October rambling #2: monotasking

Bob Dylan isn’t the first lyricist to win the Nobel

anyjackass

Christ’s Burial Place Exposed for First Time in Centuries

John Green explains the tax plans of both Hillary Clinton and Donald Trump and the differences between Donald Trump’s plans for healthcare in the United States and Hillary Clinton’s proposals

Political ads: Jason Kander for US Senate from Missouri and Travis County Commissioner Gerald Daugherty

SNL: ‘Black Jeopardy’ with Tom Hanks

‘What Kind of Mother Is 8 Months Pregnant and Wants an Abortion?’

‘Marquis,’ YouthFX film about Marquis Dixon; a state appeals court has rejected the original nine-year sentence for Marquis Dixon, the Albany youth convicted as an adult for a sneaker robbery

H.I.V. Arrived in the U.S. Long Before ‘Patient Zero’ and Mythology of ‘Patient Zero’ and how AIDS virus traveled to the United States is all wrong

We are intersex people, and we don’t need to be ‘fixed’ by surgeries

Surviving the intersection of fear and recklessness

Read This Story Without Distraction (Can You?) – I did not know monotasking was a word

Tom Hayden, protester-turned-politician, dies at 76

NFL Ratings Just Fell Off a Cliff: Why?

Taryn Huber Named RMAC Volleyball Academic Player of the Year; daughter of one of my oldest, dearest friends

Maine’s Penobscots tell Cleveland: Win the Series, great, but lose the logo

Remember When The Chicago White Sox Won The World Series?

5 Things Millennials Are Trying To Render Extinct

Winnie the Pooh is still the best bear in the world

Now I Know: Silence Lights and Hannibal, Lector and Dire Straights and The Groom of the Stool and Marching Forward and Tumbling Down and When It Rains, It Poems

Movie: SANCTUARY (1961), starring Lee Remick, Yves Montand, Bradford Dillman, and Odetta; screenplay by Ruth Ford and James Poe, based on works by William Faulkner; directed by Tony Richardson. In 1928 Mississippi, the black maid of a white woman helps her employer out of a predicament

A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems

John Ostrander: Making a Better Superman
snopes

The Post-Racial America section

Racial Terror Lynching in America, Animated

‘What did you just call me?’ Black broadcaster confronts hate in Charleston

An Open Letter To Those Who Don’t See Their Own Racism

‘Only White People,’ Said the Little Girl

‘She’s So Pretty. Where Did You Get Her?’

Music

Donald Trump, Hillary Clinton and the Gregory Brothers, featuring Weird Al, Debbie Harry and others

Springsteen covered by women: The best of the best, part 3

boudwin. – Asking is Leaving

The 2017 Rock and Roll Hall of Fame Nominees Are a Disgrace to Music; worth it for the music links alone, but no Yes?

Queen’s Fast Version of ‘We Will Rock You’ From 1977 BBC Session

Coverville 1145: Moody Blues Cover Story for Justin Hayward’s 70th

Mama told me not to come – Three Dog Night

Jolene – Dolly Parton & Pentatonix

Listen to Odetta cover Dylan

No, Bob Dylan isn’t the first lyricist to win the Nobel

Brian Wilson Talks Mental Illness, Drugs and Life After Beach Boys

Bobby Vee died at age 73, here’s a 2014 video in support of Bobby’s last album

Chartered Waters: Music Chart Stories

Otis Williams of the Temptations is 75

The group once known as the Primes did some albums with the trio formerly known as the Primettes.

David, Melvin, Paul, Otis, Eddie
David, Melvin, Paul, Otis, Eddie

There are lots of groups out there that have the name of an old-time group, but with Otis Williams in the Temptations, the link to the original group is sustained.

“Williams was born Otis Miles, Jr. in Texarkana, Texas to Otis Miles and Hazel Louise Williams… While he was still a toddler, his mother married and moved to Detroit, Michigan, leaving the younger Otis Miles to be raised by both of his grandmothers in Texarkana. Hazel Williams moved her son to Detroit when he was ten years old, where he lived with his mother and his stepfather.”

The history of The Temptations is way too complicated to go through here, but Otis was in several groups, honing his craft. The original lineup of the group called The Temptations was Otis Williams, Melvin Franklin, Elbridge “Al” Bryant, Eddie Kendricks, and Paul Williams (no relation).

