Titanic- that sinking feeling

Back to Titanic contains a mixture of previously unreleased recordings and newly-recorded performances of the songs in the film.


On the 14th of April, 1912, Titanic struck an iceberg on her maiden voyage and quickly sank. Many people were lost due to insufficient lifeboats. Yes, I know; everybody knows. Is there a non-war-related historical event more familiar than this? Not many.

Amazing what a little 1997 film can help to do. (Not that Titanic was the ONLY film on the topic, but was clearly the most successful.) It “achieved critical and commercial success. It equaled records with fourteen Academy Award nominations and eleven wins, receiving the prizes for Best Picture and Best Director. With a worldwide gross of over $1.8 billion, it was the first film to reach the billion-dollar mark, remaining the highest-grossing film of all time for twelve years.” And it was just re-released in 3D, which Roger Ebert reviewed.

I think it succeeded because it was a kitchen sink film that appealed to a lot of people. There was this love story that touched some, not so much for me. There were the class issues, which I found more interesting. There was the hubris of the boat builders, applicable in other settings. And then there was the disaster itself, which, if you didn’t think too much about the ACTUAL PEOPLE WHO DIED, was rather spectacular. (SamuaiFrog revisits the film.)

Another issue was the music. I have the original soundtrack, composed, orchestrated, and conducted by James Horner, and I found it a bit too much of the same feel. But, I also have Back to Titanic, “which contains a mixture of previously unreleased recordings and newly-recorded performances of the songs in the film…Horner created a new suite of music, comprising light and dark sections from the score, which represents the ‘soul’ of his music for the film.

“In addition, several of the source numbers from the film were included into this second album. From ‘Nearer my God to Thee’ to the raucous pipe and drum rhythms heard in the Irish folk music played in the lower decks, these selections recreate the most poignant moments in the life and death of the great ship. ‘Alexander’s Ragtime Band’ was played on the deck by Wallace Hartley’s small orchestra and lifted spirits as the ship settled, lights blazing, into black oblivion. And ‘Come Josephine, in my Flying Machine’, which Jack Dawson briefly sings for Rose DeWitt Bukater and Rose sings when she is waiting to be rescued in the freezing seas. The song was a top hit song the year before the sinking.”

The second album, to my ear, is vastly better than the first, because it’s more eclectic, and frankly, more representative sonically of the film as a whole. Though I can avoid the bit when Celine Dion’s huge hit ‘My Heart Will Go On’ is interspersed with movie dialogue; that’s the reason for the skip button on the CD player.

See what Neil deGrasse Tyson got James Cameron to fix for the re-release of Titanic.
Then watch the video, which has nothing to do with Titanic, but a lot to do with my own growing up.

Pretty much everything you need to know about the Titanic.

Hallelujah (Chorus)

And He shall reign forever and ever,
King of kings! and Lord of lords!

The Roches, 1982
Flash mob, November 2010
Mormon Tabernacle Choir, Christmas 2010

Though Hallelujah (Chorus) is technically in the Easter section of the Handel Messiah, it’s often sung at Christmas as well.

Hallelujah! Hallelujah! Hallelujah!
Hallelujah! Hallelujah!
For the Lord God Omnipotent reigneth.
Hallelujah! Hallelujah! Hallelujah! Hallelujah!

For the Lord God omnipotent reigneth.
Hallelujah! Hallelujah! Hallelujah! Hallelujah!
Hallelujah! Hallelujah! Hallelujah!

The kingdom of this world
Is become the kingdom of our Lord,
And of His Christ, and of His Christ;
And He shall reign forever and ever,
Forever and ever, forever and ever,

King of kings, and Lord of lords,
King of kings, and Lord of lords,
And Lord of lords,
And He shall reign,
And He shall reign forever and ever,
King of kings, forever and ever,
And Lord of lords,
Hallelujah! Hallelujah!

And He shall reign forever and ever,
King of kings! and Lord of lords!
And He shall reign forever and ever,
King of kings! and Lord of lords!
Hallelujah! Hallelujah! Hallelujah! Hallelujah!
Hallelujah!

Storage media creep, dismal future, and what if Lincoln had lived

Would Lincoln have run for a third term?

Jaquandor, Buffalo’s favorite blogger, who answered so many of my questions that you’d think I was from New Jersey, writes:
(Sorry to be so late in the game with these!)

You’re not late. One can ask me questions anytime, though I specifically request them periodically. Hey, if anyone else has questions, ask away.

To what degree are you tired of “storage media creep” — meaning, the progression from LPs to CDs to MP3s or from VHS to DVD to Blu-ray to streaming?

I am EXHAUSTED by it. I rant about it periodically, especially when it leads to what I like to call W.W.C.T.G.Y.T.B.N.C.O.S.Y.A.O. (the World Wide Conspiracy To Get You To Buy New Copies Of Stuff You Already Own). This is why I 1) still have an LP player, a CD player, a VHS player, DVD player, and 2) don’t jump on the next technology bandwagon very quickly. I’m not going to get all of those newfangled things, because of cost and some incompatibility with each other. I do have music in the cloud – I have no idea what that means – but it’s mostly stuff I got from Amazon for free or cheap (Lady Gaga’s last album for 99 cents.)

And what do you think of the increasing sense in which when we buy something, we’re not getting ownership of anything for our money, but merely permission to use it?

