The Pretenders released I Go To Sleep as the fifth single from their second studio album Pretenders II
I’d written this really LONG blog post, so long that it ended up in two parts, and it was emotionally exhausting. So I took a nap. Napping is not something I do well. Often, waking up, I feel more tired, or disoriented.
This time, though, I was feeling reflective when I awoke. I got to think about this song by the Pretenders called I Go to Sleep. So when I woke up fully, I started to find various versions of the song.
The Kinks (1965): Ray Davies wrote the song, as any obsessive/compulsive liner note/LP label reader would know. But I didn’t even realize this version existed. It’s a demo, and it sounds like it, but it’s sweet, though too fast, with choppy vocals, compared with the version I knew best. It was included, I learned, as “a bonus track on the reissue of their second studio album Kinda Kinks.”
The Applejacks (1965 single). Has this metal clanging throughout, which I found really annoying.
Cher (1965, on her debut album All I Really Want to Do.) She sings it OK, but the arrangement messes with the major/minor chordal structure in the bridge, not to its benefit.
Peggy Lee (1965, from the album, Then Was Then, Now Is Now.) I love Peggy Lee, but not this, which seemed oddly parochial.
Marion (1967, released as a single in Germany and the U.K.) Marion Maerz was a German singer of the ’60s. This was apparently a significant version, as it got a special section in Wikipedia. It is string-heavy on the bridge, and thereafter. The background vocals do not particularly enhance.
The Pretenders (1981, released as the fifth single from their second studio album Pretenders II) The gold standard, three minutes of perfection.
Sia (2008: Sia Furler, on her album Some People Have Real Problems. Sia’s cover charted at number thirty-two on the Australian Singles Chart.) This is about the same length as the Pretenders’ version, yet feels rushed, somehow. However, this Sia version, at 3:30, and with a harmony vocal, is very nice.
Works Progress Administration (2009, on their self-titled debut album WPA). I rather like this one, with the harmony on the bridge.
Anika (2010, on her debut album Anika.) I was reading the YouTube comments. Some people don’t understand why everyone wouldn’t like this. But I’m in the other camp that found the beat very annoying, with the voice somewhat of a monotone. I did like the idea of what’s being attempted here more than the execution.
Rasputina (2011: on their collector’s album “Great American Gingerbread: Rasputina Rarities & Neglected Items”), This is live, with two cellos, and despite a clunky note or two, I rather enjoyed it.
Other versions: 2011: Camilla Kerslake on her second album Moments 2011: Kraus 2013: Rachael Leahcar on her second album Romantique
It’ll be interesting to see what type of representative NC-2 wants.
Earlier this month, reporter Ashe Schow of the Washington Examiner wrote “an article about the GOP’s poor messaging on the ‘war on women’ narrative. I posted some comments from Rep. Renee Ellmers, R-N.C., who said GOP men need to bring their messages ‘down to a woman’s level.’
“Ellmers called me a ‘liberal woman reporter’ and said I had taken her quote ‘completely out of context.’
“Below are her full comments from the event…, along with the audio of her segment. I have bolded the comments I used in my original post.” Having looked at the link, I feel Ellmers was treated fairly.
This story is still interesting to me because: 1) it IS the GOP war on women, being propagated by a woman 2) it is a classic “blame the press” ploy, which might work on a few, but not to anyone who bothered to read the transcript
Let me express my inherent bias here: all things being equal – and all things are NEVER equal, I’d be inclined to support a female candidate over a male candidate. In this case, though, if I were able to vote in the Congressional race for North Carolina’s Second District, I would support the male candidate. That guy, BTW, is Clay Aiken, best known to me as the second-place contestant on an early season of American Idol; we even own one of his albums. You may have also seen him – I did not – on Celebrity Apprentice, where, I am told, he presented himself well.
Aiken had an odd row to the Democratic nomination. He had a tough primary fight with his opponent, 71-year-old Keith Crisco, back in May. Aiken won by a small margin, but Crisco had not yet conceded the race when Crisco suffered injuries from a fall at his home and died. Crisco associates say that he was about to concede the race to Aiken the next day.
It’ll be interesting to see what type of representative NC-2 wants, a two-term woman who appears to be over her head in Congress, or an openly gay man with a bit of entertainment fame. Last time out Ellmers won with 56% of the vote. As noted, my rooting interests are with the singer.
