music Archives - Page 114 of 268 - Ramblin' with Roger

Pop hits of Doris Day and… Peggy Lipton?

The Doris Day Show , The Mod Squad both on 1968-1973

Every obituary I saw and read mentioned the singing career of Doris Day. At least one noted that of Peggy Lipton, who died in the same three-day span in May 2018.

Doris Day had numerous top 40 hits between 1947 and 1958. Growing up, I knew her better for her 1968-1973 sitcom on CBS.

Peggy Lipton, of course, was on ABC’s The Mod Squad, which I watched religiously at least in the first three seasons, during that very same time period. Her music career was somewhat less successful.

Doris Day –

Love Somebody (with Buddy Clark), #1 for five weeks in 1948

It’s Magic, #2 in 1948, from the film Romance on the High Seas

My Darling, My Darling (with Buddy Clark) – #7 in 1948, from the Broadway musical Where’s Charlie

Again, #2 for two weeks in 1949, from the movie Roadhouse

Shanghai, #7 in 1951

A Guy is a Guy, #1 in 1952 – originated as a British song, “I Went to the Alehouse (A Knave Is a Knave),” dating from 1719. During World War II, soldiers sang a bawdy song based on “A Knave…” entitled “A Gob Is a Slob.” Oscar Brand cleaned up the lyrics, and wrote this song based on it. Accompanied by Paul Weston’s orchestra

Sugarbush (with Frankie Laine), #7 in 1952. Featuring the Norman Luboff Choir and Carl Fischer’s orchestra

Secret Love, #1 for four weeks in 1954, from the film Calamity Jane

If I Give My Heart To You (with the Mellomen), #3 in 1954

Peggy Lipton –

Stoney End, #121 in 1968

Lu, #102 in 1970

Wear Your Love Like Heaven, #108 in 1970

But I discovered that Peggy Lipton had a role in a significant recording. On the commentary track for Michael Jackson’s Thriller, the late Rod Templeton noted that he had written the “rap” for the title song.

He was trying to get a “name” artist such as Vincent Price to do the bit on the song. Quincy Jones told him that Q’s then-wife, Peggy Lipton was actually friends with Price. So the collaboration came to pass.

Michael Jackson: erase performers?

Jackson 5.Diana Ross Presents.1969 The ever-inquisitive Arthur asked about a recent post:
About your Rolf Harris song [Tie Me Kangaroo Down, Sport] – it raises a question: Are we under any obligation to erase performers or songs we once liked because it later turns out that they were either allegedly or actually terrible humans or allegedly or actually did terrible things, like Rolf?

I should note that I was totally oblivious to the charges against the singer. “Harris was convicted of 12 indecent assaults at London’s Southwark Crown Court in June 2014, one on an eight-year-old autograph hunter, two on girls in their early teens, and a catalogue of abuse against his daughter’s friend over 16 years.”

That’s mighty disturbing. Had I known that, I might have passed on that particular song for the list, not as a way of rewriting history but rather not wanting to be perceived as condoning pedophilia. Am I going to go back and delete that musical link? No, because I didn’t know at the time.

Arthur continues: After Leaving Neverland aired on TV here, radio stations announced they were banning Michael Jackson’s music (despite the fact that many of them never played it, anyway, because the music they played was completely different genres or eras). It seems to me that the three reactions are to join the mob, defy the mob and continue to like whoever it is, or to just keep quiet about liking whatever it is or whoever the person is—cowed into silence by the mob. What do you think?

Now you’ve really hit a nerve. I haven’t seen Finding Neverland, and I don’t know that I will. But I do not dismiss the allegations out of hand.

I was writing a post about what songs I would singing karaoke to, a post I haven’t had a chance to finish because of the lack of time. Clearly, though, the songs would include the early works of the Jackson Five. If I were to pick one, it’d be The Love You Save, but ABC and I Want You Back would also be appropriate.

In the day, I was right in Jermaine’s vocal range. Even now I’d join in with anything that Michael, and Jackie, who also hit some really high notes, weren’t singing. For The Love You Save, in addition to harmonies, I’d sing, e.g.:

Those other guys will put you down
As soon as they succeed!

and

The way they talk about you
They’ll turn your name to dirt, oh!

Am I going to stop singing along with Jermaine because of something that Michael reportedly did? Nah. For that matter, will I cease playing Michael Jackson’s Off the Wall album, which I believe is better than Thriller? Absolutely not.

If I were DJing a wedding – unlikely, but I did so once – would I play J5 or MJ? I don’t think so, but only out of an overabundance of caution about offending others.

But where would it stop? I could name any number of musicians who were/are schmucks, and who are on the radio daily right now. Where the line is from which one can erase performers – an ahistoric action I’m most uncomfortable with – I just don’t know.

What if Michael Jackson’s “Thriller” had been recorded in the thirties? Wayne Brady and Scott Bradlee’s Postmodern Jukebox answer that musical question

A song you’d love played at your wedding

I will catch your fall

At_Last_-_Etta_James The next music prompt is “A song you’d love be played at your wedding.” I assume they’re really talking about the reception – among other things, we had Bach during the ceremony – so I’m operating on that premise.

We had a keyboard player that played a number of songs. I believe my father, sister and niece Rebecca likely sang; I might have as well, but it’s a bit a blur. I specifically recall, because there’s a photo, my niece Alex singing Yellow Submarine with one of her young cousins.

My wife and I first-danced to At Last by Etta James. I’m sure the first time I owned it was from the Rain Man soundtrack. I know the choice is now cliched. But we went out for 18 months (1994-1996), broke up, then got together at the end of 1998 and married in May 1999.

When I was wooing her again, I made her a mixed tape. Such a quaint device. I no longer have any idea what put on that collection. Knowing me, it probably had God Only Knows by the Beach Boys.

