
To no one’s surprise, the #1 hits in 1964 featured the most famous pop band in the world, even today. Indeed, I wrote about the Liverpudlian dominance of the US charts on February 9, so I won’t link to either the Beatles’ hits or the Peter and Gordon song attributed to Lennon-McCartney.
Because I have the book Across the Charts: the 1960s, I can quickly see if any of these songs appeared on other charts besides the pop charts. Interestingly, The Beatles never did until Something landed at #17 on the Adult Contemporary charts.
I Want To Hold Your Hand – The Beatles (Capitol), seven weeks at #1, gold record
Can’t Buy Me Love – The Beatles (Capitol), five weeks at #1, gold record
There! I Said It Again – Bobby Vinton (Epic), four weeks at #1, five weeks at #1 AC. This was the first #1 of 1964.
Baby Love – the Supremes (Motown), four weeks at #1, three weeks at #1 RB, gold record. It is one of three Supremes songs, all written by Holland-Dozier-Holland.
Oh, Pretty Woman – Roy Orbison (Monument), three weeks at #1, gold record. Orbison went to England in 1963 and toured with The Beatles. This is the last song on the soundtrack for some Julia Roberts/Richard Gere flick.
The House of the Rising Sun – the Animals (MGM), three weeks at #1
Chapel of Love – the Dixie Cups (Red Bird), three weeks at #1. Composed by Jeff Barry, Ellie Greenwich, and Phil Spector
I Feel Fine – The Beatles (Capitol), three weeks at #1, gold record
She Loves You – The Beatles (Swan), two weeks at #1. As noted, its original failure in 1963 helped propel it when Beatlemania struck in 1964.
My favorite compilation album
I Get Around – the Beach Boys (Capitol), two weeks at #1; a gold record. The first song of theirs I owned is from a bizarre album called Big Hits From England & U.S.A., which I picked up from the Capitol Record Club. It was also when I first owned Can’t Buy Me Love; I had not yet purchased the A Hard Day’s Night soundtrack (United Artists) because it was too similar to the Capitol album Something New. It’s also how I got Peter and Gordon’s World Without Love.
Come See About Me – the Supremes (Motown), two weeks at #1, two weeks at #2 RB.
Where Did Our Love Go – the Supremes (Motown), two weeks at #1, ditto on the RB charts. Their first #1.
Do Wah Diddy Diddy – Manfred Mann (Ascot), two weeks at #1. Written by the legendary Barry and Greenwich
My Guy – Mary Wells (Motown), two weeks at #1, seven weeks at #1 RB. Smokey Robinson wrote this and the Temptations’ 1965 #1, My Girl.
A Hard Day’s Night – The Beatles (Capitol), two weeks at #1, gold record. I never saw this movie until after Let It Be came out, and I saw all four films, including Help and Yellow Submarine, in one sitting.
Rag Doll – the 4 Seasons (Phillips), two weeks at #1, gold record.
A single week at #1
Hello, Dolly – Louis Armstrong (Kapp), nine weeks at #1 AC. The artist that broke The Beatles’ stranglehold on #1 in the charts. Written by Jerry Herman.
Mr. Lonely – Bobby Vinton (Epic). Also #3 AC. He had a #1 in January and this in December; I do not recall either.
Everybody Loves Somebody – Dean Martin (Reprise), eight weeks at #1 AC, gold record. Every time I hear this song, I feel a little inebriated.
A World Without Love – Peter and Gordon (Capitol)
Ringo – Lorne Greene (RCA Victor), six weeks at #1 AC. A spoken word piece by the star of the NBC western series Bonanza that apparently had nothing to do with Richard Starkey.
Love Me Do – The Beatles (Tollie)
Leader Of The Pack – the Shangra-las (Red Bird), #8 RB. It was written by Barry, Greenwich, and Shadow Morton.
Here are the last weeks of Midnight Green. After I posted that Midnight wasn’t
A random dude on Facebook – I didn’t know him – wrote that he read on Facebook that the state of
The 
I’m sure he’s not gloating, but Dean Phillips was right. You don’t remember him, do you? He’s the guy who engaged in a quixotic campaign to be the Democratic nomination for President in 2023/24.