pop hits Archives - Ramblin' with Roger

#1 pop hits of 1966

two by the Beatles, two by the Supremes

Here are the #1 pop hits of 1966. Well, some of them. All will be made clear eventually.

I’m A Believer – the Monkees, #1 for 7 weeks. The first week actually started on the last day of 1966. Written by Neil Diamond.

The Ballad of the Green Berets – s/Sgt Barry Sadler, #1 for five weeks. Also #1 AC (adult contemporary) for 5 weeks, and #2 CW (counry) for two weeks. Four years ago, I wrote a whole post about the song.

(You’re My) Soul and Inspiration – the Righteous Brothers, #1 for 3 weeks, #2 RB (rhythm and blues). One of the relatively few singles I owned.

Monday, Monday – the Mamas and the Papas, #1 for 3 weeks. “Can’t trust that day.”

Summer In The City – the Lovin’ Spoonful, #1 for 3 weeks. I played this (poorly) on my grandmother’s piano.

Cherish – the Association, #1 for 3 weeks, #38 AC

We Can Work It Out– the Beatles, #1 for 3 weeks. I was always fond of this because it was so clearly a Lennon-and-McCartney song. From the Yesterday… and Today album, which I bought at a Rexall drug store for $2.99, the first Beatles album I did NOT get from the Capitol Records Club.

Winchester Cathedral – the New Vaudeville Band, #1 for 3 weeks. Also #1 AC for four weeks. If I pinch my nose with two fingers, I can sort of approximate the vocal stylings of the song.

My Love – Petula Clark, 2 weeks at #1, #4 AC

When A Man Loves A Woman – Percy Sledge, 2 weeks at #1; #1 RB for four weeks

Paint It, Black – the Rolling Stones, 2 weeks at #1. This is the lead track of the first Stones album I ever purchased, Aftermath, though the song does NOT appear on the UK version of the LP.

Hanky Panky – Tommy James and the Shondells, 2 weeks at #1; #39 RB

Wild Thing – the Troggs, 2 weeks at #1. “But I wanna know for sure.”

Motown

You Can’t Hurry Love – the Supremes, 2 weeks at #1; also #1 RB for two weeks. This was on The Supremes A Go-Go, which my sister Leslie owned. Much later, I bought it on CD.

Reach Out I’ll BBe There – the Four Tops, 2 weeks at #1; also #1 RB for four weeks.. This was on the great The Supremes Sing Holland-Dozier-Holland album, which I owned.

You Keep Me Hanging On – the Supremes, 2 weeks at #1; also #1 RB for four weeks. I owned this on the great The Supremes Sing Holland-Dozier-Holland album.

The Sound of Silence – Simon & Garfunkel, 2 weeks at #1 . It’s the title song of an album I didn’t buy until after I got Bookends (1968). The original version, which appeared on Wednesday Morning, 3 A.M., I didn’t purchase until well after I bought the Bridge Over Troubled water album in 1970. From Wikipedia: Throughout the month of January 1966 “The Sound of Silence” had a one-on-one battle with the Beatles’ “We Can Work It Out” for the number one spot on the Billboard Hot 100. “The Sound of Silence” was number one for the weeks of January 1 and 22 and number two for the intervening two weeks. “We Can Work It Out” held the top spot for the weeks of January 8, 15, and 29, and it was number two for the two weeks that “The Sound of Silence” was number one.

Paperback Writer – the Beatles, 2 weeks at #1. Though it was recorded during the Revolver sessions, it was a stand-alone single (b/w Rain). I didn’t own it until I bought the peculiar Beatles Again/Hey Jude album when it came out in 1969. Oh, today is Ringo Starr’s 86th birthday.

I will revisit the topic soon with the one week at #1 pop songs, PLUS other #1s on non-Billboard charts.

#1 pop hits of 1956

Aura Lee

These are the #1 pop hits of 1956. You might guess who dominated the charts; it was the guy who made his debut on the Ed Sullivan Show in September of that year.

Every song went at least gold. Note that, because of the multiple charts in that era, there were 83 weeks of #1 songs.

Don’t Be Cruel/ Hound Dog – Elvis Presley (RCA Victor), 11 weeks at #1, quadruple platinum. Written byOtis Blackwell and Leiber/Stoller, respectively.

Singing The Blues – Guy Mitchell with Ray Coniff and his orchestra (Columbia), 10 weeks at #1. I heard this song more often on the radio than any song on the list.

