Angela Lansbury: stage, screen, TV icon

The Manchurian Candidate

When I was crashing at my parents’ house in Charlotte, NC, in the spring of 1977, I went to the downtown library to watch the 1944 version of the movie Gaslight. It starred Charles Boyer, Ingrid Bergman, and Joseph Cotten. In her film debut, 19-year-old Angela Lansbury, as the young maid Nancy, received a best-supporting actress Oscar nomination. (Some folks did not know the meaning of gaslighting in 2013.)

In 2018, my family went to the cinema to see Mary Poppins Returns. In her antepenultimate film, she had a cameo at the end as the Balloon Lady. Her final film appearance was Glass Onion: A Knives Out Mystery, in which she played Angela Lansbury.

Her greatest film role was as the mother of a would-be assassin in The Manchurian Candidate (1962). Casey Seiler of the Albany Times Union newspaper says she was “absolutely perfect” in “one of the few paranoid political thrillers that haven’t been outstripped by reality.” Here are just three minutes.

One of my favorite parts, though, is her voicing Mrs. Potts in Beauty and the Beast (1991). Here’s Tale As Old As Time.

She received an honorary Oscar in 2013 for her career as “an entertainment icon who has created some of cinema’s most memorable characters, inspiring generations of actors.”

Cabot Cove, Maine

Of course, the performer was best known as Jessica Fletcher, novelist and an amateur sleuth in Murder, She Wrote. She appeared for a dozen seasons (1984-1996) plus four TV movies between 1997 and 2003. She received an Emmy nomination for best actress in a drama series for every season, yet never won.

As The Hollywood Reporter noted, the program was “a huge ratings hit on Sunday nights following 60 Minutes. Both CBS shows appealed to intelligent, older viewers, and Lansbury was the rare woman in the history of television to carry her own series… ‘Nobody in this town watches Murder, She Wrote,’ Lansbury, referring to the TV industry, said in 1991. ‘Only the public watches.’

“The show was ranked in the top 13 in the Nielsen ratings (and as high as No. 4) on Sundays in its first 11 seasons but plummeted to No. 58 when CBS moved it to Thursdays in 1995-96 against NBC’s then-powerful lineup. The series finale, quite appropriately, was titled ‘Death by Demographics.'”

LA Times quotes her: “What appealed to me about Jessica Fletcher is that I could do what I do best and [play someone I have had] little chance to play — a sincere, down-to-earth woman. Mostly, I’ve played very spectacular bitches. Jessica has extreme sincerity, compassion, extraordinary intuition. I’m not like her. My imagination runs riot. I’m not a pragmatist. Jessica is.”

I freely admit to watching the program regularly. Maybe, as one critic noted, it was an opportunity to try to solve the crime with, or maybe before, the author.


As the Los Angeles Times noted, “It was her deep roots in the theater, and the many Tony Awards that followed that won the hearts of theatergoers and critics, who were often rhapsodic in their praise…

“Critic Rex Reed declared that she brought ‘the Broadway stage about as close to an MGM musical as the Broadway stage is likely to get,’ according to the 1996 biography ‘Angela Lansbury.’

“Her charismatic performance as the eccentric title character in a 1966 production of Mame vaulted her to Broadway superstardom and resulted in the first of her four Tonys for best actress in a musical.

“At 83, she tied the record for most Tony Awards won for acting when she received a fifth for portraying a medium in the 2009 revival of ‘Blithe Spirit. (Audra McDonald set a new record in 2014 when she won her sixth.)”

I saw the TV movie Sweeney Todd: The Demon Barber of Fleet Street in 1982, which was quite compelling. Her Broadway performances were undoubtedly even greater.

Here are Hollywood notables paying tribute to Angela Lansbury, plus A Critic’s Appreciation by David Rooney.

G is for Gaslighting

“To manipulate events, as Charles Boyer does to Ingrid Bergman to make her think she’s crazy.”

When I was living in Charlotte, NC for a few months in early 1977, I wasn’t particularly thrilled. The city was, in the words of my father “a big old country town”; BTW, it’s gotten much better there, IMO.

One of my few outlets was to go to the main library and read books and magazines, or see movies. One of the films I saw was Gaslight. It was the 1944 US version, not the 1940 UK take; both were based on a 1938 play, Gas Light. The iteration I saw “was directed by George Cukor and starred Ingrid Bergman, Charles Boyer, Joseph Cotten, and 18-year-old Angela Lansbury in her screen debut.”

Without getting into the particulars of why: “Paula loses a brooch that Gregory had given her, despite its having been stored safely in her handbag. A picture disappears from the walls of the house, and Gregory says that Paula took it, but Paula has no recollection of having done so. Paula also hears footsteps coming from above her, in the sealed attic, and sees the gaslights dim and brighten for no apparent reason. Gregory suggests that these are all figments of Paula’s imagination. Gregory does everything in his power to isolate his wife from other people.” In other words, Gregory is trying to make Paula think she is going crazy, and nearly succeeds.

From these movies, and the play, came the term gaslighting, which “has come to describe a pattern of psychological abuse in which the victim is gradually manipulated into doubting his or her own reality. This can involve physical tactics (such as moving or hiding objects) or emotional ones (such as denying one’s own abusive behavior to a victim.)” I thought it was a nifty term, and have used it regularly since.

I am watching the game show JEOPARDY! which is my wont. Episode #6428, which aired 2012-07-25, in the category “GAS” UP (which means the letters GAS appears in the correct response). The $600 clue: “To manipulate events, as Charles Boyer does to Ingrid Bergman to make her think she’s crazy.” I say “to gaslight”; none of the three contestants even rings in. Then I ask other people. No one seems to know this verb, except for my wife, and she only recognizes it because I’ve used it so much.

So I commit to you the word “gaslighting.” Use it in good health; don’t let it make you go crazy.

ABC Wednesday – Round 12

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