-inch, 7-minute version of Let’s Go Crazy.

Here’s a song, like the Sinead O’Connor tune i posted on Wednesday, written by Prince:

Finally, a George Harrison tribute I remember watching at the time it first aired. His Purpleness really kicks about three minutes in:

My Ambivalence About Bobby Kennedy


I first realized that I didn’t much like Robert F. Kennedy when he decided to run for the U.S. Senate from the state of New York in 1964. There were three overriding factors:
1. I had heard that the FBI was bugging Martin Luther King, Jr., and I felt that as U.S. Attorney General, he was responsible.
2. We had a perfectly good moderate Republican senator in Kenneth Keating, in the Jacob Javits tradition. I know some of you are too young to remember moderate Republicans. They existed. Really.
3. I had read a syndicated column in the morning newspaper in Binghamton, the Sun-Bulletin, where William F. Buckley compared RFK to a “carpetbagger”. Of course, his own brother, James, would move into New York, to run for and win a Senate seat in 1970; the tradition continued with Hillary Clinton in 2000.

BTW, I was 11 at the time. I was a political junkie, even then.

As it turned out, Bobby Kennedy won the Senate seat. Satirist Tom Lehrer quipped that Massachusetts then had three senators. Ken Keating ended up on the state Court of Appeals, which, despite its name, is New York’s highest court. (Whereas the Supreme Court is a trial court; go figure.) He then served as a US Ambassador, first to India, then to Israel.

Move to 1968. Eugene McCarthy runs against an incumbent President and gets 42% of the vote versus 49% for LBJ in the New Hampshire primary on March 12. It’s only then that Bobby Kennedy gets into the race. Commentators at the time declared that Kennedy used McCarthy as a “stalking horse” against Johnson, and I tended to agree. LBJ’s declaration that he would not run came at the end of March. This was followed on April 4 by the assassination of Martin Luther King, Jr., which ultimately had a profoundly moderating effect on my world view.

I stayed up to see the results of the California primary on June 5, only to see RFK’s shooting in Los Angeles; “seeing” would be overstating, since I heard the shots and chaos ensued. He died the next day. I knew many people who were deeply affected by his loss. I too was at a loss, though. While I certainly didn’t wish him ill, I wasn’t having the same sensation, and I was feeling pretty guilty about it. Yet, as I watched the days of coverage, seeing people lined the railroad tracks as the train carrying his body went by, somehow I started to emphasize with what those folks felt.

A few years later, Tom Clay, a radio disc jockey, born in Binghamton, but by then working out of Los Angeles’ KGBS, put together this very odd song, melding the Bacharach-David song “What the World Needs Now” with the Dion hit “Abraham, Martin and John.” I’ve written about this record before, even putting it on as the last song on a mixed CD. The song starts off rather cloyingly, with Clay asking children about prejudice and segregation, and them having no idea, then segues into soldiers preparing for the Viet Nam war. Next, reports of JFK’s and MLK’s death, with this comment by Bobby Kennedy about the latter: “No one can be certain who next will suffer, from some senseless act of bloodshed.”

Then the record uses what I believe to be the audio tape of reporter Andrew West of KRKD, a Mutual Broadcasting System radio affiliate in Los Angeles, who also provided a blow-by-blow account of the struggle with the shooter Sirhan Sirhan in the hotel kitchen pantry, shouting at Olympian Rafer Johnson to “Get the gun, Rafer, get the gun!” and telling others to “get a hold of his thumb and break it, if you have to! Get his thumb! We don’t want another Oswald!” (Not so incidentally, I was watching the television 4 1/2 years earlier when Lee Harvey Oswald was shot.)

The next thing heard is Senator Edward Kennedy, eulogizing Bobby: “My brother need not be idealized or enlarged in death beyond what he was in life, to be remembered simply as a good and decent man, who saw wrong and tried to right it, saw suffering and tried to heal it, saw war and tried to stop it.” Ted Kennedy’s voice cracks during that section, and my own pain, largely missing at the time, except as a supporter of others who mourned, came into fruition; it gets to me every time I hear it. The remaining Kennedy brother concluded his eulogy, by quoting George Bernard Shaw: “Some men see things as they are and say ‘Why?’ I dream things that never were and say, ‘Why not?'”

