R is for Rubber Soul and Revolver

The GOOD news is that, from this point, the albums released in UK were the same in the US, starting with Sgt. Pepper.

 

My two favorite Beatles albums came out in successive years, and are successive albums, at least in the United Kingdom and the rest of civilised world. In North America, the record executives managed to squeeze out another album in between.

George Harrison once said, “I don’t see too much difference between Revolver and Rubber Soul. To me, they could be Volume One and Volume Two.” Paul McCartney has also blended the albums together in interviews. Here are the listings; there are also links to every song.

The title Rubber Soul is a variation on the term plastic soul, a term referring to white musicians singing soul music. Paul McCartney, in a studio conversation recorded in June 1965 after recording a take of “I’m Down”, the B-side of the single “Help!”, said “Plastic soul, man. Plastic soul.”

The italicized songs are those from the second half of the UK Help! album that show up on the US RS album. The songs marked in red were removed from the UK versions and put on the US-only album, Yesterday…and Today.

Side one
1 UK Drive My Car
1 US I’ve Just Seen a Face
2 UK & US Norwegian Wood (This Bird Has Flown)
3 UK & US You Won’t See Me
4 UK Nowhere Man
5 UK, 4 US Think for Yourself
6 UK, 5 US The Word
7 UK, 6 US Michelle

Side two
1 UK What Goes On
1 US It’s Only Love
2 UK & US Girl
3 UK & US I’m Looking Through You
4 UK & US In My Life
5 UK & US Wait
6 UK If I Needed Someone
7 UK, 6 US Run for Your Life

Or listen to the full UK album here or here.

At least they added a Lennon and a McCartney song (It’s Only Love, I’ve Just Seen a Face) as they dropped songs by John (Nowhere Man), Paul (Drive My Car), George (If I Needed Someone), and Ringo (What Goes On).

The cover illustration for Revolver was created by bassist and artist Klaus Voormann, an old Beatles’ friend from their days at the Star Club in Hamburg, Germany. Voorman played on albums for each of the Beatles on their solo albums, save for Paul.

When it came to Revolver, the music, it was quite the lopsided edit:

Side one

1 UK & US Taxman
2 UK & US Eleanor Rigby
3 UK I’m Only Sleeping
4 UK, 3 US Love You To
5 UK, 4 US Here, There and Everywhere
6 UK, 5 US Yellow Submarine
7 UK, 6 US She Said She Said

Side two

1 UK & US Good Day Sunshine
2 UK And Your Bird Can Sing
3 UK, 2 US For No One
4 UK Doctor Robert
5 UK, 3 US I Want to Tell You
6 UK, 4 US Got to Get You into My Life
7 UK, 5 US Tomorrow Never Knows

Or hear the full UK album here or here.

John’s only represented twice on the US version, because three of his songs on the UK version also were dropped. Robert Rodriguez, who wrote a 2012 book on Revolver explains: “Capitol needed three more songs to flesh out Yesterday and Today, and he had the most songs finished by then.” George had three songs (Taxman, Love You To, I Want To Tell You) on both versions of Revolver.

The GOOD news is that, from this point, the albums released in the UK were the same in the US, starting with Sgt. Pepper. Not incidentally, on the Rolling Stone magazine list of the 500 greatest albums, Sgt. Pepper was #1, with Revolver at #3 and Rubber Soul at #5. I tend to disagree. While Sgt. Pepper was clearly a breakthrough album, it sounds more dated, of its time, to me, than either Revolver or Rubber Soul.

ABC Wednesday – Round 11

Lyrical revenge

I realized that this was some sort of cosmic payback.

I was at a church meeting recently, which hadn’t really started. I was sitting next to one guy, and it seemed that every other sentence uttered by the others was a cue for a song lyric to pop into my head. It was coming so fast and furiously that I stopped citing the song and would just mention the artist. “Fleetwood Mac!” “Led Zeppelin!” “Jackson Browne!” Indeed, after a while, I only noted every OTHER song I was hearing from the discussion.

It’s fun, but it’s also a curse. I don’t go listening for songs; they just well up in my brain. I used to subject my mother to this torture when I was growing up, but it was a bit of a wasted effort since she usually didn’t know my reference point.

A few days ago, the Daughter was lying on the sofa and said something I thought was funny, so I chuckled. She said, with a straight face, “How can you laugh when you know I’m down?” She was quoting lyrics from the Beatles, and an obscure song at that, the B-side of the single Help.

I realized that this was some sort of cosmic payback.

The graphic above I stole from Facebook and indeed reposted. Someone commented, “I can vouch that it’s true.”

I’m Down – the Beatles (1965).

M is for the Monkees: 1967

In 1967, the Monkees had the #1 album far longer than any other group, and More of the Monkees was #1 longer than any album, including Sgt. Pepper.

