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1932 #1: Depression music

ten cents in 1932 is about two dollars today

Here are the songs that reached #1 in 1932 in the United States. From A Century of Pop Music by Joel Whitburn: “The record industry underwent an almost total collapse to the point of selling only six million discs in 1932 – compared to the peak of 140 million just five years earlier.”

The growth of radio, in addition to the economic woes, contributed to this phenomenon. Some of the songs reflect the difficulties of the era.

Night and Day– Leo Reisman with Fred Astaire. 10 weeks at #1. A song by Cole Porter from the musical The Gay Divorcee. I became much more familiar with the works of Porter after I bought the original Red Hot + Blue album in 1991. This song was also covered by Peter Sprague and Rebecca Jade on Planet Cole Porter
In A Shanty In Old Shanty Town – Ted Lewis and his band, 10 weeks at #1

Please – Bing Crosby with Anson Weeks and his orchestra, 6 weeks at #1
Paradise – Leo Reisman and his orchestra with Frances Maddux, vocals, 6 weeks at #1. From the film, A Woman Commands

We Just Couldn’t Say Goodbye – Guy Lombardo and His Royal Canadians with Carmen Lombardo, vocal, 5 weeks at #1

Paradise – Guy Lombardo and His Royal Canadians with Carmen Lombardo, vocals, 3 weeks at #1
All Of Me – Paul Whiteman and his orchestra, with Mildred Bailey, vocals, 3 weeks at #1. The song was written by Gerald Marks and Seymour Simons. It was given the Towering Song Award by the Songwriters Hall of Fame as a result of the countless covers, including by Frank Sinatra and Willie Nelson

Deuce

All Of Me – Louis Armstrong, 2 weeks at #1
Dinah – Bing Crosby with the Mills Brothers, 2 weeks at #1
Say It Isn’t So – George Olsen with Paul Small, vocals 2 weeks at #1. Written by Irving Berlin
Lullabye of the Leaves – George Olsen, 2 weeks at #1

Too Many Tears – Guy Lombardo and His Royal Canadians with Carmen Lombardo, vocal, 2 weeks at #1
River, Stay Away From My Door – Guy Lombardo and His Royal Canadians with Kate Smith, 2 weeks at #1
Brother, Can You Spare A Dime? – Rudy Vallee, 2 weeks at #1. From Wikipedia: “Written by lyricist Yip Harburg and composer Jay Gorney,… [it] was part of the 1932 musical revue Americana; the melody is based on a Russian-Jewish lullaby. The song tells the story of the universal everyman, whose honest work towards achieving the American dream has been foiled by the economic collapse.”
Brother, Can You Spare A Dime? – Bing Crosby, 2 weeks at #1

Reisman, Whiteman, Olsen were on Victor
Lewis, Armstrong, and Vallee were on Columbia, though I also found the Armstrong recording on Okeh
Crosby and Lombardo were on Brunswick, except the Kate Smith cut, on Columbia

March rambling: quotation marks

Support the Albany High School robotics team!

tractor_beam_2x — **From https://xkcd.com/2579/**

In a world-historic first, microplastics were detected in human blood

The Our World in Data COVID vaccination data

How American conservatives turned against the vaccine

The Lancet: Paul Farmer

Cameroonians fleeing conflict are in dire need of Temporary Protected Status – cf. Inside “the most diverse square mile in America”

What Caused the War? Ukraine and Russia in Historical Context

The Race to Archive the Ukrainian Internet

Ukrainian Actress Oksana Shvets Killed in Russian Rocket Attack

Non-war conflict

Hate and extremism

How did Christianity become so toxic?

The Interactive Theater of Ketanji Brown Jackson’s Confirmation Hearing

Addressing racial inequality in paid leave policy

Sara Jacobs, one of the youngest members of Congress, talks about sexism and ageism in politics.

Writing Women into History

Women in medicine are running up the wrong side of the escalator

Where Does the Religious Right Go After Roe?

