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Musician Stevie Wonder is 70

Do you want some candy?

When you’ve written about Stevie Wonder at 60 and at 65, featuring songs he wrote for other people, then what?

I suppose I could note his Carpool Karaoke with James Corden from 2015. Or point out a YouTube page called RareWonderMusic. It features Stevie singing I Can See the Sun in Late December, a song he gave to Roberta Flack, plus I Think I’m On The Right Track, Spread The Love, and Good Light.

But I’ll just list 25 songs. I could have listed 25 other songs. The last two are my top two, but the rest of the list is fluid.

Do I Do. For a 1982 greatest hits double LP called Original Musiquarium I, he added four new songs. Dizzy Gillespie and a stoned ending. “Do you want some candy?”
Do Yourself a Favor – from the transitional Where I’m Coming From album
Another Star – first of the songs from Songs in the Key of Life
You Haven’t Done Nothin’ – from Fulfillingness’ First Finale. Features the Jackson Five.

He’s Misstra Know-It-All – from Innervisions
Blame It On the Sun – from Talking Book, the first of those great 1970s albums
You Are the Sunshine of My Life. I love the fact that Stevie’s vocal doesn’t appear until the verse after the chorus.
Nothing’s Too Good for My Baby

That was a hit?

Fingertips, Part 2, and for a bonus, Fingertips. An article from WNYC: That Was A Hit?!?: Little Stevie Wonder, ‘Fingertips’
Sir Duke. If you’re going to namecheck, this song is exemplary.
We Can Work It Out. One of my all-time favorite Beatles’ covers. A live version.
Living for the City – album version and single version. The former has the better storyline -“Skyscrapers and everything!” but the latter is more danceable.

Boogie on Reggae Woman
I Wish
Higher Ground
For Once In My Life – a ballad turned into an uptempo song

Signed, Sealed, Delivered, I’m Yours. “I’ve done a lot of foolish things..”
Pastime Paradise. My daughter discovered, in order, Amish Paradise by Weird Al, Gangsta’s Paradise by Coolio, then the original
I Was Made To Love Her
Master Blaster (Jammin’)

Superstition
Love’s in Need of Love Today. After 9/11, he sang this song on a television benefit.
Uptight (Everything’s Alright). Sonically, for me, the demarcation from post-Little Stevie Wonder
As – until the day that 8 times 8 times 8 is 4

Those wartime #1 hits of 1940

Glenn Miller The United States Census of 1940 determined the resident population of the United States to be 132,164,569, an increase of 7.3 percent over the 1930 population of 122,775,046 people.

Europe and Asia were embroiled in World War II by 1940. The United States was allegedly staying out of it. But as my daughter’s European history class reminded me, the US was providing significant military supplies and other assistance to the Allies by September 1940. The Germans had taken Paris and were bombing London.

“On September 2, 1940, President Roosevelt signed a ‘Destroyers for Bases’ agreement. Under the terms of the agreement, the United States gave the British more than 50 obsolete destroyers, in exchange for 99-year leases to territory in Newfoundland and the Caribbean, which would be used as U.S. air and naval bases.”

America needed music

In the Mood – Glenn Miller, 13 weeks at #1 and a gold record. It was re-released in 1943 and went to #20.
Frenesi – Artie Shaw, 13 weeks at #1. Both Woody Herman and Glenn Miller recorded the song in 1941 and got to #16.
I’ll Never Smile Again – Tommy Dorsey, featuring Frank Sinatra and the Pied Pipers, 12 weeks at #1. The Glenn Miller cover went to #16 in the same year.

Only Forever – Bing Crosby with John Scott Trotter and his orchestra, 9 weeks at #1. Tommy Dorsey’s version reached #7 the same year.
Tuxedo Junction – Glenn Miller and his orchestra, 9 weeks at #1 and a gold record
Scatter-Brain – Frankie Masters, 6 weeks at #1. Benny Goodman and Freddy Martin also recorded this.

The Woodpecker Song – Glenn Miller, featuring Marion Hutton, 5 weeks at #1. Andrews Sisters and Kate Smith were among the artists recording this. It’s based on Reginella Campagnola.
South of the Border (Down in Mexico Way) – Shep Fields, featuring Hal Derwin, 5 weeks at #1. Guy Lombardo and Frank Sinatra (#18 in 1953) had hits with this tune.
Sierra Sue – Bing Crosby, with John Scott Trotter and his orchestra, 4 weeks at #1

Make-Believe Island – Mitchell Ayres, featuring Mary Ann Mercer, 2 weeks at #1 . At least four other recordings charted that year.
Where Was I? – Charlie Barnet, featuring Mary Ann McCall, 2 weeks at #1
The Breeze and I – Jimmy Dorsey, featuring Bob Eberle, 1 week at #1. That year Jimmy Dorsey celebrated his ninth birthday. He was born on February 29, 1904. In 1954, Vic Damone got to #21 with the song.

