Watching the Emmy Awards recently, well after they aired, I noticed that they introduced the presenters with a variety of television theme songs. This got me thinking about how much I loved TV theme songs, at least from the 20th century, when I could easily identify them.
In fact, I have seven CDs called Television’s Greatest Hits. Each disc has 65 TV themes, starting with kids’ shows and then sitcoms, dramas, and the like.
My favorite TV theme songwriter is Mike Post, who turned 80 in September 2024. I instantly recognized several he wrote or co-wrote when I played the themes. A few hit the pop charts. The shows I watched are in italics.
“At the peak of his career, Post was the go-to composer for all of the series created by Donald P. Bellisario, Steven Bochco, Stephen J. Cannell, and Dick Wolf.” You can tell because you see some of the same actors appearing in different shows. Some of the music is slightly repetitive, but overall, it’s still enjoyable. Even the themes of shows I never watched, I nevertheless recognize.
“A desire to ‘try something hard’ is what led legendary television composer Mike Post to make the first all-originals albums of his 60-year career.
“Message From the Mountains & Echoes of the Delta, which came out in April, was just that for the composer. Post was part of the Wrecking Crew as a teenager, won the first of his five Grammy Awards at age 24.”
More about Mike Post, including his roots in the Wreckling Crew, plus the Music History Project interview.
What Now? with Trevor Noah: Have We Missed The Message?Bestselling author Ta-Nehisi Coates joins Trevor and Christiana to discuss his new book about how the stories we tell, and the ones we don’t, shape our realities. They also unpack the jaw-dropping CBS interview that followed the book’s release, and our elusive search as a people to see the humanity in others.
The Capital Region of New York State will become home to a national semiconductor research center, a major part of the federal government’s effort to boost the semiconductor industry in the United States.
NAICS Changes Will Begin to Be Reflected in the Census Bureau’s Economic Surveys and Programs. Impact of Changes to the North American Industry Classification System. You may be amazed at how interested I am in this particular geeky subject.
Intimacy Coordinators Unanimously Vote to Join SAG-AFTRA
I have written very little about the topic of the election because I have nothing fresh to say. I’ve read seemingly every single analysis of who’s to blame and what the what is the turning point, blah blah blah. It’s kind of overwhelming and, frankly, a little exhausting.
It’s also true that I’m having difficulty writing anything else, even putting together a links post. Most of the items I’ve posted of late were previously created. I have five blog posts in some form of draft, which is terrible for me because I can’t finish anything. It’s not that I don’t know what I want to write; I just can’t find the energy. I am dumfungled.
I’m sad about the passing of Nancy Frank, our church’s organist emeritus. A group of us will be honored to sing at her funeral on Saturday at 2 p.m. I’ll certainly write about her afterward; writing obit-like pieces should be limited to once a week.
Still, I will recommend Jon Stewart on djt’s win and What’s Next w/ Heather Cox Richardson | The Weekly Show, specifically: 18:14 – Comparison to Steve Bannon’s takeover of Breitbart 21:20 – Groups of voters, motives, and strategies; and 40:40 – Reactionary Movements 41:53 – Propaganda vs. Reality. “Hero is somebody who keeps trying to do the right thing, even when they know the walls are closing in… we can all do that.” Oh, and Last Week Tonight With John Oliver for 11/10/2024.
BILL KENNEDY
Probably the highlight of the month thus far was participating in the 2nd Annual William Kennedy Marathon Reading on November 7, starting at 11 a.m. at the Albany Distilling Co. The reading was of the 1978 novel Billy Phelan’s Greatest Game, “an odyssey through the speakeasies and pool halls of Albany’s grimy and glittering underworld.”
I got to see Mike Huber and Paul Grondahl from the New York State Writers Institute. Bill Kennedy came during the fourth speaker and sat up front. He seemed to appreciate the readings by the 5th (me) and 6th (Frank S. Robinson) readers.
MUSIC
The entirety of Stevie Wonder’s Original Musiquarium I, featuring the hits plus four then-new songs
By kind permiission of SMBC Comics. “Fixing Social Media”
The Sunday Stealing meme continues to steal from 200 questions.
Hobbies I’ve learned from a friend
Do I have hobbies? I suppose genealogy is a hobby, but I don’t know who I learned it from. My cousin Lisa’s much more into it than I am, and I probably picked up a few things from her, but my quest started separately. Back in the olden days, when I used to read comic books, I would blame that on my OLD friend Uthaclena. When I was a kid, I used to collect coins and stamps, but I don’t know who I learned those things from
My physical activity preferences
Earlier this week, I was walking down the street. This woman, who I did not know, said, “I haven’t seen you on your bicycle for a while,” which is true. I used to ride it all over the city limits. Somehow, I didn’t pull it out of the shed in 2023. In 2024, I told myself I should take it to the bike shop and get it fixed up, but the one closest to me, the Down Tube, closed recently, and I haven’t gotten around to schlepping it to another place to get it tuned up. Maybe I will do that before the end of the season, which is coming to a rapid close. Meanwhile, I walk.
