August Rambling

GayProf noted Perry when he wrote: “Numerous songs en vogue right now celebrate women consuming alcohol to the point of blacking out, hooking up, or hurling (not always in that order). ”

Because I was out of town, I managed to miss a couple of significant cultural anniversaries. One was the 50th anniversary of the first real Marvel superhero comic, the Fantastic Four, by Stan Lee and Jack “King” Kirby. Mark Evanier explains why it had a November cover date. Check out this hour-long Kirby documentary. And here’s a link to the intro to the FF TV show.


The other was the 100th anniversary of the birth of Lucille Ball. I watched most, if not all, of the episodes of every single one of her ongoing series, from the seminal I Love Lucy (1951-1957; 8.9 out of 10 on the IMDB scale), which started before even TV Guide and I were born but lives through the clever concept known as the rerun; to the star-studded (and too long, in my recollection) episodes of The Lucy-Desi Comedy Hour (1957-1960; 8.6); to The Lucy Show (1962–1968; 7.3), which was the one with Lucy as Lucy Carmichael, Vivian Vance (Ethel Mertz in the earlier shows) as Viv, and Gale Gordon as Lucy’s testy boss, Mr. Mooney.

Then there was Here’s Lucy (1968–1974, 6.8), where “Lucy Carter, a widow with two teen children [played her real kids with Desi Arnaz, Lucie and Desi Jr.] takes a job as a secretary for her stuffy brother-in-law [Gale Gordon, again.] Finally, there was Life with Lucy (1986; 6.0) “Lucy Barker, now a grandmother living with her daughter’s family” Gale Gordon also appeared in this show.

They declined in quality somewhat – Life with Lucy was particularly bad, as I recall – but if I didn’t quite LOVE Lucy, I liked the woman from upstate New York (Jamestown) quite a bit.

I believe this was Lucy’s favorite scene from her first series.

As you may have noticed, Katy Perry becomes the second artist, following Michael Jackson, to send five songs from an album to No. 1 on the Billboard charts, and during his birth month, no less. An accomplishment to be sure, though the charts don’t reflect the same level of sales they used to. (Similarly true of top-rated TV shows: the numbers are far less than they used to be.) Not incidentally, GayProf noted Perry when he wrote: “Numerous songs en vogue right now celebrate women consuming alcohol to the point of blacking out, hooking up, or hurling (not always in that order). “

In pictures of models, “there are women (and occasionally men) contorted into positions that, were you to see actual people in them, you’d find curious or peculiar or perhaps even alarming.”

Natalie Cole with the Allman Brothers. Check out the sidebar for David Crosby, Graham Nash, and others.

On Star Trek: The Next Generation, Data could reproduce the voices of humans with perfect fidelity. Brent Spiner can do the same with the voice of Patrick Stewart.

My new Kickstarter fave: Stripped is a documentary love letter to cartoonists and comic writers who’ve delighted newspaper readers for decades. Since 2008, 166 newspapers have shut down, leaving the future uncertain for many syndicated cartoonists. Amidst this industry upheaval, Stripped follows 60 cartoonists, including luminaries like Jim Davis, Scott McCloud, and Jeff Keane, as they navigate the uncharted waters of a new digital world.

Having seen the trailer for the Spider-Man movie reboot, I have no reason to actually see the movie. The first two movies with Tobey Maguire were great; even own them on DVD.
***

Two music legends died this month. Jerry Leiber of the songwriting duo Leiber & Stoller wrote more songs than just about any pop composer. Here’s a list of most of them. Listen to Big Mama Thornton singing “Hound Dog”, some four years before Elvis Presley. Also, hear Charlie Brown by the Coasters; coincidentally, Carl Gardner, leader of the Coasters, died a couple of months ago.

Nickolas Ashford, who died August 22, was the songwriting partner and husband of Valerie Simpson. Ashford & Simpson wrote songs for Motown artists, Aretha Franklin, and others, as well as performing themselves. Hear Marvin Gaye & Tammi Terrell do You’re All I Need To Get By. Also, here’s a song originally performed by Ray Charles, I Don’t Need No Doctor (live) by Humble Pie.

The Jerry Leiber Cover Story on Coverville.

The Salon story about Leiber and Ashford.

GOOGLE ALERTS

Roger with the hula hoop

Rollie Roger Green T-Shirt

Roger Green, the proprietor of Hair by Roger, said noise and vibrations from the work were spoiling the salon’s ‘peaceful environment’. A spokesperson from United Utilities said: “We are fully aware of the impact this scheme has had on the community…”

“The Black Boardwalk Cat is a distinctive animal that has acquired an unusual place in the hearts of many university employees and students,” said Roger Green, associate professor of political science and public administration.

