The Beatles reunion, and our Christmas tree

I’d say that Paul’s stuff in this century has been better more frequently.

More questions from western New York’s finest blogger, Jaquandor:

If Lennon hadn’t been shot in 1980, do you think there would eventually have been a Beatles reunion? If so, what form? A one-shot performance at something like Live-Aid? A new album?

John and Yoko’s album Double Fantasy comes out in the fall of 1980. It does all right [not as well as it did in response to Lennon’s death]. They put out Milk and Honey a year later; ditto. They tour for a few months.

Around 1982, George, whose career was in a bit of a downturn – no All Those Years Ago hit single – plays on a John and Yoko album. John and George play on Ringo’s comeback album.

Live Aid in 1985 becomes the venue in which the Beatles get together for a one-off reunion. But they enjoy it so much, they put together an album a year later. They get together periodically but primarily continue with their solo careers.

Whose post-Beatles material do you prefer, Lennon’s or McCartney’s? (Wow, I just wrote that as “McCarthy”. I have GOT to get politics out of my brain.)

Difficult to say. I liked the first two Lennon albums a lot, then parts of most of the rest, though the New York City album was a bit too pedantic, and Rock ‘N’ Roll totally unnecessary. It’s impossible for me to judge the two albums with Yoko because they are so tied to John’s death, but I do love most of John’s songs.

I liked Paul’s first two albums, less enamored by the next two, thought Band on the Run was a classic, but pretty much think that his output since then, including the period with Wings, was terribly uneven – a good album, followed by one had a few good songs or might even be an outright dud.

I’d say that Paul’s stuff in this century has been better more frequently, though I didn’t “get” his Firemen album, and HATED his post 9-11 song. And Paul has the luxury of owning his Beatles roots and not needing to run away from it. His 2009 live album, a solid mix of Beatles, Wings, and solo material, was tremendous.

So I’d say it was about a tie, percentage-wise. But, of course, Paul has had a far greater output.

I’m sure you HAVE to have done this in the past, as prolific as your blogging is, but how about a tour of your Christmas tree? Favorite ornaments and such? (If you have a tree, that is.)

Actually, I never have done a tree tour. Yes, we have a tree. It’s artificial, green. We had a real one until three or four years ago, when…actually, I don’t recall the conversation anymore.

Most of the decorations were my wife’s, from years before I knew her. The angel on top, bulbs, Santas, and, notably, various Biblical characters that she hand-painted when she was a child.

A couple of moves ago, my favorite decorations got lost; I loved some of them. Then the red sneakers ornament got lost or broken more recently. So, there are very few that were originally mine: a Pez snowman, and, of all things, a Barry Bonds Hallmark piece one of my sisters gave me a number of years ago. There are also pictures of The Daughter inside ornaments.

This year I felt particularly distanced from the process. The Wife was sick on the Friday before Christmas, the Daughter on Saturday. I slept most of that Sunday, with various ailments, during which time, the tree got put up.

It’s become obvious: I need to buy some ornaments. For ME. Or maybe my baby sister has something from my childhood…

R is for Rubber Soul and Revolver

The GOOD news is that, from this point, the albums released in UK were the same in the US, starting with Sgt. Pepper.

 

My two favorite Beatles albums came out in successive years, and are successive albums, at least in the United Kingdom and the rest of civilised world. In North America, the record executives managed to squeeze out another album in between.

George Harrison once said, “I don’t see too much difference between Revolver and Rubber Soul. To me, they could be Volume One and Volume Two.” Paul McCartney has also blended the albums together in interviews. Here are the listings; there are also links to every song.

The title Rubber Soul is a variation on the term plastic soul, a term referring to white musicians singing soul music. Paul McCartney, in a studio conversation recorded in June 1965 after recording a take of “I’m Down”, the B-side of the single “Help!”, said “Plastic soul, man. Plastic soul.”

The italicized songs are those from the second half of the UK Help! album that show up on the US RS album. The songs marked in red were removed from the UK versions and put on the US-only album, Yesterday…and Today.

Side one
1 UK Drive My Car
1 US I’ve Just Seen a Face
2 UK & US Norwegian Wood (This Bird Has Flown)
3 UK & US You Won’t See Me
4 UK Nowhere Man
5 UK, 4 US Think for Yourself
6 UK, 5 US The Word
7 UK, 6 US Michelle

Side two
1 UK What Goes On
1 US It’s Only Love
2 UK & US Girl
3 UK & US I’m Looking Through You
4 UK & US In My Life
5 UK & US Wait
6 UK If I Needed Someone
7 UK, 6 US Run for Your Life

Or listen to the full UK album here or here.

At least they added a Lennon and a McCartney song (It’s Only Love, I’ve Just Seen a Face) as they dropped songs by John (Nowhere Man), Paul (Drive My Car), George (If I Needed Someone), and Ringo (What Goes On).

The cover illustration for Revolver was created by bassist and artist Klaus Voormann, an old Beatles’ friend from their days at the Star Club in Hamburg, Germany. Voorman played on albums for each of the Beatles on their solo albums, save for Paul.

