The Lydster, Part 40: She Don’t Need No Education


This may be obvious to those of you who have had children, or who have worked with kids, but that wasn’t me. Even with five nieces, I didn’t see them nearly every day, so I’d failed to pick up the subtleties in their changing language skills.
For instance, in the last few months, Lydia has picked up the notion of the past tense. My wife, the English teacher, explained to me that, just by listening, they pick up the general rules, in this case, the -ed suffix. Then later, they, at least native speakers with people around them who give them examples of standard English, will pick up on the nuances in the language. So, I needn’t necessarily correct Lydia when she says throwed when she means threw, except to reply with the proper form. And I’ve noticed that this is working with growed and grew already. An interesting scientific laboratory in the home.
Meanwhile, she’s doing her numbers, though she seems to skip 14, for some reason. And she prints her name. The L she’s got down pat. The Y looks like an I with a little arrow quiver on the top. The D resembles a paramecium. The I is good. The A is fine, too, but then she augments it with little dots; maybe it’s an artistic statement.
As they say, Reading Is Fundamental. And we do read to her a lot. They are often the same stories, so that memorization often takes place. My favorite book to share with her is Madeline:
“In an old yellow house in old Paree”
“Paris!”, I’m corrected.
And later, I read “again” to rhyme with “rain”, and I’m corrected, well, again. One of these days, I’ll get it right. Or maybe not.
ROG

Michael Jackson’s Disease

This is a post I’ve been avoiding.

And it’s not as though I have some fatal disease, or even suffer any real physical ill effects at all. Every summer, when it first gets hot, I’ve been getting a little heat rash on my forearms for the last decade and a half, which usually goes away when my body acclimates to the heat. But for about the last 18 months, instead of going away, it just blanched out. I know my primary care doctor noticed it last July.

As it spread to my neck, legs and trunk, I got a referral to a dermatologist. But, of course, actually getting to a dermatologist usually takes a while. Meanwhile, it became very noticeable, to me, on the back of my hands. And this was the worst, for one sees the back of one’s hands a LOT. The cliche became untrue: I no longer KNEW the back of my hands.


Anyway, a couple days before my last birthday in March, the dermatologist confirmed what I had long suspected: I have vitiligo. It is an ailment of the autoimmune system. It’s not contagious. Though there is some correlation with some certain ailments of the liver, it’s not causal, and in any case, I took a blood test to eliminate that possibility.

The dermatologist said if I were an 18-year-old girl, then there may be some aggressive topical treatments to suggest, but since I’m “mature”, this would not be the game plan. He said I was mature? Oh, he’s talking about my AGE, not my disposition.

And it’s spread to my face, which I’d been really worrying about. But it’s been more even there, with an almost complete lightening, except for some dark patches under my eyes, which are partially obscured by my glasses.

Here’s the thing: when I started losing my hair, I wasn’t that vain about it. Going gray didn’t bother me. In fact, a few months ago, I got a bread trim and a hair cut, and more than one person said I looked 10 years younger. Interestingly, I didn’t care, certainly not enough to change my behavior. That I weigh more than I did is largely under my own control.

This event, though, has gotten to me. It’s mostly because it isn’t a change that I was anticipating. Also, because of the patchiness, especially on the aforementioned back of my hands, I feel more than a little bit like a leper.

If you read the hyperlink above, you’ll notice “How Can People Cope With the Emotional and Psychological Aspects of Vitiligo”. This is relevant, because, for a while, and even now from time to time, it has really messed with my head. In part, it’s because this ailment has become associated with some wacko pop star. In part, it’s because I LIKE my brown skin, and it’s been part of my identity for so long.

There are ways to hide the effects with makeup, but, bottom line, some days, it’s really made me rather melancholy.
ROG

I AM the Iron Lady

Dennis, are you at the gin again?
Which Annoying B-list Celebrity Are You?
Brought to you by Rum and Monkey.