Forgotten Book: THE THROTTLEPENNY MURDER, Roger J. Green. My contribution this week to Pattinase’s Friday’s Forgotten Books is a book I read in 1993.

Former Wisbech Mayor and Wisbech Standard editor, Roger Green who died in a road traffic collision on the A47 Wisbech bypass…. This particular Roger Green got a LOT of coverage.

September Ramblin’


There was this woman named Dottie Rambo, an American gospel singer, musician, and writer of over 2500 songs, who died a couple of years ago in a motor vehicle accident. I mention this because in her obit in an Italian online news publication, the accompanying picture is NOT Dottie Rambo. Who is it? Dottie’s given name was Joyce. There is a librarian friend of mine named Joyce Rambo, still alive, BTW; it is HER picture that graces the Italian obit, not Dottie’s.

A record producer plays the entire Beatles catalog on the ukulele; this video is only a sample.

The Apostrophe Song. For those who know the difference between it’s and its or you’re and your, and grimace when they see her’s. And especially for those who dont. I mean, don’t.

Playing for Change, Episode 34: Raghuvamsa Sudha. What do the letters in music stand for?

Vanessa’s wedding reception surprise. I HAD to post this because this IS my second favorite musical, after West Side Story. More about the couple.

Librarians will survive budget cuts.

NCC-1701 Pizza Cutter for your favorite Star Trek fan. And the video.

Star Wars TV Intro (Hawaii Five-O Version)
Star Wars TV Intro (Dallas Version)

And speaking of Dallas: Only one of the reasons I hate the Dallas Cowboys.

America Is a Joke article about Jon Stewart. “The worst of times for politics and media has been the best of times for The Daily Show’s host—and unfortunately things are getting even funnier.”

How to quit your job. OK, so it was just acting.

Did Christine O’Donnell make this PSA?


Are You a Comic-Con Dork?

“1,002 theatrical cartoons were produced by the legendary Warner Brothers animation studio in its heyday. This video, which is about the length of one of those cartoons, purports to feature one frame from each of those 1,002 cartoons.” Plus several iterations of the song The Merry-Go-Round Broke Down; if you’ve watched Bugs Bunny or his pals, you KNOW this song.

Explaining Fair Use Using Disney Characters. Not every use of copyrighted material is disallowed.

Disney Epic Mickey Mouse. Love the visuals.

Katy Perry Spoofs Canceled ‘Sesame Street’ Appearance on ‘SNL’, with a link to the original duet with Elmo

You may be familiar with the fact that Hollywood’s making a film about Facebook. Now, the Twitter movie.

Ken Levine says: They must really be out of stars for the Hollywood Walk of Fame!

The FOR COLORED GIRLS trailer from Tyler Perry. Looks intense. My sister read the book, but I never did.

Finally, Actors and Artists United for the Freedom of the Cuban 5, who I must admit I never heard of. “Danny Glover and Edward Asner, co-chairs of ‘Actors and Artists United for the Freedom of the Cuban 5’ made a call to their colleagues in the United States inviting them to add their name to a letter to President Obama encouraging him to issue an Executive Clemency order on behalf of the Cuban 5.

“A significant number of well-known actors and artists who responded to the call” include Susan Sarandon, Oliver Stone, Martin Sheen, Pete Seeger, Ry Cooder, Bonnie Raitt, Chrissie Hynde, Haskell Wexler, Graham Nash, Jackson Browne, James Cromwell, Mike Farrell, Elliott Gould, and Esai Morales.

From TV Show to Movie

This is just not a subgenre I inherently trust. These films get made because of their familiarity…

The A-Team picture is opening this weekend. I hardly ever watched the TV show, so the only reason that I’d even consider seeing the film is that it features Liam Neeson in the George Peppard role. On the other hand, it was not made available to critics, which is usually a sign that it will suck, though the early Rotten Tomatoes score was 53, not great, but not awful. The “Consensus: For better and for worse, Joe Carnahan’s big-screen version of The A-Team captures the superficial, noisy spirit of the TV series.”

It got me to wondering: how have movies made from TV shows fared? I’m not thinking of movies such as the X-Files or Sex in the City, which are essentially continuations of the TV series, generally with the same actors. I was thinking more of the reimaginings, with new actors and directors. I limited the list to the 21st Century, because, my goodness, there are a LOT of them! BTW, I ignored animation to live action (George of the Jungle) or things that went back and forth from movies to TV to movies (Robin Hood) or anything I never heard of, but if you think I’ve missed something, by all means, let me know.

Bewitched (2005)
RT score-24
Production Budget: $85 million
Total Lifetime Grosses
Domestic: $63,313,159 48.2%
+ Foreign: $68,113,010 51.8%
= Worldwide: $131,426,169
The foreign box office salvaged this one. Will Ferrell starred in this; he had a cameo in Starsky & Hutch. Steve Carrell, star of Get Smart, has a cameo here.

