Barry Gibb of the Bee Gees turns 70

“At one point in 1978, the Gibb brothers were responsible for writing and/or performing nine of the songs in the Billboard Hot 100.”

Robin, Barry, Maurice
Robin, Barry, Maurice

It must be strange being the oldest brother of a musical powerhouse family and be the only one of the men still alive. So is the case with Barry Gibb of the Bee Gees.

Barry, his older sister Lesley (later Evans, b. 12 January 1945), his twin brothers Maurice and Robin (b. 22 December 1949) and baby brother Andrew (b. 5 March 1958) were born in the UK. Their father, Hugh Gibb was a drummer and bandleader who married Barbara (Pass); the parents were English.

In the late 1950s, the three older boys formed a band, the Rattlesnakes, just before the family emigrated to Australia, where the boys continued to perform, as Barry was writing songs.

The act continued to develop until they finally had a big hit with their 12th single, Spicks and Specks. They returned to the UK in January 1967, where producer Robert Stigwood began successfully promoting them to a worldwide audience. They had a string of hits.

Success and immaturity broke up the group for a time, but they had another brief spurt of success with Lonely Days.

By 1975, the trio started developing a new sound. With their participation on the Saturday Night Fever soundtrack, they began to reach their highest commercial impact. “In 1977, they became the first and only songwriters to place five songs in the Top Ten at the same time.”

They wrote not only their own music but songs of many others, including massive hits for little brother Andy. “At one point in 1978, the Gibb brothers were responsible for writing and/or performing nine of the songs in the Billboard Hot 100. In all, the Gibbs [had] 12 [songs] making the Top 40… At least 2,500 artists have recorded their songs.”

The Bee Gees worked through the 1980s, together and apart, with some hits. Singer-songwriter Gavin DeGraw: “Even long after the Bee Gees’ success on the pop charts, they were still writing songs for other people, huge hit songs. Their talent went far beyond their moment of normal pop success.”

But they were devastated by the death of little brother Andy (10 March 1988). The band continued working into the 1990s, despite Barry’s severe arthritis, and they were inducted into the Rock and Roll Hall of Fame in 1997.

Maurice died suddenly, from an abdominal blockage, on 12 January 2003. Barry and Robin played sporadically together, until Robin died of pneumonia, triggered from liver cancer, on 20 May 2012, leaving Barry Gibb to keep the Bee Gees flame alive.

And sad news: Barbara Gibb, his mom, died in August 2016.

My 10 favorite Bee Gees songs (maybe)

12. Spicks and Specks (#5 in Australia in 1966) – this shows up on their first Greatest Hits LP, but NOT the CD version. The song was used as the title of an Australian TV show last decade
11. Words (#15 US in 1968)- writer likes words
10. You Should Be Dancing (#1 US in 1976)- yes, I had this lime green leisure suit…
9. How Can You Mend a Broken Heart (#1 US for four weeks in 1971) – how indeed?
8. I Can’t See Nobody (B-side of Mining Disaster, #128 in US) – nice harmonies, bad grammar and all
7. New York Mining Disaster 1941 (#14 US in 1967 – the first international hit, and I’m fond of the story-song

6. I’ve Got To Get A Message To You (#8 US in 1968) terribly overdramatic, in a good way
5. To Love Somebody (#17 in 1967) – and the source material for some tremendous covers
4. World (UK, but not US, single, 1967) – I love how it’s soft, then becomes really raucous
3. Stayin’ Alive (#1 US for four weeks)- I went to the Tulip Festival this year, in Washington Park, Albany, and the woman at one of the booths asked what song one should be doing CPR to, and, of course, I knew. But obviously, I had failed The Daughter, who had never heard of the song.
2. Lonely Days (#3 US in 1971) – I always liked this because it keeps changing tempo; very Beatlesque. And there was this rumor that John Lennon sang on it, which proved to be untrue
1. Jive Talkin’ (#1 US for two weeks in 1975) – I LOVE the bass line of this song and the fact that it was the song that signaled the group’s resurgence

And for good measure:
If I Can’t Have You by Yvonne Elliman, #1 in 1978

August rambling #2: how ridiculous xenophobia is

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Music

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H is for handy

Reading the manual is seldom useful.

handyI am not what you would call handy. The old saying “Measure twice, cut once” was invented with me in mind, and yet that piece of wood is STILL too long, or worse, too short.

