#1 hits in 1964: yeah, yeah, yeah; baby, baby!

Jeff Barry/Ellie Greenwich

Flo, Mary, Diana

To no one’s surprise, the #1 hits in 1964 featured the most famous pop band in the world, even today. Indeed, I wrote about the Liverpudlian dominance of the US charts on February 9, so I won’t link to either the Beatles’ hits or the Peter and Gordon song attributed to Lennon-McCartney.

Because I have the book Across the Charts: the 1960s, I can quickly see if any of these songs appeared on other charts besides the pop charts. Interestingly, The Beatles never did until Something landed at #17 on the Adult Contemporary charts.

I Want To Hold Your Hand – The Beatles (Capitol), seven weeks at #1, gold record

Can’t Buy Me Love – The Beatles (Capitol), five weeks at #1, gold record

There! I Said It Again – Bobby Vinton (Epic), four weeks at #1, five weeks at #1 AC. This was the first #1 of 1964.

Baby Love – the Supremes (Motown), four weeks at #1, three weeks at #1 RB, gold record. It is one of three Supremes songs, all written by Holland-Dozier-Holland.

Oh, Pretty Woman – Roy Orbison (Monument), three weeks at #1, gold record. Orbison went to England in 1963 and toured with The Beatles. This is the last song on the soundtrack for some Julia Roberts/Richard Gere flick.

The House of the Rising Sun – the Animals (MGM), three weeks at #1

Chapel of Love – the Dixie Cups (Red Bird), three weeks at #1. Composed by Jeff Barry, Ellie Greenwich, and Phil Spector

I Feel Fine – The Beatles (Capitol), three weeks at #1, gold record

She Loves You – The Beatles (Swan), two weeks at #1. As noted, its original failure in 1963 helped propel it when Beatlemania struck in 1964.

My favorite compilation album

I Get Around – the Beach Boys (Capitol), two weeks at #1; a gold record. The first song of theirs I owned is from a bizarre album called Big Hits From England & U.S.A., which I picked up from the Capitol Record Club. It was also when I first owned Can’t Buy Me Love; I had not yet purchased the A Hard Day’s Night soundtrack (United Artists) because it was too similar to the Capitol album Something New. It’s also how I got Peter and Gordon’s World Without Love.

Come See About Me – the Supremes (Motown), two weeks at #1, two weeks at #2 RB. 

Where Did Our Love Go – the Supremes (Motown), two weeks at #1, ditto on the RB charts. Their first #1. 

Do Wah Diddy Diddy – Manfred Mann (Ascot), two weeks at #1. Written by the legendary Barry and Greenwich

My Guy – Mary Wells (Motown), two weeks at #1, seven weeks at #1 RB. Smokey Robinson wrote this and the Temptations’ 1965 #1, My Girl.  

A Hard Day’s Night – The Beatles (Capitol), two weeks at #1, gold record. I never saw this movie until after Let It Be came out, and I saw all four films, including Help and Yellow Submarine, in one sitting.

Rag Doll – the 4 Seasons (Phillips), two weeks at #1, gold record.

A single week at #1

Hello, Dolly – Louis Armstrong (Kapp), nine weeks at #1 AC. The artist that broke The Beatles’ stranglehold on #1 in the charts. Written by Jerry Herman.

Mr. Lonely – Bobby Vinton (Epic). Also #3 AC. He had a #1 in January and this in December; I do not recall either.

Everybody Loves Somebody – Dean Martin (Reprise), eight weeks at #1 AC, gold record. Every time I hear this song, I feel a little inebriated.  

A World Without Love – Peter and Gordon (Capitol)

Ringo – Lorne Greene (RCA Victor), six weeks at #1 AC. A spoken word piece by the star of the NBC western series Bonanza that apparently had nothing to do with Richard Starkey.

Love Me Do – The Beatles (Tollie)

Leader Of The Pack – the Shangra-las (Red Bird), #8 RB. It was written by Barry, Greenwich, and Shadow Morton.

The Beatles in ’64

4 Apr was record-breaking

In honor of their first appearance on the Ed Sullivan Show 60 years ago, here are some links to The Beatles in ’64. Particularly in the first half of the year, they dominated the charts like no artist had before. The dates below reflect the top ten of the Billboard charts. All of the songs were on Capitol Records unless otherwise indicated.

25 Jan: I Want To Hold Your Hand, #3, up from #45 the previous week

1 Feb:  I Want To Hold Your Hand, #1: it would top the Billboard (BB) charts for 7 weeks, Cash Box (CB: 1950-1996) for 8 weeks, and Music Vendor (MV: 1954-1964) for 9 weeks. The book The Billboard Book of Number One Hits by Fred Bronson reads: “It is the most significant single in the rock era.” The group wouldn’t perform in America until they appeared at the top of the US charts.

