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Most awarded songs #1

Top Pop Singles

Elvis Presley in Jailhouse Rock (Photo by �� John Springer Collection/CORBIS/Corbis via Getty Images)

I bought Joel Whitburn’s Top Pop Singles book recently. This is the 17th edition, very different from the previous iterations, most of which I’ve purchased since at least edition 12. For one thing, it’s broken into TWO books, one covering 1955-1989, and a second, to be published, for 1990-2022.

The previous version, covering 1955-2018, runs 1200 pages. The new one is 850. So what’s been added? Top 10 albums. The Pre-Rock Era hits of values, rhythm and blues, rock, and country.

Also The Most Awarded Songs. This covers a range of categories: ASCAP, BMI, RIAA, Rolling Stone magazine, plus Grammys and Oscars, and more.

150. You Are The Sunshine Of My Life – Stevie Wonder, #1 in 1973. Grammys, RS, RIAA. This is from the Talking Book album, which went to #3 for three weeks. Unsurprisingly, I own it on LP and CD. I was always taken by the fact that the first two voices are NOT Stevie but Jim Gilstrap then Gloria Barley.

149. Y.M.C.A. – the Village People, #2 for three weeks in 1979. Grammys, RIAA. I must own this on vinyl. This is a perennial at wedding receptions and other festive occasions. Incidentally, I was actually on the board of the Albany YMCA in the late 1980s. And I played racquetball there from 1983 until it closed in 2010.

The third of June

148. Ode To Billie Joe – Bobby Gentry, #1 for four weeks in 1967. Grammys, RS, RIAA. I belonged to the Capitol Record Club at the time, and because I did not send my negative option card back in time, I received the Ode To Billie Joe LP, which spent two weeks at #1. I still have it. Here’s a 2007 blog post I wrote, naturally on the third of June.

147. Le Freak – Chic, #1 for six weeks in 1978. Grammy, RRHoF. I have this on some compilation CD.

146. Papa’s Got A Brand New Bag – James Brown, #8 in 1965. Grammys, RS. There are over 100 hits in the book for the Godfather of Soul. When I was growing up, we used to get Jet magazine, put out by the same folks that put out Ebony. James ALWAYS dominated the charts in the 1960s, often with songs I had never heard. This song I have on the greatest hits CD.

145. Stayin’ Alive – the Bee Gees, #1 for four weeks in 1978. RRHoF, RS, RIAA. Of course, now known as the CPR song. From the Saturday Night Fever soundtrack, which spent 24 weeks at #1. I had it on vinyl at the time, and the son of my girlfriend at the time gave me considerable grief for owning a “disco” album. I now have it on CD.

144. Jailhouse Rock – Elvis Presley, #1 for seven weeks. Grammys, RRHoF, RS. My father hated Elvis, so my knowledge of Elvis was done rather surreptitiously. The video for Jailhouse Rock, from the movie, was oddly captivating. Now, I have the song on two different greatest hits CDs.

A seven-minute single?

143. Hey Jude – the Beatles. #1 for nine weeks in 1968. Grammy, RRHoF, RS. I actually have this on the single, the Beatles Again/Hey Jude LP (#2 for four weeks), and various CDs (Past Masters, blue album). This song ONLY went to #4 in the UK and #3 in Canada. Ken Levine is not a fan of the song.

142. Piece Of My Heart – Big Brother and the Holding Company, #12 in 1968. The Cheap Thrills album, featuring Janis Joplin, was #1 for eight weeks. Yes, I own that LP, as well as a Joplin greatest hits CD.

141.Sexual Healing – Marvin Gaye, #3 for three weeks in 1983. Grammy, RRHoF, RS, ASCAP. I hadn’t bought a Marvin Gaye album in a while. Then he moved from Motown to Columbia and put out the Top 10 album Midnight Love, which I bought. When Motown put out a Gaye boxed set, which I purchased, Sexual Healing was included.

I might not have gotten this book except that my MIL gave me a generous check for Christmas. I suppose I COULD have spent the money on paying bills, but that sort of violates the spirit of the gift, or so I’ve decided to believe.