There are TWO versions of Young Love, and it’s the Sonny James version that I’ve always known.
Since I had decided that I would repurpose some of my 2014 posts for Round 15 of ABC Wednesday, I needed another weekly exercise. My friend Dan Van Riper sent me this list of all the #1 songs since August 4, 1958, which was Ricky Nelson’s Poor Little Fool, signifying the debut of Billboard’s Hot 100 chart. Prior to that (and indeed for a few months after that), there were multiple charts, including what was playing on the jukeboxes and what the radio disc jockeys were spinning.
That fact explains why, as I decided to post the number #1 song for my birthday, and the song before and after, you’ll occasionally find multiple tunes. Obviously, since I was born before 1958, I had to augment the website with something called… let me check the spelling there… “books,” specifically Joel Whitburn’s Top Pop Singles, and Pop Hits 1940-1954.
I have links only to the middle tune, the song of my birthday (with a couple of exceptions this week). If I’ve heard it, I won’t play it again. If I’ve never heard of it, I’ll play it once. But I won’t listen to the adjacent tunes. My goal: am I happy with THAT choice to celebrate my birthday? Or (as will be the case in the latter stages of the game), I have no idea? You can go to the website, starting with 1959, and hear the other contenders.
1/10/53 Perry Como with The Ramblers – Don’t Let The Stars Get In Your Eyes 2/14/53 Teresa Brewer – Till I Waltz with You Again 3/21/53 Patti Page – The Doggie in the Window
Don’t know the Como. The Brewer song is quite pleasant. You probably know the Page song, it’s become almost ubiquitous, in an irritating way. I’d pick the Brewer song.
1/2/54 Eddie Fisher – Oh! My Pa-Pa (O Mein Papa) 2/27/54 Doris Day – Secret Love. 3/13/54 Jo Stafford – Make Love To Me!
2/5/55 The Fontaine Sisters – Hearts of Stone 2/12/55 The McGuire Sisters – Sincerely 3/26/55 Bill Hayes – The Ballad of Davy Crockett
Davy Crockett, I heard A LOT growing up. I’ll stick with the lush harmonies of the McGuires, which I have on that same compilation.
2/18/56 Rock and Roll Waltz – Kay Starr OR The Platters – The Great Pretender 2/25/56 Nelson Riddle – Lisbon Antigua 3/17/56 Les Baxter – The Poor People of Paris
I own both 2/18 songs. I’m picking the Platters. If I have heard Lisbon Antigua, I don’t remember it, and it might take a few listens to appreciate it more fully.
My friend Fred Hembeck is a big Andy Williams fan, so I do own Butterfly. Don’t know the Boone song. But there are TWO versions of Young Love, and it’s the Sonny James version, which I linked to, that I’ve always known. I listened to the Tab Hunter version, the longer reign at the top of the charts for the guy primarily know as an actor, and there’s no contest to my ears. Sonny James!
Either of the latter two songs I know well, and enjoy.
1/19/59 The Platters – Smoke Gets In Your Eyes 2/9/59 Lloyd Price – Stagger Lee 3/9/59 Frankie Avalon – Venus
Finally, a week I know all the songs. Stagger Lee is a murder ballad, and even as a kid found disturbing. (But not as disturbing as the Nick Cave song of the same name.) I’d opt for the Platters, again.
Those death songs like Teen Angel I never much liked. I suppose I could pick Elvis, but when I was seven, I always enjoyed Theme from a Summer Place. Radio, in the day, would segue to the news, with an instrumental in the background, and it was often this one.
2/13/61 Lawrence Welk and His Orchestra – Calcutta 2/27/61 Chubby Checker – Pony Time 3/20/61 Elvis Presley With The Jordanaires – Surrender
When I played Pony Time, I thought, “Oh, I HAVE heard this.” Terribly derivative of his other songs, so I’ll pick Elvis this time.
1/22/62 Joey Dee & the Starliters – Peppermint Twist (Part 1) 2/17/62 Gene Chandler – Duke Of Earl 3/10/62 Bruce Channel – Hey! Baby
Another one where I know them all. I’ll stick with the Duke.
