Odd that the V sign can signify both war and peace. From the Wikipedia:
“The V sign is a hand gesture in which the index and middle fingers are raised and parted, while the other fingers are clenched. It has various meanings, depending on the cultural context and how it is presented.
When displayed with the palm inward towards the signer, it has long been an offensive gesture in some Commonwealth nations. In the 1940s, during the Second World War, a campaign by the Western Allies to use the sign with the back of the hand towards the signer (U+270C ✌ Victory hand in Unicode) as a “V for Victory” sign proved quite effective.
During the Vietnam War, in the 1960s, the “V sign” was widely adopted by the counterculture as a symbol of peace. Shortly thereafter, it also became adopted as a gesture used in photographs, especially in Japan.
Bobby Vee was born Robert Thomas Velline in Fargo, ND on April 30, 1943. He died October 24, 2016.
From the Wikipedia:
“Vee’s career began in the midst of tragedy. On February 3, 1959… three of the four headline acts in the lineup of the traveling Winter Dance Party— Buddy Holly, Ritchie Valens, and the Big Bopper — were killed in the crash of a V-tailed 1947 Beechcraft Bonanza airplane, along with the 21-year-old pilot, Roger Peterson. (Dion DiMucci… had opted not to travel on the plane.) It crashed near Clear Lake, Iowa, en route to the next show on the tour itinerary, in Moorhead, Minnesota.
“Velline, then 15 years old, and a hastily assembled band of Fargo schoolboys (including his older brother Bill) calling themselves the Shadows volunteered for and were given the unenviable job of filling in for Holly and his band at the Moorhead engagement. Their performance there was a success, setting in motion a chain of events that led to Vee’s career as a popular singer.”
Take Good Care Of My Baby – #1 pop for three weeks in 1961, written by Gerry Goffin and Carole King
The B-side, which got to #2 pop, was Run To Him
The Night Has a Thousand Eyes, which went to #3 pop, #2 adult contemporary, and even #8 soul in 1963
Come Back When You Grow Up, #3 pop in 1967 with The Strangers