8 Feb: I Want To Hold Your Hand, #1. She Loves You, on the Swan label,  #7, up from #21.

15 Feb: I Want To Hold Your Hand, #1. She Loves You, #3.

22 Feb: I Want To Hold Your Hand, #1. She Loves You, #2.

29 Feb: I Want To Hold Your Hand, #1. She Loves You, #2. Please Please Me, #6, up from #29, on the Vee-Jay label.

The week I turned 11

7 Mar: I Want To Hold Your Hand, #1. She Loves You, #2. Please Please Me #4.

14 Mar: I Want To Hold Your Hand, #1. She Loves You #2. Please Please Me #3, where it peaked on the CB and MV charts as well.

21 Mar: She Loves You, #1. I Want To Hold Your Hand, #2.  Please Please Me #3. Twist And Shout, #7, up from #55, on the Tollie label affiliated with Vee-Jay. This week was the first time an artist had consective chart toppers since Elvis in 1956.  The song was #1 on CB for two weeks and MV for 1.

28 Mar:  She Loves You, #1. I Want To Hold Your Hand, #2. Twist and Shout, #3. Please Please Me, #4.

The top five

4 Apr: Can’t Buy Me Love, #1, from #27, at the time, the biggest leap to the top of the charts in Billboard history. Besides being #1 for five weeks on BB, it was #1 on CB for five weeks and #1 on MV for four weeks. Twist and Shout, #2, where it peaked on BB, but it got to #1 on both CB and MV. She Loves You, #3. I Want To Hold Your Hand, #4. Please Please Me #5.

11 Apr:  Can’t Buy Me Love, #1. Twist and Shout, #2. She Loves You, #4. I Want To Hold Your Hand, #7.  Please Please Me #9.  The Beatles had 14 songs on the BB Top 100. Do You Want To Know A Secret, #14. I Saw Her Standing There, #38. You Can’t Do That, #48. All My Loving, #50. From Me To You, #52. Thank You Girl, #61. There’s A Place, #74. Roll Over Beethoven, #78. Love Me Do, #81.

18 Apr: Can’t Buy Me Love, #1. Twist and Shout, #2, Do You Want To Know A Secret, #5 on Vee-Jay. She Loves You, #8.

25 Apr: Can’t Buy Me Love, #1. Twist and Shout, #2. Do You Want To Know A Secret, #3.

2 May: Can’t Buy Me Love, #1,  Do You Want To Know A Secret, #3, Twist and Shout, #7

9 May: Do You Want To Know A Secret, #2, also went #3 on BB and MV for three and two weeks, respectively. Can’t Buy Me Love, #5. The Beatles were finally supplanted from the #1 slot by Hello, Dolly by Louis Armstrong.

16 May: Love Me Do, #3 from #12 on Tollie. Do You Want To Know A Secret, #5

Jane Asher’s brother

23 May: Love Me Do, #2. Also, A World Without Love by Peter and Gordon, #10, up from #30, a song attributed to Lennon/McCartney.

30 May: Love Me Do, #1, also #1 on CB and MW,  A World Without Love, #7.

6 June:  Love Me Do, #2,  A World Without Love, #6.

13 June: A World Without Love, #2 Love Me Do, #4.

20 June: A World Without Love, #2 Love Me Do, #7.

27 June: A World Without Love, #1, also #1 on CB, and #2 for two weeks on RW. Bad To Me by Billy J. Kramer with the  Dakotas, #9 from #16, also #10 on CB. Brian Epstein managed Kramer, and the song was attributed to Lennon/McCartney.

4 July 4:    A World Without Love, #6.  Bad To Me, #9.

11 July:    A World Without Love, #8.

18 July: nothing in the Top 10

25 July: A Hard Day’s Night, #2, up from #21

1 Aug: A Hard Day’s Night, #1. It was also #1 for three weeks on both CB and RW.

 8, 15, 22, 29 of Aug; 5, 12 of Sept, A Hard Day’s Night, #1, #3, #3, #4, #8, #8.

Inside the violent threat against the Beatles’ only Colorado concert:  Beatlemania took over Red Rocks on Aug. 26, 1964, during the band’s first North American tour

12 Dec: I Feel Fine, #5, up from #22.

19 Dec: I Feel Fine, #2

26 Dec: I Feel Fine #1; also #1 for four weeks CB, #1 for three weeks RW. In Jan 1965 (2, 9, 16, 23), it went #1, #1, #2. #4 before it fell out of the Top Ten.

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