MUSIC
Music I think is essential for everyone to hear.
I don’t think there’s any music that is essential for everyone to hear. I can tell you what I’ve been listening to recently. The Rascals had an album called Freedom Suite, and the first song was America The Beautiful. I also just listened to Dave Brubeck’s Time Out album, which has the unexpected hit Take Five. Randy Newman’s Political Science is something I’ve loved for years. Fleetwood Mac’s Go Your Own Way always seems to have an effect on me, as does the Beach Boys’ Until I Die.
Something I have to relearn every time I do it
Most things of an even minor mechanical basis baffle me. For instance, there’s a step ladder in my office as we speak, which I can put up, but I have the darndest time closing up. My wife could do so in seconds. I was at church last week, and we were moving tables from one room to another for an event. Neither the guy I was helping nor I could figure out how to collapse the legs. So we ended up rolling the table with the legs extended because it was just easier.
When I start thinking about holiday season planning
I have no holiday season plans. It’s all random. My wife talks to her mother or brother, and something develops, but an extended plan doesn’t exist.
Quirks & preferences I have about writing letters
I used to love writing letters. I still have a whole bunch of letters that I’ve received from when I went to college in the early 1970s until the end of the ’80s. In the later period, I have even the letters that I wrote back; I used carbon paper to keep the copy.
READING
If I had to limit my reading to only three genres, I’d pick…
History, historical fiction, and nerdy nonfiction books mostly about music
When joining teams, would I rather lead or follow
It depends on what the team is and how good the leadership is. I like to find my niche in most communities. I only want to lead it if it’s being run so badly that I feel compelled to take over.
What’s my dream concert, and who would be performing
I’m sure I don’t have a dream concert. Every concert I get to see always has something to recommend it.
The funniest, weirdest, silliest animal/pet I’ve ever met
I used to have a not-very-smart cat named Doris when I was in college. I used to say, “Doris, your mind is so porous.”
How has love changed for me over the years
We don’t have room for all that. Every relationship, romantic and otherwise, alters the trajectory.
A book, movie, or song that brings me a sense of peace
Every time I see a movie again, I see it differently. When I listen to music, I often hear it anew. I’m not sure “a sense of peace” applies. When I was involved in my Bible study, we read a lot of the Old Testament stuff, the war/ history section, which gave me no peace whatsoever.
NOMENCLATURE
Names I like but wouldn’t suit me.
I spent so much time establishing my name that picking another one doesn’t appeal to me. I spent time correcting the spelling of my first and last name; people put a D in Roger or an E at the end of Green. Several people would call me George because I think the letters in Roger and George are not dissimilar.
What’s a part of myself I’m still working to understand
Finding the balance between doing good for society and caring for myself remains challenging.
Something I love about myself today
I’ve mentioned this before, but it’s my power of observation of some mundane things. For instance, a few weeks ago, I was walking home. There’s a police station about a block and a half from my house, and a cop car was pulling out of the parking space and driving down the road. It was dusk, and I could barely see the vehicle, so I flagged the car down and told the driver to turn on his lights.
Here’s another edition of The Titles Are The Same, But The Songs Are Different. The sentence Call Me can be taken at several levels of suggestiveness, as these tracks suggest.
Blondie, #1 pop in 1980. Interestingly, Blondie made other charts with different songs. The Tide Is High went to #3 on the adult contemporary charts, while Rapture went to #33 in the R&B charts in 1981.
Aretha Franklin, #13 pop, #1 RB for two weeks in 1970. Aretha wrote this.
Johnny Mathis, #21 pop in 1958. Mitch Miller produced the song. And if you know who Mitch Miller is, you’re likely of a certain vintage.
Chris Montez, #22 pop, #2 AC in 1966. Weird: I know this song, but not by this artist. The fact that it was written by Tony Hatch was a big hint. Petula Clark recorded it on an EP in 1965, but it failed to chart anywhere except Argentina.
Skyy, #26 pop, #1 RB for two weeks in 1982. Very dancable.
Tweet, #31 pop, #9 RB in 2002. Co-written by Missy Elliott, and produced by Timbaland.
Click, #35 pop in 1997. To my surprise, I had heard this before.
