birthday Archives - Page 28 of 50

Otis Williams of the Temptations is 75

The group once known as the Primes did some albums with the trio formerly known as the Primettes.

There are lots of groups out there that have the name of an old-time group, but with Otis Williams in the Temptations, the link to the original group is sustained.

“Williams was born Otis Miles, Jr. in Texarkana, Texas to Otis Miles and Hazel Louise Williams… While he was still a toddler, his mother married and moved to Detroit, Michigan, leaving the younger Otis Miles to be raised by both of his grandmothers in Texarkana. Hazel Williams moved her son to Detroit when he was ten years old, where he lived with his mother and his stepfather.”

The history of The Temptations is way too complicated to go through here, but Otis was in several groups, honing his craft. The original lineup of the group called The Temptations was Otis Williams, Melvin Franklin, Elbridge “Al” Bryant, Eddie Kendricks, and Paul Williams (no relation).

But “Al Bryant had grown frustrated with the group’s lack of success and became restless and uncooperative, preferring the mundane routine of his day job as a milkman over the rigors of rehearsal and performing.” He was replaced by David Ruffin who had already “joined the group onstage and impressed the group with his vocal talent and dancing skills.”

The group then had several hits, most notably My Girl, but eventually, Ruffin left the group. He was replaced by Dennis Edwards, who was the lead vocal in the wah-wah period of the late producer/songwriter Norman Whitfield. It is Otis Williams, Melvin Franklin, Eddie Kendricks, Paul Williams, David Ruffin, and Dennis Edwards who are represented in the Rock and Roll Hall of Fame when the group was inducted way back in 1989.

These are some songs I was feeling when I made the list. I could easily switch out half of them for others. The top 7, in some order, would stay.

24. It’s Summer (B-side of Ball of Confusion) – this is the version on the 1970 album Psychedelic Shack, NOT the single that appears on Solid Rock in 1972. It’s corny, but I like hearing Melvin’s voice.
23. Love Can Be Anything (Can’t Nothing Be Love But Love) – this song, with thin lyrics, is more a feeling. Appears on Sky’s the Limit in 1971
22. Please Return Your Love to Me, #26 pop, #4 soul in 1968 – Eddie on lead vocal, but it’s the harmonies I love
21. Standing at the Top, #66 pop, #6 soul in 1982. From that great reunion tour when Eddie Kendricks and David Ruffin briefly return to join Otis Williams, Melvin Franklin, Dennis Edwards, Richard Street, and Glenn Leonard. This song also features Rick James.

20. Try It Baby – the group once known as the Primes did some albums with the trio formerly known as the Primettes. This is from the first one, Diana Ross and the Supremes Join the Temptations from 1968
19. Beauty’s Only Skin Deep, #3 pop, #1 for five weeks soul in 1966. Ain’t it the truth?
18. Get Ready, #29 pop, #1 soul in 1966. Ofttimes covered, including by the Motown group Rare Earth
17. War – from the Psychedelic Shack album. From memory: Berry Gordy didn’t want the Temps to get any pushback for releasing this as a single, but he let the less prominent Edwin Starr put it out, and, of course, it was massively successful

**Richard, Otis, Eddie, Melvin, Glenn, David, Dennis**

16. The Girl’s Alright with Me #102 pop, #39 soul in 1964 – this is the B-side of I’ll Be in Trouble, so a respectable showing
15. (Loneliness Made Me Realize) It’s You That I Need, #14 pop, #3 for two weeks soul in 1967 – there’s an album called With a Lot O’ Soul, a transition from the mostly Smokey Robinson production, to the Norman Whitfield period that’s arguably my favorite LP of the group
14. Don’t Look Back, #83 pop, #15 soul in 1966
13. I’ll Be in Trouble, #33 pop, #22 soul in 1964

12. Don’t Let the Joneses Get You Down, #20 pop, #2 soul in 1969 – a great attribute of the Whitfield period was shared lead vocals
11. Psychedelic Shack, #7 pop, #2 for 3 weeks soul in 1970 – this must be from the album cut because it starts off with the same party noise previously used in I Can’t Get Next To You
10. Ball of Confusion, #3 for three weeks pop, #2 for 5 weeks soul in 1970. “The Beatles’ new records a gas” just as the Fab Four were breaking up
9. Just My Imagination, #1 for two weeks pop, #1 for 3 weeks soul in 1971 – pretty much Eddie Kendricks’ swan song

8. (I Know) I’m Losing You, #8 pop, #1 for two weeks soul in 1966
7. No More Water In The Well – another cut from With a Lot O’ Soul
6. My Girl #1 pop, #1 for five weeks soul in 1965. On the Temptations anthology, there’s an a capella version that’s quite fine
5. Ain’t Too Proud to Beg, #13 pop, #1 for eight weeks soul – appeared on The Big Chill soundtrack in 1983