Maladies Melodies Allergies

my second COVID booster

There’s a Paul Simon song that starts Maladies Melodies Allergies. I so relate.

My allergies to pollen and the like have been quite severe this season, the worst in years. They were so awful that every time my head hit the pillow at night, within five minutes, I would start to cough uncontrollably. Even trying to sleep with my head propped up wasn’t sufficient. One night I woke up four times, after about 90 minutes each time.

Finally, I started taking the generic version of Nyquil just so I could sleep for six hours in a row. It has a cough suppressant and a nasal decongestant. Likewise, my daughter suffers from seasonal allergies which affect her sleep. She actually stayed home from school a day last week, from sheer fatigue.

I decided that we should each take a home COVID test. As I expected, they were both negative. The other motivation for mine was that I was scheduled to get a second COVID booster. I understand that getting the booster while you actually have COVID is contraindicated. Incidentally, I had no bad reaction, as usual, as long as I didn’t lean my arm on the injection site.

We now have several COVID test kits, some from that time not so long ago when they were a bit difficult to come by. Now they are practically ubiquitous, which is good since I’ve used them a total of thrice in a week. The CDC guidelines in Albany County changed this past Thursday from GREEN to YELLOW, which means masking is no longer optional in church. So before Maundy Thursday and Easter Sunday, I took a rapid test.

Expiry

I was curious about the fact that all the tests we currently own have an expiration date of June 30. This article from Health News Hub states: “The Food and Drug Administration countered Centers for Disease Control and Prevention guidance by extending their expiration dates. The FDA says it’s OK to add three months to any expiration date printed on a test kit box. (The BinaxNow test kit received FDA approval for an extended shelf life after tests showed the kit components were effective for up to 15 months.)

“Beyond the extended expiration date, results are not reliable.”

Also: “Most manufacturers of at-home tests recommend storing the kits between 35 degrees and 86 degrees. The greatest threat now is delivery during the cold winter months. A test kit left for a day or more in your mailbox at frigid temperatures could freeze the liquid reagent inside a cartridge that comes with the kit, invalidating the test results.”

So, if you see me going into a coughing jag, it’s unlikely that I am spreading COVID, only hay fever. It’s because I’m going to be getting used to sticking a cotton swab up my nose for a while.

Oh, yeah, that Paul Simon song.

Watching the Oscars and the Grammys

movies and music

Because of scheduling dictated in part by COVID, the Oscars and the Grammys were on successive weekends. I watched them both in 30-minute chunks while riding the stationary bicycle. So not in real time; I’m too busy for that.

There was a point in the mid-nineties when I would listen to the radio at 8:37 a.m./5:37 a.m. Pacific Time, to hear the announcement of the Oscar nominations in the major categories. I’d then scribble them down frantically and quite illegibly. Of course, in a few years, I discovered I could find them on the Internet by 9 a.m. But it was exhilarating at the time.

Last century, I usually DID watch the Oscars live to the very end, or until I got too tired. I would record the program on my DVD or DVR, get up in the morning, and view it, making sure not to see/hear the news. If I don’t know the outcome, it’s new to me!

After I got to The Slap, about which everyone has an opinion, the show rolled on until Will Smith’s acceptance speech for Best Actor. And it took me two days to actually watch it. To my surprise, I was REALLY angry about this rambling half-apology – no playing-off music there.

Yay, CODA, 3 for 3!

Music

I’ve decided to watch the Grammys the last two years, in part as an archeological dig. Hey, I’ve at least I’ve HEARD OF the nominees for Record, Album, and Song of the Year. OK, I don’t know Daniel Caesar or Giveon, who were featured on Justin Bieber’s track Peaches, the live performance of which was the most bleeped of the show.

I know who Anderson Paak is because he appeared as a performer on The Daily Show with Trevor Noah in December 2018; yes, I looked it up. He’s now part of Silk Sonic with Bruno Mars. Mars’ song with Mick Ronson, Uptown Funk, was so ubiquitous in 2015 that even I had heard it quite often.