But “Al Bryant had grown frustrated with the group’s lack of success and became restless and uncooperative, preferring the mundane routine of his day job as a milkman over the rigors of rehearsal and performing.” He was replaced by David Ruffin who had already “joined the group onstage and impressed the group with his vocal talent and dancing skills.”

The group then had several hits, most notably My Girl, but eventually, Ruffin left the group. He was replaced by Dennis Edwards, who was the lead vocal in the wah-wah period of the late producer/songwriter Norman Whitfield. It is Otis Williams, Melvin Franklin, Eddie Kendricks, Paul Williams, David Ruffin, and Dennis Edwards who are represented in the Rock and Roll Hall of Fame when the group was inducted way back in 1989.

These are some songs I was feeling when I made the list. I could easily switch out half of them for others. The top 7, in some order, would stay.

24. It’s Summer (B-side of Ball of Confusion) – this is the version on the 1970 album Psychedelic Shack, NOT the single that appears on Solid Rock in 1972. It’s corny, but I like hearing Melvin’s voice.
23. Love Can Be Anything (Can’t Nothing Be Love But Love) – this song, with thin lyrics, is more a feeling. Appears on Sky’s the Limit in 1971
22. Please Return Your Love to Me, #26 pop, #4 soul in 1968 – Eddie on lead vocal, but it’s the harmonies I love
21. Standing at the Top, #66 pop, #6 soul in 1982. From that great reunion tour when Eddie Kendricks and David Ruffin briefly return to join Otis Williams, Melvin Franklin, Dennis Edwards, Richard Street, and Glenn Leonard. This song also features Rick James.

20. Try It Baby – the group once known as the Primes did some albums with the trio formerly known as the Primettes. This is from the first one, Diana Ross and the Supremes Join the Temptations from 1968
19. Beauty’s Only Skin Deep, #3 pop, #1 for five weeks soul in 1966. Ain’t it the truth?
18. Get Ready, #29 pop, #1 soul in 1966. Ofttimes covered, including by the Motown group Rare Earth
17. War – from the Psychedelic Shack album. From memory: Berry Gordy didn’t want the Temps to get any pushback for releasing this as a single, but he let the less prominent Edwin Starr put it out, and, of course, it was massively successful

Richard, Otis, Eddie, Melvin, Glenn, David, Dennis
Richard, Otis, Eddie, Melvin, Glenn, David, Dennis

16. The Girl’s Alright with Me #102 pop, #39 soul in 1964 – this is the B-side of I’ll Be in Trouble, so a respectable showing
15. (Loneliness Made Me Realize) It’s You That I Need, #14 pop, #3 for two weeks soul in 1967 – there’s an album called With a Lot O’ Soul, a transition from the mostly Smokey Robinson production, to the Norman Whitfield period that’s arguably my favorite LP of the group
14. Don’t Look Back, #83 pop, #15 soul in 1966
13. I’ll Be in Trouble, #33 pop, #22 soul in 1964

12. Don’t Let the Joneses Get You Down, #20 pop, #2 soul in 1969 – a great attribute of the Whitfield period was shared lead vocals
11. Psychedelic Shack, #7 pop, #2 for 3 weeks soul in 1970 – this must be from the album cut because it starts off with the same party noise previously used in I Can’t Get Next To You
10. Ball of Confusion, #3 for three weeks pop, #2 for 5 weeks soul in 1970. “The Beatles’ new records a gas” just as the Fab Four were breaking up
9. Just My Imagination, #1 for two weeks pop, #1 for 3 weeks soul in 1971 – pretty much Eddie Kendricks’ swan song

8. (I Know) I’m Losing You, #8 pop, #1 for two weeks soul in 1966
7. No More Water In The Well – another cut from With a Lot O’ Soul
6. My Girl #1 pop, #1 for five weeks soul in 1965. On the Temptations anthology, there’s an a capella version that’s quite fine
5. Ain’t Too Proud to Beg, #13 pop, #1 for eight weeks soul – appeared on The Big Chill soundtrack in 1983

4. I Wish It Would Rain, #4 pop, #1 for three weeks soul in 1968. Sometimes I wish it would…
3. Papa Was A Rolling Stone, #1 pop, #5 soul in 1972 – as I recall, Dennis Edwards was getting really irritable in the studio about the length of the intro before he got to sing, which may have been the producer’s intent, to get the snarl in “It was the third of September…”
2. The Way You Do The Things You Do, #11 pop, #1 soul – their first real hit, with that Smokey Robinson poetry
1. I Can’t Get Next To You, #1 for two weeks pop, #1 for 5 weeks soul. The best use of that five lead vocalist thing that Whitfield stole from Sly Stone