It’s the librarian in me. Cartoonist Doug Marlette died recently, but he’s not showing up in Dead or Alive. The Pulitzer Prize winner was as least as significant as Kerwin Mathews, who “starred in the movie ‘The 7th Voyage of Sinbad’ and “had other swashbuckling film roles in the 1950s and 1960s”, who died on July 5; or Claudia Cohen, the “high-profile gossip reporter often seen on ‘Live with Regis & Kelly'”, who passed away on June 15. So, I’ve submitted Marlette’s name, so far unsuccessfully. Maybe if enough folks do it, they’ll change their minds. They’ve done it before with singer Ruth Brown, who they initially ignored.
***
In this worrisome article, an argument against the (mere) censure of the President suggested by Sen. Russ Feingold (D-WI) is made, whereas this piece says that censure is an appropriate “senatorial compliment to the burgeoning movement for impeachment.” I would support the censure.
But the main thrust of the former article is that there will be some self-generated trigger to send a population already primed for an attack on the “homeland” to war: Chertoff’s “gut feeling”, followed by a more stark “national intelligence estimate” (NIE) of the situation, compared with 15 months ago, to show that the intelligence community was “correct”. So, say, San Francisco is secretly attacked by our own government and this will justify an attack on, e.g., Iran? Very paranoid, I hope.
In any case, Mark Evanier, who linked to this article nailed it: “If [the new NIE is] right, we’re in for more terrorist attacks. Isn’t it comforting to know that either that’s true or the entire U.S. intelligence community doesn’t know what they’re talking about?”
***
A YouTube video called Led Zeppelin – Rip-off Artists. I like LZ, yet this, admittedly, is a hardly exhaustive examination of the appropriation of songs by the band.
***
ADD linked to a wonderful reminiscence of the glory days of local TV news in Albany by former anchor Ed Dague (the best news anchor Albany, New York ever had). This is almost certainly true. He justified the link in his mostly comic-related blog because I have a comment.

Scott answers my questions about God and baseball.

I provided 5 questions to a bunch of folks. Here are the replies from ADD and Greg and Johnny B and the person who gave me questions in the first place, Jaq.

Also, I did a meme, and at my request, Mrs. Lefty and Edwin and Gordon responded to it.

Those relationships I get, people I mostly don’t know, but I’ve read their stuff, and they mine. But I was looking at my Technorati thingy, and found that I got picked up by a couple aggregators, including this one. The Internet continues to fascinate and confound me.

Oh, speaking of Gordon, something I did a while ago and forgot about:

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***
Spam is 70. Possibly literally.

ROG

A Whuppin’

When I was growing up, we had an upright piano. I’m not sure why, because no one really knew how to play. (I took lessons when I was eight for about a year, but I was never particularly proficient.)

And, for reasons I no longer remember, it was painted some beige/tan/eggshell color. Maybe it was to cover up the discoloration or marks in the wood.

One day, when I was five, the piano was marked up with crayons. My father asked my sister Leslie, who was four, who had done it, and she said that I did. So, I got spanked. I kept denying my guilt, which angered my father, and I got spanked some more. Now this wasn’t by hand, but with this leather strap I guess was used for sharping razors, or whatnot. Eventually, through these denials, my father decided that either 1) I was stupid or 2) I really DIDN’T mark up the piano. So, he went back to Leslie, asked her again, and she finally confessed. Then she got got it, not only for marking the piano but for lying. But I got the worst whupping of my life for something I did not do.

Happy birthday, Leslie. Believe me, I understood and I forgave you long ago.

love,
ROG

Reasons To Be Cheerful, Part 2

Here’s the second part of that rambling roster of songs that I end up playing more than once at a time. This list is hardly exhaustive, as I probably played some singles to death in my youth. Or later (Ian Dury and the Blockheads’ Hit Me With Your Rhythm Stick comes to mind in the “later” category.) Also, I should note that there are some albums I almost never parsed, because they are of a piece: What’s Going On by Marvin Gaye immediately comes to mind. Also, I’ve been picking one per artist, though this doesn’t prevent me from picking a group and a solo artist from that group.

Drinkin’ Wine Spodee-O-Dee-Stick McGhee. Atlantic Rhythm and Blues: 1947-1974 was a seven double-LP set. This song is from 1949. (Incidentally, the box set is now eight CDs.)

White Lines (Don’t Do It)-Melle Mel and Grandmaster Flash. I still have that 12″ from 1983. Love the vocal, love the horns.

Words-the Monkees. When I got a greatest hits album from someone, I had forgotten about this tune with an insistent rhythm.

Cars-Gary Numan. One of the last 45s I ever bought. It’s that wowowowowowo synth before the drum.

For the Love of Money-the O’Jays. Long before Donald Trump co-opted it, I loved this tune. On greatest hits CD.

Love in Them There Hills-the Pointer Sisters. The last song on the eclectic That’s A-Plenty LP, it’s Philly soul. Used to listen to it in the dark.

