D is for Donovan

“When I was a young man I was led to believe there were organizations to kill my snakes for me.”

donovan-copyThe Scottish singer, songwriter, and guitarist Donovan Leitch turned 70 on May 10, 2016. Somehow I missed it, alas. He was one of those musicians that borrowed from folk, jazz, pop, psychedelia, and calypso to create a notable and rather recognizable sound that helped define the 1960s.

Like many artists of the period, such as the Kinks, the Rolling Stones, and the Beatles, his UK and US releases were quite different.

I associate Donovan with the Beatles. He contributed the line “sky of blue and sea of green” to “Yellow Submarine.” Donovan was among the guests invited to Abbey Road Studios for the orchestral overdub for “A Day in the Life”. He taught John Lennon a finger-picking guitar style in 1968.

Most notably, Donovan traveled to the ashram of Maharishi Mahesh Yogi in Rishikesh, where all four Beatles, two Beach Boys, and actress Mia Farrow also showed up.

I have one much later album, Sutras, from 1996, described as deeply meditative, produced by Rick Rubin in the same period he was producing Johnny Cash. Though neither critically nor commercially as successful as the Cash albums, I enjoyed it.

Here is a list of 10 essential Donovan songs. And my favorite 16, with links, though only the first two songs are assured of their slots.

16. Eldorado (1996)- the words are by Edgar Allan Poe.
15. Epistle To Dippy (#19 in 1967) – this is, midst the nearly indecipherable psychedelia, a pacifist song.
14. I Love My Shirt, a sweet, simple song I remember watching on the Smothers Brothers TV show. It was the B-side of the single Atlantis in 1968 in the UK, but not in the US.
13. Universal Soldier (#53 in 1965) – it was written and recorded by Canadian singer-songwriter Buffy Sainte-Marie, then covered by him.

12. Catch the Wind (#23 in 1965) – Donovan’s debut single brought the comparisons to Bob Dylan. It’s a “lovelorn ballad about Linda Lawrence (then the significant other of the Rolling Stones’ Brian Jones) who later became Donovan’s wife.”
11. Jennifer Juniper (#26 in 1968) – the song was inspired by Jenny Boyd, sister of George Harrison’s wife, Pattie Boyd.
10. Wear Your Love Like Heaven (#23 in 1967). This shows up in some commercial for perfume, I think.
9. Rikki-Tiki-Tavi (#55 in 1970). It uses the mongoose from Rudyard Kipling’s story in The Jungle Book as a metaphor. “When I was a young man I was led to believe there were organizations to kill my snakes for me. i.e.: the church, i.e.: the government, i.e.: school. But when I got a little older I learned I had to kill them myself.”

8. Colours (#61 in 1965). Lovely in its simplicity.
7. Season of the Witch (1967) – Jimmy Page on guitar. Not a single in the US, but played regularly in his live shows, and covered often.
6. Sunshine Superman (#1 in 1966) – Jimmy Page on guitar. The former comic book fan in me loves “Superman and Green Lantern ain’t got nothin’ in me.”
5. There Is A Mountain (#11 in 1967). Very Buddhist. “First there is a mountain, there is no mountain, then there is.” Copped by the Allman Brothers as the foundation of their Mountain Jam. I copped “Oh, Juanita” for a song I wrote that has fortunately never seen the light of day.

4. Mellow Yellow (#2 for three weeks in 1966) – this song with some suggestive lyrics, was kept out of the #1 slot by Good Vibrations by the Beach Boys, then by Winchester Cathedral by the New Vaudeville Band. It reportedly featured Paul McCartney on backing vocals.
3. Hurdy Gurdy Man (#5 in 1968) – Jimmy Page was one of the electric guitar players and John Paul Jones played bass, arranged the track, and booked the session musicians. John Bonham may, or may not, have played drums, depending on who’s telling the story, and when, memory being tricky. The tambura which Donovan himself plays had been given to him in India by George Harrison.
2. Celtic Rock (1970) – Donovan said that he used the drone of that tambura to create this song. “Hey kala ho kala ho la jai.” It practically defines the genre it namechecks.
1. Goo Goo Barabajagal (#36 in 1969) – billed “with the Jeff Beck Group. “Love Is Hot,” indeed.