Otis Williams in the center;
Otis Williams in the center

The other members – Ron Tyson (thick mustache), Terry Weeks, Joe Herndon, Bruce Williamson

Music Throwback Saturday: Monster

Now we are fighting a war over there
No matter who’s the winner
We can’t pay the cost

monster-steppenwolfI was thinking of what Halloween-themed song I could come up with, but I ended up in a totally different direction, though that back album cover is sufficiently appropriate for All Hallows Eve.

Monster is the title song of Steppenwolf’s 1969 LP that eventually reached #17 on the Billboard charts. The album got mixed reviews for being so overtly political, preachy, and pedantic. And it is, though I enjoyed it for that reason.

Actually, that track is listed as three songs: Monster/Suicide/America. Looking at the lyrics, it appears that not much has changed. From the bluesy Suicide section:

‘Cause the people grew fat and got lazy
And now their vote is a meaningless joke
They babble about law and order
But it’s all just an echo of what they’ve been told

Yeah, there’s a monster on the loose
It’s got our heads into a noose
And it just sits there watchin’

Our cities have turned into jungles
And corruption is stranglin’ the land
The police force is watching the people
And the people just can’t understand
We don’t know how to mind our own business
‘Cause the whole world’s got to be just like us
Now we are fighting a war over there
No matter who’s the winner
We can’t pay the cost

Couldn’t those words have been written last year, rather than nearly a half-century ago? I understand John Kay, lead singer of Steppenwolf, and co-writer with Jerry Edmonton, is out there with a new iteration of the group, STILL performing it occasionally.

There was a single version of Monster, which got to #39 in 1970. I always hated the edit. I prefer playing the album, which I still have, and hear the whole 9-minute iteration.

Move Over, the other single from the Monster album, got to #31 in 1969.

Listen to:

Monster/Suicide/America HERE or HERE

Monster/Suicide/America, version from Steppenwolf Live HERE or HERE

Move Over HERE or HERE

Music Throwback Saturday: Rubber Soul songs

The lyrics bear a surprising resemblance to Charles Lamb’s 18th century poem ‘The old Familiar Faces’

rubbersoulBack to Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Who inspired the Beatles, who inspired so many others?

This time, we will note songs from the Rubber Soul UK album. It’s difficult to find the Beatles’ recordings, easier to find live versions.

Drive My Car:

The ‘beep beep beep beep yeah’ background vocal may have also have been a nod to ‘Beep Beep‘ by the Playmates (1958) …The bass line was patterned after Donald ‘Duck” Dunn’s playing on Otis Redding’s ‘Respect‘ (1965).

Beep Beep was one of the singles my dad owned. I played it regularly and, for a time, knew all the words.

You Won’t See Me

It was written as a two-note progression and Paul had the Motown sound in mind, particularly the melodic bass line of James Jamerson, the legendary studio musician. Ian MacDonald… suggests that the model… might have been ‘It’s the Same Old Song‘ by The Four Tops.

I was wondering why this is one of my favorite Beatles’ songs. It lives on a Motown bass line.

Michelle:

John suggested the “I love you’ in the middle section, inspired by Nina Simone’s ‘I Put A Spell On You‘, a hit in Britain during August 1965… Instrumentally, Paul was inspired by the finger-picking style of Chet Atkins as exemplified on ‘Trampoline’ (1961).

There were lots of girls named Michelle in this period. The name was in the Top 10 of girls’ names from 1966 to 1980, including four years at #2.

In My Life:

The lyrics bear a surprising resemblance to Charles Lamb’s 18th century poem ‘The old Familiar Faces’… “The tune, if I remember rightly, was inspired by the Miracles.” He was almost certainly referring to ‘You Really Got a Hold On Me‘.

The Beatles, of course, covered You Really Got a Hold On Me, but I never related it to In My Life at all.

If I Needed Someone:

The tune had been inspired by two Byrds tracks, ‘The Bells of Rhymey (August 1965) and ‘She Don’t Care About Time‘ (October 1965).

The Byrds were inspired by watching the Beatles on the Ed Sullivan show in February 1964, as were countless musicians.

