Hampshire College is closing

Five College Consortium becomes Four

The fact that Hampshire College is closing is not a shock. But it is a disappointment.

I remember the dark and rainy morning in July 2021 when our family first visited the Amherst campus. We had been staying at a timeshare in western Massachusetts. My wife decided that the Daughter needed to start at least looking at colleges.

So we left at 8 a.m. (!) on a Saturday (!) to travel for 90 minutes on a bunch of back roads to this campus, seemingly in the middle of nowhere. Even with the precipitation outside and the windows up, as we approached, I could smell the farmland, if you know what I mean.

Initially, I figured there was no way my kid was going to go here. But after a number of sessions, some with parents but most without, she was at least somewhat interested.

The rest of the summer and into the autumn, our daughter, with one or both parents, visited at least a dozen colleges. If I were a betting man, I would have wagered on her going to Hofstra, which she saw with me a couple of months later.

Our daughter had a very systematic, color-coded system in which she weighed a variety of factors (curriculum, distance, price, accessibility), and before her last high school semester, she was focused on Hampshire. 

Money problems?

At some point after she had been accepted but before classes began in 2022, the family was there. Some rumors about Hampshire’s financial viability were swirling. (Indeed, a guy from our church thought the school had already closed.) My wife spoke with someone from the college – I remember we were in a cafeteria – and she felt reassured.

We had packed up the car in late August when my daughter was feeling a bit off. She took a COVID test and tested positive. In due course, I and then my wife also presented. So instead of getting there a week early and participating in the orientation rituals, we arrived on Labor Day, three days after classes began. 

I don’t know if it was the late start or going through the last half of high school in COVID-related mode, but the start was a bit rough, not just scholastically, but socially. However, she eventually found her rhythm. 

It helped when she started taking classes at a couple of the other schools in the Five College Consortium, which also includes the University of
Massachusetts Amherst, Smith, Mount Holyoke, and Amherst. She learned to navigate the Pioneer Valley Transit Authority system before getting a car for her final year.

The news

We were all in the afterglow of her wonderful art show when we got The E-Mail from college president Jenn Chrisler, plus the chair and chair-elect of the board. “Seven years ago, the Hampshire community presented the College with a powerful mandate: to maintain independence and remain true to Hampshire’s deepest-held values. Since then, we have all worked together toward those goals… 

“Despite this herculean effort, the financial pressures on the College’s operations have become increasingly complex, compounded by shifting external factors… We worked aggressively to increase enrollment, refinance existing debt, and realize new revenue via the sale of a portion of our land… We are faced with the clear, heartbreaking reality that progress on each of these three key factors has fallen far short of what we had hoped. 

“As a result, the Board of Trustees voted to permanently close Hampshire College following the Fall 2026 semester.”

The good news is that the Daughter will have graduated by then. But as someone whose K-9 school, Daniel Dickinson in Binghamton, was razed, she’s already feeling sad about the change.  

The Globe

There are some interesting takes on this situation. (Some are behind paywalls.)

What is the Five College Area with only Four Colleges? Hampshire College’s upcoming closure poses an existential question. By Brooke Hauser, Boston Globe, April 20, 2026.

“Especially for Hampshire alums who still live in the area, the idea of their alma mater falling off the map is disorienting. “It’s a little bit like, ‘Oh, you were from that village on the river, but it got washed away in the flood,’” said Jordi Herold, who founded Northampton’s legendary Iron Horse Music Hall in 1979, four years after graduation. “You have your memories, but it’s not there anymore.”

Hampshire Announced It’s Closing. Will Other Small Colleges Follow? by Lee Gardner, the Chronicle of Higher Education, April 14, 2026

The loss of Hampshire is a loss for the higher-education ecosystem, said Marjorie Hass, president of the Council of Independent Colleges. “Losing even small colleges diminishes the power of our sector as a whole,” she said. The consequences for the sector, she added, are that it will become “more homogeneous, with fewer choices for students, and less diverse in terms of location and kinds of students served.”

NYT
Hampshire College Will Close Amid Student Enrollment Declines – Other small private colleges like Hampshire have closed in recent years as financial pressures and competition for students increase. Mark Arsenault, New York Times (gift link), April 14, 2026..

“Hampshire is the alma mater of the filmmaker Ken Burns, who made his first documentary movie as a student there. ‘This is an extraordinary loss for those of us who went there,’ Mr. Burns, who graduated from Hampshire in 1975, said in an interview… The school, known for experimentation in classes and methods, offered ‘sort of medieval guild-like tutors and apprenticeships,’ he said.”