Charlie’s Angels: Full Throttle (2003)
RT score-43
Production Budget: $120 million
Total Lifetime Grosses
Domestic: $100,830,111 38.9%
+ Foreign: $158,345,677 61.1%
= Worldwide: $259,175,788
the huge foreign b.o made this sequel successful. The initial 2000 film cost less, made more money and reviewed better (RT-67)

The Dukes of Hazzard (2005)
RT score-14
Production Budget: $50 million
Total Lifetime Grosses
Domestic: $80,270,227 72.3%
+ Foreign: $30,799,288 27.7%
= Worldwide: $111,069,515
Despite scathing reviews, made money. I have to think it was, in large part, because of Jessica Simpson as Daisy Duke.

Get Smart (2008)
RT score-52
Production Budget: $80 million
Total Lifetime Grosses
Domestic: $130,319,208 56.5%
+ Foreign: $100,366,245 43.5%
= Worldwide: $230,685,453
I should see this.


The Honeymooners (2005)
RT score-14
Production Budget: $25 million
Total Lifetime Grosses
Domestic: $12,843,849 97.4%
+ Foreign: $339,577 2.6%
= Worldwide: $13,183,426
On the title track of Quincy Jones’ eclectic 1989 album Back on the Block, there’s a couplet offered up by Big Daddy Kane:
We shoulda got our freedom much sooner
You never seen a blackman on The Honeymooners

I have no knowledge of this, but I have to wonder if that sentiment was the inspiration for this quite unsuccessful remake with a predominantly black cast.

I Spy (2002)
RT score-15
Production Budget: $70 million
Total Lifetime Grosses
Domestic: $33,561,137 66.2%
+ Foreign: $17,171,808 33.8%
= Worldwide: $50,732,945
This Eddie Murphy bomb also featured Owen Wilson, who would fare better a couple years later in Starky & Hutch.

Miami Vice (2006)
RT score-47
Production Budget: $135 million
Total Lifetime Grosses
Domestic: $63,450,470 38.7%
+ Foreign: $100,344,039 61.3%
= Worldwide: $163,794,509
Colin Ferrell was in this and the earlier, and equally middling cop-based film, S.W.A.T., though S.W.A.T. had the better domestic gross.

Mission: Impossible III (2006)
RT score 70 (1996-57,2000-57)
Production Budget: $150 million
Total Lifetime Grosses
Domestic: $134,029,801 33.7%
+ Foreign: $263,820,211 66.3%
= Worldwide: $397,850,012
Interesting that the third film rated better than the predecessors in 1996 and 2000 (both 57), but the original and the first sequel were more profitable. this begs the question about the potential success of the fourth film, scheduled for release in 2011.

Star Trek (2009)
RT score-94
Production Budget: $150 million
Total Lifetime Grosses
Domestic: $257,730,019 66.9%
+ Foreign: $127,764,536 33.1%
= Worldwide: $385,494,555
Don’t know if I should count this one, given all of its cinematic antecedents, but it seemed to meet the criteria. Definitely need to see this film.

Starsky & Hutch (2004)
RT score-63
Production Budget: $60 million
Total Lifetime Grosses
Domestic: $88,237,754 51.8%
+ Foreign: $82,030,996 48.2%
= Worldwide: $170,268,750
This Ben Stiller film did better than I recalled.

S.W.A.T. (2003)
RT score-48
Production Budget: $80 million
Total Lifetime Grosses
Domestic: $116,934,650 56.3%
+ Foreign: $90,790,989 43.7%
= Worldwide: $207,725,639

So this is just not a subgenre I inherently trust. These films get made because of their familiarity, but often, the film is schlock, the box office is disappointing, or both. This is not to say that these movies are always a bust – http://www.imdb.com/title/tt0106977/ The Fugitive (1994) was a big hit commercially and critically, though the TV show based on the movie, which had been based on the TV show, was not.

I’m also wary of TV-to-TV remakes. I have oddly fond memories of Hawaii 5-0, and the remake this fall doesn’t excite me, not because it will necessarily be bad, but because it won’t be what I want from that brand. Still, I’ll check out the new version – maybe.

TV Fandom Meme

Please, Spock, do me a favor… and don’t say it’s `fascinating’

From Mr. Frog.

Pick five of your favorite shows, in no particular order, before you read the below questions, then answer them!

1. M*A*S*H
2. The Mary Tyler Moore Show
3. The Dick van Dyke Show
4. Homicide: Life on the Street
5. The Twilight Zone

Continue reading “TV Fandom Meme”

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