Run for Your Life:

John developed it from the line ‘I’d rather see you dead little girl than see you with another man’, which occurred towards the end of Elvis Presley’s 1955 Sun single ‘Baby, Let’s Play House‘. Arthur Gunter in turn had based his song on a 1951 hit by Eddy Arnold, ‘I Want To Play House with You‘.

John didn’t much like this song, and it’s among my least favorites as well.

2017 Rock and Roll Hall of Fame nominee fan vote

That first Steppenwolf album I listened to constantly

the_cars_-_the_essentialsFor the past couple of years, you, the popular music fan, have been allowed to select up to five Nominees you think should be Inducted into the Rock & Roll Hall of Fame, from the admittedly flawed list of candidates. The aggregate vote gets tallied as one vote, along with the experts.

Last year, I rooted for Chicago, Chaka Khan, Los Lobos, The Spinners, and Yes. Chicago, which won the fan vote last year made it into the Hall, though popularity there did not assure induction. Los Lobos and the Spinners are not even on the ballot this year.

The 2017 Nominees are:

Bad Brains– heard of, but only barely. Hardcore punk band of the 1970s and beyond.
Chaka Khan – for both her music with Rufus and her solo material. And we share the same birth month.
Chic -I’ve said three years running that “its sound still relevant, though if Nile Rodgers and the late Bernard Edwards got in as non-performers (songwriter/producer), I could accept that.”
Depeche Mode – I like their moody electronic sound. Eventually, I say.
Electric Light Orchestra (ELO) – the group’s been around for a long time, back to 1970. I could vote for them, though if Jeff Lynne got noted for writer/producer, that’d be sweet, too

The J. Geils Band – another band that’s been around longer than I realized; Peter Wolf is seven years to the day older than I, so you’d THINK that would move my needle of support, but it did not
Jane’s Addiction – a group I’ve heard of, and have a couple of songs on compilations. But they started in 1985, and they can wait.
Janet Jackson – nominated last year, possibly one of the most worthy. Yet, because she’s relatively young, I think she’ll get in eventually.
*Joan Baez – an odd choice. She’s not a real rock person. I mean I LOVE Joan. An early album of hers was massively important to me. But though she was a contemporary of Dylan, I still would peg her musically more like an early influence, in the same category as Pete Seeger or Woody Guthrie. But I’m voting for her anyway.
Joe Tex – I know who the late Joe Tex was. I saw his album covers on the inner sleeves of those Sam & Dave and Aretha Franklin albums my sister and I bought in the 1960s. But I never owned his music.

Journey – for a time in the early 1980s, they were ubiquitous, and not in a good way
Kraftwerk – their influence is reportedly legendary, yet I have none of their music
MC5 – They put out one of their albums that was huge for me. They were a legendary live band.
Pearl Jam – I have three of their albums. Still, they’re too recent for me to even consider. Naturally, they’ll get in on their first year of eligibility.
Steppenwolf – that first Steppenwolf album I listened to constantly

The Cars – I found their music incredibly catchy. They were third in the public voting last time out.
The Zombies – I like their hits quite a bit, and they put out one legendary album, essentially after they broke up. They’re worthy, but when I have five to pick out of 19, I haven’t picked them
Tupac Shakur – another artist I know by name, and reputation, and how he died in 1996, but not really his music
Yes – inexplicably, they weren’t even nominated until last year, when they came in second in the public voting. The dearth of progressive rock in the Hall is quite astounding. Now that Yes mainstay Chris Squire, unfortunately, passed away this past year, maybe THAT will sway the voters.

I’ve been voting consistently for Chaka Khan, Joan Baez – can’t have too many women in a sometimes boys club – The Cars, and, of course, Yes. My fifth vote, I scattered between MC 5 and Steppenwolf, before deciding on ELO.

I STILL would like to see:

Estelle Axton to be selected in the non-performer award, now known as the Ahmet Ertegun Award. Her brother Jim Stewart, the co-founder of STAX records with her, was inducted way back in 2002!

Billy Preston to be selected in the sideman category, now known as the Award for Musical Excellence. They got Leon Russell and Ringo Starr in under that mantle. Also in that designation, put in the members of the Wrecking Crew not already in there, including Glen Campbell, Carol Kaye, and Tommy Tedesco.

Yes, there are plenty of artists that haven’t gotten in that should, including, but not limited to, the Moody Blues, Link Wray (pick him in the Musical Excellence category), and Warren Zevon.

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