Other notable alumni include actors Lupita Nyong’o and Liev Schreiber.

As noted, the Daughter will soon be a proud graduate of Hampshire College. But it’s a situation that has made not only the Daughter but her parents surprisingly melancholy.

 

Lydster: the Art Show

Kuumbaa, a Swahili term that translates to Creativity

The Daughter had her Art Show, Kuumba, at Hampshire College this month with three other talented folks. It was an intensive time. She had to get the show set up on Monday and Tuesday, April 6 and 7. The process took her over 14 hours, not counting the help she received.

On April 8, an uncle, an aunt, and a cousin came from the Mid-Hudson region of New York State to see her show, which was greatly appreciated. Her art committee did their walkthrough on April 9, and all was well.

She wrote a great three-page description of how she developed the show. Briefly, the work focused on her “studies of both African (continental) and Black American culture. and how they overlap… Even though they are separated by the ocean, natural themes shine through from Africa and the diaspora. Bright colors are seen as a symbol of freedom in many Pan-African cultures, from the intricate textile patterns to Bo Kaap, the colorful neighborhood in post-apartheid South Africa, to beadwork.

“Across the works in my series, each piece includes a multicolored component. It was important to me to make every aspect of my gallery show, including the frames, bowl beads, and rack, because I feel the point is to show off what I can do, and it gave me the flexibility to create exactly what I wanted. This meant I was also learning new processes that complement what I already know.”

Western Cape

On Friday afternoon, Pastor Miriam came to see the show, and the Daughter provided her with great detail.

The pics below are the latter half of the Western Cape Series. Monotype, pochoir, painting, handcoloring. As was true in most of pieces, it featured handmade frames.  “In addition to the series, I have created an outline of the cape that marks the locations.”

  • Cape Point, 14 February, 13:30
  • Seaforth Beach, 14 February, 15:33
  • Bo-Kaap, 31 March, 18:53
  • Muizenburg Beach, 10 June, 14:16

Shown are:

  • Bloubergstrand Beach, 12 June, 14:16
  • Signal Hill, 12 June, 17:30
  • Signal Hill, 12 June, 17:47
  • Seaforth Beach, 14 June, 17:38

The photo does not do them justice. What was interesting to me was when she showed Miriam the reference photos from her visit to Cape Town in 2025 in comparison with the monotypes. I’d seen the pictures and the artwork, but never before at the same time. Fascinating. 

Msuko Series

Linocut, monotype, collage, pochoir, handcoloring

  • Msuko V (yellow beads)
  • Msuko III (Koroba braids)
  • Msuko II (light and dark blue beads)
  • Msuko  IV (blue and purple beads)
  • Msuko I (purple and red beads)
  • Msuko VI (cowrie shells)

When she dressed up for the closing reception, she put on fingernails she had painted to match her artwork! (She’s not giving you “the finger”!)

MNANDI TEXTILES

“When I was abroad studying at the University of Cape Town, I took an African Dance class. Early in the semester, our professor, Maxwell Xolani Rani, had us go to a local fabric shop, Mnandi Textiles, to pick out fabric for our lapas. Lapas are traditionally West African, typically have brightly colored patterns, and in African Dance, we tied them around our waists to create a skirt. This installation includes six patterned fabric prints, cut to a similar length to my lapa from Mnandi Textiles. Each individual fabric and each pattern is named after someone I know personally, three of whom I grew up around, and the other three of whom I met in South Africa in 2025 and impacted my time there in some way.”

Vitambaa Series

Relief

  • Saadiya
  • Thandeka
  • Xolani
  • Lidia
  • Roseline
  • Prudence

Lidia.

CROWN

Lithograph, handmade glass beads

“The shape of this set of braids is reminiscent of a crown and thus was named after the CROWN Act (first passed in California in 2019). Lithography is a planographic printmaking technique in which one draws with grease markers or paints with tusche on limestone. This meant that the project involved drawing each mark in the braids rather than carving as I was used to. The two lithographs I created for the show are also the opposite colorways of the Msuko series in linocut, but I still used brown ink to print them. The beads at the ends of the braids in Crown are hand-colored to resemble the six colors surrounding Msuko Series.”

She has been working with the Hampshire Glass Collective for years, so the beads represented in the various works and in a freestanding bowl were made by her.

There were a couple of other pieces as well.

What sort of gushy, “we are so proud of her” rambling should I end with? I’ll think about it. I can say that about 120 people attended the reception, and many of them were impressed, even blown away, by her display. One guy who works in lithography exclaimed to anyone around him, “That took a lot of time!” 