Dennis DeYoung, #54 pop, #5 AC in 1986. Written and produced by the singer. This is ALSO so eighties.
Too Short and Lil’ Kim, #90 pop, #30 RB in 1997. This is the NON-explicit version? Er, ah…This is from the 1997 movie Booty Call starring Jamie Foxx.
Variations
There’s also Call Me (Come Back Home) by Al Green, #10 pop, #2 RB for two weeks, which my Top Pop Singles book lists separately. No, he’s NOT my cousin, though I have made jokes to that effect.
Over a dozen other songs start with the words Call Me in the title. At least two reached the Top 10 in the rock and roll era, Call Me When You’re Sober by Evanescence, #10 in 2006, and the ubiquitous Call Me Maybe by Carly Rae Jepsen, #1 in 2012.
In 1910, Ada Jones and the American Quartet hit #1 with Call Me Up Some Rainy Afternoon, written by Irving Berlin. Ben Selvin hit #9 with Call Me Darling (Call Me Sweetheart, Call Me Dear) in 1931; the billing notes The Cavaliers, and the vocalist is Orlando Roberson.
The movie
There is a 1988 movie titled Call Me, directed by Sollace Mitchell, and starring Patricia Charbonneau, Stephen McHattie, and Boyd Gaines. Since there are over 900 movies and TV shows with the words Call Me in the title, I had to search for it by plugging in Boyd Gaines, who I vaguely remember from “a three-year (1981-84) stint as Mark Royer, the dental student who married Barbara Cooper (Valerie Bertinelli) on the long-running CBS sitcom ‘One Day at a Time.'”
As for the film, “A journalist agrees to meet an obscene caller at a bar, and ends up witnessing a murder.” The tagline: “He knows everything she never knew about herself. He could be everything she ever wanted . . . or feared!”
The IMDb is 5.3 On Rotten Tomatoes, there are two negative critics’ reviews, and the audience response was only 20% favorable. Still, some people sort of liked it. One viewer, giving it 2.5 stars out of five, acknowledged, “I am not entirely sure it completely makes sense, but it did keep me watching. ” One could rent or buy Call Me on Fandango at Home, Prime Video, or Apple TV, not that you should.
Last week, my church had a First Friday concert featuring a jazz instrumental quartet. One of the last songs they performed was Killer Joe, and I knew I had a version of that song with a vocalist. But I couldn’t initially recall on what album.
Then it occurred to me that it was on Q’s Jook Joint, the 1995 album by Quincy Jones; that track featured Töne Löc, Queen Latifah, and Nancy Wilson (the jazz artist, not the Heart member). One of the people with whom I was talking also had the album.
Soon afterward, I heard that he passed away. As the Los Angeles Times put it, he “expanded the American songbook as a musician, composer, and producer and shaped some of the biggest stars and most memorable songs in the second half of the 20th century.”
“The music producer has been a cornerstone of the music industry since his early beginnings as an 18 year old in Seattle, performing as a trumpeter and arranger for various jazz bands around the area.”
Quincy was always a major force in my life, even before I knew who he was. His previous album, Back On The Block, from 1989, featured various artists I mentioned here.
He wrangled all the artists in the all-star recording of We Are The World, the 1985 charity record for famine relief in Africa. The same year, he scored and co-produced the movie The Color Purple.
The Gloved One
Q produced the massively successful Michael Jackson albums Off the Wall, Thriller, and Bad. Audio interviews with Jones are included in the 2001 special editions of the albums. Q called Eddie Van Halen to ask to play on Thriller’s Beat It, but the guitarist hung up, assuming someone was pranking him. Q’s then-wife, Peggy Lipton, knew Vincent Price and helped get him for the title track.
Until much later, I did not know this. “Jones produced all four million-selling singles for Lesley Gore during the early and mid-sixties, including “It’s My Party” (UK No. 8; US No. 1), its sequel “Judy’s Turn To Cry” (US No. 5), “She’s A Fool” (also a US No. 5) in 1963, and “You Don’t Know Me” (US No. 2 for four weeks in 1964). He continued to produce for Gore until 1966, including the Greenwich/Barry hits “Look Of Love” (US No. 27 in 1965) and “Maybe I Know” (UK No. 20; US No. 14 in 1964).”
He worked with Ray Charles, Ella Fitzgerald, Frank Sinatra, Dizzy Gillespie, Sammy Davis Jr., Barbra Streisand, Helen Merrill, Stevie Wonder, John Legend, Andy Williams, and Sonny Bono, among many others.
His accolades are extensive, filling 18 pages in his 2001 autobiography, “Q.” You can read the pieces from THR, Variety, and the New York Times.