ABC Wednesday – Round 19

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The Most Boring Day of the Last Century

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Why I Don’t Talk About Race With White People

How Abigail Adams Proves Bill O’Reilly Wrong About Slavery

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NAACP calls for national moratorium on charter schools

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SamuraiFrog is 40 and had been having a difficult time with the medical bureaucracy. So Jaquandor suggested some natal day music

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Oldest Presidents inaugurated
73 Reagan (II) 1985 Colon cancer, benign prostatic enlargement, dementia (?)
69 Reagan (I) 1981 Life-threatening hemorrhage after gunshot to chest
68 Harrison, W 1841 Died of pneumonia after one month in office.
66 Eisenhower (II) 1957 Stroke, despite taking anti-coagulant medication.
66 Jackson (II) 1833
Reagan turned 70 on February 6, 1981; Donald Trump turned 70 on June 14, 2016; Hillary Clinton turns 69 on October 26, 2016

MUSIC

Marni Nixon, Singing Voice Behind WEST SIDE STORY, THE KING AND I & More, Dies at 86 – I wrote about her last year HERE

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Rossini’s Overture to William Tell

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Coverville 1133: The Linda Ronstadt cover story; and Coverville 1135: Cover Stories for Buddy Guy, Louis Armstrong, and Paul Anka

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Late 1969: Let the Sunshine In featuring these people and these people and the cast of HAIR. Those scheduled but did not show included Muhammad Ali, Julian Bond, Dick Gregory, John Lindsay and Sidney Poitier

Music Throwback Saturday: Beatles for Sale songs

The two-timed character in the Beatles’ song was more tame than the earlier character.

BeatlesforsaleTo American album collectors of the 1960s, Beatles for Sale was an odd duck. Unlike other albums, it neither shares the name of an American collection or primarily matches up with any US release. It became the basis of both Beatles ’65 and Beatles VI, as usual by adding a non-album single, such as I Feel Fine/She’s A Woman.

And note the weariness on their faces, a function, it is believed, of constantly touring, making records or appearing in films.

This continues my reflection of Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Sometimes, the Beatles were as much influenced as influencers. Links to all songs.
I Feel Fine:

It was obviously inspired by Bobby Parker’s riff on his 1961 track ‘Watch Your Step‘.

I’m A Loser:

[Early in 1964] After hearing Freewheeling, which was Dylan’s second album, they went out and bought his debut album Bob Dylan, and according to John…we all when potty on Dylan.

Here’s Bob Dylan’s Dream from Freewheelin’.
Dylan also inspired the thoughtful lyric on You’ve Got To Hide Your Love Away, from Help!

No Reply:

It was based, John said, on ‘Silhouettes‘, a big hit in 1957 for the Rays…His repetition of the line “I saw the light’…could possibly be an illusion to Hank Williams’ song of personal salvation ‘I Saw the Light‘ (1948).

Interesting that the two-timed character in the Beatles’ song was tamer than the earlier character in Silhouettes, who threatens to smash her door down.

I received for Christmas, Reading the Beatles: Cultural Studies, Literary Criticism and the Fab Four, edited by Kenneth Womack and Todd F. Davis. The first article, by Ian Marshall, talks about the Beatles archetypes Ringo the goofball, George the quiet spiritual one, John the intellectual activist, and Paul the cute, melodious one. Marshall posits that those distinct personality types” account for some of the enduring appeal of Beatlesmusic.”

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The First Trailer for Ron Howard’s Beatles Doc Eight Days a Week: The Touring Years

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Guitarist Randy Bachman: Demystifying the opening chord of “A Hard Day’s Night”

How I (fictionally) met someone: “I was attending a meeting of the I Hate The Beatles Club, and you walked in and dragged me out by the collar without saying a word. Seemed odd at the time…”

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Music Throwback Saturday: Baby, Now That I’ve Found You

Alison Krauss is one of my wife’s “K girls,”

Alison Krauss - Now That I've Found You - FrontThe Foundations, as described in the Joel Whitburn books about the US Billboard charts, was an “interracial R&B-pop group formed in England.” The group had two US Top 20 hits before it disbanded in 1970.