4. I Wish It Would Rain, #4 pop, #1 for three weeks soul in 1968. Sometimes I wish it would…
3. Papa Was A Rolling Stone, #1 pop, #5 soul in 1972 – as I recall, Dennis Edwards was getting really irritable in the studio about the length of the intro before he got to sing, which may have been the producer’s intent, to get the snarl in “It was the third of September…”
2. The Way You Do The Things You Do, #11 pop, #1 soul – their first real hit, with that Smokey Robinson poetry
1. I Can’t Get Next To You, #1 for two weeks pop, #1 for 5 weeks soul. The best use of that five lead vocalist thing that Whitfield stole from Sly Stone

Otis Williams in the center; — Otis Williams in the center

The other members – Ron Tyson (thick mustache), Terry Weeks, Joe Herndon, Bruce Williamson

Daryl Hall of Hall & Oates turns 70

She’s Gone by Hall and Oates was the last song played

A sea change seems to have taken place regarding Daryl Hall and John Oates. Once scorned as too commercial – they WERE the most commercially successful duo ever – they were FINALLY nominated for the Rock and Roll Hall of Fame, and were elected on their first, delayed shot.

I’ve had affection for Hall & Oates for a long while. I own a few of their early LPs, such as Abandoned Luncheonette and Voices. According to one of those VH1 “Where are they now” specials, which I saw a couple of years ago, some folks thought they were gay, based on the Voices cover. Though they were not, it was not something they rushed out to fix.

Listening to these again, I’m fascinated by how long it takes for the vocals to come up, a ’60s DJ’s dream. Good thing they came out later.

My favorite Daryl Hall songs, most, but not all, with John Oates, with links to all songs. Chart references are to Billboard.

16. Change of Season – title song from a 1990 H&O album, co-produced by Jon Bon Jovi and Danny Kortchmar, after H&O were cranking out the hits. The song is a bit Beatlesque. The album wasn’t a big hit, or particularly well received by the critics. But I have a great deal of affection.
15. Did It In A Minute from Private Eyes, #9 pop in 1982. This album generated a lot of hits.
14. So Close, the first song on Change of Season, #11 pop in 1990.
13. Say It Isn’t So from Rock ‘N’ Soul, Part 1, #2 for four weeks pop, #45 soul in 1982 – some artists put out greatest hits albums and the song is only on that album, initially. This is one of those.

12. Sacred Songs – the title song of that Daryl Hall solo album, for which I’ve spoken of my affection.
11. Out of Touch from Big Bam Boom, #1 for two weeks pop, #24 soul in 1984. I found it danceable.
10. Starting All Over Again from Change of Season. It reminded me of the old Philly sound of a decade or so earlier
9. Sara Smile, from Bigger Than Both of Us, #4 pop, #23 soul in 1976. Daryl Hall’s love song to his then-girlfriend and music collaborator Sara Allen

8. Kiss is on My List, from Voices, #1 pop for three weeks in 1980 – when I sing along with songs, it’s usually NOT the melody. In this case, it’s the “Because your kiss” part, which I love
7. NYCNY from Sacred Songs, Recorded in the summer of 1977 – the Summer of Sam, when I lived there – though the album was not released until 1979. This song SOUNDS like NYCNY of the time.
6. How Does It Feel To Be Back, from Voices, #30 in 1980 – when I first heard this song, that Tom Pettyish-guitar made it sound familiar, in a good way
5. I Can’t Go For That (No Can Do), from Private Eyes, #1 pop, and soul in 1982 – perfect ’80s pop song

4. Private Eyes, the title song, #1 for two weeks in 1981 – It’s the hand clapping. “Private Eyes” [clap] “are watching you” [clap, clap]. An oddly effective hook.
3. Something In 4/4 Time from Sacred Songs. I now believe this WAS released as a single – Daryl needs to find an a capella choir to record this, especially that instrumental break
2. She’s Gone from Abandoned Luncheonette, #60 in 1974, #7 pop, and #93 soul when it was reissued in 1976 – it’s the modulation at the end that seals it. Plus I told this story before, but it WAS 10 years ago: In the summer of 1977, I was living in NYC, specifically Jamaica, Queens, with my sister Leslie and her then-husband Eric. One day, they had the radio on, and one had to be the ninth caller “with the phrase that pays, ’99X is my radio station'” AND be able to identify the last song played. Well, I was the ninth caller, I said the phrase that paid, and I knew that She’s Gone by Hall and Oates was the last song played. I won twice my age, which meant $48, real money for an underemployed telephone solicitor (TV Guide, Encyclopedia Britannica). I had to spend SOME of it though, and that turned to be the ONLY time I’ve ever seen the New York Mets play in person. Don’t remember the game or even the score, but I remember the joy of being there with my sister. I also have an unusual affection for the song.
1. You Make My Dreams from Voices, #5 in 1981. Used effectively in the movie 500 Days of Summer