Sojourner Truth’s Battle to Free Her Son from Slavery

Actor Tim Reid on addressing racial issues on WKRP in Cincinnati

Texas’ New Voting Law Disenfranchised Thousands Of Otherwise Eligible Voters

The Tangled, Messy Roots of Fake News, long before it became djt’s favorite term

Ginni Thomas demanded Congressional Republicans take the fight to overturn the 2020 election to the streets

John Bolton admits that ‘it’s hard to describe how little [djt] knows’

I Know There’s An Answer

Climate Change Brings Uncontrollable Wildfires

The Illinois town that got up and left

The 1950 Census is Coming: What You Need to Know

Timbuctoo Institute would build opportunities in the Adirondacks

About Those Gas Prices

Concert Tickets: Last Week Tonight with John Oliver

2021 County and Economic Development Regions Population Estimates for NYS

Luka’s mural

Jobfished: the con that tricked dozens into working for a fake design agency

“They’re called ‘quotation marks’.”

Phobias. Aibohphobia is the (unofficial) fear of palindromes. Hippopotomonstrosesquipedaliophobia is used to describe the fear of very long words.

The official Girl Scout cookie power rankings

The Result of a Rabbit Hole

Audience participation

A GoFundMe page for the Albany High School Robotics Team to compete at the FIRST Robotics World Championship in Houston, TX on April 20-23. They placed 2nd in the New York Tech Valley Regional Competition.

Four Open Seats on Albany Public Library Board in May 17 Election. Nominations are due to the Clerk of the City School District of Albany by Wednesday, April 27, at 5 pm.

New York Bike Census

Now I Know

The Biggest Bread Soup in the World and Why Are My Baby Carrots Always Wet? and The First Computer Bug and The Phone Booth in the Middle of Nowhere and Beware the Ire of Caesar and Which Came First, The Algorithm or the Pi? and World War II’s Pre-Email E-Mail

MUSIC

Livinliv – Aleksandr Shymko

Irish tunes

K-Chuck Radio: The musical tree of Ida Red and green songs

Holiday at Ferghana -Reinhold Gliere

Lullabye of Broadway from 42nd Street

Coverville: 1393 – John Cale and Velvet Underground Cover Story and 1394 – The Blink-182 Cover Story II and 1395 – The Smashing Pumpkins Cover Story II

Lydster: what to write on her natal day

To the degree that I know anything…

Back in the day, I would have gushed about my daughter, especially on her natal day. I might have noted how cute she was, and how lovely she is now. Perhaps I would indicate how much I’ve learned from her almost every day.

Her sense of justice has always been finely tuned. At least a decade ago, when the change from my pants pocket fell onto the bed, my wife would collect it. But my daughter thought my wife was stealing from me and ratted her out to grandma. Now, she is savvy about issues of racism, sexism, and other inequities.

I’m much more aware of looking at food labels because of her allergies, especially dealing with peanuts. She and I react almost exactly the same to everything from ragweed to cigarette smoke, which is to say, badly.

To the degree that I know anything about 21st-century music, technology, changes in language, and a myriad of other things is because of her.

But…

Here’s the thing, though. 1) She’s a teenager. 2) She sometimes reads my blog, especially on the 26th of the month. A bunch of platitudes would probably make her gag. She’s doesn’t think she was cute as a child. (N.b., she’s wrong.) If I say I love her, at best she’ll roll her eyes.

So frankly, I don’t know WHAT I’m going to write that doesn’t invade her privacy too much.

I can say this. She’s applied to about eight colleges. She got into most or all of them. Currently, she’s considering a couple of them and wants to make second visits to both before deciding.

Ah, heck. I’ll write what I want. It’s my blog, and if it wasn’t for her, there would likely not BE a blog. Here’s a story I’ve told before. When I got one of those baby books where one records her first tooth or first steps, I was TERRIBLE at using it. To be fair to me, her mother was no better than I.

So when I comtemplated starting a blog, I decided that I would write about my daughter at least once a month. And always on the 26th of the month, because. I might write about her MORE often, but that was the floor.

Since May 2005, I have managed to write about her every 26th, 203 times in a row if my math is correct. I’ll try to keep this up, but it might be more difficult. We shall see.

(Don’t tell her that I wrote how much I love her. She’d REALLY will roll her eyes.)

My daughter’s musical tastes

The day before a momentous one

I’ve noted that my daughter’s musical tastes include 1990s soul, developed without much input from me, though I approve.

She’s been involved in a few musicals at church, so she knows The Lion King. Her parents have let her know about West Side Story and Fiddler On The Roof. She discovered Grease on her own.

