T is for Traveling Wilburys

The two Traveling Wilburys albums were out of print for about a decade.

Dylan, Lynne, Petty, Orbison, Harrison
Dylan, Lynne, Petty, Orbison, Harrison

Everything about the creation of the supergroup the Traveling Wilburys, I love. From the website comes a story I already knew.

George Harrison was asked by the folks at Warner Brothers Records to put together a non-album B-side for a single from the ex-Beatles’ album Cloud Nine.

Harrison, Jeff Lynne, and Roy Orbison had shared dinner, then went to Bob Dylan’s home studio in Malibu, California. George had left a guitar at Tom Petty’s house, and when he went to retrieve it, he invited Petty to join in the fun.

Harrison played the resulting track, Handle with Care, to the WB brass, who thought the song was too good to bury on the flip side of George’s single. Maybe it could become part of an album?

The five frontmen took on the persona of the Traveling Wilburys from this: “Referring to recording errors created by some faulty equipment, Harrison jokingly remarked to Lynne, ‘We’ll bury ’em in the mix’ Thereafter, they used the term for any small error in performance… Harrison suggested ‘The Trembling Wilburys’ as the group’s name; instead, Lynne suggested ‘Traveling’, with which the group agreed.”

The album was very well received and won the Grammy Award for Best Rock Performance by a Duo or Group in 1989. Unfortunately, “Roy Orbison died of a heart attack on December 6, 1988… Despite Orbison’s death, the remaining group members recorded a second and final studio album, which they intentionally misnumbered Traveling Wilburys Vol. 3. It was released on October 30, 1990, and met with less success than the previous one.”

I had thought Volume 3 was a function of all the collaborations among them, but it was an acknowledgment of bootlegs of the original sessions featuring songs not on that first album.

The group talked about touring, but it never happened. I had heard rumors of Del Shannon replacing Orbison, but he died on February 8, 1990.

The two albums were out of print for about a decade, until they were re-released, with added tracks, in 2007, including Nobody’s Child, the title track for a benefit album. “The project was organized by Olivia Harrison, who created the Romanian Angel Appeal Foundation with the other wives of The Beatles (Barbara Bach, Yoko Ono and Linda McCartney) in April 1990.”

The singles

1988 “Handle with Care” (US 45, AUS 3, NZ 4, UK 21)
1989 “End of the Line” (US 63, AUS 12, NZ 11, UK 52)
1990 “Nobody’s Child” (NZ 9, UK 44)
1990 “She’s My Baby” (AUS 45, CAN 30, UK 79)
1991 “Wilbury Twist” (CAN 86)

You can find Nobody’s Child HERE. The remaining songs above, plus Inside Out, you can listen to HERE, and Margarita HERE.

For good measure, I Call Your Name – Ringo Starr, backed by Harrison, Lynne, Petty, and Traveling Wilburys drummer Jim Keltner on cowbell.

abc18
ABC Wednesday – Round 18

April rambling #2: Smartest place on earth

A World Awash in Purple

Librarian.gang

The 2016 Pulitzer Prize Winners, with links to many of the written pieces!

The Vlogbrothers — John and Hank Green — summarize the tax proposals of the folks who want to be your next President.

John Green: Here’s to civil discourse and David Kalish: Comparing Facebook to a pee-soaked lamp post.

Whose Heritage? Public Symbols of the Confederacy.

Mississippi Interracial Couple Evicted For Being In An Interracial Marriage. In 2016.

Michigan mechanic refuses to serve people from the ‘ghetto’ — but insists he’s not racist – he was a bit coarser than that. “But Jim S. insists he’s not racist — which is exactly what racists usually say. ‘Race has nothing to do with this, let me clarify,’ Jim S. told Mic. ‘What we’re trying to avoid is people who number one can’t afford service.'” In 2016.

Michael Rivest: Thoughts on White Privilege and Colorblindness.

Why You Should Care about Felon Voting Rights.

Jeff Sharlet: Airbnb’s Paris “Open”, during the Paris attacks.

This is what happens when you bury a mass murderer in a small town.

John Oliver: Credit reports and Lead poisoning and Hollywood Whitewashing.

1939 news clipping re: Jack Benny’s “valet”, Rochester.

New York Times: How to Explain Mansplaining.

“Leftover women”, those unmarried by 25, in China.

Greg’s daughter Mia turns 13.