 

1967 was a stellar year in popular music. According to Robert Christgau and David Fricke, the former billed as the “dean of American rock critics”, the “40 Essential Albums” of that year included albums by the Doors, the Rolling Stones, Jefferson Airplane, Jimi Hendrix, the Beach Boys, Bob Dylan, the Who, the Velvet Underground, and, of course, the Beatles. As it turns out, none of the albums released by the Monkees made the list.

The Monkees was a band formed by television executives to have a loony TV program in the tradition of the Beatles’ first movie, A Hard Day’s Night. The program which ran from 1966 to 1968 was quite popular, and even more so in eventual MTV reruns. I watched it occasionally, I will admit. But the group was derided as the “pre-Fab Four,” as opposed to the “real” Beatles.

Interestingly, the listening public did not seem to care about the controversy. On this weekly list of number #1 albums of 1967, the 1966 album The Monkees continued as #1 for five weeks (plus 8 weeks at the end of the previous year). It was replaced by More of the Monkees, which was #1 for 18 straight weeks. After a week of the Tijuana Brass, and a week by the Monkees’ Headquarters album, the Beatles’ Sgt. Pepper ruled for 15 weeks. Then two weeks of Ode to Billie Jo by Bobby Gentry, and five weeks of Supremes Greatest Hits. The last five weeks of the year, the top-selling album was the Monkees’ Pisces, Aquarius, Capricorn & Jones Ltd.

In other words, in 1967, the Monkees had the #1 album far longer than any other group, and More of the Monkees was #1 longer than any album, including Sgt. Pepper.

Fast forward to the early 1980s. One of my co-workers gave me some Monkees’ greatest hits album. I must admit that I liked it enormously. I wrote it off as a “guilty pleasure,” but now I proclaim that there are lot of songs by the Monkees that I enjoy a lot.

And BestEverAlbums.com even gave the group a modicum of respect, with Headquarters considered the 38th best album of 1967, Pisces, Aquarius, Capricorn & Jones Ltd. at 39, and More Of The Monkees at 85.

From More of the Monkees
Mary, Mary (Michael Nesmith). The song was first recorded by The Butterfield Blues Band for their 1966 album, East-West. The Monkees were derided for doing a Butterfield song until it was shown that a Monkee had actually written it.
(I’m Not Your) Steppin’ Stone (Tommy Boyce, Bobby Hart). Boyce & Hart wrote a number of Monkees songs. This went to #20 in the US, making it the first Monkees B-side to chart.
I’m a Believer (Neil Diamond). #1 in the U.S. for the week ending December 31, 1966, and remained there for seven weeks, becoming the biggest-selling single record for all of 1967.

From Headquarters
Randy Scouse Git (Micky Dolenz). The songwriter says it was written about a party that The Beatles threw for the Monkees, with references to the Beatles (“the four kings of EMI”) and to others such as Cass Elliot of the Mamas and Papas.

From Pisces, Aquarius, Capricorn & Jones Ltd.
Words (Tommy Boyce, Bobby Hart). One of my favorite songs by the group.
Pleasant Valley Sunday (Gerry Goffin, Carole King). The single got to #3 in the US. Even though it’s about a street in New Jersey, I always pretend that it’s from upstate New York, where I have visited often. And how can I not love the lyrics: “And Mr. Green, he’s so serene. He’s got a TV in every room.”
***
And for no reason except that it would have been John Lennon’s 72nd birthday: Strawberry Fields Forever – the Beatles (1967).

ABC Wednesday – Round 11

September Rambling: Frank Doyle’s daughter, and pie v grief

Congrats to Brian Ibbott of Coverville. Also, kudos to Arthur@AmeriNZ.

 

My old college friend Claire is 55 and Still Alive. Her late father, BTW, was awarded the Bill Finger Award at Comic-Con 2012.

Jaquandor’s review/reflection about the book Making Piece: A Memoir of Love, Loss, and Pie by Beth Howard, which is about processing grief. And dessert. Check out her website.

Gemuetlichkeit: Dachau.

9/11: Another View.

Legal Analysis Outlines Potential Crime In Mitt Romney’s Financial Disclosures

“Recent DNA and genealogical evidence uncovered by Ancestry.com researchers suggests that President Obama is a descendant of one of America’s first documented African slaves. What surprised many is that Obama’s connection to slavery is through his white mother, not his black father.”

The Strange Story Of The Man Behind ‘Strange Fruit’.

Wells Fargo mistakenly forecloses on the wrong house, destroys elderly couple’s entire lifetime’s worth of possessions. Oops. And if it HAD been the right house, would the action be justified? (My answer is NO.)