It’s not that I’m not curious about things work. When I was 10 or so, I took apart the deadbolt on our door at home, trying to figure out how it worked. Unfortunately, I never figured out how to put it back together properly, and we had to engage the services of a locksmith.

I tried the Cub Scouts when I was eight, but they were always requiring specific knots, and I quit that in a year. Speaking of knots, I couldn’t master tying my shoes until I was nine, and wore penny loafers until then.

“Righty tighty, lefty loosey.” Need it almost every time.

I attempted to learn to play the piano when I was 12, but it wasn’t meant to be, despite hours of practice. Meanwhile, my sister learned to play guitar in a month, something I could never master either, despite the fact that my dad played.

My father did a lot of floral arrangements, for weddings and cotillions, and the like. He often brought Leslie and me along. She had a great artistic eye, and I was good at schlepping things.

I always appreciated seeing art, but creating art was another thing altogether. Once my 7th-grade art teacher gave me a B in some now-forgotten project, and my father asked her why the grade was so high. She said that it was my best effort based on my ability.

Junior high required going to what they called shop, where I could build ill-constructed wood items, and blow up pottery in the kiln. But I actually liked 9th-grade shop, dealing with metal, maybe because the machinery was so precise that I could not screw up the project.

That was a useful lesson. If I have the right tools, and I’m shown how to do it, I can do it…sometimes. Reading the manual is seldom useful. Being told how to do it almost never works. But doing a hands-on process, and having room to screw it up without destroying it, helps.

Occasionally, I CAN hang that picture without putting a large hole in the wall.

Now my buddy Amy, she’s handy!

Have to end, of course, with Weird Al Yankovic – Handy.

ABC Wednesday – Round 19

Music Throwback Saturday: Shape of Things

This would be the iteration of the Yardbirds with Jeff Beck, after Eric Clapton left, and before Jimmy Page joined.

max frostBlame Chuck Miller for getting The Shape of Things in my head. For his K-Chuck Radio: More Forgotten 70’s Hits, half of which I’d never heard, I wondered which version of the title song the Headboys played. As it turns out, it a different iteration altogether, and now that I heard it, it was vaguely familiar.

One of my few singles purchases in the 1960s was The Shape Of Things To Come by Max Frost And The Troopers, written by the prolific Barry Mann and Cynthia Weil. I remember it being a very short song, less than two minutes, and with a red label.

What I did not know until far later was that the attributed band was in fact “a fictional rock music group created for the exploitation film Wild in the Streets, released in 1968. The film featured Christopher Jones as the highly influential singer Max Frost.” It only got to #22 on the US charts, which surprised me; I thought it was a bigger hit. But it stayed two weeks at #2 in Canada.

It was only around then that I heard an earlier song with a similar name. The British invasion group the Yardbirds had recorded The Shape of Things, arguably “can justifiably be classified as the first psychedelic rock classic.”. This would be the iteration of the band with Jeff Beck, after Eric Clapton left, and before Jimmy Page joined. It was a #11 single in the spring of 1966 in the US, getting to #3 in the UK and #7 in Canada.

The Headboys was a Scottish group, and their Shape of Things to Come only got to #67 on the US pop charts, and #45 on the UK charts, in 1979, a classic one-hit-wonder.

The Shape of Things – the Yardbirds. Listen HERE or HERE.

The Shape Of Things To Come – Max Frost and the Troopers. Listen HERE or HERE.

The Shape of Things to Come – the Headboys. Listen HERE or HERE.

August rambling #1: Dystopian Reader

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Google alert (me)

My buddy Eddie Mitchell, the Renaissance Geek wrote nice things about me, and Smilin’ Ed. Not incidentally, the Smilin’ Ed book of collected stories and additional stuff is available from Amazon. I do believe it is the first book for which I have a credit.

Google Alert (not me)

The Lubbock ISD Ag Farm has received a donation of over 15 goats after the dog attacks that killed 10 more of their goats Monday morning.

“This is the agriculture community coming together,” Ag farm manager Roger Green said. “They will all jump in to help you out.”

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