I know these too, though I always thought Hey Paula was dorky. I think seeing Jersey Boys on stage a couple of years ago has helped me appreciate Frankie Valli and his colleagues a bit more.
Paul McCartney acknowledged the signs in the audience which led to a wedding proposal on stage involving a Rochester couple, with Jon singing When I’m 64 to Claudia.
c. 2014 K Durkot
I don’t know how to review seeing Paul McCartney in concert on July 5, what turned out to be the first stop on the US leg of his current tour. Want a review? Here’s one by Greg Haymes, and here’s another one by Greg, who I happened to see before the show, and I’d say they are pretty darn accurate.
Also saw Karen, one of my oldest friends, a Beatlemaniac before I was by a few weeks, and that was fab. (Sorry.) The Daughter and I took the CDTA down and back, and THAT was actually worked out almost perfectly.
So let me do a song-by-song musing:
Eight Days a Week – Karen saw his performance at Frank Sinatra School of the Arts last October, a highlight of her life, and he opened with that here as well. The Daughter (L) was so excited; this is the moment it became real, that she has actually seen a Beatle in person.
Save Us – a new song, the one with the line about “heat of the battle”. Enjoyable. I need to listen to that NEW album again.
All My Loving – The Daughter was in heaven.
Listen to What the Man Said -while I turned L on to a lot of Beatles’ music, I haven’t done nearly as good a job with Paul’s Wings and solo career. It was after this when Paul McCartney took off his electric-blue blazer and noted, “That will be the only wardrobe change of the evening.”
Let Me Roll It – it was at the end of this song (I believe) when the band segues into some Hendrix, after which Paul tells this story about Jimi hearing Sgt. Pepper, the title song, and playing it two days later, but asking Eric Clapton, who was in the audience, to tune his guitar; Clapton demurred.
Paperback Writer – some artwork by Richard Prince, an artist who lives in this area on the background screen. Among them were the nurses’ paintings.
My Valentine – his one new song on his 2012 album of standards, dedicated to his third wife Nancy. Later, L and I had this conversation about how often celebrities get married. But, I explained, “his first wife, Linda, died!” She knew of Heather, wife #2, from Dancing with the Stars.
Nineteen Hundred and Eighty-Five – even though L didn’t know it at all – I REALLY need to start with the Band on the Run album – she got into the uptempo sections of this.
The Long and Winding Road – the last song on Beatles #1s, which I gave her when she was five, to start the Beatles brainwashing.
Maybe I’m Amazed – the guy who was sitting on the other side of me was having a religious experience. It’s my favorite too, dedicated to Linda. No songs dedicated to Heather.
I’ve Just Seen a Face – after L and I saw the movie Help in 2009, I gave her a copy of the Help! album. (Yet because I grew up on the US LP, I STILL associate it with Rubber Soul.)
On My Way To Work – an impromptu addition to the setlist, unknown to the techies
We Can Work It Out – L’s second- or third-favorite Beatles song
Another Day – always thought this was a dopey song, but it’s better live
And I Love Her – I’ve long thought that, while Sgt. Pepper and Abbey Road were major accomplishments, putting out the songs for A Hard Day’s Night in the midst of Beatlemania was amazing. Probably the second album the Daughter received.
Blackbird – by this point, he’s solo on the stage, in this forestage that rises as he sings. He tells the familiar tale of writing this during the Civil Rights struggle, particularly in the American South.
Here Today – his song remembering John Lennon. When I first heard it, on the 1981 Tug of War album, I thought it was a bit cloying, but after seeing his 2009 concert in New York City on ABC-TV, which I subsequently got on DVD, I found it amazingly affecting, and I did so again.
Queenie Eye – L and I liked this new song, but it may have gotten the most tepid applause of all his songs.
Lady Madonna – love that psychedelic piano. There were pictures of women and girls throughout on screen, from Marilyn Monroe and Ella Fitzgerald to Anne Frank and the Mona Lisa.
All Together Now – this is a silly song, but the cartoon graphics onscreen were quite appropriate
Lovely Rita – at this point, L is hungry. Actually, she has been for the last several minutes. We squeeze past the other patrons and go down to the concession, where she opted for fried dough, with powder. I decide going back to our seats with this treat, while allowable, is not optimal. So we watch the next several songs from the large screen.