Build Me Up Buttercup was a “gold” single in 1969, getting to #3 in 1969. Their earlier hit was Baby, Now That I’ve Found You, which charted in late 1967, reaching #11 in 1968; it also reached #33 on the R&B charts.

Alison Krauss, a country singer/songwriter/bluegrass fiddler born in 1971, had enough albums in her early twenties to put out a retrospective of the first part of her career, including songs from her solo albums, albums by Alison Krauss & Union Station, and Alison Krauss & the Cox Family. She also added a few new songs.

The first song on the album was essentially the title song, a very different take of Baby, Now That I’ve Found You, which reached only #49 on the country charts in 1995. But it won the Grammy for Country Female Vocal.

The final song was the hit country single (#3 country, #53 pop) When You Say Nothing at All, which sold over two million copies, and was named the Single of the Year by the Country Music Association.

Alison Krauss is one of my wife’s favorite artists; we saw her play with Union Station in 2003. She’s one of my wife’s “K girls,” as she puts it, next to jazz singer/pianist Diana Krall in our record collection. Her rendition of Baby, Now That I’ve Found You is one of my favorite covers, ever.

LISTEN

Build Me Up Buttercup – The Foundations HERE or HERE

Baby, Now That I’ve Found You – the Foundations HERE or HERE

Baby, Now That I’ve Found You – Alison Krauss HERE or HERE

When You Say Nothing At All – Alison Krauss HERE or HERE

Knowing stuff

Janis Joplin was the second artist to have a posthumous #1 single on the US Billboard charts.

DiMaggios.Williams
I tell these, not out of boastfulness, but to show how my mind works. It seems to like knowing stuff.

Baseball and WWII

Someone posted this picture on Facebook, with the caption “Joe DiMaggio, Ted Williams, and Dom DiMaggio, 1942.” A response: “Joe was not with the Yankees in 1942. He was wearing Uncle Sam’s uniform.”

I didn’t think the “correction” was right, but I didn’t know why. Maybe I read an old bio. So I checked with Baseball Reference and confirmed it: Joe DiMaggio played for the New York Yankees in 1942, and the warrior Yanks in 1943-1945. The same was true, BTW, of the two Boston Red Sox pictured, Williams and Dom DiMaggio.

Commonwealth

At the Olin family reunion last Sunday, someone asked their electronic helper how many states in the US are designated as commonwealths. Before the Siri-like device could respond, I said four and named them. An Olin high-fived me. BTW, these are essentially nominal differences, whereas the commonwealth of Puerto Rico is a whole ‘nother issue.

Before Janis

This issue came up a week ago Friday night when The Wife and I went to see A Night with Janis Joplin at the Capital Repertory Theatre in downtown Albany. We ran into a couple from the neighborhood, and like me, they railed at the reliance on Google, noting that it had been an issue professionally.

I asked them a trivia question. Janis Joplin was the second artist to have a posthumous #1 single on the US Billboard charts. Who was the first? (Dustbury: do not answer!)

They had no idea, but as they said, it was FUN to try to guess, not just pull out a device. Was it one of the people from The Day The Music Died? No, much later, but the artist died the same way. They guessed Jim Croce (d. September 20, 1973), but in fact, his posthumous #1 (Time in a Bottle – December 29, 1973) was AFTER Janis.

I finally indicated it was an individual on Stax Records, and while they didn’t know he had died in a plane crash, they eventually got to Otis Redding (d. December 10, 1967) and Sittin’ On the Dock of the Bay (March 16, 1968).

Not incidentally, A Night with Janis Joplin was quite fine, although it’s interesting/strange that the performances her “influences” (Aretha Franklin, Etta James, Nina Simone, Odetta, et al, played by Jannie Jones, Danyel Fulton, Nikita Jones, Kimberly Ann Steele) often outshone Kelly McIntyre as Janis, who was nevertheless very good.

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