One more tune, by someone else: Everytime You Go Away by Paul Young, written by Daryl Hall, and #1 pop in 1985

Susan Sarandon turns 70

Bull Durham is one of my two favorite baseball movies,

Susan Sarandon remains interesting in her 70th year, from her footwear choices to becoming a magnet for ageist comments when she dressed sexily at the SAG awards.

Then there her political comments. As a disgruntled Bernie Sanders supporter, she suggested that voting for Donald Trump would bring about the revolution, for which she’s been labeled a privileged fool, with some noting that the rest of us would be screwed if that should happen. Hey, maybe she’s right. And she made it clear that she wouldn’t vote for Hillary Clinton just because she’s a woman.

Here’s the list of films I saw featuring Susan Sarandon. But for everyone listed, there’s another I intended to see: Atlantic City, The Witches of Eastwick, Lorenzo’s Oil, The Great Waldo Pepper, to name a few.

The Rocky Horror Picture Show (1975) – I saw this in a theater, but it was at least a half dozen years later. Many folks in the theater had the appropriate gear, which I did not know about until I got there. Sarandon, of course, played Janet. I admit my affection for this movie is tied in part to my love for the song Time Warp; the bass line harmony is right in my range.

Pretty Baby (1978) – Brooke’ Shields’ youthful nudity was so much the issue that I forgot Sarandon was in this.

Bull Durham (1988) – one of my two favorite baseball movies, along with Field of Dreams. She plays Annie Savoy, who knows what she wants in life. I was truly sad that, at the time of the movie’s 15th anniversary in 2003, Sarandon and costar/beau Tim Robbins were invited, then uninvited, to The Baseball Hall of Fame’s celebration of the film, citing Robbins’ opposition to the Iraq war. This despite promises by both Robbins and Sarandon not to politicize the event.

Thelma & Louise (1991) – she was Louise Sawyer, another take-charge character. BTW, I have the soundtrack to this film.

Bob Roberts (1992) – starring Tim Robbins; don’t specifically remember Sarandon

The Client (1994) – saw this on TV; it almost NEVER sticks as much in my mind

Little Women (1944) – a very different role as Mrs. March, but always a strong persona

Dead Man Walking (1995) – my absolutely favorite Sarandon role. Especially Sister Helen Prejean face-to-face with the doomed Matthew Poncelet (Sean Penn), which was oddly sensual. I was against the death penalty before, but this enforced it. I have THIS soundtrack too.

James and the Giant Peach (1996) – she was the voice of Spider

Stepmom (1998) – “A terminally ill woman (Sarandon) has to settle on her former husband (Ed Harris)’s new lover, who will be their children’s stepmother (Julia Roberts).” This was treacle, saved by its performances, and I totally ate it up. (Oddly enough, see Relatable Breakup Song)

Cradle Will Rock (1999) – a bit preachy, about proletariat artists dealing with capitalists Nelson Rockefeller and William Randolph Hearst

Enchanted (2007) – even in animated form, I knew who was playing the wicked Queen Narissa

Robot & Frank (2012) – I liked this movie with Frank Langella, with Sarandon as a librarian with a job in the near future

Plus I saw her on TV shows such as Friends and 30 Rock.

WAY back in 2009, I put together a list of my 20 favorite actresses, and naturally, she was one. I suspect she was, and is, one of my top five picks.

Dad would be 90

Dad always did a spot-on impression of FDR.

Dad was always about 47, give or take a decade. It’s like Willie Mays was always 30 to me. When I see those pictures or that string bean of a young man, that wasn’t my father (and he was not yet my father, for most of that time). And in the early days, I don’t recall that much.

Les Green had a lot of different jobs, including floral arranger, sign painter, and singer/guitarist. But for six years or so, he worked at IBM, driving these electric trucks around, moving material from place to place. It was at night, so we seldom saw Dad, except on weekends. This was the period our mom would take us to W.T. Grant’s almost every Friday night to have the all-you-can-eat fish.

Still, we did see him on weekends, when he’d make spaghetti sauce that would cook on the stove for hours. Or he’d make waffles in a waffle iron with a certain panache, and tell stories about him making breakfast for General Washington, which I believe to be untrue.

