Beatles Archives - Page 25 of 36 - Ramblin' with Roger

It’s 9/9

EVERYTHING the Beatles put out, including music that stiffed in 1962 or 1963, charted in 1964.

Have I mentioned how much I like it when the month and the day are the same? 9/9, for instance, reads the same whether one is in the United States or the civilized world.

Here are some 99 songs:
99-Toto What the heck IS this song about? According to Wikipedia, it’s a tribute to George Lucas! I did not know that.

99 Luftballons – Nena
99 Red Ballons – Nena
Whether in German or in English, the song is about paranoia during the Cold War.

There’s an old gospel song called 99 & 1/2, sometimes written out Ninety-Nine And A Half, usual with the parenthetical (Won’t Do), about giving one’s all to God. You’ll find a LOT of versions of it on YouTube. I’m picking a version by Mavis Staples of the legendary Staples Singers, a tune that I own and love. This version has a civil rights orientation, thanks to additional lyrics by Ry Cooder & Mavis.

Also, there’s a soul classic of the same name by Wilson Pickett, with writing credits attributed to Wilson, Steve Cropper, and Eddie Floyd. It’s about wanting all of somebody’s love. The lyrics are different, but the two songs are pretty much the same.

Finally, this being the third anniversary of the Beatles’ digital releases, et al., I should put in something by that group. Revolution #9? Well, I guess not. The 18th song to chart on the US charts was one in which the Beatles were merely a backing band to a singer named Tony Sheridan. It only got to #88, but EVERYTHING the Beatles put out, including music that stiffed in 1962 or 1963, charted in 1964.
Here’s Why.

Z is for Zzzzzzz

“A growing body of evidence from both science and history suggests that the eight-hour sleep may be unnatural.”

More than almost any topic in the popular media, sleep, or the lack thereof, has been the subject of seemingly countless articles. This article from PARADE magazine is a typical example, which notes: “If you feel tired all the time, talk to your doctor. Persistent fatigue could signal a medical condition such as sleep apnea, an underactive thyroid, or anemia.” Here is Mark Evanier’s sleep apnea history, for example.

The Centers for Disease Control has a whole section devoted to sleep and sleep disorders, which cites diabetes, cardiovascular disease, obesity, and depression as being associated with insufficient sleep. According to a recent study by the National Sleep Foundation, 60 percent of men and women experience sleep problems almost every night. Harvard University research suggests that 7 out of every 10 adults do not get the quality sleep they need.

One of the great interrupters of sleep is Daylight Saving Time, which Jaquandor kvetched about. There is an increased number of accidents each time the clock goes forward.

Still, I was fascinated by a BBC article: “A growing body of evidence from both science and history suggests that the eight-hour sleep may be unnatural.

“In the early 1990s, psychiatrist Thomas Wehr conducted an experiment in which a group of people were plunged into darkness for 14 hours every day for a month. It took some time for their sleep to regulate but by the fourth week, the subjects had settled into a very distinct sleeping pattern. They slept first for four hours, then woke for one or two hours before falling into a second four-hour sleep. Though sleep scientists were impressed by the study, among the general public the idea that we must sleep for eight consecutive hours persists.”

The Beatles recorded at least two songs about sleep, I’m Only Sleeping and I’m So Tired.

ABC Wednesday – Round 10

Y is for Yellow Submarine

The soundtrack to the movie Yellow Submarine was not released until January 1969, some six months after the movie debuted.

Yellow Submarine was a song by The Beatles, with Ringo Starr on the lead vocals. It was issued as a single, coupled with Eleanor Rigby, and released just before it appeared on the Revolver album. It has a peculiar little difference, though, which I remember distinctly; on the single version, during the last verse, the responses start one line earlier, with “life of ease”. Compare the album version with the single version around 1:40.

It became the title song of a 1968 animated United Artists film. The Beatles themselves had little to do with the making of the movie – other actors did the voices of the Beatles characters – though the movie was chock full of songs from the latter half of their career. This is a movie I saw at least four times, once on a day I saw ALL of the Beatles’ movies in one sitting. I even watched it on commercial television (CBS, I think), which is not recommended.

Oddly, the soundtrack to the movie was not released until January 1969, some six months after the movie debuted. The second side of the album was instrumental music arranged by George Martin. Side one starts with the album version of the title song and ends with All You Need Is Love. There were four other songs on that album:

Only a Northern Song
All Together Now
Hey Bulldog
It’s All Too Much.

In 1999, Yellow Submarine – Songtrack was released. It dumps the instrumentals for other Beatles songs used in the film, mostly or all remastered.

Now, The classic 1968 animated feature “Yellow Submarine” showcasing music by the Beatles has been “carefully restored frame-by-frame for a special DVD release May 28, 2012.”

I haven’t seen it in a couple of decades, and it’d be interesting to see how it stands up.
(Note: I had some links to movie segments that are no longer operational; I am willing to bet that you can find similar clips on YouTube from time to time.)