In retrospect, I think that Bobby Kennedy was transforming from a cool, calculating politician to a more truly compassionate man, and I mourn his death now far more than I did at the time.

Here are the lyrics to the song.

The YouTube video may not be historically accurate. I swear I hear David Brinkley’s voice when Walter Cronkite is on the screen.

Oh, and like so much in this campaign, I thought the Hillary Clinton “gaffe” re: RFK’s assassination was a non-issue.

Interconnectedness

I got one of those invitations to be LinkedIn to a social networking page. I recognized the person, so I said yes. Later that morning, that same guy, who is a sales rep for a database service we use at work called to see how we were doing with the service. (I had previously spoken to him and complained about the interface of the database.) This led me to ask him, “what’s the benefit of the social network?” I can if he can just call me up, I don’t need to be “connected” to him. He explained that people that one of us is linked to is vetted, in a way. I scratched my head, knowing some people with hundreds of MySpace “friends”,e.g., are no more connected than people one night see at a bus stop.

I’ve gone to parties, and because I tend to be the one who tends more to Lydia than her mother on those occasions, I’ll not have a substantial conversation with anyone. I’ve gone to these father/child breakfast things at Lydia’s day care, and except for a couple dads I’d talk with previously, I didn’t really get to know any of them. We are in the same room, but there’s no real connection.

So how does one get to “know” people? I’m on a couple listservs at work, and just by people asking questions and answering them, I get a feel for the way their minds work. Certainly, I’ve got a sense for people via their blogs, but especially when I’ve exchanged music with them. I was reorganizing my music over the weekend – using drawers I bought at a library auction – and the mixed CDs of Green and Dymowski and Burgas and Brown (come back, Kelly!) and Brown and Bacardi all show up in the same drawer. I’ve never met any of them (well, except for Green), but I feel that I know them better than people I’ve seen face to face recently. That’s both kinda weird and kinda nice.
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I’m enjoying listening to discs from Thom (two discs) and Tosy.
ROG

Songs That Move Me, 100-91

100. As – Stevie Wonder.
This song is good until it gets to the “preach” segment; then it’s transcendent.
Feeling: as though I were at a revival meeting.

99. Nothing Compares 2 U – Sinead O’Connor.
Based pretty much on the strength of the vocal alone. That octave leap on “Nothing”, e.g.
Feeling: longing.

98. No More Tear-Stained Makeup – Martha and the Vandellas.
I wish I could find the lyrics to this Smokey Robinson-penned tune on the Internet, because there’s a lyric couplet in the second verse has a line that’s really a mouthful. On the Watchout LP.
No More Tear-Stained Makeup -Martha Reeves and the Vandellas
HERE.
Feeling: Like singing along.

97. I Am A Man of Constant Sorrow – Foggy Mountain Boys.
The hit from O Brother Where Art Thou. It’s the quality of Dan Tyminski’s vocal, along with the harmony vocals and the instruments, that work for me.
Feeling: what a hoot!

96. Black Magic Woman/Gypsy Queen – Santana.
The first part wouldn’t have made the list, but that the second half seals the deal. I may have become aware of Santana from the Woodstock movie, which I sat through twice.
Feeling: transcendent.

95. Papa Was a Rolling Stone – the Temptations.
It is that lengthy, luscious introduction that Dennis Edwards acknowledges added a bit of an edge to his voice when he finally got to sing “It was the third of September.”
Feeling: that I can finally exhale when the vocal comes on.

94. Losing My Religion – R.E.M.
Such a musically delicate song for such moving lyrics.
Feeling: doubt.

93. Cannonball – the Breeders.
It was loud and infectious. But what made it is the modulation of key early on. On a 4-song CD.
Feeling: I’m alive.

92. Takin’ It To the Streets-the Doobie Brothers.
The first song I heard with the Michael McDonald vocal. It became a more predictable sound eventually, but when I first experienced it, it felt fresh. From the first greatest hits LP.
Feeling: as the title says.
HERE.
Also, this version from No Nukes.

91. What’s That You’re Doin’- Paul McCartney with Stevie Wonder.
It came out at a point in the early ‘80s that Stevie started getting squishy (I Just Called to Say I Love You), so this was more to form. Much better than the OTHER Wonder/Macca song on the Tug of War album, Ebony and Ivory.
Feeling: Stevie’s back!

ROG

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