After intermission at Carnegie Hall on June 13, 2022, at a concert attended by my daughter and me, the Columbus [OH] International Children’s Choir performed. CICC is “an inclusive program that aims to empower children of all ages, races, and religions.” About a third of the participants appeared to be eastern Asian.
“CICC was formed by Tatiana Kats in 1998 as a small international ensemble consisting mostly of children of immigrants… The National Music Certificate Program recognized Tatiana as a ‘Founding Teacher… instrumental in establishing a national standard for developing musicians'” in the US. Before the intermission, this group was part of the mass choir singing the Mozart Requiem.
Tebe Poem by Aleksandr Dmitrievič Kastal’skij (1856-1926), spelled in the program Alexander Kastalsky. This version is by Calicantus Children’s Choir, 2020.
Ev’ry Time I Feel The Spirit, arranged by William L. Dawson. I have sung this version of this song since high school choir. Here’s the Colorado State University Choirs, 2019.
Northern Lights by Ola Gjeilo. This performance is by the National Youth Choir of Australia, 2017.
Why We Sing by Greg Gilpin. Sung here by a combined choir from Chandler High School, 2014.
Next up, the Trinity University Chamber Singers of San Antonio, TX, a well-regarded group under the direction of Gary Seighman. They also sang the Mozart Requiem beforehand.
Luminescence by Andrea Ramsey. Performed here by The University of Wisconsin Eau Claire Concert Choir in 2018.
If ye love me by Thomas Tallis. I’ve sung this perhaps a dozen times, maybe more often. This is the Cambridge singers, 2014.
Unclouded Day by Rev. Josiah K. Alwood, arranged by Shawn Kirchner. Listen to Cor Cantiamo, October 2017.
Finally, the Tara Winds Clarinet Choir, Dickson Grimes, founder, and director. The group was created in 2011.
Claribel by Roland Cardon. Hear CasinoKoksijde Claribel Clarinet Choir Guido Six Vzw from 2018.
The Commute by Nicole Chamberlain. Here is The Tarawinds Clarinet Choir at the 2019 ClarinetFest at the University of Tennessee at Knoxville.
Two Songs Without Words by Gustav Holst, arranged by John Gibson. The performance is by the Community Clarinet Choir, 2015.
Variations sur un Noël op. 20 Marcel Dupré: I couldn’t find a clarinet version, arranged by Matt Johnston, at all. There are tons of organ iterations, such as this one by Christian Barthen.
But as I’m listening to it, I think, “I KNOW this piece. But much faster!” So naturally, I asked Kelly. He said, “The Dupré piece is based on a French Christmas carol called ‘Noel Nouvelet.’ I know I’ve heard it before, but I don’t recall when! It has a definite ‘Gregorian polyphony’ feel to it.”
I found some versions of the carol, written in the late 15th century or early 16th century.
Choir of King’s College, Cambridge
This one has the musical notation