Recently, she’s been playing the Studio Cast Recording to the musical Six, about the six wives of Henry VI. The first song, Ex-Wives, repeats the bromide to remember their fates: Divorced, Beheaded, Died, Divorced, Beheaded, Survived. It could be useful in a history class.

Indeed, her affection for Hamilton, long before I was aware of it, has helped her in that manner. She knows who ran in the election of 1800, e.g. Likewise her knowledge of Assassins, the interesting Sondheim musical about people who killed Presidents, or tried to, has helped. Musicals aren’t history, of course, but they can be useful.

Her father, as noted, gave her Beatles #1s when she was five. So I was amused with one of those periodical articles, this showing up in the local paper, by a guy named Michael Gorelick. His commentary was titled “Fab Four music seriously flawed” The writer says nausea overwhelms him “three seconds after hearing a Beatles song.”

I would disagree, of course, as did at least four readers of the Times Union. But he did say one thing that was true of me. I used Beatles music to babysit my child, unapologetically. Compare Adam@Home.

More of the road trip songs

I’m continuing with songs she picked out on the road trip.

Take On Me -A-ha
No Scrubs – TLC
Stand Up – Cynthia Erivo. This is from the movie Harriet, which she did not see, but her parents did.

Jugaste y Sufri – Eslabon Armado ft. Danny Lux
Lover Is A Day – Cuco
Not Allowed – TV Girl
t r a n s p a re n t s o u l – Willow Smith ft. Travis Barker

Cupid’s Chokehold/Breakfast In America – Gym Class Heroes ft. Patrick Stump. I love that Supertramp album
Redbone – Childish Gambino
Moral Of The Story – Ashe. “You can think that you’re in love when you’re really just in pain.”
Daddy Issues – The Neighbourhood. Hmmm…

Albany Symphony: two Russian composers

Hannah Kendall

The Albany Symphony held a concert at the Palace Theatre in the city on February 12, featuring two Russian composers. My friend Lee was supposed to go, but he and his spouse were out of town. He gave us their tickets, and my wife and I went in their stead. We attended the pre-concert talk with conductor David Alan Miller and piano soloist Wei Luo.

The first piece was the 10-minute piece The Spark Catchers by the non-Russian Hannah Kendall (b. 1984). It was inspired by Lemn Sissay’s poem of the same name. It concerned the Bow Matchwomen’s Strike in East London of the late 1880s. Kendall was struck by the linguistic parallel of striking a match and a worker cessation.

The Spark Catchers as performed by Chineke! Orchestra c. 2020

This was followed by the Concerto for Piano No. 3 by Sergei (1891-1953) from 1921. In the notes, the initial section shows “everything a pianist is done: cross-handed work… crashing chords, reaches to both ends of the keyboard and staccato playing.” No wonder Wei Luo, dressed in a very shiny red outfit, presumably for Valentine’s Day weekend, got an ovation after only the first movement.

Prokofiev died the same day as Joseph Stalin, two days before I was born. Thus the news of the composer’s death was somewhat muted in the Soviet press. Or maybe it was that the Communist Party had censured his work in 1948, seeking a “new style,” whatever that means. Possibly they thought it was his beautiful melodies that had “become distorted, and conventional tonality gives way to harmonic dissonance.”

Piano Concerto No. 3. Martha Argerich at the Singapore International Piano Festival 2018

And tell Tchaikovsky the news

Pytor Ilyich Tchaikovsky (1840-1893) was one of the first composers whose work I could identify, first the 1812 overture, then the Nutcracker. I’m sure I have at least one recording of his Symphony No. 6, “Pathetique.” I did not know that he died nine days after the symphony’s debut, which the composer conducted.

His brother Modest blamed Pytor’s death on the composer drinking unboiled water during a cholera epidemic. But David Alan Miller doesn’t buy it. Was it suicide? The man was old before his time.

The second movement is in the unusual 5/4 meter. The theme of the third movement appears very early and it is very familiar to me. But doesn’t reach its full vigor until relatively near the end. It sounds like the end of the piece, and many patrons at ASO applauded. No, there is a fourth, slow movement that “fades away into nothingness.”

Pathetique, Symphony No. 6 in B Minor, Op. 74, Royal Philharmonic Orchestra with Yuri Temirkanov, conductor. Recorded in 1990