May 2015 - Ramblin' with Roger

May rambling #2: Leterman, and Vivaldi’s Pond

James Taylor interview by Howard Stern on May 12

You might want to bookmark this because it’s updated regularly: Who Is Running for President (and Who’s Not)? Most recently, it’s former New York governor George Pataki, who’s been out of office since 2006.

Obama To Posthumously Award “Harlem Hellfighter” With Medal Of Honor For Heroism on June 2, 2015. That would be Sgt. Henry Johnson, who I wrote about HERE.

On July 28th, 1917: Between 8,000 and 10,000 African-Americans marched against lynching and anti-black violence in a protest known as The Silent Parade.

“Playing the Race Card”: A Transatlantic Perspective.

The Milwaukee Experiment. How to stop mass incarceration.

The Mystery of Screven County by Ken Screven.

From SSRN: Bruce Bartlett on How Fox News Changed American Media and Political Dynamics.

Does Color Even Exist? “What you see is only what you see.”

The linguistic failure of “comparing with a Nazi.”

Vivaldi’s Pond by Chuck Miller.

Arthur is dictating the future, albeit imperfectly. Plus AT&T did a good job predicting the future.

Woody Allen On ‘Irrational Man’, His Movies & Hollywood’s Perilous Path – Cannes Q&A.

The Tony Awards for Broadway air on CBS-TV on Sunday, June 7. Some nifty theater links. Listen to songs from Something Rotten.

Lead Belly, Alan Lomax and the Relevance of a Renewed Interest in American Vernacular Music.

Trailer of the movie Love & Mercy, about Brian Wilson.

James Taylor interview by Howard Stern on May 12, in anticipation of Taylor’s new album release on June 16th, listen to HERE or HERE. A friend said, “it was Howard at his best. James forthright, thoughtful and plain honest.”

Why Arthur likes Uma Thurman by Fall Out Boy, besides the Munsters theme.

SamuraiFrog ranks Weird Al: 70-61.

For Beatlemaniacs: Spirit of the Song by Andrew Lind Nath.

The Day That Never Happened and Let’s Drop Beavers from Airplanes and Tater tots and termites.

Apparently Disney Used To Recycle Animation Scenes.

Muppets: Rowlf ads.

Of course, there’s a lot of David Letterman stuff. Here’s How Harvey Pekar became one of his greatest recurring guests. Articles by National Memo and Jaquandor. Or one could just go to Evanier’s page and search for Letterman.

EXCLUSIVE Preview: HOUSE OF HEM #1, a collection of Marvel comics stories written and drawn by my friend Fred Hembeck.

I love Rube Goldbergesque experiments.

GOOGLE ALERTS (me)

The Ranting Chef’s Two-Timing Number One.

I made SamuraiFrog’s This Week in Neat-O, which is kind of…neat. And Dustbury shared the same piece.

Dustbury on Procol Harum.

I suppose I should complain, but it’s so weird. Twice now in the past month, someone has taken a blogpost I’ve written and put it on their Facebook page. The person has kept a citation to my original post, which I imagine could be stripped as it gets passed along. But I’m so fascinated someone would even bother to do so that I haven’t commented – yet.

GOOGLE ALERT (not me)

Roger Green, Art Green’s grandfather, “was born and bred in Rangitikei, and ran the family farm, Mangahoe Land Company, during the 1960s until they put a manager on it in 1967.” (Arthur Green is in New Zealand’s version of The Bachelor.)

Music Throwback Saturday: Walk Away Renée

Linda Ronstadt and Ann Savoy recorded Walk Away Renée for their 2006 album Adieu False Heart.

There really WAS a Renée. From Wikipedia: The song Walk Away Renée was “written by the group’s then 16-year-old keyboard player Michael Brown (real name Michael Lookofsky), Tony Sansone and Bob Calilli… The song is one of a number Brown wrote about Renée Fladen-Kamm, then-girlfriend of The Left Banke’s bassist Tom Finn and object of Brown’s affection.”

The Left Banke version, which got up to #5 in the US in 1966, was their biggest hit. Pretty Ballerina, also about Renée, went to #15 US in early 1967.

Moreover, as Dustbury noted:

“I knew that Michael Brown’s unrequited love was a real person… but it never occurred to me that he was also thinking of a real sign that points one way.

“It’s at the intersection of Falmouth Street and Hampton Avenue in Brooklyn,” part of New York City.

The Four Tops recorded a version for their 1967 album Reach Out. The single “reached #14 on the Billboard Hot 100 and #3 on the UK Singles Chart in 1968.” Of course, they had several other hits.

For you US television fans, a bit of Hill Street Blues trivia. The cop Bobby Hill (Michael Warren) mentions loving the song Walk Away Renée, which he said came out in 1968. Obviously, as a kid, he was listening to a soul station and did not hear the Left Banke version in 1966, only the Four Tops version two years later.

I also own the version by Linda Ronstadt and Ann Savoy for their 2006 album Adieu False Heart, Linda’s last album of new material. “Their spare reading of the [song] brings the lyric’s ache into full relief.”

LISTEN to Walk Away Renée by
The Left Banke
The Four Tops
Linda Ronstadt & Ann Savoy

Sadly, Michael Brown, the Left Banke’s brilliant baroque-pop leader, died at the age of 65, back in March 2015.

Gary Brooker of Procol Harum is 70

My friends would muse about whether there really WERE 16 Vestal virgins.