When it came to Revolver, the music, it was quite the lopsided edit:

Side one

1 UK & US Taxman
2 UK & US Eleanor Rigby
3 UK I’m Only Sleeping
4 UK, 3 US Love You To
5 UK, 4 US Here, There and Everywhere
6 UK, 5 US Yellow Submarine
7 UK, 6 US She Said She Said

Side two

1 UK & US Good Day Sunshine
2 UK And Your Bird Can Sing
3 UK, 2 US For No One
4 UK Doctor Robert
5 UK, 3 US I Want to Tell You
6 UK, 4 US Got to Get You into My Life
7 UK, 5 US Tomorrow Never Knows

Or hear the full UK album here or here.

John’s only represented twice on the US version, because three of his songs on the UK version also were dropped. Robert Rodriguez, who wrote a 2012 book on Revolver explains: “Capitol needed three more songs to flesh out Yesterday and Today, and he had the most songs finished by then.” George had three songs (Taxman, Love You To, I Want To Tell You) on both versions of Revolver.

The GOOD news is that, from this point, the albums released in the UK were the same in the US, starting with Sgt. Pepper. Not incidentally, on the Rolling Stone magazine list of the 500 greatest albums, Sgt. Pepper was #1, with Revolver at #3 and Rubber Soul at #5. I tend to disagree. While Sgt. Pepper was clearly a breakthrough album, it sounds more dated, of its time, to me, than either Revolver or Rubber Soul.

ABC Wednesday – Round 11

Lyrical revenge

I realized that this was some sort of cosmic payback.

I was at a church meeting recently, which hadn’t really started. I was sitting next to one guy, and it seemed that every other sentence uttered by the others was a cue for a song lyric to pop into my head. It was coming so fast and furiously that I stopped citing the song and would just mention the artist. “Fleetwood Mac!” “Led Zeppelin!” “Jackson Browne!” Indeed, after a while, I only noted every OTHER song I was hearing from the discussion.

It’s fun, but it’s also a curse. I don’t go listening for songs; they just well up in my brain. I used to subject my mother to this torture when I was growing up, but it was a bit of a wasted effort since she usually didn’t know my reference point.

A few days ago, the Daughter was lying on the sofa and said something I thought was funny, so I chuckled. She said, with a straight face, “How can you laugh when you know I’m down?” She was quoting lyrics from the Beatles, and an obscure song at that, the B-side of the single Help.

I realized that this was some sort of cosmic payback.

The graphic above I stole from Facebook and indeed reposted. Someone commented, “I can vouch that it’s true.”

I’m Down – the Beatles (1965).

M is for the Monkees: 1967

In 1967, the Monkees had the #1 album far longer than any other group, and More of the Monkees was #1 longer than any album, including Sgt. Pepper.

 

1967 was a stellar year in popular music. According to Robert Christgau and David Fricke, the former billed as the “dean of American rock critics”, the “40 Essential Albums” of that year included albums by the Doors, the Rolling Stones, Jefferson Airplane, Jimi Hendrix, the Beach Boys, Bob Dylan, the Who, the Velvet Underground, and, of course, the Beatles. As it turns out, none of the albums released by the Monkees made the list.

The Monkees was a band formed by television executives to have a loony TV program in the tradition of the Beatles’ first movie, A Hard Day’s Night. The program which ran from 1966 to 1968 was quite popular, and even more so in eventual MTV reruns. I watched it occasionally, I will admit. But the group was derided as the “pre-Fab Four,” as opposed to the “real” Beatles.

Interestingly, the listening public did not seem to care about the controversy. On this weekly list of number #1 albums of 1967, the 1966 album The Monkees continued as #1 for five weeks (plus 8 weeks at the end of the previous year). It was replaced by More of the Monkees, which was #1 for 18 straight weeks. After a week of the Tijuana Brass, and a week by the Monkees’ Headquarters album, the Beatles’ Sgt. Pepper ruled for 15 weeks. Then two weeks of Ode to Billie Jo by Bobby Gentry, and five weeks of Supremes Greatest Hits. The last five weeks of the year, the top-selling album was the Monkees’ Pisces, Aquarius, Capricorn & Jones Ltd.

In other words, in 1967, the Monkees had the #1 album far longer than any other group, and More of the Monkees was #1 longer than any album, including Sgt. Pepper.

Fast forward to the early 1980s. One of my co-workers gave me some Monkees’ greatest hits album. I must admit that I liked it enormously. I wrote it off as a “guilty pleasure,” but now I proclaim that there are lot of songs by the Monkees that I enjoy a lot.

And BestEverAlbums.com even gave the group a modicum of respect, with Headquarters considered the 38th best album of 1967, Pisces, Aquarius, Capricorn & Jones Ltd. at 39, and More Of The Monkees at 85.