Everybody Out There – you know, he looks very good for 72. The left eye is slightly droopy, perhaps, at least on the big screen.
Eleanor Rigby – another of L’s favorites.
Being for the Benefit of Mr. Kite – missed the laser light show, apparently. Love that he does a John song.
Something – Paul tells the story about being at George’s place and George playing the ukulele, so Paul starts the song playing a uke.
Ob-La-Di, Ob-La-Da – L thinks it’s “weird” that I’m writing down all the songs we heard. That’s OK, I think it’s weird that she’s watched that Disney teen beach movie more than once.
Band on the Run – we return to our seats. This song has been mildly spoiled for me ever since I heard side two of THE SPASTIC PHONO BAND, “WINGS UNDER JAPAN”, a parody of Paul’s 1980 marijuana bust. I’m sure that the song came out before John died. (Go to www.blotto.net, click on MP3s, then AUDIO.)
Back in the U.S.S.R. – Paul talks about going to Russia and finding officials who bought Beatles records, learning to speak English in the process.
Let It Be – I notice throughout the audience little white lights swaying to and fro.
Live and Let Die – I tell L that this might be a little scary. The song starts off a bit meh, and suffers from the terrible line, “But in this ever-changing world in which we live in.” But then the pyrotechnics come! My stars! I’ve seen it on TV several times before, but there is nothing like this live. L held my arm tightly; after she got over the initial fear, she really liked it.
Hey Jude – the usual ending, with him asking the guys then the “girls” to sing by themselves the “na na” parts.
He returns for the ENCORE, carrying a large American flag on a pole, while others had a New York State flag, and a UK Union Jack.
Day Tripper – another of L’s favorites, and mine.
Hi, Hi, Hi – Paul reminds us he means a natural high.
Helter Skelter – Paul plays this a LOT in concert. I think he wants to be seen as a real rocker, not the guy with just the sweet songs.
Golden Slumbers/Carry That Weight/The End – another failing on my part; L does not recognize the closing suite from Abbey Road!
As I suggested, a great, magical night. Happy am I.
And interesting how much of this show is different from the setlist of that aforementioned 2009 show. That suggests that he’s not just mailing it in, which was pretty evident by his energy and demeanor.
He was an iconoclastic fellow, that Frank Zappa was. The Wikipedia described him as “an American musician, bandleader, songwriter, composer, recording engineer, record producer, and film director.”
Here’s a 16-minute segment from 1963 with Steve Allen, a talk show host formerly on the Tonight Show, featuring a then-unknown musician playing a most unusual instrument. The sounds are early indicators of Frank’s musical direction.
I learned about Frank Zappa originally because he was usually represented on those early Warner Brothers Loss Leader compilation albums (two LPs for two bucks) in the late 1960s and early 1970s, often on the fourth side, where his unconventional music wouldn’t turn off the less adventuresome listener. There was even a special Loss Leader, ZAPPÉD, “a single disc featuring acts on Frank Zappa’s Bizarre/Straight labels.” Many of his songs in that first period were as a part of the group The Mothers of Invention. One of his best-known songs, from one of those albums, is the instrumental Peaches en Regalia [LISTEN].
He was not at all a chart-topper, but his influence led to his selection to the Rock and Roll Hall of Fame in 1995, posthumously, for he died in 1993 of prostate cancer just before his 53rd birthday, the same disease that killed my father.
His two top 50 hits in the United States [LISTEN] were: Dancin’ Fool (#45 in 1979) Valley Girl (#32 in 1982); it featured Frank’s daughter Moon Unit Zappa on vocals.
I won’t share with you his other Top 100 song, or indeed some of his other non-charting singles. I WILL say that the line “Now is that a real poncho or is that a Sears poncho?” in context, in Cosmik Debris, is one of my favorite lines in pop music.
In recent years, Zappa Plays Zappa, an American tribute act led by Dweezil Zappa, Frank’s eldest son, has been touring. For the curious, LISTEN to about an hour of Zappa Plays Zappa.
I’d written this really LONG blog post, so long that it ended up in two parts, and it was emotionally exhausting. So I took a nap. Napping is not something I do well. Often, waking up, I feel more tired, or disoriented.