Gary Brooker, the guy with the mustache, is the founder, keyboard player, and lead singer of the progressive rock group Procol Harum through its entire run (1967–1977, 1991–present).

I have three LPs by the group, all from 1972 or earlier. But I had a cassette greatest hits, which I absolutely loved before it wore out.

I now own a greatest hits album on CD which is a different collection. And it was on that disc I heard the song called Boredom, the B-side of the 1969 single The Devil Came From Kansas, for the very first time

It contains the lyrics:

Some say they will and some say they won’t
Some say they do and some say they don’t
Some say they shall and some say they shan’t
And some say they can and some say they can’t

This made me do a double-take, because I had written, many years ago, a song called Inconsistency, which rhymed “shan’t” and “can’t”.

“Brooker also toured with Ringo Starr’s All-Starr Band in 1997 and 1999.”

My favorite Procol Harum songs:

8. Whiskey Train (1969). This is just a hard-rocking tune that is different from what I associate with the group.

7. In the Wee Small Hours of Sixpence (1968, B-side of Quite Rightly So). Love the syncopation of the organ line.

6. Homburg (1967, #34 US, #6 UK).

5. Quite Rightly So (1968, #50 UK).

4. A Whiter Shade of Pale (1967, #5 US, #1 UK). The first big single. Vestal was a suburb of Binghamton, NY, my hometown. When I was 14, my friends would muse about whether there really WERE 16 Vestal virgins.

“In July 2009, [original Procol Harum organist] Matthew Fisher won a British court judgment awarding him 40% of the music royalties from 2005 onwards for 1967’s ‘A Whiter Shade of Pale’, which had previously gone 50% to Brooker for the music and 50% to [Keith] Reid for the lyrics.” Coincidentally, Fisher and I share a birthday.

3. Shine On Brightly (1968) Love this from the very first notes. Surprised it wasn’t a single.

2. Conquistador (1972, #16 US, #22 UK, with different B-sides). From Live In Concert with the Edmonton Symphony Orchestra. WAY better than the studio version.

1. A Salty Dog (1969, #44 UK). Maybe it’s a Pisces thing, but this song has viscerally affected me from the first hearing.
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Coverville 1080: Creedence Clearwater Revival and Procol Harum Cover Stories

John Fogerty is 70

Just last year, I wrote a lengthy piece about Creedence Clearwater Revival, a fine band. In it, I mentioned the continuing strife between lead singer/songwriter John Fogerty and the other living members of the group, plus his brother’s widow. As of December 2014, the lawsuits continue.

So I’m just going to link to some solo John Fogerty for his birthday number three score and ten:

With the Blue Ridge Rangers: Jambalaya (On The Bayou), #16 in 1973. This was #1 country hit in 1952 for Hank Williams.

Rockin’ All Over The World, #27 in 1975.

Almost Saturday Night, #78 in 1975.

The Old Man Down The Road, #10 in 1985.

Rock And Roll Girls, #20 in 1985. Its B-side,
Centerfield, #44 in 1985, was
honored by the Baseball Hall of Fame in 2010.

(All chart citations refer to the US Billboard pop listings.)
***
John Fogerty and Sawyer Fredericks on The Voice finale, May 2015, singing a CCR medley. BTW, Sawyer is the area kid who won the competition.

40 years ago: cleaning up after the cops

In light of all of the recent incidents involving young black men and the police in America, it got me wondering how I managed to luck out and largely avoid confrontations with them. Growing up, I have no specific recollection of dealing with police much at all. Of course, I was a “good” kid, but that didn’t always inoculate one from confrontation.

There a Facebook friend of mine, who’s about a decade older than I, who went to my church when I was a youth, who tells an ugly tale about him and cop, a doughnut on the ground not dropped by him, and the abusive language from the cop. And he was surely a “good” kid.

During some antiwar demonstrations, I do recall moving quickly to avoid teargas, or police on horses, or the like, but those were in mass demonstrations.

As an adult, most of my dealings with the police have been as a victim of crime: bicycles stolen, boom box stolen from work, my credit card compromised. Then there was that time when I found someone’s checkbook, called the guy, and had police at my door; didn’t like that.

The only police officer I knew personally, albeit peripherally, was a guy from my former church; I knew his parents far better. He seemed to be a nice guy.

But I spent the most time with police officers was when I was a janitor at Binghamton (NY) City Hall from about April to August 1975, after I had temporarily dropped out of college. I was pretty much invisible to the detectives, although there were a few snarky remarks, which I attributed less to race than my lowly position. And I swear some of them missed tossing things into the garbage cans, so they could make more work for me.

On the other hand, I was very fond of the captain. Sometimes, when my work was done, he’d invite me to sit in his office and chat. We’d talk about current events, how the city had changed over time, my plans for the future, and even how the police were perceived in the community. He seemed to appreciate my POV, and recognize that I actually had a working brain. I wish I could remember his name.

I like talking to the police in the right environment. A few months ago, three other Albany school parents and I talked with one of the assistant chiefs about the problem with the crossing guards near the schools; it was a productive chat.

In a few months, I’ll write about riding with some police officers.
***
When I think of the police, unfortunately, I always think of two not-so-affirming songs:

What Did You Learn In School? – Pete Seeger (written by Tom Paxton)
Police on my Back – The Clash (written by Eddy Grant)