She only remembers one song, I believe, and that is Have A Little Faith in Me by John Hiatt, my favorite song by him.
And when your back’s against the wall
Just turn around and you will see
I will catch, I will catch your fall baby
Just have a little faith in me

What else might I have put on? I Only Have Eyes for You by the Flamingoes is highly probable.

The rest is speculation. How about Betcha By Golly Wow, maybe by Aaron Neville rather than the Stylistics, because I didn’t have the latter on CD.

Finally, a song I doubt I put on, but would now: Let’s Make More Love by Nat King Cole, from the Billy May Sessions, released in 1993. Oddly, the composer is listed as Unknown.

May rambling: lost in the crowd

Hating what you don’t understand

sharing_options — Sharing Options From xkcd -This work is licensed under a Creative Commons Attribution-NonCommercial 2.5 License.

UN report details humans have pushed one million species to the brink of extinction

China takes the lead on global climate policy and the U.S. steps back

Why You Can No Longer Get Lost in the Crowd

Physicians Get Addicted Too

Last Week Tonight with John Oliver: Lethal Injections

Southern newspapers played a major role in racial violence. Do they owe their communities an apology?”

Hating what you don’t understand

Riley Howell’s Parents Say He Was Shot 3 Times While Tackling the UNC Charlotte Gunman – eight minutes from my sister’s house

A California teacher on medical leave for breast cancer has to pay for her substitute

What should “electable” mean?

10 U.S. Towns Stuck in Time – I’ve been to 4 of them

The fact that I’m in front of you means that I was here first

Where the US’s Foreign-Born Live Has Changed Over Time

Kid’s ‘Wow’ reaction to hearing Mozart

How I Read and Why

Doris Day dead at age 97

Tim Conway, RIP

May Chris Farley’s memory be a blessing

“Behind the scenes” visit to Sesame Street done by 60 Minutes Australia

Roosevelt Franklin – Muppet of Sesame Street

The Tony awards are June 9 on CBS

Inside the World’s Only Museum Dedicated to Ventriloquism

Tennis star Hans Redl

Albany Patroons basketball game day

Binghamton Rumble Ponies get first no-hitter in 13 years

Afterlife in New Zealand

Now I Know: The Dancing Plague and Why You Shouldn’t Take Advice From a Board Game and Why These Windows Don’t Have Windows and When a Truck Driver Had a Very Delicious Meltdown and The Cars that Karaoke and Why Do I Keep Getting Calls from Slovenia?!

Hyper-Casual Games Gone Viral

Australian $50 note typo: spelling mistake printed 46 million times

She was the ‘queen of the mommy bloggers,’ then her life fell apart

Will this WordPress theme allow me to make money?

Funny goats: screaming like humans; an inside joke from staff training in Ithaca

MUSIC

Que Sera Sera – Doris Day

Mama – Clean Bandit

Believer – Bigfoot & Puddles

Everybody Wants To Rule The World – Mackenzie Johnson

Ottorino Resphigi’s The Pines of Rome

Grow – Sabrina Lentini

Danzas de Panama by William Grant Still

StillSane – Carolyne Mas

Alassio (In the South) – Sir Edward Elgar

I Eat Dinner (When the Hunger’s Gone) – Kate and Anna McGarrigle

Coverville 1261: Cover Stories for Billy Joel and Echo and the Bunnymen

The Story Behind The Twilight Zone Theme Song

The Simpsons’ “Upstate New York” song

When TWO bloggers, one who started in 1996 and the other in 2005 post this separately, who am I to argue?

The Beatles off-white album

Songs from my preteen years

Music from my 10th birthday until I was 11 1/2.

Doris Troy.Soul Legend I struggled to find a way to narrow the list of songs from my preteen years. Would it be Elvis before his ’68 comeback? The Everly Brothers? The entire American Graffiti soundtrack? The entire West Side Story soundtrack? Take Five by Dave Brubeck?

With some help, I think from Jaquandor, I picked the songs that I remember from when I was 10 to 12, meaning 1963-1965. Or in this case, from my 10th birthday until I was 11 1/2, because the list was still too long.

I avoided artists for which I had LOTS of their music in this blog, such as The Big Three of my growing up: Beatles, Supremes, Tempts, who dominated 1964 in any case. Or the Rolling Stones, Beach Boys, et al.

And I’ve avoided what I foolishly thought was “old people music” at the time. So no Frank Sinatra, Dean Martin, or Louis Armstrong, all of whom had hits in that period. I appreciate them NOW, but I didn’t then.

1963

Walk Right In – Rooftop Singers, #1 for two weeks pop, #1 for five weeks AC, #4 RB, #23 CW
On Broadway – the Drifters, #9 pop, #7 RB
Easier Said Than Done – The Essex, #1 for two weeks both pop and RB
Tie Me Kangaroo Down, Sport – Rolf Harris, #3 pop, #1 for three weeks AC, #19 RB

Just One Look -Doris Troy, #10 pop, #3 RB
So Much in Love – the Tymes, #1 pop, #4 RB
If I Had A Hammer – Trini Lopez, #3 pop, #12 RB

I’m Leaving It Up To You – Dale & Grace, #1 for two weeks both pop and AC, #6 RB
Dominique – The Singing Nun, #1 for four weeks pop and AC
Louie Louie – the Kingsmen, #2 for six weeks pop, #1 for six weeks RB

1964

The Shoop Shoop Song (It’s in His Kiss)– Betty Everett, #6 pop, #1 for three weeks RB
Don’t Let the Rain Come Down – Serendipity Singers, #6 pop, #2 for six weeks AC
(Just Like) Romeo and Juliet – The Reflections, #6 pop, #3 for two weeks RB

Chart action per US Billboard charts. CW- country; RB – soul; AC – adult contemporary