There were relatively few major record labels in those days. Of the songs above, Shaw and Tommy Dorsey were on Victor, Crosby and Jimmy Dorsey were on Decca, and Masters was on Vocalion. The others were on Bluebird. Columbia was the only other label with songs that got into the Top 4.

An American album, as it were

U.S. Blues

Back in the early days of this blog, i.e., 2005, a bunch of bloggers – Fred Hembeck, Lefty Brown, Greg Burgas, Johnny Bacardi, Thom Wade, Eddie Mitchell, Gordon Dymowski, Tom Collins, and several others across the country- created a series of mixed CD exchanges. We’d burn collections of music and mail them to each other. Kind of quaint, eh? This was one of the earliest I created, if not the first. It’s an American album of sorts.

US: American Roulette – Robbie Robertson. From his first solo album, post-The Band.
NY: New York, New York – Ryan Adams, who has the same birthday as Bryan Adams, November 5.
NJ: Atlantic City – The Band, post-Robbie Robertson, cover Bruce Springsteen.
PA: Allentown – Billy Joel.
MD: Baltimore – Peter Case.

DC: The Bourgeois Blues – Taj Mahal, written by Leadbelly
VA: I Believe – Blessed Union of Souls.
NC: Take the Train to Charlotte – Fiddlin’ John Carson, one of my go-to songs.
SC: Darlington County – Bruce Springsteen.
GA: Oh, Atlanta – Alison Krauss.

FL: Gator on the Lawn – Tom Petty and the Heartbreakers. From the box set.
AL: Alabamy Home – the Gotham Stompers, an instrumental from “1930s Jazz- The Small Combos.”
MS: The Jazz Fiddler – the Mississippi Sheiks, from the “Roots & Blues” box set, as is NC.
LA: Down at the Twist & Shout – Mary Chapin Carpenter. My problem with her is that I can never remember where I file her, under Car or Ch.
TX: That’s Right (You’re Not from Texas) – Lyle Lovett

More states

So, I guess I created two or three more collections, but I can’t find them, alas. Off the top, what else would I pick?

AZ: By the Time I Get to Phoenix – Glen Campbell or maybe Isaac Hayes
CA: Goin’ to California – Led Zeppelin (and you thought I’d go with the Beach Boys!)
DE: Delaware Slide– George Thorogood & The Destroyers, though I did not own that album at the time
ID: Private Idaho – B-52’s
IL: Goin’ to Chicago – Jimmy Rushing On Vocals With The Benny Goodman Orchestra

MO: Kansas City – Wilbert Harrison
MT: Montana – Frank Zappa
NV: Leaving Las Vegas – Sheryl Crow
OK: Oklahoma Hills – Arlo Guthrie, written by his father Woody
OR: Portland, Oregon – Loretta Lynn with Jack White

What would you pick, either in lieu of my choices or filling in the blanks? I can think of two slots for John Denver, and several for Springsteen.

And finally, back to US: U.S. Blues – The Harshed Mellows at 11:05, from the Deadicated album.

April rambling: Clorox Chewables

Virtual choirs abound

FILL OUT THE 2020 CENSUS! For you data geeks: Cornell’s Program on Applied Demographics – Intro to Website.

Keep checking out Notes From The Pandemic, a regular newsletter.

Is the Pandemic Expediting Our Digital Burnout?

The problem with thinking you know more than the experts.

Why We Believe Obvious Untruths.

The Stephen Bissette Shoot Interview! A Career-Spanning Chronicle!

An innocent man spent 46 years in prison. And made a plan to kill the man who framed him.

The Lawyer Whose Clients Didn’t Exist.

Two-Time Tony Award Winner Brian Dennehy Has Passed Away at 81.

Clear and Vivid® is a series of Alan Alda’s spirited conversations with people who know how hard it is, and yet how good it feels, to really connect with other people – whether it’s one person, an audience or a whole country.

Vanity Fair interview with Chris Matthews.