The Wayward Wind – Gogi Grant; orchestra under the direction of Buddy Bregman (Era), 8 weeks at #1

Heartbreak Hotel – Elvis Presley (RCA Victor), 8 weeks at #1, double platinum. His first RCA single. Song credited to Mae Boren Axton, Tommy Durden, and Elvis Presley

Rock and Roll Waltz – Kay Starr, orchestra and chorus conducted by Hugo Winterhalter (RCA Victor), 6 weeks at #1

The Poor People Of Paris – Les Baxter and his Orchestra (Capitol), 6 weeks at #1. Instrumental. I know this song! But I didn’t recognize the title.

Memories Are Made of This – Dean Martin with The Easy Riders, orchestra conducted by Dick Stabile (Capitol), 6 weeks at #1

I know that tune from grade school!

Love Me Tender – Elvis Presley (RCA Victor), 5 weeks at #1, triple platinum. From the 20th Century Fox production of the same name, Elvis’ first film. Song attributed to Elvis Presley-Vera Matson, based on the old folk tune “Aura Lee”

My Prayer – The Platters (Mercury), 5 weeks at #1; initially made famous by both Glenn Miller and The Ink Spots.

Lisbon Antigua – Nelson Riddle and his Orchestra (Capitol), 4 weeks at #1. Instrumental, piano by Stan Wrightsman

I Almost Lot My Mind– Pat Boone, orchestra and chorus conducted by Billy Vaughn (Dot), 4 weeks at #1. “Reviving” a 1950 R&B hit by Ivory Joe Hunter.

The Green Door – Jim Lowe with the High Fives, piano and orchestra by Bob “Hutch” Davie (Dot), 3 weeks at #1. You’d think I’d have heard a song with this title, but I do not recall it.

Moonglow and The Theme From “Picnic” – Morris Stoloff and the Columbia Pictures Orchestra (Decca), 3 weeks at #1. Instrumental from the movie.

The Great Pretender – The Platters (Mercury), 2 weeks at #1. Per The 45 Prof: “Tony Williams purportedly had a head cold and stuffy nose when he recorded this unforgettable #1 pop & R&B hit.”

Hot Diggity (Dog Ziggity Boom)- Perry Como, orchestra conducted by Mitchell Ayres, with The Ray Charles Singers (RCA Victor), 1 week at #1

I Want You I Need You I Love You – Elvis Presley (RCA Victor), 1 week at #1, platinum. Elvis’ second RCA Victor single (released between “Heartbreak Hotel” and “Hound Dog/Don’t Be Cruel”).

The last of the renewing hit single

The Spy Who Loved Me

Here is my last list of the renewing hit single. I define it as that pop single that lifts the artist to that place on the Billboard pop charts to where they had been in the past.

Upside Down – Diana Ross. In 1980, her first #1 since 1976’s Love Hangover.

Walk Away From Love – David Ruffin. He had two Top Ten songs, each reaching #9. This one from 1976, and his first solo hit, My Whole World Ended in 1969.

Winning – Santana. This track hit #17 in 1981. The previous Top 20 single was Everybody’s Everything, #12 in 1971.

Laughter In The Rain – Nel Sedaka. This song in 1975 was his first #1 since Breaking Up Is Hard To Do in 1962.

The Simons

Nobody Does It Better – Carly Simon. The song from the James Bond film The Spy Who Loved Me reached #2 in 1977. Her previous Top Five was Mockingbird in 1974, with James Taylor. Before that, You’re So Vain, #1 in 1973.

My Little Town – Simon and Garfunkel. This one-off reunion appeared on both Simon’s and Garfunkel’s solo albums as it went to #9 in 1975. Cecilia was their last Top Ten track, hitting #4 in 1970.

Strangers In The Night – Frank Sinatra. Went to #1 in 1966. His last Top Ten was Witchcraft, #6 in 1958. His previous #1, Learnin’ the Blues in 1955.

Working My Way Back To You/Forgive Me, Girl – the Spinners. It was #2 in 1980. The Rubberband Man was #2 in 1976.

Streets of Philadelphia – Bruce Springsteen. Before this #9 track from the movie Philadelphia, he most recently reached the Top Ten in 1988 with Tunnel of Love, which also got to #9.

She Works Hard For The Money – Donna Summer, With ten Top Five songs between 1976 and 1980, at least one a year, ending with the #3 The Wanderer in 1980, it wasn’t until 1983 before she got her next one, a #3 smash.

Tee to Zee

Her Town Too – James Taylor. His track with J D Souther reached #11. His previous Top 20 track was Your Smiling Face, #20 in 1977.