But you can never tell. Since his early days were such a mystery – and still are – maybe he WAS a time traveler, There’s a song he used to perform called Passing Through, written by a guy named Dick Blakeslee in the 1940s, and popularized by Pete Seeger.

The lyrics were about the narrator seeing Jesus on the cross, and Adam leaving the garden, Washington shivering at Valley Forge, and this one:
I was with Franklin Roosevelt’s side on the night before he died.
He said, “One world must come out of World War Two”
“Yankee, Russian, white or tan,” he said, “A man is still a man.
We’re all brothers now, and we’re only passing through.”

Dad always did a spot-on impression of FDR when he sang “one world must come”. He started being a ‘singer of folk songs” back in the late 1950s around our hometown of Binghamton and would sing for Leslie’s and my elementary school classes each semester for three or four years, which was a treat, in part because he wrecked his sleep schedule to do this.

I’ve noted that when my father quit IBM in 1968 to work in a federal Office of Economic Opportunities program called Opportunities For Broome (our county), my homeroom teacher, Mr. Joseph told me straight out that my father was “crazy” to leave IBM. And maybe he was.

Or maybe being away from his family, and working at night in a job that did not challenge him intellectually or artistically, was making him crazy. His decision always made sense to me.

My father, sister Leslie, and I singing together started just before he left IBM, but thrived when he got to work in the daytime.

I went away to college at New Paltz in 1971, and he, my mother, and my sister Marcia moved to Charlotte, NC in 1974, and, of course, I’d see him far less frequently. But, for most of his time, he looked the same. He looked like Dad.

His 90th birthday would have been September 26.

K is for Kris Kristofferson

“He’s a walkin’ contradiction, partly truth and partly fiction”

I happened to get an issue of Rolling Stone magazine this year, and there’s a story called Kris Kristofferson: An Outlaw at 80, about how “one of the greatest songwriters of all time (covered by Johnny Cash… Elvis Presley and some 500 others)” was experiencing an “increasingly debilitating memory loss.” It turns out it wasn’t Alzheimer’s or dementia, but Lyme disease.

His first album, released as Kristofferson in 1970, was rereleased, with a nicer cover, a year later, as Me and Bobby McGee, named for the posthumous #1 song by Janis Joplin that he wrote. Some of the songs on that album include Help Me Make It Through the Night, For the Good Times, and Sunday Mornin’ Comin’ Down, all hits for other people.

His second album, The Silver Tongued Devil and I, featured Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again), a minor hit for Roger Miller, and got to #26 on the pop charts for Kristofferson. It also contains my favorite Kris Kristofferson lyrics, from The Pilgrim, Chapter 33:

He’s a poet, an’ he’s a picker, he’s a prophet, an’ he’s a pusher
He’s a pilgrim and a preacher, and a problem when he’s stoned
He’s a walkin’ contradiction, partly truth and partly fiction
Takin’ ev’ry wrong direction on his lonely way back home

His biggest single recording was Why Me, which got to #16 in 1973, from his fourth album, Jesus Was a Capricorn. He also recorded with his second wife Rita Coolidge.

Kris Kristofferson is also an actor, appearing in several films, before becoming a Movie Star in A Star is Born, with Barbra Streisand.

Now that he has most of his memory back, he’s listening to the old songs again, “to get reacquainted with his life’s work. ‘It just takes you back like a picture of something would,’ he says. ‘I was also interested in seeing if they still sounded good to me,’ he continues. ‘I’ve been pleasantly surprised, particularly with this one.’ He points to his third album, Border Lord. ‘I can remember at the time being so disappointed at the reception it got.’

“His wife [since 1983, Lisa] sits to his left and looks at him, beaming at his recall. ‘To me, the song is what matters, not necessarily the performances,’ he says as he moves a napkin to examine a picture of him in his twenties, looking disheveled in his meager Nashville bedroom. ‘Just the words and melody – that’s what moves your emotions.'”

“‘I may have some more creative work in me,’ he finally admits, then concludes on a characteristically impassive note. “But if I don’t, it’s not going to hurt me.'”

LISTEN TO:

“Blame It on the Stones”
“To Beat the Devil”
“Me and Bobby McGee”
“Best of All Possible Worlds”
“Help Me Make It Through the Night” which gets ‘lie’ and ‘lay’ right and wrong in the same song
“The Law Is for Protection of the People”
“For the Good Times”
“Sunday Mornin’ Comin’ Down”
“The Silver Tongued Devil and I”
“Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)”
“The Pilgrim, Chapter 33”
“Nobody Wins”
“Why Me”

ABC Wednesday – Round 19