The truth comes out: CEO says ‘stupid’ consumers deserve hefty fees.

Gay rights, free speech, politicians and the NFL.

Leo Meets His Internet Troll.

Son of a Bigot. His dad founded the infamous Westboro Baptist Church. Nate Phelps is dedicated to reversing that legacy of hate.

I am a First Year, First Semester, M.Div.

Under 18, or know someone who is? Name that asteroid! The deadline is December 2.

Kickstarter for MAN ON THE MOON exhibit at Space Center Houston.

The Big Daddy Kickstarter is still going on. I mentioned it before, but Mark Evanier has mentioned it again and again, so I shall as well.

Harvey Pekar statue to be dedicated at Cleveland Heights’ Lee Road library next month.

Cerebus: The Fantagraphics offer and the Dave Sim response. Follow the thread about other Sim-Fantagraphics product possibilities here.

1922 Kodachrome film.

The Last Record Store Standing?

George Martin: He Had You Hooked on the Beatles.

David Byrne’s How Music Works.

Emily Dickinson ages.

Congrats to Brian Ibbott of Coverville, who recently podcast his 900th show. One of the tunes on that episode was David Garrett – Vivaldi Vs Vertigo.

Also, kudos to Arthur@AmeriNZ, who has been blogging for six years. He’s been musing about modern technology.

Glamour is different on the other side of the pond if Emma Watson is the example.

Bug Comic: Rise and Whine, an insomniac’s lament.

People stuck on an escalator.

Music product placement?

An oldie, but goodie: Troy (MI) Library’s book burning campaign.

Jaquandor answered my questions here and here and here. Which reminds me: you can still Ask Roger Anything.

GOOGLE SEARCH

Visible light communication could simplify car electronics
A team led by Prof Roger Green is planning to demonstrate how visible light communication (VLC), which is already used as an alternative to wireless internet transmissions, could simplify and lighten the electronic systems in cars.

BOWLS: Moulton edged out in centenary match
In the battle of the presidents, Moulton’s Roger Green came out on top on rink four against Stuart Lake winning 24-17. But Green’s rink were pipped for top honours by Tony Keating who led his home quartet to a ten shots success.

Denver “folk & roll” songstress Esmé Patterson is releasing her solo album November 20th
Making appearances on the album are Nathaniel Rateliff, Roger Green (formerly of the Czars), Ben Desoto (Czars, Nathaniel Rateliff, Bare Bones), Genevieve Patterson and Sarah Anderson (Paper Bird), Carrie Beeder, Eric Moon, Mike Fitzmorris, Will Duncan, and many more.

Fixing the Internet, episode 1057

In the course of my job, I’m on the Internet. A LOT. And invariably, I find items that are incorrect. Whether I bother to correct them depends on whether I think it’s substantial enough that someone else might assume it’s correct and restate it as fact.

I’ve only fixed two things on Wikipedia, as far as I can recall. One, which I did with Steve Bissette, was a major overhaul of the FantaCo post; still imperfect. The other was back in 2006 when someone indicated that the next Presidential campaign was in 2007, rather than 2008. But I do not find the need to add something insubstantial; e.g., another advertisement that made use of a cover of the Kinks’ All Day and All of the Night.

I’m listening to my favorite music podcast, Coverville. Episode #894 is an all-request show. The second song is listed as She’s All Liquored Up by Dash Rip Rock, a cover of the Mojo Nixon original [listen]; I’m not familiar with either version. But the song sounds very much like Dizzy Miss Lizzy, the old Larry Williams song covered by the Beatles [listen], which appeared on Beatles VI, the very first LP I owned, as well as the UK Help! album. Now, I’m not positive, because songs do get adapted and changed.

As it turns out Amazon lists the samples for the Tiger Town album by Dash Rip Rock, at least for tracks 5-9, one song off:
5. says True Drunk Love, IS Fallin’ Apart
6. says Shine A Light, IS True Drunk Love
7. says Dizzy Miss Lizzy, IS Shine A Light
8. says All Liquored Up, IS Dizzy Miss Lizzy
9. says Livin’ Breathin’, IS All Liquored Up

The sorta good fortune is that the error created an unintentional Beatles-related medley:
Gimme Some Truth by Sam Phillips (orig. John Lennon)
Dizzy Miss Lizzie by Dash Rip Rock (orig. Larry Williams, made famous by the Beatles)
Revolution by Grandaddy (orig. Beatles)

Host Brian Ibbott noted the error, and mentioned me, at about the 18-minute mark of the next show, Episode #895 featuring Van Morrison. He also mocked Amazon’s spelling of Martha Reeves’ name (as Reeeves) on this item, from which he culled a song for the show.

I’m trying to get Amazon to rectify these problems. Fixing the Internet: a full-time task.

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