H.E.R. I know because she was on that Grammy tribute to Prince in 2020, and she’s a fine guitarist.

I actually own THREE of the Album of the Year nominees. The winner, We Are, is the second album by Jon Batiste that I own. The TV special of Tony Bennett’s 95th birthday concert with lady Gaga I found touching, so I got it . The other – don’t laugh – is Sour by Olivia Rodrigo, which I pretty much blame on my daughter playing it incessantly.

For Best New Artist, Olivia Rodrigo was the winner. I didn’t know Arooj Aftab, Jimmie Allen, Baby Keem, Arlo Parks, or Saweetie. FINNEAS is Billie Eilish’s brother and sometimes collaborator. Hasn’t Glass Animals been around for half a decade or more?

As for Japanese Breakfast, I actually heard of the book Crying in H Mart: A Memoir by Michelle Zauner on The Daily Show and CBS Sunday Morning. Oh, she has a band too?

Every year, Arthur links to these end-of-year video compilations. I asked him, which one is The Kid LAROI? So he wrote a post about him.

There are other artists I did recognize in some categories, such as The Black Pumas (saw on Sam Bee’s show). But most of the nominees I knew were relative dinosaurs like Foo Fighters and Paul McCartney.

Etc.

My, I HATED both of In Memorium segments because I couldn’t always read the names, as the cameras panned out to show the performers. It was particularly egregious at the Oscars. I liked the Sondheim medley at the Grammys, though.

WRGB, Channel 6 in Schenectady, the CBS affiliate, inserted a package of local commercials during the Grammy broadcast. Carrie Underwood was already singing. This is not the first time WRGB has muffed things like this.

I find myself more drawn to music than the movies these days. In no small part, it’s because movies, when I see them on TV or a computer, don’t seem… theatrical.

By contrast, what Batiste said in his acceptance speech is true. “It’s like a song or an album is made and it’s almost like it has a radar to find the person when they need it the most.”

I got that vibe as the Brothers Osborne closed out the Grammys with Dead Man’s Curve, as members of the audience, regardless of their musical genre were clearly grooving to the tune.

Freedom – Jon Batiste
Leave The Door Open – Silk Sonic
I Get A Kick Out Of You – Tony Bennett and Lady Gaga

I may try this again next year.

The John Rutter requiem

Rutter was born in 1945

I am a sucker for a good requiem. The John Rutter Requiem is one of my two favorites.

I’ve sung the Mozart, Faure, Durufle requiems, and probably a couple more. There’s often a certain pattern, to which the composer may add or leave out. The Wikipedia discussion is useful.

I must admit that the Verdi Dies Irae, a theme that shows up repeatedly in the piece, is both one of the most recognized and my favorite single two-minute musical pieces.

While I’ve never performed the Brahms German requiem, my former church choir has sung the fourth movement quite frequently, in English. One of my favorite people at my old church wants the choir to sing How Lovely Is Thy Dwelling Place at their funeral.

Published in 1985

Still, the Rutter as a whole touches me greatly. Requiem aeternam, the first movement, “opens with a steady beat of the tympani, to which instruments enter, first without a defined key.” And I think I like the musical uncertainty

The second movement, Out of the Deep, begins with a cello solo; I love a good cello solo. The voices join, and they’re low in the register as well. The text is from Psalm 130; I’ve learned that the text is commonly used at Anglican funerals. The quartet from my choir sang it in the autumn of 2021. Ultimately, this could be transformed into a blues piece, and I can hear it clearly that way.

Pie Jesu is the third movement, featuring the soprano, then the chorus. It includes the prayer to Jesus for rest.

The fourth movement, Sanctus, is ” a lively, and exclamatory movement which is brightly orchestrated with bells, flute, and oboe and occasional timpani recalling the passage in Old Testament scripture in Isaiah 6, and the worship of the six-winged seraphim in the heavenly throne-room of God.”

Choirs I’ve been in have performed The Lord Is My Shepherd, the sixth movement. The text, of course, is Psalm 23, scripture commonly used at many funerals.