The Throwback League is a once a week podcast that’s essentially a March Madness-style tournament played out over 48 weeks. The World Series winners between 1974-2006 all make the tournament, and 16 at large pennant winners too. On Hollywood & Levine, sportscaster Josh Lewin joins Ken to discuss the podcast.

Take The Intelligence Test That Thomas Edison Gave to Job Seekers.

Why the Nazi Party Loved Decaf Coffee.

A Commercial, Sandwiched Between Lines of Dialogue on ‘Hawaii Five-0’, referenced in this podcast.

IMPOTUS

‘Break Glass Moment for Our Democracy’: Experts Sound Alarm Over Plan to Purge 7 Inspectors General.

Cartoon: Trump vs. the Postal Service.

The most dangerous President in history.

Disinfectant Manufacturers Warn Consumers Not to Heed “Injection” Remark and CoronavirusMemes – Clorox Chewables!

“It (freedom) ain’t something permanent like rocks and hills. It’s like manna; you just got to keep on gathering it fresh every day. If you don’t one day you’re going to find you ain’t got none no more.”
– Man, and the Mountain by Zora Neale Hurston, spoken by her fictionalized Moses

Now I Know

Raiders of the Lost Journal and The Dot in Your Kitchen You’ve Probably Never Noticed and Kings and Queens are Royals. But What’s a Jack? and The Pigeons Who Needed a Proctologist and The Singer Who Couldn’t Really Sing and Meet Her Royal Not-Quite-Highness.

MUSIC

What if doing the Hokey Pokey isn’t what it’s all about?

The Liar Tweets Tonight.

Down to the River – Virtual Choir.

1812 Overture, with chorus! of Tchaikovsky.

Coverville 1305: Tribute to John Prine and Ritchie Blackmore Cover Story and 1306: This Day in Covers: 1980.

Spanish Guitars and Night Plazas – Loreena McKennitt.

The Rainbow Connection – Kermit.

For What It’s Worth – Young@Heart (Zoom Rehearsal COVIDeo).

Long May You Run– Neil Young.

Piano Sonata No. 18 (Op. 31, No. 3) of Beethoven.

A Satisfied Mind – Pete Drake from this album my grandfather brought home from work.

A completely mad handbell arrangement of The Hallelujah Chorus; another Hallelujah Chorus.

I Go Swimming – Peter Gabriel.

In resurrectione tua – Taizé virtual choir.

Finlandia by Jean Sibelius — Cantus.

Psalm 53 Sung in Aramaic for Pope Francis by Georgians.

Animation: Johnny Cash on gospel music

Tonight at Toads – Blotto, 1982.

The Weirdly Enduring Appeal of Weird Al Yankovic.

Why Do We Even Listen to New Music?

Singing parts; cream of tartar

the Pips

lemon merengue pie Carla, who I’ve known since high school choir – was she an alto? – decided she needed to know stuff:

Ok… when you sing alone… do you mostly sing the melody, or do you sing your “part?”

Almost always, in four-part music that I’m familiar with, it’s the bass line. In pop music, it’s usually the Pips response, not the Gladys Knight lead. On Lola (Kinks) or The Boxer (S&G), it’d be the high harmony, not the melody. I just hear them better.

To that end, I can sing a higher pitch in harmony than in melody. This makes no physical sense, so it must be mental. We had a church play in March, Once On This Island. I hated singing the high parts in my solo; it made me anxious. But the harmony, I absolutely LOVED doing. Harmony almost always I find relaxing.

No lemon merengue pie?

She also wants to know – those people from Binghamton, NY always inquisitive, especially when the extended family runs the Little Venice restaurant:
OK here is another question…. why are you unfamiliar with cream of tartar? You never make lemon merengue pie? Or soufflés?

I think I’ve made lemon merengue pie exactly once in my life. To the best of my recollection, I’ve NEVER made a soufflé. Or snickerdoodle cookies, which also can use cream of tartar.

But that’s about it. WHY have cream of tartar when it has such limited use? It’s not like cinnamon or nutmeg or any number of other spices I’ve used regularly. AND there are reasonable substitutes.

Now, there was a period in the 1980s, I was into making pumpkin pies, and even baking cookies. And it wasn’t always in the autumn. But it wasn’t for my own consumption. It was either for a food pantry or some benefit auction. I don’t even like eating pumpkin pie as much as I like apple. Or lemon merengue. But they were easier to make; no top crust.

Since I got married, I almost never make pies or cookies. My wife is WAY better at it. I’m not all that interested in doing things only so-so. And frankly, if I were to make them, I’d want to eat them, and I don’t need to do that.