It angers me. One library vendor decided, after the fact, that library patrons can only take out an e-book, I believe, 28 times, because that’s some average book circulation number. Then the “book” would cease to operate. It’s also true of library databases, where what’s available seems to change from year to year, not to mention soaring prices.

To this day, I get peeved around Neil Diamond’s birthday. I bought his CD, 12 Songs. Then I discovered that SONY had placed essentially malware on its own disc which prevents me from copying an album that I own onto my iTunes or other devices; indeed, I believe that even playing the album on my computer could damage the computer. So I must play it on a CD player. I read, well after the fact, that there was a recall, but I keep the disc as a reminder of corporate copyright overreach.

When you think of the long-term problems we face, which one(s) bother you the most from the perspective of your daughter having to be part of the generation that deals with them?

The environment, clearly. I think that the melting ice caps will mean catastrophic weather. Corporations will dupe people into thinking that hydrofracking is a good thing until some disaster that will make the BP oil spill look like lint on a new pair of pants. I also expect that there will be major wars in the 21st century over potable water, more so than fuel.

We may have already passed the tipping points on global warming, say scientists at the Planet Under Pressure conference. Worse. on March 19, Tennessee became “the fourth state with a legal mandate to incorporate climate change denial as part of the science education curriculum when discussing climate change… The ALEC bill passed as H.B. 368 and S.B. 893, with 70-23 and 24-8 roll call votes, respectively.”

How different do you think the post-Civil War era would have been had Lincoln not been assassinated?

Wow, this is SUCH a good question, because it’s so TOTALLY UNANSWERABLE. Which won’t keep me from trying.

Like an assassinated President a century later, I believe that Lincoln was evolving on civil rights issues. I can only wonder how he would have dealt with the Radical Republicans that drove much of Reconstruction in his absence. Would there have been compensation to slave owners that remained loyal to the Union? Would blacks ex-slaves have gotten their 40 acres and a mule, which Lincoln supported but which Andrew Johnson rescinded? If these two things had taken place, might some of the racial animosity that exists in America today have been better ameliorated?

And here’s yet another question: would Lincoln have run for a third term? I always thought he felt his destiny to serve. It was only tradition, not the Constitution, which barred it at the time. And he may have proved more tolerable terms for Southern states to re-enter the union, without the seceding states feeling totally demoralized. I think it was the quick end to Reconstruction that helped allow for the rise of the Ku Klux Klan, lynchings, and the like.

And I just had a debate with someone online about this, so I’ll ask your opinion: how much does the common usage of the phrase ‘begging the question’ bother you? This to me leads to a lot of interesting issues regarding how languages evolve. Thoughts?

It doesn’t annoy me. It has an ancient construction that most people don’t understand. Maybe because it involves “proof” and “logic”, and those are not elements of modern discourse. Politicians beg the question, in the classic sense, all the time.

Its more modern meaning, “raising the question,” the more pedantic complain about, and I can be rather that way, but not on this. Language changes.

I remember that my good Internet friend Arthur was complaining about those folks in the Guy Fawkes masks not knowing who Fawkes really was, or what he stood for. Didn’t bother me.

Whereas I’m still bugged by it’s/its, et al. And the word among no longer seems to be in use at all. I learned that it was between two, but among three or more, yet between is now being used to the exclusion of among. I’ve pretty much given up that fight.

Jaquandor, this begs the question (modern sense): what was the nature of the debate you were having?

Requiem of the week- Mozart

The last time I sang the Mozart Requiem was on September 11, 2002.

The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart is almost certainly the best known requiem, since its creation (and non-completion) was presented in the 1984 movie Amadeus. Here’s a segment in which Salieri helps Mozart write his Confutatis. Parts of the Requiem show up in some three dozen TV shows and movies, such as The Big Lebowski and Watchmen.

As noted in Wikipedia, it was “composed in Vienna in 1791 and left unfinished at the composer’s death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife’s death. It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death.

“The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie Eleison (choir) {used in commercials, too]
III. Sequentia (text based on sections of the Dies Irae):
Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir) [which almost always make me cry]
IV. Offertorium:
Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus:
Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio:
Lux aeterna (soprano solo and choir)”

It is clearly my favorite requiem, as it is one of the two scores I ever purchased so that I can sing along, the other being Messiah by Handel. I have sung this in performance at least thrice. Once was in the spring of 1985 for which I had a now long-long cassette recording. Another time was sometime in the mid-1990s. The last time was on September 11, 2002, when my friends Tim and Gladys, and I crashed the Albany Pro Musica performance to honor the first anniversary of 9/11. (Wasn’t REALLY “crashing” as such.)

Here’s the Wiener Philharmoniker performance, with those nice section breaks. And here are scores and more performances.

Requiem of the Week: Verdi

I have never had the chance to perform the Requiem by my cousin Joe Green, I mean by 19th-century composer Giuseppe Verdi, but I listen to it each year. The piece has an interesting history, with one segment initially written in honor of Rossini’s death, but the project was abandoned. Verdi then wrote the whole requiem in honor of another late colleague.

One can hear the whole piece HERE and I’m sure elsewhere. Probably the most famous segment is the beginning of the Dies Irae which has been used in films and on TV, as this extensive list of Verdi on soundtracks will attest.

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