My Melody of Love – Bobby Vinton. the last Top Song for him was I Love How You Love Me, #9 in 1968. His last Top 20 hit reached #3 in 1974. It’s sung partially in Polish, and I have a great deal of affection for it. For years, almost every time I’d visit my hometown of Binghamton, I’d hear this song on the radio.

What Does It Take – Jr. Walker and the All-Stars. Like his big hit, Shotgun in 1965, this song too reached #1, in 1969. On one of those Motown compilations, Junior complained that the songwriter kept pitching it, but that Junior didn’t think it was his style. The voiceover: “But the songwriter won out.” That would have been Johnny Bristol, Vernon Bullock, or Harvey Fuqua.

Higher and Higher – Jackie Wilson. the #6 single in 1967 was his first Top Ten finish since Baby Workout, #5 in 1963.

Just the Two of Us – Bill Withers. The collaboration with Grover Washington, Jr. reached #2 in 1981, as did Use Me in 1972.

Smell Like Nirvana – Weird Al Yankovic. He was not a singles success in the 20th century, but this song got to #35 in 1992. Previously, Fat hit #99 in ’88, and Like A Surgeon, #47 in 1985.

Time of the Season – the Zombies. The group had its previous Top 10 hit with Tell Her No, #6 in 1965. It had to break up to get another one, #3 in 1969.

Time between the pop hits, part 1

A-C

When I was a kid, I became aware that I would not hear from a particular artist for a while, with time between the pop hits. Then they would make what appeared to be a commercial comeback. And, if it were an artist I enjoyed, this would make me exceedingly happy.

I’m limiting this to the pop hits on the Billboard charts. They may have had country, rhythm and blues, or adult contemporary charters. But ever since I was a library page in high school, I relied on the pop charts.

There won’t be much from the 1950s, since they came to my ears simultaneously as “oldies.” Probably nothing from the 21st century because I don’t listen to commercial radio much anymore.

And because it’d be too damn long, I’m doing it in four parts. you know, sort of like harmonies.

Lonely People – America. In 1971, my freshman year of college, America performed. I didn’t go because of them, even though the admission was only fifty cents. Only a few months later A Horse with No Name (#1), I Need You (#9), and Ventura Highway (#8) ruled the airways. After a bit of a lull, they returned with Tin Man and Lonely People (#5 in 1975). My love for the latter is so great, I wrote a whole post about it.

B

Rock and Roll Music – the Beach Boys. I don’t love this version. But after the group had been relegated to being an oldies act, they put out an album of new music called 15 Big Ones, which I bought. This (#5 in 1976) was the lead cut. It was their first Top 20 single since Do It Again ((#20 in 1968) and first Top 5 since the #1 Good Vibrations in 1966.

Got To Get You Into My Life – The Beatles. This is a bit of a cheat. A single six years after The Long and Winding Road hit #1 in 1970. But I love the song, which reached #7 in 1976. One could make the case for Free As A Bird, a “new” tune, #6 in 1996.

Jive Talkin’ – the Bee Gees. Probably the inspiration of this project, after seeing the documentary How Do You Mend a Broken Heart and reading J. Eric Smith’s post on the group. My FAVORITE song by the group, and their first #1 in four years.

Steppin’ Out – Tony Bennett. Another cheat. This garnered airplay on MTV, which lifted his album sales for the first time in two decades.

No Particular Place To Go – Chuck Berry. At #10 in 1964, his first Top 10 since Johnny B. Goode, #8 in 1958. BTW, I despise – and own on an LP, his only #1, My Ding-A-Ling in 1972.

Bo

Time Is Tight – Booker T. and the MG’s. At #6 in 1969, their highest single since their first hit, Green Onions, #3 in 1962.

Modern Love – David Bowie. I’m surprised how poorly the singles after Golden Years (#10 in 1976) were because I know these songs so well. TVC 15 (#64), Ashes to Ashes (#101), Fashion (#70) Cat People (#67). Even Under Pressure, with Queen, only got to #29. Then the Let’s Dance album, which generated the title #1 single, his first since Fame (1975). But it wasn’t a one-off, with China Girl (#10) and Modern Love (#14) all charting in 1983.

Living In America – James Brown. The Godfather of Soul had over 100 songs on the pop charts. But his hit from Rocky IV (#4 in 1986) was his first Top 20 since Get On The Good Foot (#18 in 1972), and his first Top 10 since Say It Loud – I’m Black and I’m Proud (#10 in 1968). Only I Got You (#3 in 1965) charted higher. Long version.