From More of the Monkees
Mary, Mary (Michael Nesmith). The song was first recorded by The Butterfield Blues Band for their 1966 album, East-West. The Monkees were derided for doing a Butterfield song until it was shown that a Monkee had actually written it.
(I’m Not Your) Steppin’ Stone (Tommy Boyce, Bobby Hart). Boyce & Hart wrote a number of Monkees songs. This went to #20 in the US, making it the first Monkees B-side to chart.
I’m a Believer (Neil Diamond). #1 in the U.S. for the week ending December 31, 1966, and remained there for seven weeks, becoming the biggest-selling single record for all of 1967.

From Headquarters
Randy Scouse Git (Micky Dolenz). The songwriter says it was written about a party that The Beatles threw for the Monkees, with references to the Beatles (“the four kings of EMI”) and to others such as Cass Elliot of the Mamas and Papas.

From Pisces, Aquarius, Capricorn & Jones Ltd.
Words (Tommy Boyce, Bobby Hart). One of my favorite songs by the group.
Pleasant Valley Sunday (Gerry Goffin, Carole King). The single got to #3 in the US. Even though it’s about a street in New Jersey, I always pretend that it’s from upstate New York, where I have visited often. And how can I not love the lyrics: “And Mr. Green, he’s so serene. He’s got a TV in every room.”
***
And for no reason except that it would have been John Lennon’s 72nd birthday: Strawberry Fields Forever – the Beatles (1967).

ABC Wednesday – Round 11

September Rambling: Frank Doyle’s daughter, and pie v grief

Congrats to Brian Ibbott of Coverville. Also, kudos to Arthur@AmeriNZ.

 

My old college friend Claire is 55 and Still Alive. Her late father, BTW, was awarded the Bill Finger Award at Comic-Con 2012.

Jaquandor’s review/reflection about the book Making Piece: A Memoir of Love, Loss, and Pie by Beth Howard, which is about processing grief. And dessert. Check out her website.

Gemuetlichkeit: Dachau.

9/11: Another View.

Legal Analysis Outlines Potential Crime In Mitt Romney’s Financial Disclosures

“Recent DNA and genealogical evidence uncovered by Ancestry.com researchers suggests that President Obama is a descendant of one of America’s first documented African slaves. What surprised many is that Obama’s connection to slavery is through his white mother, not his black father.”

The Strange Story Of The Man Behind ‘Strange Fruit’.

Wells Fargo mistakenly forecloses on the wrong house, destroys elderly couple’s entire lifetime’s worth of possessions. Oops. And if it HAD been the right house, would the action be justified? (My answer is NO.)

The truth comes out: CEO says ‘stupid’ consumers deserve hefty fees.

Gay rights, free speech, politicians and the NFL.

Leo Meets His Internet Troll.

Son of a Bigot. His dad founded the infamous Westboro Baptist Church. Nate Phelps is dedicated to reversing that legacy of hate.

I am a First Year, First Semester, M.Div.

Under 18, or know someone who is? Name that asteroid! The deadline is December 2.

Kickstarter for MAN ON THE MOON exhibit at Space Center Houston.

The Big Daddy Kickstarter is still going on. I mentioned it before, but Mark Evanier has mentioned it again and again, so I shall as well.

Harvey Pekar statue to be dedicated at Cleveland Heights’ Lee Road library next month.

Cerebus: The Fantagraphics offer and the Dave Sim response. Follow the thread about other Sim-Fantagraphics product possibilities here.

1922 Kodachrome film.

The Last Record Store Standing?

George Martin: He Had You Hooked on the Beatles.

David Byrne’s How Music Works.

Emily Dickinson ages.

Congrats to Brian Ibbott of Coverville, who recently podcast his 900th show. One of the tunes on that episode was David Garrett – Vivaldi Vs Vertigo.

Also, kudos to Arthur@AmeriNZ, who has been blogging for six years. He’s been musing about modern technology.

Glamour is different on the other side of the pond if Emma Watson is the example.

Bug Comic: Rise and Whine, an insomniac’s lament.

People stuck on an escalator.

Music product placement?

An oldie, but goodie: Troy (MI) Library’s book burning campaign.

Jaquandor answered my questions here and here and here. Which reminds me: you can still Ask Roger Anything.

GOOGLE SEARCH

Visible light communication could simplify car electronics
A team led by Prof Roger Green is planning to demonstrate how visible light communication (VLC), which is already used as an alternative to wireless internet transmissions, could simplify and lighten the electronic systems in cars.

BOWLS: Moulton edged out in centenary match
In the battle of the presidents, Moulton’s Roger Green came out on top on rink four against Stuart Lake winning 24-17. But Green’s rink were pipped for top honours by Tony Keating who led his home quartet to a ten shots success.

Denver “folk & roll” songstress Esmé Patterson is releasing her solo album November 20th
Making appearances on the album are Nathaniel Rateliff, Roger Green (formerly of the Czars), Ben Desoto (Czars, Nathaniel Rateliff, Bare Bones), Genevieve Patterson and Sarah Anderson (Paper Bird), Carrie Beeder, Eric Moon, Mike Fitzmorris, Will Duncan, and many more.