Dustbury: The years take their toll on a body.

Neuroscientists Can Identify You by Your ‘Brainprint’ with 100% Accuracy, and related story.

Albany, New York: Smartest place on earth? Probably.

16 Things I Would Want If I Got Dementia.

Jaquandor has been posting poetry all month, of many varieties.

How to Insult Like Shakespeare.

Now I Know: How Brazil Got to the 1932 Olympics (Mostly) and “We Won’t Give Up Until You Bleed” and A Weighty Issue (about clipboards!)

There’s a Scientific Reason Why Indian Food Is So Delicious.

Funnies

TWC Question Time #33: Part Two– Killing the King.

These Millennials!

Superman: tax evader.

NewYorker.newspaper

BBC have broadcast TWICE as many obituaries in 2016 compared to last year at this point.

The Prince section

“Am I black or white, am I straight or gay?
“Do I believe in god, do I believe in me?”
“Controversy” – Prince

A World Awash in Purple.

Arthur addresses how the Internet Age didn’t create social mourning.

Prince on Arsenio Hall’s show.

Prince & Tamar Davis(Good Morning America 2006)/a>, which I watched in real time.

Former Warner Bros. CEO Mo Ostin Recalls His Long Relationship: ‘He Was a Fearless Artist’.

Weekly Sift.

Prince refused to be a commodity and took a protective stance on music copyrights.

Paul Westerberg: ‘I Can’t Think of Anyone Better’.

Is the water warm enough? Cartoonist Hazel Newlevant discusses Wendy & Lisa’s contribution to Prince’s legacy.

Times When He Showed Us His Great Sense of Humor.

Do It All Night: The Story of Prince ‘s Dirty Mind. An in-depth look back on the 1982 album that allowed Prince to cross over as a rock’n’roll star.

From Bat Dance to his Alter Ego comic.

A guy on Facebook noted: “‪‎Prince‬ was a huge fan of Bonnie Raitt and when he covered I Can’t Make You Love Me for his Emancipation album (1996), in the liner notes, he wrote: bonnieisanamericantreasure. When Bonnie was between labels, before signing to Capitol, Prince wanted her to sign with Paisley Park. They worked together a bit to see where it would go, but then he had to go to Europe to film Under The Cherry Moon. In the meantime, the stars aligned with Bonnie, Don Was and Capitol Records. What followed was Bonnie’s breakthrough success with ‘Nick Of Time’. Whatever they did together remains in Prince’s vaults.”

More music!

Lonnie Mack, RIP.

Amy Biancolli: Music to vote by.

Coverville 1122: Cover Stories for Roy Orbison and Paul Carrack. Roy would have been 80.

Harry Hipster Gibson – Who Put The Benzedrine In Mrs. Murphy’s Ovaltine (1944).

You’re a Good Man, Charlie Brown (1967 Broadway Soundtrack).

Lawrence Welk Meets Velvet Underground.

Favorite cover by original artist QUESTION

I’m really struck by Lesley Gore’s remake of You Don’t Own Me from the 2005 Ever Since album.

Sometimes, an artist will cover his/her/their own song. Frank Sinatra, among others, did it quite a bit over his long career.

What are YOUR favorite songs by the same artist? I’m not going to get too strict here. If you want to pick Layla, originally done by Derek and the Dominoes then subsequently unplugged by Eric Clapton, that’d be acceptable, since Derek WAS Eric. Speaking of Clapton, I prefer the live version of I’m So Glad from Goodbye Cream to the studio version on Fresh Cream.

I had this cassette of Procol Harum’s greatest hits and it included a live version of Conquistador, with an orchestra. Years later, when I got a similar CD, it had the studio version; not nearly as impressive.

Listen to Crying by Roy Orbison, a fine song, but the version by Orbison with k.d. lang makes me, well, cry.

I always preferred the remix Mustapha Dance by The Clash to its antecedent, Rock the Casbah.

Just listened to a Ladysmith Black Mambazo album. They do a couple songs from Graceland, Homeless and Diamonds on the Souls of Her Shoes, sans Paul Simon, but with Sarah McLachlan and Melissa Etheridge, respectively. Can’t find these online, unfortunately.

I’m really struck by Lesley Gore’s remake of You Don’t Own Me (this is a live take, not the version I really wanted from the 2005 Ever Since album), recognizable as the same song as the classic original, but different.