C

A Boy Named Sue – Johnny Cash. Ring of Fire hit #17 in 1963, but this song, recorded in San Quentin prison got to #2 in 1969.

Crying Time – Ray Charles. #6 in ’66, and his first Top 10 since Busted, #4 in 1963.

Change The World – Eric Clapton. A Top 5 in 1996, it was his first hit since Tears in Heaven (#2 in 1992), which was his first Top 10 since I Can’t Stand It in 1981.

You Got What It Takes – Dave Clark Five. After three top 10 hits in 1965, including the #1 Over and Over, a brief return to form in 1967 at #7.

Ramblin’ Rose – Nat King Cole. the #2 hit in 1962 was the first Top 5 cut since Looking Back in 1958. I suppose I could have picked Unforgettable with Natalie Cole, #14 in 1991, 25 years after he had last charted, and 26 years after he died. But I didn’t.

Send In The Clowns – Judy Collins. She wasn’t a big singles star. But the reissue of this single, which had reached #36 in 1975, managed to hit #19 in 1977, her biggest record since Amazing Grace, #15 in 1971.

Nightshift – the Commodores. This tribute to Marvin Gaye and Jackie Wilson reached #3 in 1985, a return to the Top 5 after Oh No, #4 in 1981.

1961 looks the same flipped (I96I)

two instrumentals

One of the more arcane things I remember growing up is that 1961 looked the same flipped over or right-side-up if you used the correct font. Roger Maris hit 61 home runs for the Yankees in ’61.

I was watching that Hemingway series on PBS by Ken Burns and Lynn Novick. The disastrous Bay of Pigs incursion meant that the author would never be able to return to his beloved home in Cuba. He died that very year.

By 1961, we’re up to the #1 songs I mostly can recall.

Tossin’ and Turnin’ – Bobby Lewis, seven weeks at #1. It’s one of those songs on every other compilation of songs of the late Fifties and early Sixties.

Big Bad John – Jimmy Dean, five weeks at #1, gold record. I loved this song as a kid, more a spoken word recording. But is anyone weirded out by him still plugging his sausages on television commercials when he died in 2010?

Runaway – Del Shannon, four weeks at #1, gold record. Bonnie Raitt did a great cover version.

Wonderland by Night – Bert Kaempfert and His Orchestra, three weeks at #1, gold record. Instrumental.
Pony Time – Chubby Checker, three weeks at #1. His previous #1 was The Twist in 1960. His subsequent #1 was The Twist in 1962.
The Lion Sleeps Tonight – The Tokens, three weeks at #1, gold record. A song with a complicated history.
Blue Moon – the Marcels, three weeks at #1. Probably my favorite song from that year, written in the 1930s by Rodgers and Hart.
Take Good Care Of My Baby – Bobby Vee, three weeks at #1. I KNOW this song, but not from this version, or Bobby Vinton’s. (For a while I thought Bobby Vee and Bobby Vinton were the same person.) Or the Beatles’. Hmm.

Two Weeks at #1

Calcutta – Lawrence Welk and his orchestra, gold record. Instrumental. I watched Welk a LOT growing up.
Runaround Sue – Dion, gold record. Dion seemed somehow cooler than the other ’59-’62 artists.
Michael – the Highwaymen, gold record. This a song – “Michael Row the Boat Ashore” – that my father used to sing, then my sister Leslie and I would sing with him in concert. BTW, the singers were the 1960s “collegiate folk” group, not the ’80s supergroup of Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson.

Travelin’ Man – Ricky Nelson. I wonder if he performed this on the TV show The Adventures of Ozzie and Harriet (1952-1966)?
Quarter To Three – Gary U.S. Bonds, gold record. I love this song.
Hit the Road, Jack – Ray Charles. One of the great call-and-response songs ever.
Surrender– Elvis Presley, platinum record. I hear the intro and think of some spy movie.
Will You Still Love Me Tomorrow – the Shirelles. My favorite song, as performed by Carole King.

A single week at #1

Mother-in-Law – Ernie K-Doe. I first heard this song on a Herman’s Hermits album; this is much better. I should note I love my MIL.
Please Mr. Postman – The Marvelettes, gold record. I heard this first by The Beatles. I’m fond of both.
Wooden Heart – Joe Dowell. I remember this song, but I couldn’t have named the artist. In fact, ask me in six months, and I probably still couldn’t.
Moody River – Pat Boone. No recollection of this song, thank goodness.
Running Scared – Roy Orbison. I appreciated him more in retrospect.