Finally, Lux aeterna, for soprano and solo, “includes words from the 1662 Book of Common Prayer Burial Service (‘I heard a voice from heaven…’)”

The recording I own is this one.

1972: the Easter break

Kentucky State College Concert Choir

Robert Yates.Aaron Yates.Audrey — **Robert, Aaron, Audrey Yates on Easter Sunday (April 2), 1972 at 29 Ackley Avenue, Johnson City, NY, home of Les and Trudy Green**

In the 1972 annals, I had totally forgotten that the Okie came home with me for Easter break, beginning March 28. She drove us from New Paltz to Johnson City, near Binghamton. She met our family friends the Pomeroys.

The next day, we went to my old high school, Binghamton Central, and talked with my friend Carla [we’re still in touch] who yelled to me from a third-story window until a teacher closed it. Also, Amy H. [recently reconnected] and others [who I’ve lost track of]. Saw one of my favorite teachers, John Kellogg [RIP].

March 31 – My good friend Carol and her then-beau drove the Okie and me up old Route 11 from Binghamton to Syracuse to see the new movie The Godfather. [Was it not yet playing locally? Possibly.] Other films I had seen in March 1972: The Importance of Being Earnest; Gimme Shelter; Billy Jack; 2001: A Space Odyssey; and Performance, which I described as “weird”.

April 1 – My cousin Robert Yates, his wife Audrey, and their two-year-old son Aaron came to visit. Robert was my mother’s first cousin. But she was born in 1927, and he in 1946, so he was actually closer to my age. Robert, Audrey, my sister Leslie, and I went bowling at two different venues, in JC and the Vestal Plaza, a total of six games.

Easter Sunday

April 2- A bunch of returning college students, including me, were acknowledged at church. Inspired sermon by Rev. A.C. Bell. After dinner, lots of card games (whist, hearts) with Robert and Audrey, who returned to NYC that day, my parents, the Pomeroys, and me. The Okie also left for her parents’ house.

[Young Aaron was murdered – shot or stabbed, I understand – when he was 18 or 19. This devasted his parents, of course, but Robert became a great father figure, not just to his nieces and nephews, but to kids in the neighborhood. He died in 2016.]

April 3 – I was “supposed to meet some people @ Bing. Pub. Library… but no one showed. Someone mistaking me for an employee I assisted w/ card catalog.” [I did work there as a page two or three years earlier.] Saw familiar faces, including Vito [RIP, 1991], Michael Butler, Don Wheeler, and others.

Later, I interviewed my father for my economics paper.

April 4 – participated in a memorial for MLK, with participation by my church’s choir. Later, my mom’s bowling team won the championship. The US recognized Bangladesh.

KSCCC

April 5 – Adam Clayton Powell died yesterday, and baseball DIDN’T start today.

A concert by the Kentucky State College Concert Choir (KSCCC) was held at First Presbyterian Church. Rev. Roberts, the father of my HS friend Catherine Carson, gave the invocation. The Broome County Urban League officers, which probably included my father, were introduced.

“Guys in black tuxes with white shirts. Gals with pink blouses and light purplish long skirts. They sang four very beautiful classical numbers; I liked to listen to them with my eyes closed. Then a Slavic song and a chant-like song they had done last year. Males sing semi-spirituals and a female soloist sang an operatic song and another piece…

“Mom and I noticed that dad didn’t applaud at all for Motherless Child. Perhaps it means too much for him.” Someone announced that my sister Leslie “has won a scholarship to KSC.” [No, she did not end up going there.]

“Four spirituals with African drums… After the standing ovation, they sang Ain’t A That Good News (like it’s supposed to be sung) and The Battle Hymn of the Republic with a piano intro full of discords, which dad dug.”

Afterward, some co-ed seemed to be flirting with me, which was both awkward and nice. “Leslie auditioned sans choir as the audience like I had last year. [I have no recollection of that happening in 1971.] She sang a capella I Wish I knew How It Would Feel To Be Free rather well. She went with the KSCCC to a party at the Treadway Inn.”

Note that KSC, an HBCU, became Kentucky State University in 1972.