The return of Sunday Stealing

FBH

I welcome the return of  Sunday Stealing. It returned this past weekend, but I had stopped looking for it, so I didn’t notice it until today. I was going to dash through those Questions and then start on the new ones this weekend. My dashing, alas, failed. So here it is. 

1. Where were you three hours ago? Eating breakfast with my wife, which is almost always oatmeal, mostly because it’s quick and dependable in terms of my diet.

2. Make a confession. I recorded the Grammys and the Oscars. Since it was filling up my DVR, I thought maybe I should watch some of this, so I finally watched the Grammys. So that’s who Chappell Roan and Teddy Swims are.

3. Bad habits? Staying up too late. The trick is that when I go to bed and am not tired, I toss and turn for a while; that seems inefficient.

4. Favorite color? Green probably or some variation thereof

5. Can you drive? No, I’ve had seven driver’s permits in my life, 6 in New York State, and one from North Carolina

6. 3 pet peeves: People who block sidewalk access. They park their cars to block part of the sidewalk, or they don’t clean the sidewalk after it snows. Loud music on the bus. Stuff left on the steps that I’m likely to trip over.

7. Last person you hugged: My wife. This was institutionalized in terms of an FBH, once in the morning and once in the evening. The Full-Body Hugs were partly derived because my wife usually goes to bed before I do. Sometimes, I didn’t even know that she had gone to bed, and she didn’t say good night or anything. I felt discombobulated by that.

8. Something you miss. My 401K is melting because of some stupid tariff that someone thinks is going to make America a lot of money.

Alto Knights

9. What song is stuck in your head at the moment? I went to the movies several times in the past couple of months. There’s a tease about a film called The Alto Knights coming out later in March, which I have no intention of seeing. But the trailer uses a song called Natural Blues by Moby from Play, an album I own. Then I discovered that it’s a remix of a Vera Hall song called Trouble So Hard.

10. Favorite quote. I don’t have one, so I Googled one: “Tell me, and I forget. Teach me, and I remember. Involve me, and I learn.” Benjamin Franklin. This is how I learn.

11. Favorite band. I’m going to pick the last group I played, which was the Supremes. Going Down For The Third Time

12. Something you’re excited for. Working on the Project.

13. Favorite movie. IDK. Possibly my favorite recent movie is Conclave. Certainly my favorite short film is The Only Girl in the Orchestra. I recommended the former to my wife and the latter to a blogger buddy, and they both loved the choices.

14. What type of phone do you have? I have an AT&T landline with three locations, one downstairs and two upstairs,  and an iPhone 8 (which I had to look up).

15. Favorite animal: Probably cats. By the way, I liked the movie FLOW very much. I was waiting inside the Spectrum, and some folks talked about it. One woman said it should have had a narrator or subtitles, which would have defeated the film’s purpose.

Movie review: I’m Still Here

Ainda Estou Aqui 

Of all the movies nominated for best picture, the film I’m Still Here (Ainda Estou Aqui  in Portuguese) is the one I knew the least about when I went to the Spectrum Theater in late February to see it. I couldn’t even remember the name, saying to the ticket seller, “It’s the, uh, Brazilian film,” and they knew what I meant.

In 1971, “Brazil faces the tightening grip of a military dictatorship.” You first get a sense of this with a roadway police stop. Eunice (Fernanda Torres) and Rubens (Selton Mell) are living a reasonably comfortable upper-middle-class life. Eunice and Rubens clearly adore each other. They and their five children get along as well as a large family can. Rubens was in the federal legislature in the past but is long retired.

First, Rubens, then Eunice, and briefly, even one of their daughters are taken away and interrogated.  This turns their world upside down, “The film is based on Marcelo Ruben Pavia’s biographical book and tells a true story that helped reconstruct an important part of Brazil’s hidden history.” This true story is just one of many families disrupted by the government. 

Awards

The film won the Oscar for Best International Film. It was also nominated for an Oscar for Best Picture—I preferred it to Anora, FWIW—and Torres was nominated for an Academy Award for Best Actress. She won the Golden Globe for Best Performance by a Female Actor in a Motion Picture—Drama, and justifiably so. Fernanda Montenegro played the older Eunice Paiva in the film; she is the mother of Fernanda Torres.

On Rotten Tomatoes, it received 97% positive reviews from critics and audiences. And it did better box office in the UK than expected.  

David Sims of The Atlantic notes correctly, “By highlighting Eunice’s role as a parent, [director Walter] Salles pushes viewers toward considering the mundanity of living under a dictatorship — and the gnawing nightmare of lacking control in the face of obvious evil.” A strong film. 

Ramblin' with Roger
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