ABC Wednesday – Round 10

K is for Keltner, Jim Keltner

Jim Keltner’s drumming approach was idiosyncratic, loose, and soulful, and helped elevate the studio musician’s role from that of a generic hired hand to an individual who colors the music with personality and style.

Do you know what is generally lost for me in downloading digital music? Reading the liner notes. That’s the info on the LP or CD that tells you who wrote the songs and who played on them, and often a narrative about the artist and/or the recording session.

As an active liner note reader, I well know the name Jim Keltner. If you are not, you probably do not. Here’s just an excerpt from the page about him on Wikipedia.

Keltner is best known for his session work on solo recordings by three of The Beatles, working often with George Harrison, John Lennon…, and Ringo Starr…He, as a free-lance drummer, has also worked with Leon Russell, Gabor Szabo, Delaney Bramlett, Roy Orbison, Harry Nilsson, Jerry Garcia, Eric Clapton, Guthrie Thomas, Steely Dan, Joe Cocker, Van Dyke Parks, the Rolling Stones…, Bob Dylan, Joni Mitchell, Brian Wilson, Roger McGuinn, Seals and Crofts, The Ramones, Bill Frisell…, Crosby, Stills, Nash and Young, Phil Keaggy, Steve Jones, Crowded House, Fiona Apple, Elvis Costello, The Bee Gees, Jackson Browne, The Manhattan Transfer, Randy Newman, Ry Cooder, Sam Phillips, Los Lobos, Pink Floyd, Warren Zevon, Rufus Wainwright, Tom Petty, Gillian Welch, the Steve Miller Band, Alice Cooper, Sheryl Crow and Lucinda Williams among many others. Here’s a discography covering 1969-1998, or this even more extensive list (that loads slowly).

From his Drum Magazine bio: “His drumming approach was idiosyncratic, loose, and soulful, and helped elevate the studio musician’s role from that of a generic hired hand to an individual who colors the music with personality and style. He is known not only for his great feel and sensitivity, but also for bringing a fresh approach to the potentially tedious world of pop music.”

The following are just a handful of the songs he played on
She’s Just My Style – Gary Lewis and the Playboys. Keltner’s first session.
You’re So Vain – Carly Simon.
Knockin’ on Heaven’s Door – Bob Dylan.
Angel Baby – John Lennon
End of the Line – Traveling Wilburys. Keltner is in the video.
Wilbury Twist – Traveling Wilburys. Keltner is in this video, too.
Warren Zevon – Keep Me In Your Heart.
Little Sister – Ry Cooder, John Hiatt, Nick Lowe and Jim Keltner live. These four guys put out a 1992 album called Little Village.
The Drummerworld page for Jim Keltner, featuring more songs.

Also:
How does Jim Keltner earn a living?
LENNONYC: Beyond Broadcast. Episode 3: Jim Keltner

Jim Keltner turns 70 on April 27, 2012, so this is an early happy birthday thanks.

ABC Wednesday – Round 10

The Beatles vs. the Four Seasons

The label, with pretty much only the songs from the Beatles Please Please Me album, repackaged it several times.

The Wife and I have been to two programs at Proctors Theatre in Schenectady in the last month, both enjoyable, though in quite different ways.

On Friday, February 24, we went to the GE Theatre and attended “Looking Through A Glass Onion”, a deconstruction of the Beatles white album presented by Scott Freiman. Actually, we were the perfect audience. I remember hearing the album for the first time in the basement of the Unitarian church in Binghamton, NY late in the fall of 1968. By contrast, my wife had probably never heard of more than a half dozen of the 30 songs on the album. Yet we both walked away learning things.

That bit Can You Take Me Back Where I Came From between Cry Baby Cry and Revolution 9 came from a take of the song I Will. The song Revolution 9 came from an iteration of Revolution 1, is one of FOUR versions of Revolution, including the single and the version that shows up on the Anthology video, which is my very favorite, as it rocks like the single, but has the doowaps of Revolution1.

The difference is that Frieman was able to provide music snippets showing these things in context. He also somehow separated some tracks so you could hear Paul sing the bass line in I Will, e.g. Quite entertainingly told. The only problem is that he only got through about 2/3s of the songs on the album, though he did also touch on the single Hey Jude.

Tuesday, March 6, we saw Jersey Boys, the story of the Four Seasons, at the main Proctors stage. The reason the show worked, besides solid performances, is the Rashomon nature of the story, with Tommy, Bob, Nick, and Frankie having different recollections of what took place. I knew this quartet far less well than I did the Fab Four, but learned a lot more about them. Unlike some “musicals” that throw a bunch of songs together so that it’s more a musical revue than a stage production, this actually had a narrative flow. There were also effective visual effects that enhanced the narrative. I thought the Nippertown review was spot on.

The Beatles and the Four Seasons were, for a brief time, on the same record label in the US, VeeJay. The label, with pretty much only the songs from the Beatles’ Please Please Me album, repackaged it several times; likewise, the Four Seasons had moved onto another label. Thus was born the most peculiar The Beatles vs. the Four Seasons collection.