It was wonderful to watch her patiently answer the visitors’ questions, many of whom were as entranced as her mother and I were. The comments, some of them by strangers, in a notebook – each artist received one – were quite moving when the three of us read them back the following evening.

Lydster: Div III gallery invitation

Also, HAPPY BIRTHDAY!

This is the Div III gallery invitation for the Daughter’s show, which she is sharing with three other artists. What’s Div III? Don’t worry about it. 

What is kuumba? It is “a Swahili term that translates to Creativity. This principle is about making the community more beautiful and beneficial than it was inherited. Kuumba encourages the use of creative energy to improve the conditions of the community and to leave a legacy that honors both ancestral heritage and future generations.” 

When she was working on the show title, she was concerned that people wouldn’t know what it meant.  She knows the term kuumba in part because she’s been  studying Swahili. I was of the opinion that people would figure it out.  

The Daughter has always been creative. I’m sure I’ve written about her talent – here and here, e.g.; I’ve tried NOT to steer her in a particular direction.

What’s going to be in the show? I’m not certain. She has about two dozen pieces she’s completed, but there is space for only about half of them.

One of her early pieces was tied to W.E.B.DuBois’s the American Negro exhibit at the 1900 Paris Exposition. He “developed colorful hand-drawn charts, graphs, and maps that illustrated the social realities of African Americans.” She integrated the graphics with her own genealogical line. But it may not fit.

For certain, her semester at the University of Cape Town in the first half of 2025 will be represented. 

Natal day

I must note that today is her birthday. At the risk of publicly embarrassing her – hey, isn’t that what parenting is all about? – she’s shown a much greater sense of time management in the past year or two. Even when she “goofed off” hanging with the parents for three days in mid-February, she recognized that she needed to redouble her efforts the following week.  

We may not visit with her at Easter break because she’ll want to finish framing some pieces and then hang the display, but we’re looking forward to seeing her at her show.

The Yiddish Book Center

A Storied History

On February 17, my wife and I left the Mead Art Center and went to The Yiddish Book Center. It is located on the campus of Hampshire College in Amherst.

We watched the introductory video. It was likely the most entertaining preview of a museum or library I have ever seen. The story of Aaron Lansky is that of a 24-year-old graduate student of Yiddish literature. In the course of his studies, he “realized that untold numbers of irreplaceable Yiddish books… were being discarded by Jews unable to read the language of their Yiddish-speaking parents and grandparents. 

“So he organized a nationwide network of zamlers (book collectors) and launched a concerted campaign to save the world’s remaining Yiddish books before it was too late.” What was entertaining was the reception he received from donors and the scale of books he received, far beyond his wildest expectations.  

Our daughter met us there, and we went on a tour of the facility. It was supposed to take about half an hour, but our enthusiastic docent, answering our many questions, spent 90 minutes with us. “The exhibition features thousands of rare objects, books, family heirlooms, paintings, photographs, music, and videos, including many never seen before in public.”

The “60-foot color mural of global ‘Yiddishland’ by illustrator Martin Haake” portrays everything from Jewish gaucho saddling up in Moises Ville, Argentina, at the turn of the 20th century to the Barry sisters at the Grossinger’s resort in the Catskills of upstate New York. 

“Visitors can also explore a re-creation of the Warsaw apartment of writer I. L.Peretz, whose legendary salon stood at the forefront of Yiddish modernism in the 1900s.”

But wait, there’s more!

“In 1997, the Center opened a building in Amherst on 10 acres of land purchased from Hampshire College, Lansky’s alma mater; a second building in 2009 accommodated educational programs. Lansky’s announcement in 2024 that he would retire in 2025 (he’ll continue as a part-time advisor) made the front page of the New York Times, which called the Center “one of the country’s leading Jewish cultural institutions.” 

The “beautiful 37,000-square-foot headquarters..  is a lebedike velt – a lively world – featuring an open Yiddish book repository, theatres, art galleries, museum exhibitions about Yiddish language and culture, and more.

However, the YBC is doing more than merely displaying relics. It has had a summer program in Yiddish culture since 1984. The Steven Spielberg Digital Yiddish Library was created in 1998. They have been collecting oral histories since 2010. 

If you can’t make it there, attend A Global Culture Virtual Exhibit.

Based on a score of 100, Charity Navigator rated the Yiddish Book Center a score of 98 for Accountability and Finance, noting its independent board and positive financial status, and labeled it a 4-Star charity for the fiscal year of 2024.

Highly recommended!

Ramblin' with Roger
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