Do What You Want To-Billy Preston. Starts off a bit slowly but builds up speed. From the That’s the Way God Planned It LP, produced by George Harrison, first song on the album. This does exist digitally, but, unfortunately, not in my collection.

Let’s Go Crazy-Prince. Sometimes, it’s the first song on the Purple Rain LP, other times it’s the seven-minute EP, but from the preaching in the beginning to the guitar solo near the end, one of my favorite songs ever.

A Salty Dog-Procol Harum. The vocal, the sparse instrumentation in the beginning, the drums. From a greatest hits LP.

Crazy Little Thing Called Love-Queen. Rockabilly Queen? From the greatest hits LP.

It’s the End of the World As We Know It-R.E.M. And I feel fine. From the Document CD.

Kicks-Paul Revere & the Raiders. The first anti-drug song. From a greatest hits LP.

I Am Waiting-the Rolling Stones. From the Aftermath LP, near the end. Beautiful chorus, rocking bridge. I like how they change up the vocal near the end.

Anyone Who Had A Heart-Linda Ronstadt. Written by Bacharach and David, and originally done by Dionne Warwick, I think it’s just quite beautiful. From the Winter Light CD.

Jerks on the Loose-the Roches. The last song on the Robert Fripp-produced Keep On Doing LP, it contains a message I repeat when a car tries to beat an ambulance through an intersection, or I witness some other foolishness: “Be on your guard; jerks on the loose.”

At the Zoo-Simon & Garfunkel. The last song on Bookends, another song that I know all the lyrics to. I have a friend in Austin, TX named Carol, who I’ve know most of my life, as we met in kindergarten. I specifically recall that in high school, she HATED this song. Also, Strawberry Fields Forever. (The things the mind recalls.)

Boy In the Bubble-Paul Simon. The first song on the Graceland album. There is also a six-minute version of this that starts with nothing but percussion that I’ve heard, but have never seen in digitized form that I covet.

Rubberband Man-Spinners. OK, a silly song, and even sillier at seven minutes, which I have on some LP, but I like it anyway.

I’ve Got a Line On You-Spirit. Rockin’, doubled guitar, first song on some LP.

East St. Louis Toodle-O-Steely Dan. From some LP, it’s Duke Ellington. As some comics guy put it, ’nuff said.

The Ostrich-Steppenwolf. Talked about this here.

Hot Fun In the Summertime-Sly & the Family Stone. With all the uptempo songs Sly did, it’s this stroll that I kept coming back to. From the Greatest Hits LP.

The Logical Song-Supertramp-Starts with a good bottom, then has great lyrics: “radical, liberal, fanatical, criminal”. The sax puts it over the top. Second song on the LP. The song that actually inspired the posts.

Love Is Like An Itchin’ in My Heart-the Supremes. Like many Motown tunes, lives on the bottom. A greatest hits CD I own has an extra 20 glorious seconds.

Take Me To the River-Talking Heads. I can’t sing like my cousin, Al Green. But if I ever did karaoke, and I never plan to, it would likely be this version I’d try to emulate.

Shower the People-James Taylor. It was the bass vocal harmonization in the latter stages of the song I liked to sing along with. First on some Warner Brothers Loss Leaders LP.

I Can’t Get Next to You-the Temptations. Producer Barrett Strong swiped this multi-lead vocal model from Sly Stone (so did Prince, on 1999, e.g.), and it’s never better than on this.

It’s For You-Three Dog Night. This cover of a song Lennon & McCartney gave away (to Cilla Black, I think). It starts a cappella, then has an instrumental bridge, then back to vocals only. When the instruments return, one can tell that the vocals are ever so slightly flat. I kept playing it, hoping somehow that I could will the pitch up. From their first, and best, LP.

Wilbury Twist-Traveling Wilburys. I’ve almost hurt myself following the detailed instructions. The shared vocals give it a particularly goofy flavor.

When Love Comes To Town-U2. I’ve hit the replay button so often, I can tell it’s the 12th track on Rattle and Hum AND on the best of album, 1980-1990. Start with that insistent drum start, B.B. King’s guitar playing. And while Bono’s vocals are fine, it’s B.B.’s that nail this song for me.

As-Stevie Wonder. The penultimate tune on Songs In the Key of Life, I was particularly taken by the totally different vocal on the “preach” section: “We all know sometimes life’s hates and troubles…”

When You Dance, I Can Really Love-Neil Young. Unofficially, a theme song for a college romance. From the After the Gold Rush LP, second side somewhere.

ROG

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